(Cello Quartet Score and Parts). By Johann Sebastian Bach (1685-1750). Arranged ...(+)
(Cello Quartet Score and
Parts). By Johann
Sebastian Bach
(1685-1750). Arranged by
Wolfgang Birtel. Score
and Parts. Schott. Book
only. 22 pages. Schott
Music #CB219. Published
by Schott Music
By Johann Sebastian Bach (1685-1750). Arranged by David Marlatt. For Double Bras...(+)
By Johann Sebastian Bach
(1685-1750). Arranged by
David Marlatt. For Double
Brass Quintet. Brass
Ensemble - Quintet;
Masterworks. Eighth Note
Publications. Baroque.
Duration 00:09:32.
Published by Eighth Note
Publications
Piano. Composed by Johann Sebastian Bach (1685-1750). Edited by Vyacheslav ...(+)
Piano. Composed by Johann
Sebastian Bach
(1685-1750).
Edited by Vyacheslav
Gryaznov. Arranged by
Vyacheslav Gryaznov. This
edition: Saddle
stitching.
Sheet music. Piano Solo.
Classical. Softcover. 12
pages. Schott Music
#ED22879.
Published by Schott Music
SKU: CA.612500 Composed by Bartholomaus Helder, Johann Sebastian Bach, an...(+)
SKU: CA.612500
Composed by Bartholomaus
Helder, Johann Sebastian
Bach, and Melchior
Vulpius. German title:
Heut Triumphieret Gottes
Sohn (3). Sacred vocal
music, Hymn settings,
Easter and Eastertide.
Full score. Carus Verlag
#CV 06.125/00. Published
by Carus Verlag
(CA.612500).
By Johann Sebastian Bach (1685-1750). Arranged by David Marlatt. For Brass Choir...(+)
By Johann Sebastian Bach
(1685-1750). Arranged by
David Marlatt. For Brass
Choir (4.2.2.1.1). Brass
- Brass Choir;
Masterworks. Eighth Note
Publications. Baroque.
Duration 00:09:35.
Published by Eighth Note
Publications
Piano - Level 2 SKU: LM.27825 Composed by Henri Nafilyan and Thierry Mass...(+)
Piano - Level 2
SKU:
LM.27825
Composed by
Henri Nafilyan and
Thierry Masson.
Classical. Score.
Editions Henry Lemoine
#27825. Published by
Editions Henry Lemoine
(LM.27825).
ISBN
9790230978255.
BACH
J.S. : Trio BWV 929,
Menuet BWV 813, Petit
prelude BWV 942 - BARTOK
B. : Andante - BEETHOVEN
L.V. : Danse allemande n.
10 (WoO 8), Anglaise en
Re (Hess 61), Allemande
(WoO 81), Contredanse
(WoO 14), Menuet (WoO 7)
- CHOPIN F. : Prelude
Op.28 n. 6 - CLEMENTI M.
: Air russe - GLINKA M.I.
: Galopade - GRIEG E. :
Feuille d'album Op.12 n.
7 - HAYDN J. : Menuet
Hob. 1 : 85/111, Menuet
Hob. IX : 11, Final
Hob.XVI : 7 - JOLIVET A.
: Danse caraibe -
KOECHLIN C. : Le Ruisseau
limpide, La Maison
heureuse - MASSON T. :
Bagatelle, Le Repos du
dragon, En Camargue,
Petite improvisation
imaginaire, Vague a l'ame
- MENDELSSOHN F.B. :
Premiere barcarolle Op.19
n. 6 - MOZART W.A. :
Variation en La KV 460 -
NAFILYAN H. : Mystere,
L'Acrobate - PAPP L. : Le
Pantin, A cheval, Le
Petit Soldat de plomb, La
Machine a coudre -
PROKOFIEV S. : La Pluie
et l'Arc-en-ciel -
SCHUBERT F. : Danse
allemande n. 5 (D 420),
Valse n. 1 (D980) -
SCHUMANN R. : Feuille
d'album Op.99 n. 4 -
SZOKOLAY S. : Taquinerie,
Tom Pouce - TCHAIKOVSKI
P.I. : Marche des
soldats, La Nouvelle
Poupee - VILLA-LOBOS H. :
Ainsi bercait maman -
VISKI J. : J'avais un
poulailler - Un jour mon
prince viendra, de
Blanche Neige et les sept
nains (CHURCHILL) - Ce
reve bleu, d'Aladin
(GILKYSON) - Il en faut
peu pour etre heureux, du
Livre de la jungle
(SHERMAN) - Des gammes et
des arpeges, des
Aristochats (SHERMAN)
-Elegant blues,
Exploration boogie
(MASSON).
