SKU: SU.00220093 Composed by Claude Debussy. Strings, Contrabass. The Orc...(+)
SKU: SU.00220093
Composed by Claude
Debussy. Strings,
Contrabass. The Orchestra
Musician's CD-ROM
Libraryâ„¢. CD (PDF
Scores). CD Sheet Music
#00220093. Published by
CD Sheet Music
(SU.00220093).
The complete
Double Bass parts
[CD-ROM] for the 61
orchestral works included
in The Orchestra
Musician's CD-ROM
Libraryâ„¢, Volume 2:
Debussy, Mahler and more.
If these parts were
purchased separately,
this collection could
cost several hundred
dollars. Parts are easily
viewable and printable on
either PC or Mac using
embedded Adobe® Reader
technology. Contents:
BIZET Carmen Suites 1-2,
L'Arlesienne Suites 1-2,
Symphony No. l; BRUCH
Violin Concerto No.1, Kol
Nidrei, Scottish Fantasy;
BRUCKNER Symphonies 1-9,
Te Deum; BUSONI Turandot
Suite; DEBUSSY Images
1-3, Jeux, La Mer,
Nocturnes, Petite Suite,
Prelude to the Afternoon
of a Faun, Printemps,
Sacred and Profane
Dances, Clarinet
Rhapsody; FAURÉ
Pavane, Pelleas and
Melisande, Requiem; GRIEG
Piano Concerto in A
Minor, Peer Gynt Suites
1-2, Symphonic Dances,
Holberg Suite; MAHLER
Symphonies 1-9,
Kindertotenlieder, Das
klagende Lied, Das Lied
von der Erde, Lieder;
REGER Variations and Fuge
on a Theme by Mozart;
SAINT-SAËNS Carnival
of the Animals, Danse
Macabre, Symphony No. 3,
Cello Concerto No. 1,
Piano Concerto No. 2,
Christmas Oratorio,
Introduction and Rondo
Capriccioso Visit for
more
information
Ple
ase note, customers using
Macintosh computers
running macOS Catalina
(version 10.5) have
reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac.
Composed
by David Philip Hefti.
Edited by David Philip
Hefti. DIN-A3. Paperback.
Conductor's score. 58
pages. Duration 25
minutes. Edition
Kunzelmann #OCT-10344.
Published by Edition
Kunzelmann
(KU.OCT-10344).
Piano Reduction. Composed by Manuel de Falla (1876-1946). Edited by Ullri...(+)
Piano Reduction.
Composed by Manuel de
Falla (1876-1946). Edited
by Ullrich Scheideler.
Henle Music Folios.
Classical. Softcover. 80
pages. G. Henle #HN1450.
Published by G. Henle
(HL.51481450).
With a Critical Commentary. By Frederic Chopin. Edited by E. Herttrich. Piano (H...(+)
With a Critical
Commentary. By Frederic
Chopin. Edited by E.
Herttrich. Piano
(Harpsichord), 2-hands.
Pages: 120. Urtext
edition-cloth bound.
Published by G. Henle.
Orchestra SKU: AP.12-0571572170 Composed by Carl Vine. Full Orchestra (Fu...(+)
Orchestra
SKU:
AP.12-0571572170
Composed by Carl Vine.
Full Orchestra (Full
Score); Masterworks;
Performance Music
Ensemble; Single Titles.
Faber Edition. Form:
Concerto. 20th Century;
Masterwork. Score. Faber
Music #12-0571572170.
Published by Faber Music
(AP.12-0571572170).
ISBN 9780571572175.
English.
First
performed by Piers Lane
and the Sydney Symphony
Orchestra, Carl Vine's
vibrant Piano Concerto
No. 2 (2012) is an
attractive 25-minute work
comprised of three
movements. A rhapsody and
nocturne lead to a finale
entitled Cloudless Blue,
a dazzling presto that
captures all the
brilliance of the
Australian summer.
Orchestra Piano SKU: AP.12-0571572189 2-Piano Rehearsal Score. Com...(+)
Orchestra Piano
SKU:
AP.12-0571572189
2-Piano Rehearsal
Score. Composed by
Carl Vine. Full
Orchestra; Masterworks;
Performance Music
Ensemble; Single Titles.
