String Quartet

SKU: BR.DV-4261

Complete Works. Composed by Felix Bartholdy Mendelssohn. Chamber music; Linen. Deutscher Verlag.

Editorial Board: Christian Martin Schmidt (chairman), Peter Ward Jones, Friedhelm Krummacher, R. Larry Todd, Ralf Wehner; research associates: Ralf Wehner, Clemens Harasim, Birgit Muller

Romantic period. Complete Works. 336 pages. Deutscher Verlag fur Musik #DV 4261. Published by Deutscher Verlag fur Musik (BR.DV-4261).

ISBN 9790200440119. 9 x 12 inches.

The Leipziger Ausgabe der Werke von Felix Mendelssohn Bartholdy pursues the goal of making accessible to the public in an adequately scholarly form all of Mendelssohn's accessible compositions, letters and writings, along with all other documents of his artistic oeuvre. A considerable number of Mendelssohn's works are still waiting to be published; many others have been published in an unsatisfactory manner.Though the new Mendelssohn Complete Edition follows the ten volumes of the Leipziger Mendelssohn Ausgabe (LMA) published by the Deutscher Verlag fur Musik (DVfM) in Leipzig since 1961, it sees itself as a fundamentally new conception which reflects the present-day standard of scholarly editions.The first volumes of the new Complete Edition were presented in Leipzig on 3 November 1997 at Mendelssohn Festtage in Leipzig.SON 411 - 413 have been awarded the German Music Edition Prize 2006.

Editorial Board: Christian Martin Schmidt (chairman), Peter Ward Jones, Friedhelm Krummacher, R. Larry Todd, Ralf Wehner; research associates: Ralf Wehner, Clemens Harasim, Birgit Muller Price reduction for a subscription.

SAB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3118714

Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Cantatas, Easter and Eastertide, Whitsun. Single Part, basso continuo. Composed 1726. BWV 187. 12 pages. Duration 25 minutes. Carus Verlag #CV 31.187/14. Published by Carus Verlag (CA.3118714).

ISBN 9790007209995. Text language: German/English.

The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score and part available separately - see item CA.3118700.

SAB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3118713

Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Cantatas, Easter and Eastertide, Whitsun. Single Part, Viola. Composed 1726. BWV 187. 8 pages. Duration 25 minutes. Carus Verlag #CV 31.187/13. Published by Carus Verlag (CA.3118713).

ISBN 9790007209988. Text language: German/English.

The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score and part available separately - see item CA.3118700.

SAB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3118712

Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Cantatas, Easter and Eastertide, Whitsun. Single Part, Violin 2. Composed 1726. BWV 187. 12 pages. Duration 25 minutes. Carus Verlag #CV 31.187/12. Published by Carus Verlag (CA.3118712).

ISBN 9790007209971. Text language: German/English.

The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score and part available separately - see item CA.3118700.

SAB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3118711

Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Cantatas, Easter and Eastertide, Whitsun. Single Part, Violin 1. Composed 1726. BWV 187. 12 pages. Duration 25 minutes. Carus Verlag #CV 31.187/11. Published by Carus Verlag (CA.3118711).

ISBN 9790007209964. Text language: German/English.

The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score and part available separately - see item CA.3118700.

SAB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3118700

Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Stuttgart Urtext Edition: Bach vocal. Cantatas, Easter and Eastertide, Whitsun. Full score. Composed 1726. BWV 187. 48 pages. Duration 25 minutes. Carus Verlag #CV 31.187/00. Published by Carus Verlag (CA.3118700).

ISBN 9790007171650. Language: German/English.

The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235.

ST(A)TBar vocal soli, ST(A)TBarB choir, 2 flutes, 2 oboes, 2 violins, 2 violas, basso continuo

SKU: CA.2103003

Psalm 129. Motet a grand choeur. Composed by Andre Campra. Edited by Jean-Paul C. Montagnier. French Sacred Music. Sacred vocal music, Motets, Psalms, Latin, Mourning, death. Vocal score. 36 pages. Carus Verlag #CV 21.030/03. Published by Carus Verlag (CA.2103003).

ISBN 9790007164096. Text language: Latin.

In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, Andre Campra (1660-1744) composed numerous motets which frequently displayed the influence of contemporary opera. If today Campra is known almost exclusively for his famous Requiem, nevertheless his more than forty motets composed for soli, choir and orchestra are still awaiting discovery. Among these is a setting of Psalm 129, De profundis, published here in a new critical edition after the autograph score. The work was composed in 1723 during the first months of Campra's service to the French king and it proves to be the equal to the compositions of Michel-Richard de Lalande, who during his lifetime shaped and dominated the genre of the Grand Motet.. Score available separately - see item CA.2103000.

