(First Leipzig version. Cantata for Palm Sunday and the feast of the Annunciation Cantata for Palm Sunday and the feast of the Annunciation). Composed by Johann Sebastian Bach (1685-1750). Edited by Klaus Hofmann. For ATB vocal soli, SATB choir, recorder f1, violin, 2 violas, cello, basso continuo. This edition: paperback. Stuttgart Urtext edition. Cantatas, Lent and Passiontide. Full score. Text language: German/English. BWV 182. Duration 30 minutes. Published by Carus Verlag

Composed by Johann Sebastian Bach (1685-1750). Edited by Feinberg, Samuil, Evgen'evich. Keyboard music. Published by Noten Roehr (NR.95406).

(Kantate zum 14. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. For Soli STB, SATB Choir, 3 Recorder, 2 Oboe, Zink, 3 Trumpet, Strings, Organ. BWV 25. Full score available separately - see item CA.3102500. Cantatas; Use during church year: Trinity. Part: Organ. Language: German/English. Composed 1723. 12 pages. Duration 16 min

(Kyrie-Gloria-Messe (Lutherische Messe)). By Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For Soli SAB, SATB Choir, 2 Oboes, Bassoon, 2 Horns, 2 Violins, Viola, Basso continuo. F-Dur (F major). Stuttgart Urtext editions. Score available separately - see item CA.3123300. Masses, Latin, Mass settings, incomplete (also Kyrie and Gloria). Part: violin 1. Language: Latin. BWV 233. 12 pages. Duration 28 min. Published by Carus Verlag

(Cantata for the Feast of John the Baptist). Composed by Johann Sebastian Bach (1685-1750). Edited by Julia Doht. For SATB vocal soli, SATB choir, 2 flutes, oboe I/oboe d'amore, oboe II, violin solo, 2 violins, viola, basso continuo. This edition: paperback. Stuttgart Urtext edition. Cantatas, Special days. Full score. Text language: German/English. Composed 1738(?). BWV 30. Duration 38 minutes. Published by Carus Verlag

(Kantate zum 14. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. For Soli STB, SATB Choir, 3 Recorder, 2 Oboe, Zink, 3 Trumpet, Strings, Organ. BWV 25. Full score available separately - see item CA.3102500. Cantatas; Use during church year: Trinity. Part: Viola. Language: German/English. Composed 1723. 4 pages. Duration 16 min

(Kantate fur den 24. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Reininghaus, Till. For SATB Soli, SATB Choir, Horn, Flute, 3 Oboes, 2 Violins, Viola, Cello, Organ. This edition: paperbound. BWV 26. Full score available separately - see item CA.3102600. Stuttgart Urtext editions; Occasions: Mourning, Death; Use during church year: End of the church year. Study score. Language: German/English. Composed 1724. 40 pages. Duration 17 min

(Kantate zum 14. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. For Soli STB, SATB Choir, 3 Recorder, 2 Oboe, Zink, 3 Trumpet, Strings, Organ. BWV 25. Full score available separately - see item CA.3102500. Cantatas; Use during church year: Trinity. Choral score. Language: German/English. Composed 1723. 8 pages. Duration 16 min

(Cantata for the Feast of Ascension). Composed by Johann Sebastian Bach (1685-1750). Edited by Julia Ronge. For ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe da caccia, trumpet, 2 horns, 2 violins, viola, basso continuo. This edition: paperback. Stuttgart Urtext edition. Cantatas, Ascension. Full score. Text language: German/English. Composed 1725. BWV 128. Duration 22 minutes. Published by Carus Verlag

(Kantate zum 14. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. For Soli STB, SATB Choir, 3 Recorder, 2 Oboe, Zink, 3 Trumpet, Strings, Organ. This edition: paperbound. BWV 25. Full score available separately - see item CA.3102500. Cantatas; Use during church year: Trinity. Piano/Vocal score. Language: German/English. Composed 1723. 24 pages. Duration 16 min

(Kantate zum 4. Sonntag nach Epiphanias). By Johann Sebastian Bach (1685-1750). Edited by Leisinger, Ulrich. For Soli STB, SATB Choir, Horn 2 Oboes, 2 Violins, Viola, Basso continuo. This edition: paperbound. BWV 14. Full score available separately - see item CA.3101400. Cantatas; Stuttgart Urtext editions; Use during church year: Epiphany. Study score. Language: German/English. Composed 1735. 40 pages

Composed by Johann Sebastian Bach (1685-1750). Arranged by Marcel Bourgeois. Baroque, Chamber Music. Score and set of parts. Published by FLEX Editions (FL.FX070540-3).

