For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Traditional pop and vocal standards. Series: Hal Leonard Fake Books. 424 pages. 9x12 inches. Published by Hal Leonard.

Choral SSA choir

SKU: CF.CM9580

Composed by Richard Rasch. Arranged by Richard Rasch. Fold. Performance Score. 4 pages. Duration 2 minutes, 42 seconds. Carl Fischer Music #CM9580. Published by Carl Fischer Music (CF.CM9580).

ISBN 9781491154021. UPC: 680160912520. 6.875 x 10.5 inches. Key: D mixolydian. English, Latin. 15th Century Medieval Carol.

The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherds response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compassthe distance between the highest and lowest noteis at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.
The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherdas response in the gospel of Luke 2:15, Transeamus. Latin phraseA translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compassathe distance between the highest and lowest noteais at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.
The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd's response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass--the distance between the highest and lowest note--is at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.
The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd's response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pares forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass--the distance between the highest and lowest note--is at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.
The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written.The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd’s response in the gospel of Luke 2:15, Transeamus.Latin phrase  translation sourceAlleluia Alleluia LaetabundusRes miranda A thing to be wondered at LaetabundusPares forma of equal form LaetabundusGaudeamus Let us rejoice! GaudeamusTranseamus Let us go Luke 2:15The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty.The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists.Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass—the distance between the highest and lowest note—is at its widest.The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.

Melody, Lyrics and Simplified Chords in the Key of C. Composed by Various. Easy Fake Book. Softcover. 112 pages. Published by Hal Leonard

Piano, Vocal and Guitar

SKU: BT.MUSAM971531

Book Only. Wise Publications #MUSAM971531. Published by Wise Publications (BT.MUSAM971531).

ISBN 9780711989900.

E verybody's favourite Christmas carols and songs in one wonderfully practical and convenient edition creates The Best Christmas Songbook Ever (A5 Format), featuring 49 songs arranged for Piano, VoiceandGuitar. 

Every member of the family is catered for, young and old, with a selection of favourites covering the traditional classics that make the season special like Away In A Manger, We Three Kings OfOrientAre and O Come, All Ye Faithful. Not only this, but more recent pop tunes are represented such as I Wish It Could Be Christmas Every Day, Last Christmas and Santa ClausIsComing To Town. The generous selection of songs from old carols to new tunes makes this the perfect book for you this Christmas, so you can begin Christmas Eve with the classic carols and bring in Christmas Day with thefuncontemporary pop. 

The accessible arrangements of lyrics, melody, Piano and Guitar chords mean that you don't have to spend too much time practising before family and friends can gather around the Piano for aChristmassing-along. Because this songbook has everything, you can keep it as part of your music collection and dig it out every year for those times when the family can gather around and sing the songs that get you into thespirit of theseason. 

For the best and most varied collection of Christmas songs ever compiled, from old to new, classic to contemporary, pick up The Best Christmas Songbook Ever, and put a Yuletidesmile on theface of everyone with these universally loved tunes.

You can also purchase this book in its larger, standardsize for abumper-sized Yuletide.

Carols for Choirs 1 (Fifty Christmas Carols). By Jacques and Willcocks. Edited by Reginald Jacques, David Willcocks. For mixed choir. Mixed Voices. ...for Choirs Collections. Christmas, Choral Collection. Choral collection. 192 pages. Published by Oxford University Press

Carols for Choirs 2 by David Willcocks and John Rutter (1945-). Edited by David Willcocks, John Rutter. For mixed choir. Mixed Voices. ...for Choirs Collections. Christmas, Choral Collection. Choral collection. 224 pages. Published by Oxford University Press

(Fifty Christmas Carols). By Bob Chilcott; David Blackwell. For SATB choir, accompanied and unaccompanied. Mixed Voices. ...for Choirs Collections. Christmas, Choral Collection. Spiral-bound paperback. 240 pages. Published by Oxford University Press

Arranged by Dan Forrest. For SATB choir and piano. Traditional Austrian Carol. Sacred, Christian. Octavo. 8 pages

For voice. C Edition. Format: fake book. With vocal melody, lyrics and chord names. Christmas and holiday. Series: Hal Leonard Fake Books. 157 pages. 9x12 inches. Published by Hal Leonard.

