Violoncello and Piano. Composed by George Goltermann (1824-1898). Edited ...(+)
Violoncello and
Piano. Composed by
George Goltermann
(1824-1898). Edited by
Fritz Zumkley. Arranged
by Fritz Zumkley. This
edition: Saddle
stitching. Sheet music.
Cello Library. Classical.
Softcover. Op. 125/1. 8
pages. Schott Music
#CB249. Published by
Schott Music
(HL.49019269).
Violoncello and Piano. Composed by George Goltermann (1824-1898). Edited ...(+)
Violoncello and
Piano. Composed by
George Goltermann
(1824-1898). Edited by
Fritz Zumkley. Arranged
by Fritz Zumkley. This
edition: Saddle
stitching. Sheet music.
Cello Library. Classical.
Softcover. Op. 115/3. 12
pages. Schott Music
#CB248. Published by
Schott Music
(HL.49019268).
2 Morceaux de Salon, Op. 53. (4 Cellos). By George Goltermann (1824-1898). For C...(+)
2 Morceaux de Salon, Op.
53. (4 Cellos). By George
Goltermann (1824-1898).
For Cello Quartet.
Cello-Bibliothek (Cello
Library). Set of Parts. 7
pages. Schott Music
#CB144. Published by
Schott Music
For Cello and Piano. Composed by George Goltermann (1824-1898). Edited by...(+)
For Cello and
Piano. Composed by
George Goltermann
(1824-1898). Edited by
Fritz Zumkley. Arranged
by Fritz Zumkley. This
edition: Saddle
stitching. Sheet music.
Cello Library. Classical.
Softcover. Op. 17. 12
pages. Schott Music
#CB266. Published by
Schott Music
(HL.49045048).
Man of Sorrows Chorale SATB SATB, Piano GIA Publications
By George Goltermann (1824-1898). Arranged by Gary Parks. For SATB Choir and pia...(+)
By George Goltermann
(1824-1898). Arranged by
Gary Parks. For SATB
Choir and piano
reduction. Bible
Reference: Isaiah 53.
Choral. Sacred, Easter,
Choral. Easy/Medium.
Choral Octavo. Text
language: English. 4
pages. Published by GIA
Publications
Cello; Piano Accompaniment - intermediate SKU: HL.49019267 Violoncello...(+)
Cello; Piano
Accompaniment -
intermediate
SKU:
HL.49019267
Violoncello and
Piano. Composed by
George Goltermann. Edited
by Fritz Zumkley. This
edition: Saddle
stitching. Sheet music.
String. Stilistisch ganz
dem romantischen Geist
ihrer Zeit verhaftet,
handelt es sich um
relativ kurze Stucke.
Nicht zuletzt aufgrund
ihrer melodischen und
harmonischen
Eingangigkeit erfreuen
sie sich nachhaltiger
Beliebtheit sowohl im
Unterricht wie im
hausliche. Classical.
Softcover. Op. 54/3. 8
pages. Schott Music
#CB247. Published by
Schott Music
(HL.49019267).
ISBN
9790001180689. UPC:
841886018143.
9.0x12.0x0.074 inches.
Edited with fingerings
and bowings by Fritz
Zumkley.
Goltermann
(1824-1898) left a
plethora of works for his
instrument, including
seven cello concertos
which sometimes go to the
limitsof what was
considered to be
technically playable in
his time. Even today,
these works have
maintained their
importance throughout the
methodological progress
in literature. Apart from
the concertos, Goltermann
also composed a large
number of character
pieces, including
romances, reveries,
nocturnes and serenades.
Stylistically wholly
rooted in the Romantic
spirit of their time, the
pieces are relatively
short and of medium
difficulty as regards the
technical demands. It is
not least due to their
melodic and harmonic
catchiness that they
enjoy a lasting
popularity both in music
lessons and in domestic
concerts.
Cello and piano (Cello Part And Piano Score) - intermediate SKU: HL.49019221<...(+)
Cello and piano (Cello
Part And Piano Score) -
intermediate
SKU:
HL.49019221
Composed
by George Goltermann.
Edited by Fritz Zumkley.
This edition: Saddle
stitching. Sheet music.
String Solo. Softcover.
Op. 92/2. 12 pages.
Schott Music #CB246.
Published by Schott Music
(HL.49019221).
ISBN
9790001180672. UPC:
841886018136.
9.0x12.0x0.092
inches.
Georg
Goltermann (1824-1898)
left a plethora of works
for his instrument,
including seven cello
concertos which still
play an important role in
the cello literature of
today. In addition, he
composed a large number
of character pieces,
including romances,
reveries, nocturnes and
serenades. Rooted
entirely in the romantic
spirit of their time with
regard to style, they are
relatively short pieces
of medium difficulty. It
is not least due to its
melodic and harmonic
catchiness that the
rather easy Reverie in G
minor Op. 92/2 enjoys
great popularity both in
lessons and in concerts.
The expression marking
'Allegro appassionato'
refers to the fundamental
character of the piece
which demands, in
particular, an expressive
vibrato rich in
modulation.
