For Piano Trio. Composed by Emily Howard. Piano Trio; Single Titles; Trio. Peters Contemporary Chamber Series. Classical; Contemporary. Score and Part(s). 16 pages. Edition Peters #98-EP73325. Published by Edition Peters

SKU: HL.49015599

Composed by Lucinde Braun. This edition: Hardback/Hard Cover. Book. Edition Schott. Eine umfassende Darstellung des Goldenen Zeitalters der russischen Musik mit deutscher Erstveroffentlichung zahlreicher Quellen. Ein umfangreicher Anhang bietet bisher unbekannte Quellentexte, Premierendaten und Auffuhrungsstatistiken. Classical. 419 pages. Schott Music #ED 8978. Published by Schott Music (HL.49015599).

ISBN 9783795703547. German.

Als Alexander III. 1881 den Zarenthron bestieg, begann fur die russische Oper eine neue, oft als Goldenes Zeitalter' bezeichnete Epoche, in der Cajkovskij zum fuhrenden Komponisten aufstieg. Die vom Zaren eingeleitete Reform der Kaiserlichen Theater, zu denen seinerzeit in Petersburg italienische und russische Oper, Ballett sowie russisches, deutsches und franzosisches Drama gehorten, fuhrte zu einer nachhaltigen Umstrukturierung der Theaterhierarchie. Die russische Oper holte in kurzester Zeit Entwicklungen nach, wie sie fur die Pariser Grand opera' charakteristisch waren. Die Arbeit beleuchtet Institutionen und Auffuhrungspraxis, die Auseinandersetzung der russischen Komponisten mit der Grand opera und mit Richard Wagner und die zeitgenossischen Werke im Kontext der genannten Reformen. Ein umfangreicher Anhang bietet bisher unbekannte Quellentexte, Premierendaten und Auffuhrungsstatistiken.

Viola(s) solo

SKU: BR.EB-8995

Composed by Barbara Maurer. Edited by Barbara Maurer. Solo instruments; Softbound. Edition Breitkopf. New music (post-2000); Music post-1945. Score. Composed 2020. 140 pages. Breitkopf and Haertel #EB 8995. Published by Breitkopf and Haertel (BR.EB-8995).

ISBN 9790004187241. 9 x 12 inches.

In 2012, 1024, and 2016 under the title 'Viola Project,' I invited violists and composers to the Hochschule fur Musik und Tanz Koln [College for Music and Dance in Cologne] with the objective: 'Be there when it is composed! Be there when it is rehearsed!' Composers write for violists - and violists can influence this. The old hierarchy 'superordinate composer' and 'subordinate performer' are increasingly giving way to a new partnership in which composers and performers recognize that they need each other and work towards the same goal in mutual respect and exchange. This partnership was used and practiced in the viola project. Sometimes I got hot all over when together we tried out one draft after another. Whether then that can go well? Just as young composers composing 'before witnesses,' we violists sight read and tried out their ideas, sketches, music. (Barbara Maurer).

Piano/Keyboard

SKU: SU.12800062

For Piano/Keyboard. Composed by Johann Sebastian Bach. Keyboard, Piano/Harpsichord. Score. Subito Music Corporation #12800062. Published by Subito Music Corporation (SU.12800062).

Goldberg Variations, BWV 988 (3-page Preface, 63 pages, edited for piano, no fingerings). This attractive Urtext of Bach’s popular variation cycle is not only extremely user-friendly and extra-legible, but in addition, presents groundbreaking performance practice research that explains Bach’s never-before-revealed plan of tempo relationships between variations. This discovery is highly significant with regards to the tempi chosen for the 30 variations in a complete performance. The first edition from 1741, engraved by Bach himself, shows fermatas after some, but not all, variations. Most editors assume this was an oversight by Bach, and thus, add fermatas where they do not belong. Virtually all editions of our time add fermatas where Bach did not indicate them. Perhaps the only edition that correctly reproduces Bach’s fermata indications is Peters (ed. Kurt Soldan, 1937). Mapping out Bach’s fermata plan for the complete cycle reveals an ingenious and fascinating symmetrical arrangement of pairs and groups of variations unified by direct tempo relationships. Bach’s tempo plan has never yet been honored by commercial artists because they have been steeped in false, 19th-century tempo traditions, they have been too influenced by Glenn Gould, and they have never been made aware of Bach’s use of fermatas due to faulty editions. Bach’s master plan is beautifully laid out and all the tempo relationships are explained in the three-page Preface, which also contains a tempo hierarchy matrix relevant to Bach performance as well as Bach’s well-known Table of Ornaments. This edition is ideal for pianists from the late-intermediate levels and higher as well as concert artists, scholars, and teachers who seek an informative edition of the Goldberg Variations for the concert hall or teaching studio. Piano/Keyboard Published by: BachScholar.

Spanish Edition Adult Piano Adventures Course Book 1. Faber Piano Adventures. Method, Spanish Edition. Softcover. Faber Piano Adventures #IEFF1302ES. Published by Faber Piano Adventures

By Hildegard Von Bingen. Arranged by Marianne Pfau. For unison chorus. Published by Hildegard.

Guitar

SKU: FG.55011-899-7

Composed by Paavo Korpijaakko. Classical, contemporary. Score. Fennica Gehrman #55011-899-7. Published by Fennica Gehrman (FG.55011-899-7).

ISBN 9790550118997.

Paav o Korpijaakko's (b. 1977) guitar sonata Kimberley was composed in 2006 and dedicated to Petri Kumela. It is Korpijaakko's fist piece for the guitar, and the composers gives credit to the commissioner, who untiringly and long-sufferingly solved the challenges posed by the musical ideas and conjured forth timbral shades. Including a tribute to Debussy, a playful scherzo and some shameless flirting with a flamenco the four movement sonata arrives at a spectacular conclusion.

Durati on: 21'

Korpijaakko studied at the Tampere Conservatory 1997–2007, majoring in composition from 2001 onwards. For most of the time he was a pupil of Jouni Kaipainen, but he was also taught by Juhani Nuorvala and Hannu Pohjannoro. Korpijaakko stresses the importance of harmony, resonant material and harmonic hierarchy, by which he means harmony as a fundamental progressive element of the piece. His aim in handling his motifs is to use his material sparingly. In this respect he specifically wants to be a kindred spirit to Beethoven. Everything that will later appear in the work must be derived from the core thematic and harmonic elements – or whatever one likes to call them. Most important is, however, to create a steady stream of interesting music.

25 Hits, from Acoustic to Punk, to Nu-Metal & Beyond. Composed by various artists and composers. This edition: Guitar TAB. Book; Guitar Mixed Folio; Guitar TAB; Solo Guitar TAB (EZ/Int). Pop; Rock. 120 pages. Published by Alfred Music