Originally Performed by Evanescence. Composed by Ben Moody, Amy Lee, and ...(+)
Originally Performed
by Evanescence.
Composed by Ben Moody,
Amy Lee, and David
Hodges. Arranged by for
Vitamin String Quartet by
Thomas Tally. Part(s);
Score; String Orchestra.
Pop Concert String
Orchestra. Pop/Rock. 124
pages. Published by
Alfred Music (AP.43780).
Bring Me to Life Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] - Intermédiaire Alfred Publishing
(Originally Performed by Evanescence). Composed by Ben Moody, Amy Lee, and Da...(+)
(Originally Performed by
Evanescence). Composed by
Ben Moody, Amy Lee, and
David Hodges. Arranged by
for Vitamin String
Quartet
by Thomas Tally.
Orchestra.
Score; String Orchestra.
Pop
Concert String Orchestra.
Pop/Rock. Grade 3.5. 20
pages. Published by
Alfred
Music
(Divertimento teatrale in one act). Composed by Antonio Salieri (1750-1825). Edi...(+)
(Divertimento teatrale in
one act). Composed by
Antonio Salieri
(1750-1825). Edited by
Thomas Betzwieser. For 2
soprano voice solos/2
bass voice solos/2
oboes/2 clarinets/2
bassoons/2 horns/2
trumpets/2
violins/viola/double
bass/basso continuo. This
edition: Urtext edition.
Paperback. Level 3. Piano
reduction. Language:
Italian/German, Text
Language: German/English.
Duration 1 hour, 15
minutes. Published by
Baerenreiter Verlag
SKU: BR.SON-507 Hanns Eisler Complete Edition, Series IV, Volume 7 - N...(+)
SKU: BR.SON-507
Hanns Eisler Complete
Edition, Series IV,
Volume 7 - Nonets.
Composed by Hanns Eisler.
Edited by Thomas Ahrend.
Hardback. Complete Works.
Early modern; Music
post-1945. Complete
Works. 244 pages.
Breitkopf and Haertel
#SON 507. Published by
Breitkopf and Haertel
(BR.SON-507).
ISBN
9790004802908. 9 x 12
inches.
Editorial
BoardThomas Phleps
(Music), Georg Witte
(Writings)Editorial
MembersMusic: Oliver
Dahin / Johannes C. Gall,
Writings: Maren
KosterEditorial
CommitteeMusic: Hartmut
Fladt, Werner Grunzweig,
Elmar Juchem, Roland
Kluttig, Giselher
SchubertWritings:
Albrecht Betz, Albrecht
Riethmuller, Jurgen
Schebera, Friederike
WissmannThe editorial
works are supported by
the Deutsche
Forschungsgemeinschaft.Sp
ecial volumes are made
possible with the support
of the following
foundations:Klockner-Stif
tung, Lotto-Stiftung,
Hanns und Steffy Eisler
StiftungThe goal of the
Hanns Eisler Complete
Edition (HEGA) is to
present to the public all
available compositions,
writings and letters in
an appropriately
scholarly form. It takes
a historico-critical
approach and seeks to
document the history of
the works and writings by
shedding light on their
transformations, thus
identifying the various
versions as witnesses of
evolving aesthetic and
historical positions.
Eislers complete oeuvre
(only a limited number of
his works had penetrated
the publics awareness up
until the 1990s) first
became the object of an
editorial undertaking
when the Eisler -
Gesammelte Werke (EGW)
was founded by Nathan
Notowicz. It was later
placed under the
direction of Manfred
Grabs and Eberhardt
Klemm, and began issuing
its publications in 1968
through the intermediary
of the Deutscher Verlag
fur Musik in Leipzig.