ST(A)TBar vocal soli, ST(A)TBarB choir, 2 flutes, 2 oboes, 2 violins, 2 violas, basso continuo

SKU: CA.2103005

Psalm 129. Motet a grand choeur. Composed by Andre Campra. Edited by Jean-Paul C. Montagnier. French Sacred Music. Sacred vocal music, Motets, Psalms, Latin, Mourning, death. Choral Score. 16 pages. Carus Verlag #CV 21.030/05. Published by Carus Verlag (CA.2103005).

ISBN 9790007166489. Text language: Latin.

In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, Andre Campra (1660-1744) composed numerous motets which frequently displayed the influence of contemporary opera. If today Campra is known almost exclusively for his famous Requiem, nevertheless his more than forty motets composed for soli, choir and orchestra are still awaiting discovery. Among these is a setting of Psalm 129, De profundis, published here in a new critical edition after the autograph score. The work was composed in 1723 during the first months of Campra's service to the French king and it proves to be the equal to the compositions of Michel-Richard de Lalande, who during his lifetime shaped and dominated the genre of the Grand Motet.. Score available separately - see item CA.2103000.

Orchestra SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ

SKU: CA.1036412

O Heiland, reiss die Himmel auf. Composed by Max Bruch. Edited by Minkus Teske. Violin 2. Sacred vocal music, Cantatas, Advent. Single Part, Violin 2. Composed 1868/1869. Op. 29. 8 pages. Duration 14 minutes. Carus Verlag #CV 10.364/12. Published by Carus Verlag (CA.1036412).

ISBN 9790007190392. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.

Max Bruch succeeded in composing an impressive setting of the well known Advent text, O Heiland, reiss die Himmel auf (O Saviour, tear open the heavens). Compositionally it is extremely sophisticated in its construction; Bruch combines both the choir and orchestra in a powerfully expressive and moving portrayal of mankind waiting for the coming of the Saviour. Following the premiere of the work in 1869 it was celebrated as Bruch's most important choral work, but later it fell largely into oblivion. Almost 150 years after it was composed, for the first time a critical-scholarly edition is now available to the public. Score and part available separately - see item CA.1036400.

Orchestra SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ

SKU: CA.1036411

O Heiland, reiss die Himmel auf. Composed by Max Bruch. Edited by Minkus Teske. Violin 1. Sacred vocal music, Cantatas, Advent. Single Part, Violin 1. Composed 1868/1869. Op. 29. 8 pages. Duration 14 minutes. Carus Verlag #CV 10.364/11. Published by Carus Verlag (CA.1036411).

ISBN 9790007190385. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.

Max Bruch succeeded in composing an impressive setting of the well known Advent text, O Heiland, reiss die Himmel auf (O Saviour, tear open the heavens). Compositionally it is extremely sophisticated in its construction; Bruch combines both the choir and orchestra in a powerfully expressive and moving portrayal of mankind waiting for the coming of the Saviour. Following the premiere of the work in 1869 it was celebrated as Bruch's most important choral work, but later it fell largely into oblivion. Almost 150 years after it was composed, for the first time a critical-scholarly edition is now available to the public. Score and part available separately - see item CA.1036400.

Orchestra SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ

SKU: CA.1036405

O Heiland, reiss die Himmel auf. Composed by Max Bruch. Edited by Minkus Teske. Sacred vocal music, Cantatas, Advent. Choral Score. Composed 1868/1869. Op. 29. 12 pages. Duration 14 minutes. Carus Verlag #CV 10.364/05. Published by Carus Verlag (CA.1036405).

ISBN 9790007166540. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.

Max Bruch succeeded in composing an impressive setting of the well known Advent text, O Heiland, reiss die Himmel auf (O Saviour, tear open the heavens). Compositionally it is extremely sophisticated in its construction; Bruch combines both the choir and orchestra in a powerfully expressive and moving portrayal of mankind waiting for the coming of the Saviour. Following the premiere of the work in 1869 it was celebrated as Bruch's most important choral work, but later it fell largely into oblivion. Almost 150 years after it was composed, for the first time a critical-scholarly edition is now available to the public. Score available separately - see item CA.1036400.

