Fiddle - Beginning

SKU: MB.21123M

Composed by Drew Beisswenger. Country, Bluegrass, Perfect binding, Solos, Duets and Ensembles, Tunebook, American Music. Style. Book and online audio. 220 pages. Mel Bay Publications, Inc #21123M. Published by Mel Bay Publications, Inc (MB.21123M).

ISBN 9780786695256. 8.75 x 11.75 inches.

This book, which includes 308 tune transcriptions, is organized around individual fiddlers who typically combine Appalachian-style fiddling with rags, pop standards, Midwest-style fiddling and sometimes a touch of Western swing to create a style often identifiable as Ozarks. Thirty Ozarks fiddlers and their lives are highlighted with biographical sketches, photographs, and tune histories. Another 50 great Ozarks fiddlers are presented in a similar manner but with less detail. The book and accompanying audio with 37 tunes, many recorded in the field emphasize the older fiddling traditions connected to the square dances and community events more than those connected to bluegrass music and modern contest fiddling. Some of the tunes in the collection are old standbys such as Bile Them Cabbage while others such as Finley Creek Blues are unique to the region. The book is the result of years of work by two respected researchers. Gordon McCann won the prestigious Missouri Arts Award in 2002 for his decades of work documenting, studying, and accompanying Ozarks fiddle music. Drew Beisswenger, a music librarian at Missouri State University with a Ph.D. in ethnomusicology, has published three other works about fiddle music and is known for his strong transcription and analysis skills. Includes access to online audio.

Composed by Various. Classical. Textbook. Trinity College London #TCL020598. Published by Trinity College London

20 iconic pieces of British classical music specially arranged for intermediate piano solo, plus a pull-out print of the striking cover artwork. Graded Standard Repertoire; Piano Collection. The Piano Player Series. Classical; Masterwork Arrangement; Traditional. Book. Faber Music #12- 0571541690. Published by Faber Music

SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.7004412

Offertorium. Composed by Franz Schubert. Edited by Werner Bodendorff. This edition: urtext. Stuttgart Urtext Edition: Schubert. German title: Offertorium In A Tres Sunt. Sacred vocal music. Single Part, Violin 2. Composed 1815. D 181. 2 pages. Duration 4 minutes. Carus Verlag #CV 70.044/12. Published by Carus Verlag (CA.7004412).

ISBN 9790007227807. Key: A minor. Language: Latin.

Score available separately - see item CA.7004400.

Orchestra String Orchestra - Grade 1.5-2

SKU: CF.FAS14F

Composed by Joseph Compello. Carl Fischer First Plus String Orchestra Series. Classical. Full score. With Standard notation. 12 pages. Carl Fischer Music #FAS14F. Published by Carl Fischer Music (CF.FAS14F).

ISBN 9780825847868. UPC: 798408047863. 8.5 X 11 inches. Key: D major.

By Fred Sokolow. For Guitar (Slide/Bottleneck). Methods. Grossman Audio. Blues. Level: Beginning-Intermediate. Book/CD Set. Size 8.75x11.75. 40 pages. Published by Grossman's Guitar Workshop.

16 great solo arrangements for unaccompanied Lap Steel Guitar. Composed by Peter Funk. Saddle-stitched. Book and online audio. Published by Mel Bay Publications, Inc

Classical. Textbook. Trinity College London #TCL019301. Published by Trinity College London

Violin

SKU: AP.6-251241

Composed by Johann Sebastian Bach. String - Violin. Dover Edition. Baroque; Masterwork. Score. Dover Publications #06-251241. Published by Dover Publications (AP.6-251241).

ISBN 9780486251240. English.

Reproduced from the Bach-Gesellschaft edition, this volume includes the full scores for all 3 of Bach's violin concerti: 'Concerto for Violin & Orchestra in A minor, BWV 1041;' 'Concerto for Violin & Orchestra In E Major, BWV 1042;' 'Concerto for 2 Violins & Orchestra in D minor, BWV 1043.' 64 pgs.

By William Bay. For Ukulele (Soprano). method. You Can Teach Yourself. All Styles. Level: Beginning. Book DVD. Size 8.75x11.75. 96 pages. Published by Mel Bay Publications, Inc.

Piano Duet

SKU: HL.14018852

Composed by Kenneth Leighton. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV100349. Published by Music Sales (HL.14018852).

ISBN 9780853609308.

Pian o duet score. 1st performance Ellesmere College, January 1986 by Richard Markham and David Nettle. Duration c.24 minutes. The work is in three movements and the musical thought is symphonic. The first movement (based entirely on the opening motive) goes through a series of paragraphs which eventually culminate in an extended melodic line played entirely by the treble player. The middle movement is a playful Scherzo with a rather sardonic waltz for its Trio. The slow movement (which comes last) is much more relaxed and concentrates on a D major motive with sharpened fourths, but the more intense moods of the first movement return in a suddenly impassioned middle section.

