Violin 1 (3(picc).2(cor ang).2.2. - 4.2.3.1. - timp - hp - str) SKU: BR.OB-49...(+)
Violin 1 (3(picc).2(cor
ang).2.2. - 4.2.3.1. -
timp - hp - str)
SKU:
BR.OB-4943-15
Overture to the
Opera. Composed by
Richard Wagner. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Romantic. Part.
8 pages. Duration 9'.
Breitkopf and Haertel #OB
4943-15. Published by
Breitkopf and Haertel
(BR.OB-4943-15).
ISBN
9790004325933. 10 x 12.5
inches.
A work
which offers most
interesting aspects also
for studying, yet it is
so difficult to perform
that only a very correct
and thoroughly edited
score can provide the
orchestral conductor with
the proper presentation,
this is what Wagner
himself determined on 24
May 1860, when with his
third attempt he finally
had found the proper form
for the overture of the
Flying Dutchman. Indeed,
he succeeded in writing a
forceful concert piece
which anticipates the
story of the opera in a
concentrated form: a
dramatic Dutchman theme
with thunderbolt and
storm in Allegro con brio
- and in contrast Senta's
love theme in Andante, d
minor against f major
with the resulting
conflicts and tensions.
It's good that with the
present edition the
conductor can count on a
very correct and
thoroughly edited
score!
Woodwinds (3(picc).2(cor ang).2.2. - 4.2.3.1. - timp - hp - str) SKU: BR.OB-4...(+)
Woodwinds (3(picc).2(cor
ang).2.2. - 4.2.3.1. -
timp - hp - str)
SKU:
BR.OB-4943-30
Overture to the
Opera. Composed by
Richard Wagner. Folder.
Orchester-Bibliothek
(Orchestral Library).
Overture; Romantic. Set
of parts. 82 pages.
Duration 9'. Breitkopf
and Haertel #OB 4943-30.
Published by Breitkopf
and Haertel
(BR.OB-4943-30).
ISBN
9790004325988. 10 x 12.5
inches.
A work
which offers most
interesting aspects also
for studying, yet it is
so difficult to perform
that only a very correct
and thoroughly edited
score can provide the
orchestral conductor with
the proper presentation,
this is what Wagner
himself determined on 24
May 1860, when with his
third attempt he finally
had found the proper form
for the overture of the
Flying Dutchman. Indeed,
he succeeded in writing a
forceful concert piece
which anticipates the
story of the opera in a
concentrated form: a
dramatic Dutchman theme
with thunderbolt and
storm in Allegro con brio
- and in contrast Senta's
love theme in Andante, d
minor against f major
with the resulting
conflicts and tensions.
It's good that with the
present edition the
conductor can count on a
very correct and
thoroughly edited
score!
Double bass (3(picc).2(cor ang).2.2. - 4.2.3.1. - timp - hp - str) SKU: BR.OB...(+)
Double bass
(3(picc).2(cor ang).2.2.
- 4.2.3.1. - timp - hp -
str)
SKU:
BR.OB-4943-27
Overture to the
Opera. Composed by
Richard Wagner. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Romantic. Part.
4 pages. Duration 9'.
Breitkopf and Haertel #OB
4943-27. Published by
Breitkopf and Haertel
(BR.OB-4943-27).
ISBN
9790004325971. 10 x 12.5
inches.
A work
which offers most
interesting aspects also
for studying, yet it is
so difficult to perform
that only a very correct
and thoroughly edited
score can provide the
orchestral conductor with
the proper presentation,
this is what Wagner
himself determined on 24
May 1860, when with his
third attempt he finally
had found the proper form
for the overture of the
Flying Dutchman. Indeed,
he succeeded in writing a
forceful concert piece
which anticipates the
story of the opera in a
concentrated form: a
dramatic Dutchman theme
with thunderbolt and
storm in Allegro con brio
- and in contrast Senta's
love theme in Andante, d
minor against f major
with the resulting
conflicts and tensions.
It's good that with the
present edition the
conductor can count on a
very correct and
thoroughly edited
score!
Violoncello (3(picc).2(cor ang).2.2. - 4.2.3.1. - timp - hp - str) SKU: BR.OB...(+)
Violoncello
(3(picc).2(cor ang).2.2.