Composed by Johann
Sebastian Bach. Edited by
Reinmar Emans. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/11/1. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA05071_01.
Published by Baerenreiter
Verlag (BA.BA05071-01).
ISBN 9790006463497.
33.1 x 26 cm
inches.
Urtext der
Neuen Mozart-Ausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Urtext der Neuen
Mozart-Ausgabe.
Composed by Johann
Sebastian Bach. Edited by
Emil Platen and Marianne
Helms. This edition:
complete edition, urtext
edition. Linen. New Bach
Edition (NBA) II/2.
Complete edition, Score,
anthology. Baerenreiter
Verlag #BA05050_01.
Published by Baerenreiter
Verlag (BA.BA05050-01).
ISBN 9790006462674. 33
x 26.5 cm inches.
Language: German.
Preface: Emil Platen /
Marianne
Helms.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Urtext. Composed
by Johann Sebastian Bach.
Edited by Klaus Hofmann.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Bach's manuscript
leaves several questions
unanswered.
Solo
concerto; Baroque. Full
score. 24 pages. Duration
16'. Breitkopf and
Haertel #PB 5354.
Published by Breitkopf
and Haertel (BR.PB-5354).
ISBN 9790004211533. 9
x 12 inches.
When
an editorial formula
proves to be as
compelling as in the case
of the E-major Concerto
BWV 1042, then its
obvious that it is going
to be applied again: this
time to Klaus Hofmanns
new Urtext edition of the
A-minor Concerto. Bachs
manuscript leaves several
questions unanswered. The
slurring, particularly in
the solo part, is once
again equivocal and
inconsistent. Bach
himself expected his
performers to be
creative, which is why
the interpretative
suggestions of Baroque
expert Sigiswald Kuijken
are particularly welcome.
The edition for violin
and keyboard instrument
(with continuo ad lib.)
once again contains three
violin parts (the first
unmarked, the second with
markings and comments by
Sigiswald Kuijken, the
third as a facsimile).
This provides
well-grounded stimuli for
ones own personal
interpretation based on
historically informed
performance practice. The
keyboard arrangement by
Siegfried Petrenz is
transparent and easy to
play. A violoncello part
has been added for
chamber-music.
Bac
h's manuscript leaves
several questions
unanswered.
Composed by Johann Sebastian Bach. Edited by Hans Eppstein. Strings, Reperto...(+)
Composed by Johann
Sebastian
Bach. Edited by Hans
Eppstein.
Strings, Repertoire,
Solos.
Violin Concerto in A
minor BWV
1041. Baroque, Classical.
Softcover Book. 42 pages.
G.
Henle #HN671. Published
by G.
Henle
Recitatives and turbae
by Reinhard Keiser
(1674-1739). Composed
by Johann Sebastian Bach.
Edited by Austin Harvey
Gomme. Paperback. A
reconstruction. Score.
BWV 247. Baerenreiter
Verlag #BA05209_00.
Published by Baerenreiter
Verlag (BA.BA05209).
ISBN 9790006524136.
29.9 x 22.9 cm
inches.
Although
all that survives of
Bach's “St. Mark
Passion†is
Picander's libretto,
virtually all the arias
and choruses can be
reconstructed from
“parodyâ€
versions. The original
recitatives and turbae ,
however, are probably
lost forever. Rather than
rewriting these numbers
“in Bachs's
styleâ€, Gomme has
added passages from
Reinhard Keiser's setting
of the Passion (a setting
highly esteemed by Bach,
who performed it several
times), thereby allowing
this lost work to be
performed in its
entirety. A detailed
preface sheds further
light on this unique
reconstruction based on
the New Bach
Edition.
Urtext. Composed
by Johann Sebastian Bach.
Edited by Klaus Hofmann.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Bach's manuscript
leaves several questions
unanswered.
Solo
concerto; Baroque. Part.
8 pages. Duration 16'.
Breitkopf and Haertel #OB
5354-26. Published by
Breitkopf and Haertel
(BR.OB-5354-26).
ISBN
9790004337868. 10 x 12.5
inches.