Orchestra SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ

SKU: CA.1036415

O Heiland, reiss die Himmel auf. Composed by Max Bruch. Edited by Minkus Teske. Double bass. Sacred vocal music, Cantatas, Advent. Single Part, Double Bass. Composed 1868/1869. Op. 29. 4 pages. Duration 14 minutes. Carus Verlag #CV 10.364/15. Published by Carus Verlag (CA.1036415).

ISBN 9790007190422. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.

Max Bruch succeeded in composing an impressive setting of the well known Advent text, O Heiland, reiss die Himmel auf (O Saviour, tear open the heavens). Compositionally it is extremely sophisticated in its construction; Bruch combines both the choir and orchestra in a powerfully expressive and moving portrayal of mankind waiting for the coming of the Saviour. Following the premiere of the work in 1869 it was celebrated as Bruch's most important choral work, but later it fell largely into oblivion. Almost 150 years after it was composed, for the first time a critical-scholarly edition is now available to the public. Score and part available separately - see item CA.1036400.

Orchestra SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ

SKU: CA.1036403

O Heiland, reiss die Himmel auf. Composed by Max Bruch. Edited by Minkus Teske. Sacred vocal music, Cantatas, Advent. Vocal score. Composed 1868/1869. Op. 29. 24 pages. Duration 14 minutes. Carus Verlag #CV 10.364/03. Published by Carus Verlag (CA.1036403).

ISBN 9790007166533. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.

Max Bruch succeeded in composing an impressive setting of the well known Advent text, O Heiland, reiss die Himmel auf (O Saviour, tear open the heavens). Compositionally it is extremely sophisticated in its construction; Bruch combines both the choir and orchestra in a powerfully expressive and moving portrayal of mankind waiting for the coming of the Saviour. Following the premiere of the work in 1869 it was celebrated as Bruch's most important choral work, but later it fell largely into oblivion. Almost 150 years after it was composed, for the first time a critical-scholarly edition is now available to the public. Score available separately - see item CA.1036400.

Orchestra SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ

SKU: CA.1036413

O Heiland, reiss die Himmel auf. Composed by Max Bruch. Edited by Minkus Teske. Viola. Sacred vocal music, Cantatas, Advent. Single Part, Viola. Composed 1868/1869. Op. 29. 8 pages. Duration 14 minutes. Carus Verlag #CV 10.364/13. Published by Carus Verlag (CA.1036413).

ISBN 9790007190408. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.

Max Bruch succeeded in composing an impressive setting of the well known Advent text, O Heiland, reiss die Himmel auf (O Saviour, tear open the heavens). Compositionally it is extremely sophisticated in its construction; Bruch combines both the choir and orchestra in a powerfully expressive and moving portrayal of mankind waiting for the coming of the Saviour. Following the premiere of the work in 1869 it was celebrated as Bruch's most important choral work, but later it fell largely into oblivion. Almost 150 years after it was composed, for the first time a critical-scholarly edition is now available to the public. Score and part available separately - see item CA.1036400.

Orchestra SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ

SKU: CA.1036409

O Heiland, reiss die Himmel auf. Composed by Max Bruch. Edited by Minkus Teske. 1x 10.364/21 flute 1, 1x 10.364/22 flute 2, 1x 10.364/23 oboe 1, 1x 10.364/24 oboe 2, 1x 10.364/25 clarinet 1, 1x 10.364/26 clarinet 2, 1x 10.364/27 bassoon 1, 1x 10.364/28 bassoon 2, 1x 10.364/31 horn 1, 1x 10.364/32 horn 2, 1x 10.364/33 horn 3, 1x 10.36. Harmony parts. Sacred vocal music, Cantatas, Advent. Set of Orchestra Parts. Composed 1868/1869. Op. 29. Duration 14 minutes. Carus Verlag #CV 10.364/09. Published by Carus Verlag (CA.1036409).

ISBN 9790007190378. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.

Max Bruch succeeded in composing an impressive setting of the well known Advent text, O Heiland, reiss die Himmel auf (O Saviour, tear open the heavens). Compositionally it is extremely sophisticated in its construction; Bruch combines both the choir and orchestra in a powerfully expressive and moving portrayal of mankind waiting for the coming of the Saviour. Following the premiere of the work in 1869 it was celebrated as Bruch's most important choral work, but later it fell largely into oblivion. Almost 150 years after it was composed, for the first time a critical-scholarly edition is now available to the public. Score and parts available separately - see item CA.1036400.