Maestro Swing Fanfare [Conducteur] - Facile De Haske Publications
Fanfare Band - Grade 2 SKU: BT.DHP-1104948-120 Boogie, Blues & Ragtime...(+)
Fanfare Band - Grade 2
SKU:
BT.DHP-1104948-120
Boogie, Blues &
Ragtime for Fanfare
Band. Composed by
Eric J. Hovi. Compact
Band Series. Original
Light Music. Score Only.
Composed 2010. 36 pages.
De Haske Publications
#DHP 1104948-120.
Published by De Haske
Publications
(BT.DHP-1104948-120).
9x12 inches.
English-German-French-Dut
ch.
Het woord
‘Maestro’ in
deze titel slaat op drie
grote componisten van wie
Eric J. Hovi een aantal
van hun bekende
thema’s als
inspiratiebron nam. Zo is
Antonio’s
Boogie gebaseerd op
een motief uit De Vier
Jaargetijdenvan
Antonio Vivaldi. In
Ludwig’s
Blues gebruikte hij
de eerste vier tonen uit
de Vijfde Symfonie
van Ludwig van Beethoven.
Tenslotte is Amadeus
Rag een knipoog naar
het zogenaamde
hoornkwintet van Wolfgang
AmadeusMozart. Wij wensen
u veel plezier bij het
herontdekken van deze
‘meester’wer
ken!
Das Wort
Maestro“ in diesem
Titel steht für
gleich drei große
Meisterkomponisten, deren
Themen Eric J. Hovis
Inspirationsquelle
für diese Suite
waren. So basiert
Antonio’s Boogie
auf einem Motiv aus den
Vier Jahreszeiten von
Antonio Vivaldi. In
Ludwig’s Blues
wurden die ersten vier
Töne aus der 5.
Sinfonie von Ludwig van
Beethoven verwendet.
Zuletzt verweist Amadeus
Rag mit einem
Augenzwinkern auf das so
genannte Hornquintett von
Wolfgang Amadeus Mozart.
Viel Spaß beim
(Wieder-)
Entdecken!
Maestro Swing Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1104948-010 Boogie, Blues ...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-1104948-010
Boogie, Blues &
Ragtime for Band.
Composed by Eric J. Hovi.
Compact Band Series.
Original Light Music. Set
(Score & Parts). Composed
2010. De Haske
Publications #DHP
1104948-010. Published by
De Haske Publications
(BT.DHP-1104948-010).
9x12 inches.
English-German-French-Dut
ch.
Het woord
‘Maestro’ in
deze titel slaat op drie
grote componisten van wie
Eric J. Hovi een aantal
van hun bekende
thema’s als
inspiratiebron nam. Zo is
Antonio’s
Boogie gebaseerd op
een motief uit De Vier
Jaargetijdenvan
Antonio Vivaldi. In
Ludwig’s
Blues gebruikte hij
de eerste vier tonen uit
de Vijfde Symfonie
van Ludwig van Beethoven.
Tenslotte is Amadeus
Rag een knipoog naar
het zogenaamde
hoornkwintet van Wolfgang
AmadeusMozart. Wij wensen
u veel plezier bij het
herontdekken van deze
‘meester’wer
ken!
Das Wort
Maestro“ in diesem
Titel steht für
gleich drei große
Meisterkomponisten, deren
Themen Eric J. Hovis
Inspirationsquelle
für diese Suite
waren. So basiert
Antonio’s Boogie
auf einem Motiv aus den
Vier Jahreszeiten von
Antonio Vivaldi. In
Ludwig’s Blues
wurden die ersten vier
Töne aus der 5.
Sinfonie von Ludwig van
Beethoven verwendet.
Zuletzt verweist Amadeus
Rag mit einem
Augenzwinkern auf das so
genannte Hornquintett von
Wolfgang Amadeus Mozart.
Viel Spaß beim
(Wieder-)
Entdecken!
Composed by
Pascal Proust. Method,
studies. Score. Editions
Combre #C06231. Published
by Editions Combre
(LM.C06231).
ISBN
9790230362313.