However, only four
volumes of music and five
volumes of writings were
published. The Hanns
Eisler Complete Edition
pursues the work begun at
that time, although it
has had to fundamentally
revise its editorial
principles. In this
respect, the Hanns Eisler
Complete Edition can be
considered as a
completely new editorial
undertaking. It became
necessary to reconceive
the organization of the
volumes and series as
well as the editorial
guidelines in order to
adapt the standards of
historico-critical
editing generally
applicable today to the
specific and sometimes
singular circumstances of
Eislers works.The
Critical Commentaries
pertaining to the main
volumes follow the music
section or, whenever they
are too extensive, appear
in a special
volume.Series I: Choral
MusicSeries II: Music for
Voice and Instrumental
Ensemble or
OrchestraSeries III:
Music for Voice and
PianoSeries IV:
Instrumental MusicSeries
V: Incidental MusicSeries
VI: Film MusicSeries VII:
Sketches and
FragmentsSeries VIII:
Arrangements of works by
other composersSeries IX:
Writings, Letters and
InterviewsSON 501 has
been awarded the German
Music Edition Prize
2003.SON 502 has been
awarded the German Music
Edition Prize
2007.
The major
upheavals that
transformed society and
musical aesthetics during
the first half of the
20th century also
profoundly affected the
life of Hanns Eisler, as
well as his compositions
and writings. The
importance and scope of
Eislers oeuvre are reason
enough to make his works
accessible to musical
scholarship and practice
in a comprehensive
fashion. Price reduction
for a subscription.
Divertimento teatrale
in one act. Operetta for
four voices. Composed
by Antonio Salieri.
Edited by Adrian La
Salvia and Thomas
Betzwieser. This edition:
Edition of selected
works, Urtext edition.
Linen. Spectrum of
European Music Theatre in
Separate Editions 1.
Edition of selected
works, Score, Critical
commentary, USB flash
drive. Duration 1 hour,
15 minutes. Baerenreiter
Verlag #BA08811_00.
Published by Baerenreiter
Verlag (BA.BA08811).
ISBN 9790006539840.
33.1 x 26.5 cm inches.
Text Language: Italian.
Preface: Betzwieser,
Thomas. Text:
Giambattista
Casti.
A memorable
musical competition
commissioned by the
emperor Joseph II took
place on 7 February 1786
as part of a festival in
the orangery of the
Schönbrunn palace. A
German Singspiel ensemble
performed Mozart’s
“Schauspieldirektor
†whilst Antonio
Salieri’s
“Prima la musica e
poi le parole†was
performed by the Italian
court singers and
musicians. This charming
opera satire belongs to
the genre of
“metamelodrammaâ
in which the opera
itself becomes the
subject of the action.
The people who are part
of an opera production,
for example the
librettist, composer and
prima donna, appear as
characters on the stage
and are presented in a
humorous self-reflection.
In this ‘theatre
about theatre’
Salieri parodies the
music from Giuseppe
Sarti’s
“Giulio
Sabino†in his
insert arias, thus
playing on the music
which was totally
familiar with the
audience of the time. By
reflecting on the
musical-dramatic style of
that period and
discussing whether
‘the word’
or ‘the
music’ should take
priority, this
masterpiece is considered
to be an early forerunner
to Richard
Strauss’s
“Capriccioâ€.<
br> The new edition of
the score is published as
part of “opera
– Spectrum of
European Music Theatre in
Separate Editionsâ€.
There are several
alterations regarding the
libretto text, stage
directions, articulation,
ornamentation, etc. which
have been incorporated
into this newly engraved
vocal score. Furthermore,
all appendix numbers from
the score which concern
the quotations from
Giuseppe Sarti’s
“Giulio
Sabino†have also
been
incorporated.
â
¢ Urtext vocal score
based on the
historical-critical
hybrid score published as
part of “opera
– Spectrum of
European Music Theatre in
Separate Editionsâ€
edited by Thomas
Betzwieser (music
edition) and Adrian La
Salvia (text
edition). •
Original Italian libretto
with singable German
translation •
Comprehensive bilingual
foreword (Ger/Eng) on the
genesis and reception of
the work, on
metamelodramma and
intertextuality
etc. • Includes
an extensive appendix to
the quotations taken from
Giuseppe Sarti’s
“Giulio
Sabino†•
Idiomatic piano
reduction
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
SSAATTBB choir divisi, soli SKU: GH.WC1600041 Composed by Thomas Jennefel...(+)
SSAATTBB choir divisi,
soli
SKU:
GH.WC1600041
Composed
by Thomas Jennefelt. With
Language: German.