Orchestra ATB vocal soli, SATB choir, 2 oboes/2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3117814

Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Wo Gott, Der Herr, Nicht Bei Uns Halt. Sacred vocal music, Cantatas, Trinity. Single Part, Cello/Double Bass. Composed 1724. BWV 178. 16 pages. Duration 23 minutes. Carus Verlag #CV 31.178/14. Published by Carus Verlag (CA.3117814).

ISBN 9790007049942. Key: A minor. Language: German/English. Text: Jonas, Justus. Text: Justus Jonas.

Score available separately - see item CA.3117800.

Applicable for Flute and Fife. Composed by Dona Gilliam and Mizzy McCaskill. Squareback saddle stitch. Methods/Study. Book and online audio. 124 pages. Published by Mel Bay Publications, Inc (MB.93820M).

(A Collection of Simple Cajun Tunes). Composed by Nancy Simon. For fiddle. Perfect binding. Cajun / Zydeco. Beginning-Intermediate. Book and online audio. Published by Mel Bay Publications, Inc

By Oliver Knussen (1952-). For Piano (Soprano voice). Part(s); Vocal Collection. Faber Edition. 20th Century; Masterwork. Published by Faber Music

Composed by Brad Leftwich. For Banjo (Clawhammer). Squareback saddle stitch, Methods. Beginning-Intermediate. Book and online audio. Published by Mel Bay Publications, Inc

Composed by Jim Goodin. Solos, Celtic / Irish, Contemporary, Perfect binding. Encyclopedia. Style. Book and online audio. 184 pages. Mel Bay Publications, Inc #99934M. Published by Mel Bay Publications, Inc

Composed by Jose Mauricio Nunes Garcia. For SATB vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 2 horns, timpani, 2 violins, 2 violas, cello/contrabass. Score available separately - see item CA.2300800. Requiem. Complete orchestral parts. Language: Latin. Composed 1813. Duration 35 minutes. Published by Carus Verlag

(TB)

SKU: HL.49003133

Opera in 2 Acts. Composed by Mark-Anthony Turnage. This edition: Saddle stitching. Book. Edition Schott. Classical. Text book/libretto. 28 pages. Duration 90'. Schott Music #ED 12348-01. Published by Schott Music (HL.49003133).

ISBN 9780946535163. 5.75x8.25x0.092 inches.

Fl. (afl, pic, bodhran 1 (hit with double headed stick), large metal bar (hit with hammer)) * ob 1 (ca, brake drum (hit with hammer, shared with ob 2), bodhran 2 (hit with double-headed stick)) * ob 2 (ca, brake drum (hit with hammer, shared with ob 1) * Bbcl 1 (bcl, Ebcl, medium tom-tom 1 (hit with hard stick) * Bbcl (bcl, medium tom-tom 2 (hit with hard stick) * sopsax (asax, barsax, vibraslap, ratchet 1) - hrn 1 in F (large tom-tom 1, metal bar 1) * hrn 2 in F (large tom-tom 2, metal bar 2) * Ctpt (large metal dustbin lid) * tbn (very large metal sheet) - 1 or 2perc: (1) timp., pedal b.d., mil.dr. (with snares), 4 tom-toms, large ride cym., hi-hat, antique cym. (drum sticks); (2) large b.dr. (without pedal), large tom-tom, bodhran 3, very large sus. cym., tamb., wh., ratch. 2, tri., very low gng, xyl., mar., vib., crots., tub.bells, multi-guiro, hand bells, desk bells, cel.)-hrp (low log drum and bodhran 4 (hit with double-headed stick).pno (epno (Yamaha or Fender Rhodes), police whistle 1 and claves 1)-va (large ratch. 2).3vc (claves 2, ratch. 3).db (police whistle 2).

Composed by Stefan Grossman. Guitar: Fingerpicking,Style,Blues ,Met hod,Solos. Grossman Audio. Book and Online Audio. 116 pages. Published by Mel Bay Publications, Inc

Orchestra String Orchestra - Grade 1

SKU: CF.BAS3

Composed by Elliot Del Borgo. Carl Fischer Beginning String Orchestra Series. A bold statement for string orchestra with powerful, easy double-stops. A sustained, slow middle section provides contrast with lyrical and melodic lines. Score and Parts. With Standard notation. 8+8+5+5+5+2+8 pages. Carl Fischer Music #BAS3. Published by Carl Fischer Music (CF.BAS3).