Etud
e 1 sur Siegfried Idyll
de Wagner - Etude 2 sur
la 7e symphonie de
Bruckner - Etude 3 sur la
Serenade n. 1 de Brahms -
Etude 4 sur la 5e
Symphonie Heroique de
Beethoven - Etude 5 sur
Tasso de Liszt - Etude 6
sur le Concerto pour
piano n. 2 de Brahms -
Etude 7 sur Lohengrin de
Wagner - Etude 8 sur la
8e symphonie de Beethoven
- Etude 9 sur la 3e
symphonie Ecossaise de
Mendelssohn - Etude 10
sur l'Ouverture du
Freischutz de Weber -
Etude 11 sur la Cantate
BWV65 de Bach - Etude 12
sur le Concerto pour
violon de Beethoven -
Etude 13 sur l'ouverture
du Turc en Italie de
Rossini - Etude 14 sur la
Serenade de Dvorak -
Etude 15 sur Carmen de
Bizet - Etude 16 sur la
Symphonie n. 5 de Mahler
- Etude 17 sur
l'ouverture du Roi
Etienne de Beethoven -
Etude 18 sur Lohengrin de
Wagner - Etude 19 sur Le
Barbier de Seville de
Rossini - Etude 20 sur la
5e symphonie de
Tchaikovsky - Etude 21
sur Euryanthe de Weber -
Etude 22 sur le
Crepuscule des Dieux de
Wagner - Etude 23 sur les
Maitres Chanteurs de
Wagner - Etude 24 sur Don
Carlos de Verdi - Etude
25 sur Petrouchka de
Stravinsky.
Maestro Swing Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 2 SKU: BT.DHP-1104948-020 Boogie, Blues & Ragtime...(+)
Fanfare Band - Grade 2
SKU:
BT.DHP-1104948-020
Boogie, Blues &
Ragtime for Fanfare
Band. Composed by
Eric J. Hovi. Compact
Band Series. Original
Light Music. Set (Score &
Parts). Composed 2010. De
Haske Publications #DHP
1104948-020. Published by
De Haske Publications
(BT.DHP-1104948-020).
9x12 inches.
English-German-French-Dut
ch.
Het woord
‘Maestro’ in
deze titel slaat op drie
grote componisten van wie
Eric J. Hovi een aantal
van hun bekende
thema’s als
inspiratiebron nam. Zo is
Antonio’s
Boogie gebaseerd op
een motief uit De Vier
Jaargetijdenvan
Antonio Vivaldi. In
Ludwig’s
Blues gebruikte hij
de eerste vier tonen uit
de Vijfde Symfonie
van Ludwig van Beethoven.
Tenslotte is Amadeus
Rag een knipoog naar
het zogenaamde
hoornkwintet van Wolfgang
AmadeusMozart. Wij wensen
u veel plezier bij het
herontdekken van deze
‘meester’wer
ken!
Das Wort
Maestro“ in diesem
Titel steht für
gleich drei große
Meisterkomponisten, deren
Themen Eric J. Hovis
Inspirationsquelle
für diese Suite
waren. So basiert
Antonio’s Boogie
auf einem Motiv aus den
Vier Jahreszeiten von
Antonio Vivaldi. In
Ludwig’s Blues
wurden die ersten vier
Töne aus der 5.
Sinfonie von Ludwig van
Beethoven verwendet.
Zuletzt verweist Amadeus
Rag mit einem
Augenzwinkern auf das so
genannte Hornquintett von
Wolfgang Amadeus Mozart.
Viel Spaß beim
(Wieder-)
Entdecken!
15 Easy Solos for Contest and Performance with Online Audio and Printable Pian...(+)
15 Easy Solos for Contest
and
Performance with Online
Audio
and Printable Piano
Accompaniments. Composed
by
Various. Arranged by
Philip
Sparke. Essential
Elements
Band Folios. Classical.
Softcover Media Online.
16
pages. Published by Hal
Leonard
15 Easy Solos for Contest and Performance with Online Audio and Printable Pian...(+)
15 Easy Solos for Contest
and
Performance with Online
Audio
and Printable Piano
Accompaniments. Composed
by
Various. Arranged by
Philip
Sparke. Essential
Elements
Band Folios. Classical.
Softcover Media Online.
16
pages. Published by Hal
Leonard
15 Easy Solos for Contest and Performance with Online Audio and Printable Pian...(+)
15 Easy Solos for Contest
and
Performance with Online
Audio
and Printable Piano
Accompaniments. Composed
by
Various. Arranged by
Philip
Sparke. Essential
Elements
Band Folios. Classical.
Softcover Media Online.
16
pages. Published by Hal
Leonard
15 Easy Solos for Contest and Performance with Online Audio and Printable Pian...(+)
15 Easy Solos for Contest
and
Performance with Online
Audio
and Printable Piano
Accompaniments. Composed
by
Various. Arranged by
Philip
Sparke. Essential
Elements
Band Folios. Classical.