Fake book for voice and C instrument. With vocal melody, lyrics, chord names and guitar chord diagrams. Series: Hal Leonard Paperback Songs. 255 pages. Published by Hal Leonard.

(Fifty Christmas Carols). By Bob Chilcott; David Blackwell. For SATB choir accompanied and unaccompanied. Mixed Voices. ...for Choirs Collections. Christmas, Choral Collection. Paperback. 240 pages. Published by Oxford University Press

120 Songs for Easy Guitar. By Various. Easy Guitar (Simplified arrangements for guitar). Size 9x12 inches. 111 pages. Published by Hal Leonard.

200 Holiday Favorites. Composed by Various. Fake Book. Softcover. 288 pages. Published by Hal Leonard

Piano (Piano)

SKU: HL.14003415

Arranged by Carol Barratt. Music Sales America. Tuition. Book [Softcover]. 64 pages. Chester Music #CH71775. Published by Chester Music (HL.14003415).

ISBN 9781846097355. UPC: 884088433659. 9.0x12.0x0.204 inches. English.

More than forty favourite Christmas songs and carols for the beginning pianist, arranged by Carol Barratt. Many of the songs include both the English and American versions of the traditional carols. Carols include lyrics and chord symbols and are ideal for use alongside The Classic Piano Course books 1 and 2.

By Carol Barratt. For Piano. Folk, Blues, Classical. 64 pages. Published by Music Sales

For voice and guitar. Format: fakebook. With vocal melody, lyrics, guitar tablature, chord names, guitar chord diagrams and strum and pick patterns. Christmas and holiday. Series: Hal Leonard Fake Books. 189 pages. 9x12 inches. Published by Hal Leonard.

100 Carols for Choirs by David Willcocks; John Rutter. For Mostly SATB and piano. Mixed Voices. . . . for Choirs Collections. Advent, Christmas, Epiphany, Easter, Sacred, Secular. Paperback. 388 pages. Published by Oxford University Press

With Suggested Chordal Accompaniment. Composed by William Bay. Flute, Fife and Oboe,Guitar: Gospel and Sacred,Style,Duets and Ensembles,Solos,Duets and Ensemble,Solos,Holiday: Christmas. 100 Hymns. Book. 124 pages. Published by Mel Bay Publications, Inc

With Suggested Chordal Accompaniment. Composed by William Bay. Guitar: Gospel and Sacred,Style,Trumpet and Bugle,Duet and Ensembles,Solos,Duets and Ensemble,Solos,Holiday: Christmas. 100 Hymns. Book. 124 pages. Published by Mel Bay Publications, Inc

Choral (Studiotrax CD)

SKU: HL.294951

Arranged by Joseph M. Martin. Shawnee Sacred. Christmas, General Worship, Sacred. CD. Duration 390 seconds. Published by Shawnee Press (HL.294951).

UPC: 888680944490. 5.0x5.0x0.145 inches. Luke 2:14, Matthew 2:10.

This dazzling menagerie of festive carols from the cantata And There Was Light will add sparkle to your Christmas program. The seasonal spirit is alive and well from the first notes of the extended introduction to the final triumphant chords. Arranged for success, these colorful carols celebrate the birth of Christ with a glorious sweep of sound and message. A must-do finale for Christmas concerts! Songs include: Ding Dong! Merrily on High; While Shepherds Watched Their Flocks by Night; Hark! The Herald Angels Sing; Joy to the World. Score and Parts for Full Orchestra (fl 1-2, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, tba, timp, perc 1-2, hp, vn 1-2, va, vc, db) available as a digital download. Score and Parts for Consort (fl, cl, tpt 1-2, tbn, perc, kybd) also available as a digital download.

For Piano, Vocal, Guitar, Electronic Keyboard and All C Instruments. Composed by Various. Fake Book. Softcover. 232 pages. Published by Hal Leonard