- 4.2.3.1. - timp - hp -
str)
SKU:
BR.OB-4943-23
Overture to the
Opera. Composed by
Richard Wagner. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Romantic. Part.
8 pages. Duration 9'.
Breitkopf and Haertel #OB
4943-23. Published by
Breitkopf and Haertel
(BR.OB-4943-23).
ISBN
9790004325964. 10 x 12.5
inches.
A work
which offers most
interesting aspects also
for studying, yet it is
so difficult to perform
that only a very correct
and thoroughly edited
score can provide the
orchestral conductor with
the proper presentation,
this is what Wagner
himself determined on 24
May 1860, when with his
third attempt he finally
had found the proper form
for the overture of the
Flying Dutchman. Indeed,
he succeeded in writing a
forceful concert piece
which anticipates the
story of the opera in a
concentrated form: a
dramatic Dutchman theme
with thunderbolt and
storm in Allegro con brio
- and in contrast Senta's
love theme in Andante, d
minor against f major
with the resulting
conflicts and tensions.
It's good that with the
present edition the
conductor can count on a
very correct and
thoroughly edited
score!
Violin 2 (3(picc).2(cor ang).2.2. - 4.2.3.1. - timp - hp - str) SKU: BR.OB-49...(+)
Violin 2 (3(picc).2(cor
ang).2.2. - 4.2.3.1. -
timp - hp - str)
SKU:
BR.OB-4943-16
Overture to the
Opera. Composed by
Richard Wagner. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Romantic. Part.
8 pages. Duration 9'.
Breitkopf and Haertel #OB
4943-16. Published by
Breitkopf and Haertel
(BR.OB-4943-16).
ISBN
9790004325940. 10 x 12.5
inches.
A work
which offers most
interesting aspects also
for studying, yet it is
so difficult to perform
that only a very correct
and thoroughly edited
score can provide the
orchestral conductor with
the proper presentation,
this is what Wagner
himself determined on 24
May 1860, when with his
third attempt he finally
had found the proper form
for the overture of the
Flying Dutchman. Indeed,
he succeeded in writing a
forceful concert piece
which anticipates the
story of the opera in a
concentrated form: a
dramatic Dutchman theme
with thunderbolt and
storm in Allegro con brio
- and in contrast Senta's
love theme in Andante, d
minor against f major
with the resulting
conflicts and tensions.
It's good that with the
present edition the
conductor can count on a
very correct and
thoroughly edited
score!
Viola (3(picc).2(cor ang).2.2. - 4.2.3.1. - timp - hp - str) SKU: BR.OB-4943-...(+)
Viola (3(picc).2(cor
ang).2.2. - 4.2.3.1. -
timp - hp - str)
SKU:
BR.OB-4943-19
Overture to the
Opera. Composed by
Richard Wagner. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Romantic. Part.
8 pages. Duration 9'.
Breitkopf and Haertel #OB
4943-19. Published by
Breitkopf and Haertel
(BR.OB-4943-19).
ISBN
9790004325957. 10 x 12.5
inches.
A work
which offers most
interesting aspects also
for studying, yet it is
so difficult to perform
that only a very correct
and thoroughly edited
score can provide the
orchestral conductor with
the proper presentation,
this is what Wagner
himself determined on 24
May 1860, when with his
third attempt he finally
had found the proper form
for the overture of the
Flying Dutchman. Indeed,
he succeeded in writing a
forceful concert piece
which anticipates the
story of the opera in a
concentrated form: a
dramatic Dutchman theme
with thunderbolt and
storm in Allegro con brio
- and in contrast Senta's
love theme in Andante, d
minor against f major
with the resulting
conflicts and tensions.
It's good that with the
present edition the
conductor can count on a
very correct and
thoroughly edited
score!
The Fellowship Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1185861-010 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1185861-010
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Set
(Score & Parts). Composed
2018. De Haske
Publications #DHP
1185861-010. Published by
De Haske Publications
(BT.DHP-1185861-010).
English-German-French-
Dutch.
‘The
Fellowship’ is a
musical homage to
friendship and
camaraderie, symbolised
in two alternating,
complementary themes. The
themes are based on
popular songs from two
sister municipalities,
one lying in Normandy
(France), and the other
in Rheinland-Pfalz
(Rhineland-Palatinate,
Germany). Through the
merging of their songs in
this composition, their
bond of friendship is
sealed for eternity.