Orchestra Soli A, 2 Vl, 2 Va, Bc

SKU: CA.3105407

Cantata for Oculi. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. Stuttgart Urtext Edition: Bach vocal. Cantatas, Advent, Holy Week. Study score. Composed 1714. BWV 54. 20 pages. Duration 14 minutes. Carus Verlag #CV 31.054/07. Published by Carus Verlag (CA.3105407).

ISBN 9790007241346. Language: German/English. Text: Lehms, Georg Christian.

The cantata Widerstehe doch der Sunde BWV 54 is now one of Johann Sebastian Bach's most popular solo cantatas. The short text, which comprises three movements, comes from a 1711 collection of cantata texts by the Darmstadt court poet Christian Lehms, and warns in drastic terms that no sinner will inherit the kingdom of God. It is certainly no coincidence that Bach allocated this text to an alto voice, then often regarded as a symbol for the repentant sinner. The cantata comes from Bach's Weimar period and only survives in a fair copy of the score by Johann Gottfried Walther (music text ) and Johann Tobias Krebs (vocal text underlay). This didn't 't present any difficulties in preparing an edition. In Lehms' word book the cantata is allocated to Oculi Sunday (the third Sunday in Lent), but can also readily be sung on other occasions in the church year. Score available separately - see item CA.3105400.

Cello - Early Intermediate

SKU: FH.VC4

Cello Series, 2013 Edition. Composed by The Royal Conservatory. Cello Series, 2013 Edition. Book/CD. The Frederick Harris Music Company #VC4. Published by The Frederick Harris Music Company (FH.VC4).

ISBN 978-1-55440-540-4.

This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.
Concertos, Sonatas, and Suites:
Sonata in D Major - Caldara, Antonio arr. Gyoergy Orban
- First Movement: Adagio
- Second Movement: Allegro
Sonatina in D Minor, WoO 43a - Beethoven, Ludwig van
Sonatina in G Minor - Matz, Rudolf
- Second Movement
Sonata in F Major, op. 1, no. 1 - Marcello, Benedetto
- Third Movement: Largo
- Fourth Movement: Allegro
Concertino No. 3 in A Major - Breval, Jean-Baptiste arr. L.-R. Feuillard
Concert Repertoire:
The Easy Winners - Joplin, Scott arr. Forrest Kinney
Orientale, op. 50, no. 9 - Cui, Cesar
Bonjour tristesse - Hart, Paul
Hip Hip Bourree - Jacobson, Julian
Elfentanz - Jenkinson, Ezra arr. Carey Cheney
Chanson de matin, op. 15, no. 2 - Elgar, Edward
Cello Sonata in G Minor, op. 65 - Chopin, Frederic
- Third Movement: Largo
The Swan Sees his Reflection - Forsyth, Malcolm
Spanish Dance - Adorian, Andrew
Baby Blackbird, Fly Now - Silverman, Adam B.
Unaccompanied Repertoire:
Suite for Violoncello (Lights and Shadows) - Matz, Rudolf
- Second Movement: Cantabile
- Eighth Movement: Finale giocoso
Ricercar No. 1 - Gabrielli, Domenico
Suite NO. 1 in G Major, BWV 1007 - Bach, Johann Sebastian
- Seventh Movement: Gigue.

SAB vocal soli, SATB choir, 3 trumpets, timpani, 2 oboes/oboe d'amore, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119763

Cantata for a wedding. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Violin 3. Sacred vocal music, Cantatas. Single Part, Violin 3. BWV 197. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.197/63. Published by Carus Verlag (CA.3119763).

ISBN 9790007210540. Text language: German/English.

Got t ist unsre Zuversicht BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a sizeable orchestra. The text of the cantata has one major theme - trust in God! In a magnificent lullaby (movement 3) all cares are sung to sleep. The other arias, with their exceptionally exquisite combinations of scorings, make the cantata into a quite special work, albeit one which is associated with a particular occasion. The wedding cantata BWV 197 draws on older material for some of its movements. Two movements are parodies on arias from the incomplete surviving Christmas cantata Ehre sei Gott in der Hohe, BWV 197a, including the lullaby O du angenehmes Paar, of which only the last quarter survives from the Christmas cantata - it is O du angenehmer Schatz there. By using the later version, Diethard Hellmann has been able to reconstruct the original version of this dreamlike beautiful movement; however, the complete Christmas cantata cannot be reconstructed from the sources. Score and part available separately - see item CA.3119700.

Edited by Helen Marlais. For Piano. Succeeding with the Masters. Level: Intermediate through Early Advanced. Book. Published by The FJH Music Company Inc.