Duration 28 minutes.
Published by Gehrmans
Musikforlag
(GH.WC1600041).
ISBN
9790661540861. Text:
Heinrich
Heine.
Robert
Schumann's musical
setting of sixteen poems
from Heine's cyklus has
inspired Jennefelt to
this work, which however
uses totally different
means of expression.
Instead of the week,
lyric mood is here
anguish, powerlessnes and
irony expressed.
Motet. Composed by
Christoph Graupner.
Edited by Guido Erdmann.
Arranged by Guido
Erdmann. German title:
Gott Will Mich Auch
Probieren. Motette.
Sacred vocal music,
Motets, Lent and
Passiontide. Single Part,
Violin 1. GWV 1121,14. 4
pages. Duration 8
minutes. Carus Verlag #CV
10.353/11. Published by
Carus Verlag
(CA.1035311).
ISBN
9790007190293. Language:
German. Text: Lehms,
Georg Christian. Text:
Georg Christian
Lehms.
Born in
Saxony and originally
trained at the St. Thomas
school in Leipzig,
Christoph Graupner
(1683-1760) celebrated
great success at the
Hamburg Opera on the
Gansemarkt. In 1709 he
was lured away to a
position in Darmstadt,
where he remained for the
rest of his life. The
sacred composition Gott
will mich auch probieren
(GWV 1121/14) was written
during the early years of
his tenure as Music
Director at the Court of
the Landgraves. In it he
attempted to make the
genre of the motet useful
for church music in
Darmstadt through
innovative design and
varied structure. The
present chorale motet is
a markedly charming and
catchy piece of choral
music (easy to mid-level
difficulty) which manages
totally without solo
arias and recitatives and
through its compact
dimensions can
excellently be suited for
use in today's worship
services. Score and part
available separately -
see item CA.1035300.
Motet. Composed by
Christoph Graupner.
Edited by Guido Erdmann.
Arranged by Guido
Erdmann. German title:
Gott Will Mich Auch
Probieren. Motette.
Sacred vocal music,
Motets, Lent and
Passiontide. Set of
Orchestra Parts. GWV
1121,14. Duration 8
minutes. Carus Verlag #CV
10.353/19. Published by
Carus Verlag
(CA.1035319).
ISBN
9790007139933. Language:
German. Text: Lehms,
Georg Christian. Text:
Georg Christian
Lehms.
Born in
Saxony and originally
trained at the St. Thomas
school in Leipzig,
Christoph Graupner
(1683-1760) celebrated
great success at the
Hamburg Opera on the
Gansemarkt. In 1709 he
was lured away to a
position in Darmstadt,
where he remained for the
rest of his life. The
sacred composition Gott
will mich auch probieren
(GWV 1121/14) was written
during the early years of
his tenure as Music
Director at the Court of
the Landgraves. In it he
attempted to make the
genre of the motet useful
for church music in
Darmstadt through
innovative design and
varied structure. The
present chorale motet is
a markedly charming and
catchy piece of choral
music (easy to mid-level
difficulty) which manages
totally without solo
arias and recitatives and
through its compact
dimensions can
excellently be suited for
use in today's worship
services. Score and parts
available separately -
see item CA.1035300.
Motet. Composed by
Christoph Graupner.
Edited by Guido Erdmann.
Arranged by Guido
Erdmann. This edition:
Paperbound. German title:
Gott Will Mich Auch
Probieren. Motette.
Sacred vocal music,
Motets, Lent and
Passiontide. Full score.
GWV 1121,14. 32 pages.
Duration 8 minutes. Carus
Verlag #CV 10.353/00.
Published by Carus Verlag
(CA.1035300).
ISBN
9790007139391. Language:
German. Text: Lehms,
Georg Christian. Text:
Georg Christian
Lehms.