When an
editorial formula proves
to be as compelling as in
the case of the E-major
Concerto BWV 1042, then
its obvious that it is
going to be applied
again: this time to Klaus
Hofmanns new Urtext
edition of the A-minor
Concerto. Bachs
manuscript leaves several
questions unanswered. The
slurring, particularly in
the solo part, is once
again equivocal and
inconsistent. Bach
himself expected his
performers to be
creative, which is why
the interpretative
suggestions of Baroque
expert Sigiswald Kuijken
are particularly welcome.
The edition for violin
and keyboard instrument
(with continuo ad lib.)
once again contains three
violin parts (the first
unmarked, the second with
markings and comments by
Sigiswald Kuijken, the
third as a facsimile).
This provides
well-grounded stimuli for
ones own personal
interpretation based on
historically informed
performance practice. The
keyboard arrangement by
Siegfried Petrenz is
transparent and easy to
play. A violoncello part
has been added for
chamber-music.
Urtext. Composed
by Johann Sebastian Bach.
Edited by Klaus Hofmann.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Bach's manuscript
leaves several questions
unanswered.
Solo
concerto; Baroque. Part.
12 pages. Duration 16'.
Breitkopf and Haertel #OB
5354-12. Published by
Breitkopf and Haertel
(BR.OB-5354-12).
ISBN
9790004337820. 10 x 12.5
inches.
When an
editorial formula proves
to be as compelling as in
the case of the E-major
Concerto BWV 1042, then
its obvious that it is
going to be applied
again: this time to Klaus
Hofmanns new Urtext
edition of the A-minor
Concerto. Bachs
manuscript leaves several
questions unanswered. The
slurring, particularly in
the solo part, is once
again equivocal and
inconsistent. Bach
himself expected his
performers to be
creative, which is why
the interpretative
suggestions of Baroque
expert Sigiswald Kuijken
are particularly welcome.
The edition for violin
and keyboard instrument
(with continuo ad lib.)
once again contains three
violin parts (the first
unmarked, the second with
markings and comments by
Sigiswald Kuijken, the
third as a facsimile).
This provides
well-grounded stimuli for
ones own personal
interpretation based on
historically informed
performance practice. The
keyboard arrangement by
Siegfried Petrenz is
transparent and easy to
play. A violoncello part
has been added for
chamber-music.
Urtext. Composed
by Johann Sebastian Bach.
Edited by Klaus Hofmann.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Bach's manuscript
leaves several questions
unanswered.
Solo
concerto; Baroque. Part.
8 pages. Duration 16'.
Breitkopf and Haertel #OB
5354-19. Published by
Breitkopf and Haertel
(BR.OB-5354-19).
ISBN
9790004337851. 10 x 12.5
inches.
When an
editorial formula proves
to be as compelling as in
the case of the E-major
Concerto BWV 1042, then
its obvious that it is
going to be applied
again: this time to Klaus
Hofmanns new Urtext
edition of the A-minor
Concerto. Bachs
manuscript leaves several
questions unanswered. The
slurring, particularly in
the solo part, is once
again equivocal and
inconsistent. Bach
himself expected his
performers to be
creative, which is why
the interpretative
suggestions of Baroque
expert Sigiswald Kuijken
are particularly welcome.
The edition for violin
and keyboard instrument
(with continuo ad lib.)
once again contains three
violin parts (the first
unmarked, the second with
markings and comments by
Sigiswald Kuijken, the
third as a facsimile).
This provides
well-grounded stimuli for
ones own personal
interpretation based on
historically informed
performance practice. The
keyboard arrangement by
Siegfried Petrenz is
transparent and easy to
play. A violoncello part
has been added for
chamber-music.
Urtext. Composed
by Johann Sebastian Bach.
Edited by Klaus Hofmann.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Bach's manuscript
leaves several questions
unanswered.
Solo
concerto; Baroque. Part.
8 pages. Duration 16'.
Breitkopf and Haertel #OB
5354-15. Published by
Breitkopf and Haertel
(BR.OB-5354-15).
ISBN
9790004337837. 10 x 12.5
inches.
When an
editorial formula proves
to be as compelling as in
the case of the E-major
Concerto BWV 1042, then
its obvious that it is
going to be applied
again: this time to Klaus
Hofmanns new Urtext
edition of the A-minor
Concerto. Bachs
manuscript leaves several
questions unanswered. The
slurring, particularly in
the solo part, is once
again equivocal and
inconsistent. Bach
himself expected his
performers to be
creative, which is why
the interpretative
suggestions of Baroque
expert Sigiswald Kuijken
are particularly welcome.