The
Fellowship staat voor
vriendschap en
kameraadschap. Deze
symboliek komt tot uiting
in twee thema’s,
die elkaar afwisselen en
elkaar aanvullen. Het ene
thema is gebaseerd op een
Frans lied, het andere op
een Duits lied. Beide
zijn populaire liederen
uit twee
partnergemeenten, waarvan
de ene in Normandië
(Frankrijk) ligt, en de
andere in Rheinland-Pfalz
(Duitsland). Door de
samensmelting van hun
liederen in deze
compositie wordt hun
vriendschapsband voor
altijd
beklonken.
The
Fellowship ist eine
musikalische Hommage auf
die Freundschaft und
Kameradschaft. Diese
Symbolik wird durch zwei
Themen dargestellt, die
sich abwechseln und
gegenseitig ergänzen.
Die beiden Themen
basieren auf zwei Liedern
aus einer deutschen Stadt
und aus einer
französischen
Partnerstadt. Das
Verschmelzen der beiden
Lieder in dieser
Komposition symbolisiert
ihre immerwährende
Freundschaft.
The
Fellowship
(L’amicizia) è
un omaggio musicale
all'amicizia,
simboleggiata da due temi
che si alternano e si
completano a vicenda. Un
tema è basato su una
canzone popolare
francesee una tedesca di
due comuni gemellati,
situati in Normandia
(Francia) e a
Rheinland-Pfalz
(Renania-Palatinato,
Germania). Attraverso la
fusione delle due
canzoni, il legame di
amicizia è stretto per
l'eternit .
The Fellowship Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1185861-140 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1185861-140
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Score
Only. Composed 2018. 12
pages. De Haske
Publications #DHP
1185861-140. Published by
De Haske Publications
(BT.DHP-1185861-140).
English-German-French-
Dutch.
‘The
Fellowship’ is a
musical homage to
friendship and
camaraderie, symbolised
in two alternating,
complementary themes. The
themes are based on
popular songs from two
sister municipalities,
one lying in Normandy
(France), and the other
in Rheinland-Pfalz
(Rhineland-Palatinate,
Germany). Through the
merging of their songs in
this composition, their
bond of friendship is
sealed for eternity.
The
Fellowship staat voor
vriendschap en
kameraadschap. Deze
symboliek komt tot uiting
in twee thema’s,
die elkaar afwisselen en
elkaar aanvullen. Het ene
thema is gebaseerd op een
Frans lied, het andere op
een Duits lied. Beide
zijn populaire liederen
uit twee
partnergemeenten, waarvan
de ene in Normandië
(Frankrijk) ligt, en de
andere in Rheinland-Pfalz
(Duitsland). Door de
samensmelting van hun
liederen in deze
compositie wordt hun
vriendschapsband voor
altijd
beklonken.
The
Fellowship ist eine
musikalische Hommage auf
die Freundschaft und
Kameradschaft. Diese
Symbolik wird durch zwei
Themen dargestellt, die
sich abwechseln und
gegenseitig ergänzen.
Die beiden Themen
basieren auf zwei Liedern
aus einer deutschen Stadt
und aus einer
französischen
Partnerstadt. Das
Verschmelzen der beiden
Lieder in dieser
Komposition symbolisiert
ihre immerwährende
Freundschaft.
The
Fellowship
(L’amicizia) è
un omaggio musicale
all'amicizia,
simboleggiata da due temi
che si alternano e si
completano a vicenda. Un
tema è basato su una
canzone popolare
francesee una tedesca di
due comuni gemellati,
situati in Normandia
(Francia) e a
Rheinland-Pfalz
(Renania-Palatinato,
Germania). Attraverso la
fusione delle due
canzoni, il legame di
amicizia è stretto per
l'eternit .
SKU: SU.00220292 Composed by Richard Wagner. Strings, Contrabass. CD (PDF...(+)
SKU: SU.00220292
Composed by Richard
Wagner. Strings,
Contrabass. CD (PDF
Scores). CD Sheet Music
#00220292. Published by
CD Sheet Music
(SU.00220292).