Softcover Media Online.
16
pages. Published by Hal
Leonard
Baritone B.C. Baritone
B.C.;
Piano Accompaniment
(Baritone
Bass Clef)
15 Easy Solos for Contest
and
Performance with Online
Audio
and Printable Piano
Accompaniments. Composed
by
Various. Arranged by
Philip
Sparke. Essential
Elements
Band Folios. Classical.
Softcover Media Online.
16
pages. Published by Hal
Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Traditional pop
and vocal standards.
Series: Hal Leonard Fake
Books. 424 pages. 9x12
inches. Published by Hal
Leonard.
15 Easy Solos for Contest and Performance with Online Audio and Printable Pian...(+)
15 Easy Solos for Contest
and
Performance with Online
Audio
and Printable Piano
Accompaniments. Composed
by
Various. Arranged by
Philip
Sparke. Essential
Elements
Band Folios. Classical.
Softcover Media Online.
16
pages. Published by Hal
Leonard
15 Easy Solos for Contest and Performance with Online Audio and Printable Pian...(+)
15 Easy Solos for Contest
and
Performance with Online
Audio
and Printable Piano
Accompaniments. Composed
by
Various. Arranged by
Philip
Sparke. Essential
Elements
Band Folios. Classical.
Softcover Media Online.
16
pages. Published by Hal
Leonard
15 Easy Solos for Contest and Performance with Online Audio and Printable Pian...(+)
15 Easy Solos for Contest
and
Performance with Online
Audio
and Printable Piano
Accompaniments. Composed
by
Various. Arranged by
Philip
Sparke. Essential
Elements
Band Folios. Classical.
Softcover Media Online.
16
pages. Published by Hal
Leonard
15 Easy Solos for Contest and Performance with Online Audio and Printable Pian...(+)
15 Easy Solos for Contest
and
Performance with Online
Audio
and Printable Piano
Accompaniments. Composed
by
Various. Arranged by
Philip
Sparke. Essential
Elements
Band Folios. Classical.
Softcover Media Online.
16
pages. Published by Hal
Leonard
15 Easy Solos for Contest and Performance with Online Audio and Printable Pian...(+)
15 Easy Solos for Contest
and
Performance with Online
Audio
and Printable Piano
Accompaniments. Composed
by
Various. Arranged by
Philip
Sparke. Essential
Elements
Band Folios. Classical.
Softcover Media Online.
16
pages. Published by Hal
Leonard
Baritone T.C. Baritone
T.C.;
Piano Accompaniment
(Baritone
Treble Clef)
15 Easy Solos for Contest
and
Performance with Online
Audio
and Printable Piano
Accompaniments. Composed
by
Various. Arranged by
Philip
Sparke. Essential
Elements
Band Folios. Classical.
Softcover Media Online.
16
pages. Published by Hal
Leonard
15 Easy Solos for Contest and Performance with Online Audio and Printable Pian...(+)
15 Easy Solos for Contest
and
Performance with Online
Audio
and Printable Piano
Accompaniments. Composed
by
Various. Arranged by
Philip
Sparke. Essential
Elements
Band Folios. Classical.
Softcover Media Online.
16
pages. Published by Hal
Leonard
2nd Movement.
Composed by Ludwig van
Beethoven. Arranged by
Michael Hopkins.
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Belwin Symphonic String
Orchestra. Classical;
Masterwork Arrangement;
Romantic. Score. 20
pages. Belwin Music
#00-46690S. Published by
Belwin Music (AP.46690S).
Cello & piano SKU: HH.HH286-FSP Composed by Anton Eberl. Edited by Christ...(+)
Cello & piano
SKU:
HH.HH286-FSP
Composed
by Anton Eberl. Edited by
Christopher Hogwood.
Cello & Piano. This is a
very interesting sonata
as it bridges the gap
between the
cello/continuo sonatas
and the ones by
Beethoven. Eberl's part
for violin is also
included. Full score and
parts. Edition HH Music
Publishers #HH286-FSP.
Published by Edition HH
Music Publishers
(HH.HH286-FSP).
ISBN
9790708092254.