Born in
Saxony and originally
trained at the St. Thomas
school in Leipzig,
Christoph Graupner
(1683-1760) celebrated
great success at the
Hamburg Opera on the
Gansemarkt. In 1709 he
was lured away to a
position in Darmstadt,
where he remained for the
rest of his life. The
sacred composition Gott
will mich auch probieren
(GWV 1121/14) was written
during the early years of
his tenure as Music
Director at the Court of
the Landgraves. In it he
attempted to make the
genre of the motet useful
for church music in
Darmstadt through
innovative design and
varied structure. The
present chorale motet is
a markedly charming and
catchy piece of choral
music (easy to mid-level
difficulty) which manages
totally without solo
arias and recitatives and
through its compact
dimensions can
excellently be suited for
use in today's worship
services.
Motet. Composed by
Christoph Graupner.
Edited by Guido Erdmann.
Arranged by Guido
Erdmann. German title:
Gott Will Mich Auch
Probieren. Motette.
Sacred vocal music,
Motets, Lent and
Passiontide. Choral
Score. GWV 1121,14. 8
pages. Duration 8
minutes. Carus Verlag #CV
10.353/05. Published by
Carus Verlag
(CA.1035305).
ISBN
9790007160890. Language:
German. Text: Lehms,
Georg Christian. Text:
Georg Christian
Lehms.
Born in
Saxony and originally
trained at the St. Thomas
school in Leipzig,
Christoph Graupner
(1683-1760) celebrated
great success at the
Hamburg Opera on the
Gansemarkt. In 1709 he
was lured away to a
position in Darmstadt,
where he remained for the
rest of his life. The
sacred composition Gott
will mich auch probieren
(GWV 1121/14) was written
during the early years of
his tenure as Music
Director at the Court of
the Landgraves. In it he
attempted to make the
genre of the motet useful
for church music in
Darmstadt through
innovative design and
varied structure. The
present chorale motet is
a markedly charming and
catchy piece of choral
music (easy to mid-level
difficulty) which manages
totally without solo
arias and recitatives and
through its compact
dimensions can
excellently be suited for
use in today's worship
services. Score available
separately - see item
CA.1035300.
Motet. Composed by
Christoph Graupner.
Edited by Guido Erdmann.
Arranged by Guido
Erdmann. 1x 10.353/21
oboe 1, 1x 10.353/22 oboe
2, 1x 10.353/23 bassoon.
German title: Gott Will
Mich Auch Probieren.
Motette. Sacred vocal
music, Motets, Lent and
Passiontide. Set of
Orchestra Parts. GWV
1121,14. 16 pages.
Duration 8 minutes. Carus
Verlag #CV 10.353/09.
Published by Carus Verlag
(CA.1035309).
ISBN
9790007190286. Language:
German. Text: Lehms,
Georg Christian. Text:
Georg Christian
Lehms.
Born in
Saxony and originally
trained at the St. Thomas
school in Leipzig,
Christoph Graupner
(1683-1760) celebrated
great success at the
Hamburg Opera on the
Gansemarkt. In 1709 he
was lured away to a
position in Darmstadt,
where he remained for the
rest of his life. The
sacred composition Gott
will mich auch probieren
(GWV 1121/14) was written
during the early years of
his tenure as Music
Director at the Court of
the Landgraves. In it he
attempted to make the
genre of the motet useful
for church music in
Darmstadt through
innovative design and
varied structure. The
present chorale motet is
a markedly charming and
catchy piece of choral
music (easy to mid-level
difficulty) which manages
totally without solo
arias and recitatives and
through its compact
dimensions can
excellently be suited for
use in today's worship
services. Score and parts
available separately -
see item CA.1035300.
Motet. Composed by
Christoph Graupner.
Edited by Guido Erdmann.
Arranged by Guido
Erdmann. German title:
Gott Will Mich Auch
Probieren. Motette.
Sacred vocal music,
Motets, Lent and
Passiontide. Single Part,
Viola. GWV 1121,14. 4
pages. Duration 8
minutes. Carus Verlag #CV
10.353/13. Published by
Carus Verlag
(CA.1035313).
ISBN
9790007190316. Language:
German. Text: Lehms,
Georg Christian. Text:
Georg Christian
Lehms.