ISBN 9780825840838. UPC: 798408040833. 8.5 X 11 inches. Key: D major.

Bold and melodious, St. Lawrence Overture is a fine example of a musical piece at the earliest performance level. Simple double stops, limited technical demands and rhythms that stay with half notes and quarter notes will facilitate preparing this effective selection with the youngest of ensembles. Duration: 2'20.

About Carl Fischer Beginning String Orchestra Series

Thi s series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:

• Limited parts (often 2nd violin and viola are the same part, cello and bass are same part)
• Limited keys and rhythms - only simple 8th note patterns
• Limited independence of parts
• Playable after limited study time
• First position and natural bowings
• Piano for rehearsal and reinforcement

Composed by William Bay and Mike Christiansen. Wire bound. Mastering the Guitar. Book and online audio/video. Published by Mel Bay Publications, Inc (MB.96620M).

Orchestra String Orchestra - Grade 1.5-2

SKU: CF.FAS26

Full Score. Composed by Sean O'Loughlin. Carl Fischer First Plus String Orchestra Series. Score and Parts. With Standard notation. 12 pages. Carl Fischer Music #FAS26. Published by Carl Fischer Music (CF.FAS26).

ISBN 9780825854811. UPC: 798408054816. 8.5 X 11 inches. Key: D major.

Arches is a piece for the developing string orchestra that derives its title from the national park in Utah. I visited the Arches National Monument in June of 2003 during a cross-country trip. The Delicate Arch is the recognizable landmark from this beautiful national park. In order to see this remarkable natural formation up close, you have to hike a trail of over two miles. The music in this piece is inspired by my journey to see the arch. Once there, you are treated to a vast panoramic view of the golden Utah landscape that leaves one breathless. Arches is an effective piece in teaching pizzicato playing as a melodic device. Most often, pizzicato is used as an effect or punctuation mark to larger melodic ideas. There is a brief arco section to provide contrast and build up to the dramatic return of the main pizzicato melody. Each section in the ensemble has a statement of the melody. It is important to think linearly in addition to vertically when playing these pizzicato lines. Forward motion is of up-most importance in terms of making musical phrases out of these pizzicato lines.
Arches is a piece for the developing string orchestra that derives its title from the national park in Utah. I visited the Arches National Monument in June of 2003 during a cross-country trip. The Delicate Arch is the recognizable landmark from this beautiful national park. In order to see this remarkable natural formation up close, you have to hike a trail of over two miles. The music in this piece is inspired by my journey to see the arch. Once there, you are treated to a vast panoramic view of the golden Utah landscape that leaves one breathless. Arches is an effective piece in teachingA pizzicato playing as a melodic device. Most often,A pizzicato is used as an effect or punctuation mark to larger melodic ideas. There is a brief arco section to provide contrast and build up to the dramatic return of the mainA pizzicato melody. Each section in the ensemble has a statement of the melody. It is important to think linearly in addition to vertically when playing theseA pizzicato lines. Forward motion is of up-most importance in terms of making musical phrases out of theseA pizzicatoA lines.
Arches is a piece for the developing string orchestra that derives its title from the national park in Utah. I visited the Arches National Monument in June of 2003 during a cross-country trip. The Delicate Arch is the recognizable landmark from this beautiful national park. In order to see this remarkable natural formation up close, you have to hike a trail of over two miles. The music in this piece is inspired by my journey to see the arch. Once there, you are treated to a vast panoramic view of the golden Utah landscape that leaves one breathless. Arches is an effective piece in teachingA pizzicato playing as a melodic device. Most often,A pizzicato is used as an effect or punctuation mark to larger melodic ideas. There is a brief arco section to provide contrast and build up to the dramatic return of the mainA pizzicato melody. Each section in the ensemble has a statement of the melody. It is important to think linearly in addition to vertically when playing theseA pizzicato lines. Forward motion is of up-most importance in terms of making musical phrases out of theseA pizzicatoA lines.
Arches is a piece for the developing string orchestra that derives its title from the national park in Utah. I visited the Arches National Monument in June of 2003 during a cross-country trip. The Delicate Arch is the recognizable landmark from this beautiful national park. In order to see this remarkable natural formation up close, you have to hike a trail of over two miles. The music in this piece is inspired by my journey to see the arch. Once there, you are treated to a vast panoramic view of the golden Utah landscape that leaves one breathless. Arches is an effective piece in teaching pizzicato playing as a melodic device. Most often, pizzicato is used as an effect or punctuation mark to larger melodic ideas. There is a brief arco section to provide contrast and build up to the dramatic return of the main pizzicato melody. Each section in the ensemble has a statement of the melody. It is important to think linearly in addition to vertically when playing these pizzicato lines. Forward motion is of up-most importance in terms of making musical phrases out of these pizzicato lines.
Arches is a piece for the developing string orchestra that derives its title from the national park in Utah. I visited the Arches National Monument in June of 2003 during a cross-country trip. The Delicate Arch is the recognizable landmark from this beautiful national park. In order to see this remarkable natural formation up close, you have to hike a trail of over two miles. The music in this piece is inspired by my journey to see the arch. Once there, you are treated to a vast panoramic view of the golden Utah landscape that leaves one breathless. Arches is an effective piece in teaching pizzicato playing as a melodic device. Most often, pizzicato is used as an effect or punctuation mark to larger melodic ideas. There is a brief arco section to provide contrast and build up to the dramatic return of the main pizzicato melody. Each section in the ensemble has a statement of the melody. It is important to think linearly in addition to vertically when playing these pizzicato lines. Forward motion is of up-most importance in terms of making musical phrases out of these pizzicato lines.
Arches is a piece for the developing string orchestra that derives its title from the national park in Utah. I visited the Arches National Monument in June of 2003 during a cross-country trip. The Delicate Arch is the recognizable landmark from this beautiful national park. In order to see this remarkable natural formation up close, you have to hike a trail of over two miles. The music in this piece is inspired by my journey to see the arch. Once there, you are treated to a vast panoramic view of the golden Utah landscape that leaves one breathless.Arches is an effective piece in teaching pizzicato playing as a melodic device. Most often, pizzicato is used as an effect or punctuation mark to larger melodic ideas. There is a brief arco section to provide contrast and build up to the dramatic return of the main pizzicato melody. Each section in the ensemble has a statement of the melody. It is important to think linearly in addition to vertically when playing these pizzicato lines. Forward motion is of up-most importance in terms of making musical phrases out of these pizzicato lin es.