A
true Grand Duo for cello
and piano to provide a
much needed connection
between the first sonatas
for this combination --
by Beethoven -- and the
later 19th century
repertoire. Eberl's
heroic style provides a
masterly alternative to
the over familiar works,
with the balance of power
between the two players
scrupulously maintained
throughout, and ingenious
formal innovations. The
Rhapsodie finale in
particular, with sections
in varying metres and
moods, resolves in an
elegant Pastorale, an
entirely new format for
this combination. The
composer thoughtfully
provided an adaptation of
the cello part for violin
containing many
differences which will be
of interest to players of
both instruments; both
string parts are included
in this publication.
New music
(post-2000). Score.
Composed 2016/17/20. 12
pages. Duration 8'.
Breitkopf and Haertel #EB
9253. Published by
Breitkopf and Haertel
(BR.EB-9253).
ISBN
9790004185537. 9 x 12
inches.
Marche
fatale is an incautiously
daring escapade that may
annoy the fans of my
compositions more than my
earlier works, many of
which have prevailed only
after scandals at their
world premieres. My
Marche fatale has,
though, little
stylistically to do with
my previous compositional
path; it presents itself
without restraint, if not
as a regression, then
still as a recourse to
those empty phrases to
which modern civilization
still clings in its daily
utility music, whereas
music in the 20th and
21st centuries has long
since advanced to new,
unfamiliar soundscapes
and expressive
possibilities. The key
term is banality. As
creators we despise it,
we try to avoid it -
though we are not safe
from the cheap banal even
within new aesthetic
achievements.Many
composers have
incidentally accepted the
banal. Mozart wrote Ein
musikalischer Spass [A
Musical Jape], a
deliberately amateurishly
miscarried sextet.
Beethoven's Bagatellen
op. 119 were rejected by
the publisher on the
grounds that few will
believe that this minor
work is by the famous
Beethoven. Mauricio Kagel
wrote, tongue in cheek,
so to speak, Marsche, um
den Sieg zu verfehlen
[Marches for being
Unvictorious], Ligeti
wrote Hungarian Rock; in
his Circus Polka
Stravinsky quoted and
distorted the famous, all
too popular Schubert
military march, composed
at the time for piano
duet. I myself do not
know, though, whether I
ought to rank my Marche
fatale alongside these
examples: I accept the
humor in daily life, the
more so as this daily
life for some of us is
not otherwise to be
borne. In music, I
mistrust it, considering
myself all the closer to
the profounder idea of
cheerfulness having
little to do with humor.
However: Isn't a march
with its compelling claim
to a collectively martial
or festive mood absurd, a
priori? Is it even music
at all? Can one march and
at the same time listen?
Eventually, I resolved to
take the absurd seriously
- perhaps bitterly
seriously - as a
debunking emblem of our
civilization that is
standing on the brink.
The way - seemingly
unstoppable - into the
black hole of all
debilitating demons: that
can become serene. My old
request of myself and my
music-creating
surroundings is to write
a non-music, whence the
familiar concept of music
is repeatedly re-defined
anew and differently, so
that derailed here -
perhaps? - in a
treacherous way, the
concert hall becomes the
place of mind-opening
adventures instead of a
refuge in illusory
security. How could that
happen? The rest is -
thinking.(Helmut
Lachenmann, 2017)CD
(Version for
Piano):Nicolas Hodges CD
Wergo WER 7393 2
Bibliography:Ich bin
nicht ,,pietistisch
verformt. Ein Gesprach
[von Jan Brachmann] mit
dem Komponisten Helmut
Lachenmann, in: FAZ vom
7. Juni 2018, p.
15.
World premiere
of the piano version:
Mito/Japan, June 17,
2017, World premiere of
the orchestral version:
Stuttgart, January 1,
2018, World premiere of
the ensemble version:
Frankfurt, December 9,
2020.
New music
(post-2000). Full score.
Composed 2016/17/20. 48
pages. Duration 8'.
Breitkopf and Haertel #PB
5432. Published by
Breitkopf and Haertel
(BR.PB-5432).
ISBN
9790004212790. 10 x 12.5
inches.
Marche
fatale is an incautiously
daring escapade that may
annoy the fans of my
compositions more than my
earlier works, many of
which have prevailed only
after scandals at their
world premieres. My
Marche fatale has,
though, little
stylistically to do with
my previous compositional
path; it presents itself
without restraint, if not
as a regression, then
still as a recourse to
those empty phrases to
which modern civilization
still clings in its daily
utility music, whereas
music in the 20th and
21st centuries has long
since advanced to new,
unfamiliar soundscapes
and expressive
possibilities. The key
term is banality. As
creators we despise it,
we try to avoid it -
though we are not safe
from the cheap banal even
within new aesthetic
achievements.Many
composers have
incidentally accepted the
banal. Mozart wrote Ein
musikalischer Spass [A
Musical Jape], a
deliberately amateurishly
miscarried sextet.