Born in
Saxony and originally
trained at the St. Thomas
school in Leipzig,
Christoph Graupner
(1683-1760) celebrated
great success at the
Hamburg Opera on the
Gansemarkt. In 1709 he
was lured away to a
position in Darmstadt,
where he remained for the
rest of his life. The
sacred composition Gott
will mich auch probieren
(GWV 1121/14) was written
during the early years of
his tenure as Music
Director at the Court of
the Landgraves. In it he
attempted to make the
genre of the motet useful
for church music in
Darmstadt through
innovative design and
varied structure. The
present chorale motet is
a markedly charming and
catchy piece of choral
music (easy to mid-level
difficulty) which manages
totally without solo
arias and recitatives and
through its compact
dimensions can
excellently be suited for
use in today's worship
services. Score and part
available separately -
see item CA.1035300.
Motet. Composed by
Christoph Graupner.
Edited by Guido Erdmann.
Arranged by Guido
Erdmann. German title:
Gott Will Mich Auch
Probieren. Motette.
Sacred vocal music,
Motets, Lent and
Passiontide. Single Part,
Violin 2. GWV 1121,14. 4
pages. Duration 8
minutes. Carus Verlag #CV
10.353/12. Published by
Carus Verlag
(CA.1035312).
ISBN
9790007190309. Language:
German. Text: Lehms,
Georg Christian. Text:
Georg Christian
Lehms.
Born in
Saxony and originally
trained at the St. Thomas
school in Leipzig,
Christoph Graupner
(1683-1760) celebrated
great success at the
Hamburg Opera on the
Gansemarkt. In 1709 he
was lured away to a
position in Darmstadt,
where he remained for the
rest of his life. The
sacred composition Gott
will mich auch probieren
(GWV 1121/14) was written
during the early years of
his tenure as Music
Director at the Court of
the Landgraves. In it he
attempted to make the
genre of the motet useful
for church music in
Darmstadt through
innovative design and
varied structure. The
present chorale motet is
a markedly charming and
catchy piece of choral
music (easy to mid-level
difficulty) which manages
totally without solo
arias and recitatives and
through its compact
dimensions can
excellently be suited for
use in today's worship
services. Score and part
available separately -
see item CA.1035300.
Motet. Composed by
Christoph Graupner.
Edited by Guido Erdmann.
Arranged by Guido
Erdmann. German title:
Gott Will Mich Auch
Probieren. Motette.
Sacred vocal music,
Motets, Lent and
Passiontide. Single Part,
Organ. GWV 1121,14. 8
pages. Duration 8
minutes. Carus Verlag #CV
10.353/49. Published by
Carus Verlag
(CA.1035349).
ISBN
9790007190330. Language:
German. Text: Lehms,
Georg Christian. Text:
Georg Christian
Lehms.
Born in
Saxony and originally
trained at the St. Thomas
school in Leipzig,
Christoph Graupner
(1683-1760) celebrated
great success at the
Hamburg Opera on the
Gansemarkt. In 1709 he
was lured away to a
position in Darmstadt,
where he remained for the
rest of his life. The
sacred composition Gott
will mich auch probieren
(GWV 1121/14) was written
during the early years of
his tenure as Music
Director at the Court of
the Landgraves. In it he
attempted to make the
genre of the motet useful
for church music in
Darmstadt through
innovative design and
varied structure. The
present chorale motet is
a markedly charming and
catchy piece of choral
music (easy to mid-level
difficulty) which manages
totally without solo
arias and recitatives and
through its compact
dimensions can
excellently be suited for
use in today's worship
services. Score and part
available separately -
see item CA.1035300.
Motet. Composed by
Christoph Graupner.
Edited by Guido Erdmann.
Arranged by Guido
Erdmann. German title:
Gott Will Mich Auch
Probieren. Motette.
Sacred vocal music,
Motets, Lent and
Passiontide. Single Part,
Cello. GWV 1121,14. 4
pages. Duration 8
minutes. Carus Verlag #CV
10.353/14. Published by
Carus Verlag
(CA.1035314).
ISBN
9790007190323. Language:
German. Text: Lehms,
Georg Christian. Text:
Georg Christian
Lehms.
