Piano SKU: BR.EB-9077 14 Piano Pieces for Children. Composed by Ha...(+)
Piano
SKU:
BR.EB-9077
14
Piano Pieces for
Children. Composed by
Hans Zender. Solo
instruments; Softcover.
Edition Breitkopf.
World premiere:
Detmold, November 4,
1990
Music post-1945;
New music (post-2000).
Score. Composed 1990. 20
pages. Duration 10'.
Breitkopf and Haertel #EB
9077. Published by
Breitkopf and Haertel
(BR.EB-9077).
ISBN
9790004179529. 9 x 12
inches.
Bibliograph
y: Mahlert, Ulrich:
Postmoderne
Kinderstuecke? Zu
Spazierwege und Spiele
von Hans Zender, in:
Ueben & Musizieren
5/1992.Nimczik, Ortwin:
Leiterspiele und
Kreuzwege.
Gestaltungsanregungen mit
zwei Klavierstucken von
Hans Zender, in: Musik
und Bildung 39 (2007),
Heft 2, pp.
70-73.Petersen, Birger:
Neue Musik. Analysen,
Berlin: Simon Verlag fur
Bibliothekswissen 2013,
pp. 81-96.
By Johannes Brahms (1833-1897). Edited by Ulrich Mahlert. For piano. This editio...(+)
By Johannes Brahms
(1833-1897). Edited by
Ulrich Mahlert. For
piano. This edition:
Urtext, paperback.
Edition Breitkopf. 36
pages. Published by
Breitkopf and Haertel
Chorus (with soloists) and piano SKU: BR.CHB-5219-02 Urtext based on t...(+)
Chorus (with soloists)
and piano
SKU:
BR.CHB-5219-02
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms. Choir;
stapled. Chor-Bibliothek
(Choral Library). Song;
Romantic. Choral score.
20 pages. Breitkopf and
Haertel #ChB 5219-02.
Published by Breitkopf
and Haertel
(BR.CHB-5219-02).
ISBN
9790004411407. 9 x 12
inches. German.
The
Three Songs Op. 42 are
actually a cappella
choral works, the piano
part being intended above
all as a study aid.
Ulrich Mahlert's preface
provides information on
the origin of the pieces
and their historical and
socio-cultural
background.
Composed by Jean Sibelius (1865-1957). Edited by Ulrich Mahlert. This edition: u...(+)
Composed by Jean Sibelius
(1865-1957). Edited by
Ulrich Mahlert. This
edition: urtext.
Partitur-Bibliothek
(Score Library). Study
score. 116 pages.
Published by Breitkopf
and Haertel
(BR.PB-5564-07).
Piano SKU: BA.BE00493 Improvisatorisches Lernen - kreatives Spielen(+)
Piano
SKU:
BA.BE00493
Improvisatorisches
Lernen - kreatives
Spielen. Composed by
Herbert Wiedemann.
Paperback. Instructional.
Performance score. 141
pages. Gustav Bosse
Verlag #BE00493_00.
Published by Gustav Bosse
Verlag (BA.BE00493).
ISBN 9790201104935. 30
x 23 cm inches. Language:
German. Preface: Mahlert,
Ulrich.
,,Nun lasst uns den
Leib begraben -
Urtext. Composed by
Johannes Brahms. Choir;
stapled. Chor-Bibliothek
(Choral Library).
Now
complete with piano-vocal
score
Requiem;
Romantic. Choral score. 8
pages. Duration 10'.
Breitkopf and Haertel
#ChB 3541-02. Published
by Breitkopf and Haertel
(BR.CHB-3541-02).
ISBN
9790004404720. 7.5 x 10.5
inches.
Brahms'
Begrabnisgesang op. 13
has long been one of
Breitkopf & Hartel's
standard works. Yet while
musicians were able to
acquire the score,
orchestral parts and
choral score, there was
no piano-vocal score up
to now. This gap is now
being closed. The
piano-vocal score will be
a valuable asset to all
choirs learning and
performing the work, not
least because the piano
reduction is conceived so
as to sound compelling on
the organ as well. In his
preface, Ulrich Mahlert
suggests that the work of
the then 25-year-old
composer is perhaps to be
seen in the light of
Robert Schumann's death
and Clara Schumann's own
thoughts of death.
Piano SKU: BR.EB-8993 Urtext. Composed by Joachim Raff. Edited by ...(+)
Piano
SKU:
BR.EB-8993
Urtext. Composed
by Joachim Raff. Edited
by Ulrich Mahlert. Solo
instruments; Softbound.
Edition Breitkopf.
Sonata; Romantic. Score.
112 pages. Breitkopf and
Haertel #EB 8993.
Published by Breitkopf
and Haertel (BR.EB-8993).
ISBN 9790004187227. 9
x 12 inches.
The
three piano sonatas by
Joachim Raff (1822-1882),
representing his three
main creative phases,
occupy a special position
among his more than 100
piano pieces. They
reflect a significant
compositional aspiration
whereas Raff otherwise
frequently leans towards
the salon-music genre in
his piano music. Raff
composed the early sonata
op. 14 in 1844 after his
first works were
positively evaluated and
Felix Mendelssohn
Bartholdy had encouraged
him to venture a career
as a composer. The
Fantasie-Sonate [Fantasy
Sonata] in d minor op.
168, Raff wrote in 1871
at the height of his fame
as one of Germany's then
most-played composers.
Its dedication to Camille
Saint-Saens shows his
opposition to the rampant
German disapproval of
France and its music
representatives in the
wake of the
Franco-Prussian war of
1870/71. The second
version of the sonata op.
14, composed in the fall
of 1881, had only the
opus number in common
with the earlier version.
In this late work Raff
had created an entirely
new sonata. ,,Beautifully
presented on cream paper,
with exceptional clarity
and generous spacing. The
Fantasie-Sonate in D
minor Op. 168, in
particular, is a
masterpiece which
manifests both
considerable power and
exquisite craftsmanship.
(www.pianodao.com).