Beethoven's Bagatellen
op. 119 were rejected by
the publisher on the
grounds that few will
believe that this minor
work is by the famous
Beethoven. Mauricio Kagel
wrote, tongue in cheek,
so to speak, Marsche, um
den Sieg zu verfehlen
[Marches for being
Unvictorious], Ligeti
wrote Hungarian Rock; in
his Circus Polka
Stravinsky quoted and
distorted the famous, all
too popular Schubert
military march, composed
at the time for piano
duet. I myself do not
know, though, whether I
ought to rank my Marche
fatale alongside these
examples: I accept the
humor in daily life, the
more so as this daily
life for some of us is
not otherwise to be
borne. In music, I
mistrust it, considering
myself all the closer to
the profounder idea of
cheerfulness having
little to do with humor.
However: Isn't a march
with its compelling claim
to a collectively martial
or festive mood absurd, a
priori? Is it even music
at all? Can one march and
at the same time listen?
Eventually, I resolved to
take the absurd seriously
- perhaps bitterly
seriously - as a
debunking emblem of our
civilization that is
standing on the brink.
The way - seemingly
unstoppable - into the
black hole of all
debilitating demons: that
can become serene. My old
request of myself and my
music-creating
surroundings is to write
a non-music, whence the
familiar concept of music
is repeatedly re-defined
anew and differently, so
that derailed here -
perhaps? - in a
treacherous way, the
concert hall becomes the
place of mind-opening
adventures instead of a
refuge in illusory
security. How could that
happen? The rest is -
thinking.(Helmut
Lachenmann, 2017)CD
(Version for
Piano):Nicolas Hodges CD
Wergo WER 7393 2
Bibliography:Ich bin
nicht ,,pietistisch
verformt. Ein Gesprach
[von Jan Brachmann] mit
dem Komponisten Helmut
Lachenmann, in: FAZ vom
7. Juni 2018, p.
15.
World premiere
of the piano version:
Mito/Japan, June 17,
2017, World premiere of
the orchestral version:
Stuttgart, January 1,
2018, World premiere of
the ensemble version:
Frankfurt, December 9,
2020.
Double Bass SKU: BA.BA08833-85 Composed by Ludwig van Beethoven. Edited b...(+)
Double Bass
SKU:
BA.BA08833-85
Composed by Ludwig van
Beethoven. Edited by
Helga Lühning. This
edition: urtext edition.
Stapled. Single part.
Composed 1806. No. 3. 7
pages. Baerenreiter
Verlag #BA08833_85.
Published by Baerenreiter
Verlag (BA.BA08833-85).
ISBN 9790006567584.
32.5 x 25.5 cm
inches.
Sooner or
later theRomantic
Pieceswill pave their way
through all the salons:
thus the periodical
Dalibor predicted when
theRomantic Piecesop. 75
were first issued by the
publisher Simrock in
1887. Since then they
have become some of
Dvorak's most popular
works for violin and
piano. Now they are being
made available for
violists
also.
Bella and
Semjon Kalinowsky have
arranged the four pieces
on the basis of
theComplete Edition of
the Works of Antonin
Dvorak. The piano part of
the original version
remains, while the violin
part has been adapted for
viola; it has been
transcribed into the alto
clef and includes
fingering and bowing
marks.
With their
entrancing melodies and
poetry, these pieces pose
few technical challenges
and are thus easy to
play.
Accordion orchestra SKU: M7.VHR-2743-01 Composed by Ludwig van Beethoven....(+)
Accordion orchestra
SKU:
M7.VHR-2743-01
Composed by Ludwig van
Beethoven. Arranged by
Curt Herold. Sheet music.
Set of parts. Holzschuh
Musikverlag #VHR 2743-01.
Published by Holzschuh
Musikverlag
(M7.VHR-2743-01).
Accordion orchestra SKU: M7.VHR-2743 Composed by Ludwig van Beethoven. Ar...(+)
Accordion orchestra
SKU: M7.VHR-2743
Composed by Ludwig van
Beethoven. Arranged by
Curt Herold. Sheet music.
Score. 8 pages. Holzschuh
Musikverlag #VHR 2743.
Published by Holzschuh
Musikverlag
(M7.VHR-2743).