Born in
Saxony and originally
trained at the St. Thomas
school in Leipzig,
Christoph Graupner
(1683-1760) celebrated
great success at the
Hamburg Opera on the
Gansemarkt. In 1709 he
was lured away to a
position in Darmstadt,
where he remained for the
rest of his life. The
sacred composition Gott
will mich auch probieren
(GWV 1121/14) was written
during the early years of
his tenure as Music
Director at the Court of
the Landgraves. In it he
attempted to make the
genre of the motet useful
for church music in
Darmstadt through
innovative design and
varied structure. The
present chorale motet is
a markedly charming and
catchy piece of choral
music (easy to mid-level
difficulty) which manages
totally without solo
arias and recitatives and
through its compact
dimensions can
excellently be suited for
use in today's worship
services. Score and part
available separately -
see item CA.1035300.
ATB vocal soli, SATB choir, orchestra SKU: CA.3113600 Cantata for the ...(+)
ATB vocal soli, SATB
choir, orchestra
SKU:
CA.3113600
Cantata
for the 8th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Christiane
Hausmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music,
Cantatas, Trinity. Full
score. Composed 1723. BWV
136. 36 pages. Duration
22 minutes. Carus Verlag
#CV 31.136/00. Published
by Carus Verlag
(CA.3113600).
ISBN
9790007171636. Language:
German/English.
Translation: Henry
Drinker. Scripture:
Matthew
7:15-23.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part.
Cantata for the 8th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Christiane Hausmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Trinity. Single Part,
Viola. Composed 1723. BWV
136. 4 pages. Duration 22
minutes. Carus Verlag #CV
31.136/13. Published by
Carus Verlag
(CA.3113613).
ISBN
9790007208134. Text
language:
German/English.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
ATB vocal soli, SATB choir SKU: CA.3113605 Cantata for the 8th Sunday ...(+)
ATB vocal soli, SATB
choir
SKU:
CA.3113605
Cantata
for the 8th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Christiane
Hausmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music,
Cantatas, Trinity. Choral
Score. Composed 1723. BWV
136. 8 pages. Duration 22
minutes. Carus Verlag #CV
31.136/05. Published by
Carus Verlag
(CA.3113605).
ISBN
9790007171612. Language:
German/English.
Translation: Henry
Drinker. Scripture:
Matthew
7:15-23.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
available separately -
see item CA.3113600.
Cantata for the 8th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Christiane Hausmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Trinity.
Single Part, basso
continuo. Composed 1723.
BWV 136. 8 pages.
Duration 22 minutes.
Carus Verlag #CV
31.136/14. Published by
Carus Verlag
(CA.3113614).
ISBN
9790007208141. Text
language:
German/English.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
ATB vocal soli, SATB choir, orchestra SKU: CA.3113649 Cantata for the ...(+)
ATB vocal soli, SATB
choir, orchestra
SKU:
CA.3113649
Cantata
for the 8th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Christiane
Hausmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Organ. Sacred vocal
music, Cantatas, Trinity.
Single Part, Organ.
Composed 1723. BWV 136.
12 pages. Duration 22
minutes. Carus Verlag #CV
31.136/49. Published by
Carus Verlag
(CA.3113649).
ISBN
9790007208158. Language:
German/English.
Translation: Henry
Drinker. Scripture:
Matthew
7:15-23.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
ATB vocal soli, SATB choir, orchestra SKU: CA.3113619 Cantata for the ...(+)
ATB vocal soli, SATB
choir, orchestra
SKU:
CA.3113619
Cantata
for the 8th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Christiane
Hausmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Complete orchestral
parts. Sacred vocal
music, Cantatas, Trinity.
Set of Orchestra Parts.
Composed 1723. BWV 136.
Duration 22 minutes.
Carus Verlag #CV
31.136/19. Published by
Carus Verlag
(CA.3113619).
ISBN
9790007172176. Language:
German/English.
Translation: Henry
Drinker. Scripture:
Matthew
7:15-23.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and parts available
separately - see item
CA.3113600.
Cantata for the 8th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Christiane Hausmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 2. Composed
1723. BWV 136. 8 pages.
Duration 22 minutes.
Carus Verlag #CV
31.136/12. Published by
Carus Verlag
(CA.3113612).
ISBN
9790007208127. Text
language:
German/English.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