The complete
Double Bass parts
[CD-ROM] for the 6
orchestral works and 4
operas included in The
Orchestra Musician's
CD-ROM Libraryâ„¢,
Volume 11: Wagner, Part 1
(Orchestral Works & Early
Operas). If these parts
were purchased
separately, this
collection could cost
$500.00 or more. Parts
are easily viewable and
printable on either PC or
Mac using embedded
Adobe® Reader
technology. Contents:
Orchestral Works & Early
Operas Symphony in C
Major A Faust Overture
Rienzi Overture
Wesendonck Songs [1. Der
Engel (Mottl); 2. Stehe
still (Mottl); 3. Im
Treibhaus (Mottl); 4.
Schmerzen (Mottl); 5.
Träume (Wagner)]
Siegfried Idyll American
Centennial March (Grosser
Festmarsch) Der Fliegende
Holländer (The Flying
Dutchman) Tannhaüser
Lohengrin Tristan und
Isolde Visit for more
information
Ple
ase note, customers using
Macintosh computers
running macOS Catalina
(version 10.5) have
reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac.
Piano SKU: BT.BOE7935 Songbook. Composed by Hauschka. Contemporary...(+)
Piano
SKU:
BT.BOE7935
Songbook. Composed
by Hauschka. Contemporary
Music. Book Only.
Composed 2019. 80 pages.
Bosworth & Co. #BOE7935.
Published by Bosworth &
Co. (BT.BOE7935).
ISBN
9783954562008.
German.
Known
professionally as
Hauschka, composer Volker
Bertelmann has catapulted
himself into the top tier
of instrumental
composers. This is
proven, not least, by the
Oscar nomination which he
received for his
soundtrack to the2016
film Lion.
In his
latest album A Different
Forest, released on 8
February 2019 at Sony
Classical, Hauschka takes
the forest as a contrast
to the urban life. The
names of the pieces, such
as 'Talking To My
Father',testify equally
that those natural
experiences are
metaphorical of the
important things in
life.
For this
album Hauschka renounces
entirely his prepared
Piano. The existential
questions which he
musically poses,
however,donot lose their
intensity, but rather,
without the alienation by
electronic elements, gain
urgency.
In
addition to the 13 LP
tracks, this songbook for
Piano also contains three
exclusive arrangements of
previouslyunreleased
songs: 'Collecting
Stones', 'Loosing
Directions' and 'Misty
Day'.
Volker
Bertelmann aka Hauschka
lanceerde zichzelf naar
top van de instrumeantele
componisten, niet in het
minste door zijn
oscar-nominatie die hij
ontving voor zijn
soundtrack bij de film
Lion. In zijn laatste
album A Different Forest
- uitgebracht op 8
februari 2019 - gebruikt
hij het bos als een
contrast met het
stadsleven.
Titels
zoals Talking To My
Father tonen dat deze
ervaringen in de natuur
metaforen zijn voor
belangrijke
gebeurtenissen in het
leven. Dit songbook voor
piano bevat, naast de 13
nummers van de LP,
eneneens 3 exclusieve
bewerkingen van tot nu
onuitgebrachte nummers:
Collecting Stones,
Losing Directions and
Misty
Day.
Volker
Bertelmann alias Hauschka
hat sich mittlerweile in
die oberste Riege der
Instrumentalkomponisten
katapultiert. Dies
beweist nicht zuletzt die
Oscar-Nominierung, die er
für seinen Soundtrack
zum Film Lion“
erhielt. In seinem
neusten Album A Different
Forest“ am 08.
Februar 2019 bei Sony
Classical erschienen
nimmt er sich dem Wald
als Kontrastraum zum
städtischen Leben an.
Titelnamen wie Talking
To My Father bezeugen
gleichermaßen, dass
jene Naturerfahrungen
metaphorisch für die
wichtigen Dinge des
Lebens stehen. Für
dieses Album verzichtet
Hauschka gänzlich auf
sein präpariertes
Klavier. Die
existentiellen Fragen,
denen er sich musikalisch
stellt, verlieren
hierdurch aber nicht an
Intensität, sondern
gewinnen ohne die
Verfremdung durch
elektronische Elemente
vielmehr an
Dringlichkeit. Dieses
Songbook für Klavier
enthält neben den 13
Titeln der LP drei
exklusive Arrangements
bisher
unveröffentlichter
Songs: Collecting
Stones, Losing
Directions und
Misty
Day.