Faber Edition. Form:
Concerto. 20th Century;
Masterwork. Score. Faber
Music #12-0571572189.
Published by Faber Music
(AP.12-0571572189).
ISBN 9780571572182.
English.
First
performed by Piers Lane
and the Sydney Symphony
Orchestra, Carl Vine's
vibrant Piano Concerto
No. 2 (2012) is an
attractive 25-minute work
comprised of three
movements. A rhapsody and
nocturne lead to a finale
entitled Cloudless Blue,
a dazzling presto that
captures all the
brilliance of the
Australian summer.
Orchestra; Piano (Study Score) SKU: HL.132265 Chopin National Edition ...(+)
Orchestra; Piano (Study
Score)
SKU:
HL.132265
Chopin
National Edition 22A,
Vol. XVf. Composed by
Frederic Chopin. Edited
by Jan Ekier and Pawel
Kaminski. PWM. Classical.
Study Score. Polskie
Wydawnictwo Muzyczne
#51600924. Published by
Polskie Wydawnictwo
Muzyczne (HL.132265).
UPC:
884088970994.
In
the leading part the
stile brillant is
displayed in a version
most in agreement with
its name - it is
brilliant, showy and
spectacular. The central
section is in the
character of a nocturne,
Andante spinato, and
creates a subtle mood
that is destroyed by the
stormy rhythms of the
polonaise. This work is
often performed without
the orchestra - the
Andante spinato was
immediately prepared for
piano solo. Critical
source-edition edited by
Jan Ekier and Pawel
Kaminski based on
manuscripts, copies
approved by Chopin
himself, and first
editions. Its purpose is
to present the works of
Chopin in authentic
form.
Moorside March Orchestre d'harmonie [Conducteur] - Facile Belwin
Concert Band; Orchestra - Grade 2 SKU: AP.50324S From A Moorside Suite...(+)
Concert Band; Orchestra -
Grade 2
SKU:
AP.50324S
From A
Moorside Suite.
Composed by Gustav Holst.
Arranged by Douglas E.
Wagner. Concert Band;
Masterworks; Performance
Music Ensemble; Single
Titles. Belwin Young
Band. Form: March.
Masterwork Arrangement.
Score. Duration 3:35.
Belwin Music #00-50324S.
Published by Belwin Music
(AP.50324S).
ISBN
9781470659073. UPC:
038081576336.
English.
A Moorside
Suite was written in 1928
as a test piece for the
National Brass Band
Festival championship
competition held that
year. The three-movement
work includes a jaunty
Scherzo, a lovely
Nocturne, and the popular
March, which has enjoyed
countless performances
since its premiere.
Douglas E. Wagner created
this arrangement with
younger players in mind.
Though slightly abridged,
the main themes and
styles are present in a
carefully-crafted
performance piece
accessible to concert
bands at this level. This
authentic arrangement
still bears Holst's
unmistakable musical
signature. (3:35).
Concert Band; Orchestra - Grade 2 SKU: AP.50324 From A Moorside Suite<...(+)
Concert Band; Orchestra -
Grade 2
SKU:
AP.50324
From A
Moorside Suite.
Composed by Gustav Holst.
Arranged by Douglas E.
Wagner. Concert Band;
MakeMusic Cloud;
Masterworks; Performance
Music Ensemble; Single
Titles. Belwin Young
Band. Form: March.
Masterwork Arrangement.
Score and Part(s).
Duration 3:35. Belwin
Music #00-50324.
Published by Belwin Music
(AP.50324).
ISBN
9781470659066. UPC:
038081576329.
English.
A Moorside
Suite was written in 1928
as a test piece for the
National Brass Band
Festival championship
competition held that
year. The three-movement
work includes a jaunty
Scherzo, a lovely
Nocturne, and the popular
March, which has enjoyed
countless performances
since its premiere.
Douglas E. Wagner created
this arrangement with
younger players in mind.
Though slightly abridged,
the main themes and
styles are present in a
carefully-crafted
performance piece
accessible to concert
bands at this level. This
authentic arrangement
still bears Holst's
unmistakable musical
signature. (3:35).
Tenor SATB Piano Accompaniment SKU: HL.14012025 Composed by Geoffrey Bush...(+)
Tenor SATB Piano
Accompaniment
SKU:
HL.14012025
Composed
by Geoffrey Bush. Music
Sales America. Classical.