By David Hirschberg. For Piano. Piano - Hirschberg Method. Hirschberg Fun Series. Level: Intermediate. Book. 48 pages. Published by Alfred Publishing.

Orchestra String Orchestra - Grade 1.5-2

SKU: CF.FAS21F

Composed by Larry Clark. Carl Fischer First Plus String Orchestra Series. Classical. Full score. With Standard notation. 8 pages. Carl Fischer Music #FAS21F. Published by Carl Fischer Music (CF.FAS21F).

ISBN 9780825853074. UPC: 798408053079. 8.5 X 11 inches. Key: D major.

Orchestra String Orchestra - Grade 1.5-2

SKU: CF.FAS9

Composed by Franz Xaver Gruber. Arranged by Andrew Balent. Carl Fischer First Plus String Orchestra Series. Sacred, Christmas. Score and Parts. With Standard notation. 8 pages. Duration 1 minute, 55 seconds. Carl Fischer Music #FAS9. Published by Carl Fischer Music (CF.FAS9).

ISBN 9780825844768. UPC: 798408044763. 8.5 X 11 inches. Key: D major.

This gentle arrangement of the Christmas classic Silent Night will help young string players in the development of legato playing. All countermelodies must be balanced with the main theme. The eighth notes should be played evenly in a legato style. If the students have good bow control it is recommended that slurs be used for each measure of eighth and quarter notes as in the Violin II/Viola part at the beginning. If students are not advanced enough to play the slurs, have them play as legato as possible without slurring. Performance Time: 1:55.
This gentle arrangement of the Christmas classicA Silent Night will help young string players in the development of legato playing. All countermelodies must be balanced with the main theme. The eighth notes should be played evenly in a legato style. If the students have good bow control it is recommended that slurs be used for each measure of eighth and quarter notes as in the Violin II/Viola part at the beginning. If students are not advanced enough to play the slurs, have them play as legato as possible without slurring. Performance Time: 1:55.
This gentle arrangement of the Christmas classic Silent Night will help young string players in the development of legato playing. All countermelodies must be balanced with the main theme. The eighth notes should be played evenly in a legato style. If the students have good bow control it is recommended that slurs be used for each measure of eighth and quarter notes as in the Violin II/Viola part at the beginning. If students are not advanced enough to play the slurs, have them play as legato as possible without slurring. Performance Time: 1:55.
This gentle arrangement of the Christmas classic Silent Night will help young string players in the development of legato playing. All countermelodies must be balanced with the main theme. The eighth notes should be played evenly in a legato style. If the students have good bow control it is recommended that slurs be used for each measure of eighth and quarter notes as in the Violin II/Viola part at the beginning. If students are not advanced enough to play the slurs, have them play as legato as possible without slurring.Performance Time: 1:55.