Volker
Bertelmann aka Hauschka
si è portato a un
livello superiore dei
compositori strumentali.
Questo non è subito
evidente nella colonna
sonora del film Lion, per
cui ha ricevuto una
candidatura all' Oscar,
ma nel suo ultimo album A
Different Forest - uscito
l'8 febbraio 2019 - in
cui utilizza l'immagine
della foresta come
contrasto con la vita
urbana.
Titoli come
Talking to My
Father testimoniano
allo stesso modo che
tutte quelle esperienze
della natura sono
metafore di eventi
importanti della vita.
Questo canzoniere per
pianoforte contiene,
oltre ai 13 brani
dell'LP, tre
arrangiamenti esculisivi
di canzoni inedite:
Collecting Stones,
Losing Directions e
Misty Day.
Men's choir (TTBB) a cappella - easy SKU: HL.49019643 Sailor's song fr...(+)
Men's choir (TTBB) a
cappella - easy
SKU:
HL.49019643
Sailor's song from The
Flying Dutchman.
Composed by Richard
Wagner. This edition:
Saddle stitching. Sheet
music. Choral. Octavo. 6
pages. Duration 3'.
Schott Music #C55509.
Published by Schott Music
(HL.49019643).
(HC) SKU: HL.49033205 Carl Maria von Weber und die Schauspielmusik sei...(+)
(HC)
SKU:
HL.49033205
Carl
Maria von Weber und die
Schauspielmusik seiner
Zeit. Composed by
Peteris Vasks. Edited by
Dagmar Beck and Frank
Ziegler. This edition:
Hardback/Hard Cover.
Book. Edition Schott. 332
pages. Schott Music #ED
9623. Published by Schott
Music (HL.49033205).
ISBN 9783795703837.
German.
Bis vor
wenigen Jahren wurde der
Schauspielmusik,
abgesehen von einzelnen
herausragenden Werken,
von der Musikwissenschaft
kaum Beachtung geschenkt;
eine historiographische
Gesamtdarstellung bzw.
editorische
Auseinandersetzung steht
noch aus. Gerade das
letzte Drittel des 18.
und das erste Drittel des
19. Jahrhunderts konnen
als eine Blutezeit der
Schauspielmusik angesehen
werden. In diesen
Jahrzehnten entstand
nicht nur eine
unuberschaubare Menge
solcher Kompositionen;
die Problematik der
musikalischen Untermalung
bzw. Bereicherung des
Sprechtheaters wurde auch
im asthetischen Diskurs,
anknupfend an Gottsched,
Scheibe und Lessing,
immer wieder
thematisiert. Am Beispiel
ausgewahlter Buhnenwerke,
beginnend mit
Kompositionen von Johann
Andre, G. J. Vogler und
J. F. Reichardt bis hin
zu Mendelssohn, Lortzing
und Wagner, wird
deutlich, wie
verschiedenartig die
Anspruche von Autoren und
Theaterleitern in Bezug
auf die Schauspielmusik
sein konnten, und wie die
unterschiedlichen
Moglichkeiten der
Theater-Ensembles die
Komponisten
beeinflussten. Die Spanne
reicht von weitgehend
beliebigen Arrangements
mit grosstmoglichem
'Wiederverwendungswert'
bis hin zu gross
angelegten 'analogen', d.
h. ausschliesslich auf
ein bestimmtes Schauspiel
bezogenen, vorbildhaften
Kompositionen (z. B.
Beethovens Egmont, Webers
Preciosa, Mendelssohns
Sommernachtstraum-Musik).
Besonderes Interesse gilt
der Problematik der
Edition von
Schauspielmusiken, die
durch ihre enge Bindung
an das Drama einen
fachubergreifenden
Austausch unter
Literatur-, Theater- und
Musikwissenschaftlern
erforderlich macht. Hier
zeigt sich, dass kaum
eine 'Patentlosung' zu
finden ist; vielmehr
stellt jeder Komponist,
jedes Werk andere
Anspruche an den Editor.
Ausgehend von einem
Grundkonsens, der die
wechselseitige
Bedingtheit von Drama und
Musik unterstreicht,
fuhren nur individuelle,
vom einzelnen Werk
ausgehende Strategien zu
einer adaquaten
Wiedergabe in der
Edition.