Part. 74 pages. Music
Sales #NOV263024.
Published by Music Sales
(HL.14012025).
8.5x11.75x0.44
inches.
Geoff
rey Bush's
Summer
Serenade is
a refreshingly enjoyable
work, written on the wing
of inspiration,
essentially sunny and
life-enhancing. The
eclectic style is readily
diatonic, the harmonies
never make one shudder
and the rich melodic flow
is appealingly direct.
The settings of an
ingenious selection of
verse are in the best
traditions of British
choral writing.
Performance time approx.
20 minutes.
Made up
of 7 parts, including
Prologue,
Madrigal,
Scherzo,
Dirge,
Aubade,
Nocturne an
d
Finale.Orchestra
tion varies between
theseparts - they are
scored for chorus and
orchestra, unaccompanied
voices or Tenor solo and
orchestra.
Geoff
rey Bush was a
British composer,
organist and scholar of
20th-century English
music. His compositions
include 5 operas, 2
symphonies, choral pieces
such as his Christmas
Cantata and many songs,
generally in the lieder
style.
Piano/harpsichord and
orchestra (solo: pno -
3(picc).3(cor ang).2.2 -
4.2.3.1 - timp.perc - hp
- cel - str)
SKU:
BR.PB-15154
Impresiones sinfonicas
- Urtext. Composed by
Manuel de Falla. Edited
by Ullrich Scheideler.
Orchestra; Softcover.
Partitur-Bibliothek
(Score Library). Solo
concerto; Symphonic poem;
Late-romantic; Early
modern. Study Score.
Duration 23'. Breitkopf
and Haertel #PB 15154.
Published by Breitkopf
and Haertel
(BR.PB-15154).
ISBN
9790004215593. 6.5 x 9
inches.
Composed by
Manuel de Falla during
his lengthy residence in
Paris, these three
symphonic impressions for
piano and orchestra are
an expressive work
bringing the southern
Spanish gardens, which
are laid out in the
European and
Arabic-Moorish tradition,
to life. The influence of
contemporary French music
is noticeable in this
composition. Despite many
modifications, involving
among other things, the
scoring, number of
movements, as well as
layout and content, the
basic idea of a nocturnal
impression is retained
from the outset. The work
was finished - and
likewise the orchestral
material - only shortly
before its premiere on 9
April 1916, which was a
great success. World War
I prevented its
publication, though
further performances
followed, played then
from manuscript material.
The Urtext edition
presented by Ullrich
Scheideler takes as the
main source the first
edition of the score. The
Critical Report gives
detailed information
about the source
situation.
For
Narrator & Orchestra.
Composed by Michael
Abels. Orchestra. Study
Score. Composed 1993-95.
Duration 7'. Subito Music
Corporation #90110060.
Published by Subito Music
Corporation
(SU.90110060).
Please note,
customers using Macintosh
computers running macOS
Catalina (version 10.5)
have reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac.
Piano Accompaniment; Trumpet (trumpet & piano) SKU: HL.48181191 Pour T...(+)
Piano Accompaniment;
Trumpet (trumpet & piano)
SKU: HL.48181191
Pour Trompette et
Orchestre [Piano
Reduction]. Composed
by Henri Tomasi. Leduc.
Classical Music,
Contemporary. Softcover.
34 pages. Alphonse Leduc
#AL20470. Published by
Alphonse Leduc
(HL.48181191).
UPC:
888680787806.
9.0x12.0x0.104
inches.
The
concerto is composed in
B-flat Major; the solo
part is for Trumpet in C.
Finished in 1948, the
Concerto for Trumpet and
Orchestra was composed by
the French composer,
conductor and the 1927
winner of the Grand Prix
de Rome, Henri Tomasi
(1901-1971), and lasts
approximately 14 minutes.
Dedicated to the
trumpeter Ludovic
Vaillant, soloist at the
National Orchestra, the
Concerto for Trumpet and
Orchestra was premiered
in Paris in 1949. The
first part, which lasts 7
minutes, Allegro and
Cadenza, begins with a
trumpet cadenza and a
quiet snare drum
background. The Nocturne
follows as the second
part of this Concerto,
and the Finale, the
shortest part of the
concerto, ends up with a
cheerful cartoon-music
theme. Henri Tomasi also
composed a variety of
concerti for alto
saxophone and for
trombone, as well as some
ballades.