The edition for violin
and keyboard instrument
(with continuo ad lib.)
once again contains three
violin parts (the first
unmarked, the second with
markings and comments by
Sigiswald Kuijken, the
third as a facsimile).
This provides
well-grounded stimuli for
ones own personal
interpretation based on
historically informed
performance practice. The
keyboard arrangement by
Siegfried Petrenz is
transparent and easy to
play. A violoncello part
has been added for
chamber-music.
Urtext. Composed
by Johann Sebastian Bach.
Edited by Klaus Hofmann.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Bach's manuscript
leaves several questions
unanswered.
Solo
concerto; Baroque. Part.
8 pages. Duration 16'.
Breitkopf and Haertel #OB
5354-16. Published by
Breitkopf and Haertel
(BR.OB-5354-16).
ISBN
9790004337844. 10 x 12.5
inches.
When an
editorial formula proves
to be as compelling as in
the case of the E-major
Concerto BWV 1042, then
its obvious that it is
going to be applied
again: this time to Klaus
Hofmanns new Urtext
edition of the A-minor
Concerto. Bachs
manuscript leaves several
questions unanswered. The
slurring, particularly in
the solo part, is once
again equivocal and
inconsistent. Bach
himself expected his
performers to be
creative, which is why
the interpretative
suggestions of Baroque
expert Sigiswald Kuijken
are particularly welcome.
The edition for violin
and keyboard instrument
(with continuo ad lib.)
once again contains three
violin parts (the first
unmarked, the second with
markings and comments by
Sigiswald Kuijken, the
third as a facsimile).
This provides
well-grounded stimuli for
ones own personal
interpretation based on
historically informed
performance practice. The
keyboard arrangement by
Siegfried Petrenz is
transparent and easy to
play. A violoncello part
has been added for
chamber-music.
27 nach Schwierigkeitsgraden geordnete Stucke meist aus den Klavierbuchern fur A...(+)
27 nach
Schwierigkeitsgraden
geordnete Stucke meist
aus den Klavierbuchern
fur Anna Magdalena und
Friedemann, dazu 6 kleine
Praludien BWV 933-938. By
Johann Sebastian Bach.
Edited by Doflein, Erich.
For Piano. Playing Score.
Published by
Baerenreiter-Ausgaben
(German import).
Werke zweifelhafter Echtheit fur Tasteninstrumente. By Johann Sebastian Bach. Ed...(+)
Werke zweifelhafter
Echtheit fur
Tasteninstrumente. By
Johann Sebastian Bach.
Edited by Ulrich Bartels,
Frieder Rempp. For
Organ/Piano/Harpsichord.
This edition: Urtext of
the New Bach Edition.
Collection. 143 pages.
Published by
Baerenreiter-Ausgaben
(German import).
Cantata
for Quasimodogeniti
Sunday. Composed by
Johann Sebastian Bach.
Edited by Felix Loy. This
edition: urtext. 1x
31.042/21 oboe 1, 1x
31.042/22 oboe 2, 1x
31.042/23 bassoon.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Cantatas, Easter
and Eastertide. Set of
Orchestra Parts. Composed
1725. BWV 42. 20 pages.
Duration 28 minutes.
Carus Verlag #CV
31.042/09. Published by
Carus Verlag
(CA.3104209).
ISBN
9790007205836. Language:
German/English.
Ins
tead of an opening chorus
Cantata BWV 42 begins
with a magnificent
Sinfonia in the style of
the Brandenburg
Concertos. It is possible
that Bach took this
movement from a concerto
which he had composed
earlier. The first aria,
for alto with obbligato
oboe and bassoon, could
be derived from the
middle movement of this
concerto. The heroic bass
aria, a statement of the
certainty of faith, forms
a weighty counterpart to
the opening movement.
Score and parts available
separately - see item
CA.3104200.
49 Orgelchor0le BWV 599-644, 706, 709, 727 und 738 mit vorangestellten Chorals0t...(+)
49 Orgelchor0le BWV
599-644, 706, 709, 727
und 738 mit
vorangestellten
Chorals0tzen von J.S.Bach
und anderen alten
Meistern. By Johann
Sebastian Bach. Edited by
Herman Keller. For Organ.
Playing Score
(paperbound). Published
by Baerenreiter-Ausgaben
(German import).