Oboe and strings (violin,
viola, basso) (ST CHOR) -
easy
SKU:
HL.49002028
Composed
by Johann Georg
Albrechtsberger. Edited
by Ferenc Vecsey and
Laszlo Kalmar. Sheet
music. Concertino
(Chamber Orchestra).
Classical. Set of parts.
Composed 1967. 169 pages.
Duration 34'. Schott
Music #CON 5-70.
Published by Schott Music
(HL.49002028).
ISBN
9790001116831.
As
to form, both the
concertino and the
nocturne are still
strongly characterised by
the features of the
baroque suite. As to
style, however, melody
and harmonic structure
point to Viennese
Classicism.
Op. 55
Wind Orchestra, Grade 6
27:00 Study Score.
Composed by Franco
Cesarini. De Haske
Concert Band. Concert,
Fanfare, Jazz. Softcover.
Duration 1620 seconds.
Hal Leonard #EFC001-SSC.
Published by Hal Leonard
(HL.4008056).
ISBN
9781705184523. UPC:
196288115953.
Fasci
nated by the beauty of
Chicago, Franco Cesarini
has translated his
emotions into music: this
is how Symphony No. 3
“Urban
Landscapes†Op. 55,
was born, a musical
portrait of this
metropolis overlooking
Lake Michigan. The
composition is divided
into three movements: The
Wrigley Building from
Dawn to Noon, Blue
Silhouette and Cloud
Gates, which by sharing
the same thematic
material arranged in
cyclical form, strengthen
the overall cohesion of
the piece. The first
movement, preceded by a
short slow introduction
in which the main theme
is presented in an almost
dreamlike form,
metaphorically represents
the city at dawn. The
sudden change of time
symbolizes the start of
activities with all its
noises and sounds: you
can hear the bell that
announces the closing of
the subway doors, the
sound of cars speeding
by, the siren of a patrol
car. If the first
movement represents the
day, the second
introduces a nocturnal
environment: a
melancholic melody played
by the English horn
anticipates a more
animated tempo depicting
melodies coming from jazz
clubs. Powerful fanfares
that take up the second
theme of the first
movement introduce the
third movement. In this
finale, the role of the
two themes is reversed
compared to the first
movement and one takes
the place of the other in
a kind of games of
mirrors. Symphony No. 3
“Urban
Landscapes” Op. 55: a
sumptuous musical
portrait of the
“Windy City”.
Op. 55
Wind Orchestra, Grade 6
27:00 Full Score.
Composed by Franco
Cesarini. De Haske
Concert Band. Concert,
Fanfare, Jazz. Softcover.
Duration 1620 seconds.
Hal Leonard #EFC001-SC.
Published by Hal Leonard
(HL.4007482).
UPC:
196288058069.
Fasci
nated by the beauty of
Chicago, Franco Cesarini
has translated his
emotions into music: this
is how Symphony No. 3
“Urban
Landscapes†Op. 55,
was born, a musical
portrait of this
metropolis overlooking
Lake Michigan. The
composition is divided
into three movements: The
Wrigley Building from
Dawn to Noon, Blue
Silhouette and Cloud
Gates, which by sharing
the same thematic
material arranged in
cyclical form, strengthen
the overall cohesion of
the piece. The first
movement, preceded by a
short slow introduction
in which the main theme
is presented in an almost
dreamlike form,
metaphorically represents
the city at dawn. The
sudden change of time
symbolizes the start of
activities with all its
noises and sounds: you
can hear the bell that
announces the closing of
the subway doors, the
sound of cars speeding
by, the siren of a patrol
car. If the first
movement represents the
day, the second
introduces a nocturnal
environment: a
melancholic melody played
by the English horn
anticipates a more
animated tempo depicting
melodies coming from jazz
clubs. Powerful fanfares
that take up the second
theme of the first
movement introduce the
third movement. In this
finale, the role of the
two themes is reversed
compared to the first
movement and one takes
the place of the other in
a kind of games of
mirrors. Symphony No. 3
“Urban
Landscapes” Op. 55: a
sumptuous musical
portrait of the
“Windy City”.