For guitar. Transcribed by Ernie Hawkins, Historical notes by William L. Ell...(+)
For guitar. Transcribed
by
Ernie Hawkins, Historical
notes by William L.
Ellis.
Blues. Intermediate-
Advanced. Book/CD Set. 72
pages. Published by Mel
Bay
Publications, Inc
For guitar. Transcribed by Ernie Hawkins, Historical notes by William L. Ell...(+)
For guitar. Transcribed
by
Ernie Hawkins, Historical
notes by William L.
Ellis.
Guitar: Fingerpicking,
Blues, Ragtime.
Intermediate-Advanced.
Book/CD Set. 108 pages.
Published by Mel Bay
Publications, Inc
Composed by David Conte (1955-). Advanced/Collegiate. 21st Century. Choral sco...(+)
Composed by David Conte
(1955-).
Advanced/Collegiate.
21st Century. Choral
score.
E.C. Schirmer Publishing
#8067. Published by E.C.
Schirmer Publishing
Shenandoah Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:30.
Published by Manhattan
Beach Music.
Character Pieces Piano seul [Conducteur] - Intermédiaire Furore Verlag
By Fanny Mendelssohn Hensel. Edited by Annegret Huber. For piano. Piano Pieces b...(+)
By Fanny Mendelssohn
Hensel. Edited by
Annegret Huber. For
piano. Piano Pieces by
Fanny Hensel - Volume 3.
First Publication. Level:
advanced. Full score.
Published by
Furore-Verlag (German
import).
Piano seul [Partition + CD] - Intermédiaire/avancé Jamey Aebersold Jazz
By Phil DeGreg. For piano, keyboard, organ. A practical and systematic method th...(+)
By Phil DeGreg. For
piano, keyboard, organ. A
practical and systematic
method that teaches how
to practice piano
voicings. Level:
intermediate, advanced.
Book with CD. Published
by Jamey Aebersold Jazz.
(A Sequential Collection of 42 Standard Etudes for the Advancing Student). E...(+)
(A Sequential Collection
of 42
Standard Etudes for the
Advancing Student).
Edited by
Christopher Moore. For
trumpet. 64 pages.
Published
by Carl Fischer
(Dip In Series). By Various. For Piano/Keyboard. Piano Solo Songbook. Intermedia...(+)
(Dip In Series). By
Various. For
Piano/Keyboard. Piano
Solo Songbook.
Intermediate to Advanced.
Softcover. 128 pages.
Music Sales #AM998547.
Published by Music Sales
(The Drummer's Guide to the Genre and the Legends Who Defined It). By Rich Lacko...(+)
(The Drummer's Guide to
the Genre and the Legends
Who Defined It). By Rich
Lackowski and John
O'Reilly, Jr.. For
Drumset.
Artist/Personality; Book;
CD; Method/Instruction;
Percussion - Drum Set
Method or Collection. On
the Beaten Path. Jazz.
108 pages. Published by
Alfred Music Publishing
Chamber Music trombone SKU: CF.WF231 20 Original Etudes in a Variety o...(+)
Chamber Music trombone
SKU: CF.WF231
20 Original Etudes in
a Variety of Styles.
Composed by Tom Brantley.
Collection - Performance.
With Standard notation.
48 pages. Carl Fischer
Music #WF231. Published
by Carl Fischer Music
(CF.WF231).
ISBN
9781491153314. UPC:
680160910816.
Styli
stic Etudes for Trombone
was written for
intermediateto advanced
level trombonists,
seeking to meet
thedemands of the modern
marketplace for
performers. AsI often
tell my students,
it’s simply not
enough to mastera single
style and fake the rest.
To make a living as
aperformer, trombonists
are expected to play
many, manydifferent
styles authentically.
Classical performers
studyhard and devote
themselves to mastering
the stylisticnuances of
various eras, various
composers, variousforms;
jazz musicians seek to
accurately reflect the
stylesof everything from
bar-room burlesque to
Coltrane; hornbands in
the funk, rock, ska and
hip-hop idioms
mustreflect attention to
the details of their
influences even asthey
create new paths through
popular music.This etude
collection is an attempt
to help studentsand their
teachers work on the
details associated
withmastering each of
these various styles.In
order to perform with the
correct feel,
articulationand sound,
trombonists must first
get these concepts
intheir head through
diligent listening and
then disciplinedpractice
playing in every single
style. The same
wayorchestral players
study the symphonic
literature andexcerpts,
or the way a professional
jazz musician mightwork
on chord changes in
excruciating detail, a
wellroundedtrombone
player must master styles
by listeningto and
playing with great
recordings. Most of the
etudesin this book are
based on styles from
specific
orchestralliterature,
jazz standards and other
styles such as
NewOrleans’ funk
music (Meters) or the
music of JamesBrown and
Tower of Power.One final
note: some of these are
hard. On purpose.
Theseare not warm-ups
that you can play through
mindlesslyto get your
face going. These are
“study
pieces†in the
oldfashionedsense. They
are designed to challenge
you asa player, to make
you a little
uncomfortable. Some
aretougher than others,
of course, but none of
them are easy.If you can
play through each of
these well, with
greatmusicianship and
impeccable technique, you
will be anincredibly
versatile instrumentalist
and be able to
secureperformance
opportunities that are
outside the comfortzone
of many
trombonists.Thanks for
buying this book. I hope
you enjoy workingthrough
these, whether
you’re a teacher,
student,performer, or
weekend warrior. I
learned a lot by
puttingthese together and
I hope you find them
useful and
helpful. Stylistic
Etudes for Trombone was
written for intermediate
to advanced level
trombonists, seeking to
meet the demands of the
modern marketplace for
performers. As I often
tell my students,
it’s simply not
enough to master a single
style and fake the rest.
To make a living as a
performer, trombonists
are expected to play
many, many different
styles authentically.
Classical performers
study hard and devote
themselves to mastering
the stylistic nuances of
various eras, various
composers, various forms;
jazz musicians seek to
accurately reflect the
styles of everything from
bar-room burlesque to
Coltrane; horn bands in
the funk, rock, ska and
hip-hop idioms must
reflect attention to the
details of their
influences even as they
create new paths through
popular music.This etude
collection is an attempt
to help students and
their teachers work on
the details associated
with mastering each of
these various styles.In
order to perform with the
correct feel,
articulation and sound,
trombonists must first
get these concepts in
their head through
diligent listening and
then disciplined practice
playing in every single
style. The same way
orchestral players study
the symphonic literature
and excerpts, or the way
a professional jazz
musician might work on
chord changes in
excruciating detail, a
well-rounded trombone
player must master styles
by listening to and
playing with great
recordings. Most of the
etudes in this book are
based on styles from
specific orchestral
literature, jazz
standards and other
styles such as New
Orleans’ funk
music (Meters) or the
music of James Brown and
Tower of Power.How these
etudes were conceived,
composed and transcribed:
The style or concept of
the etude was thought out
in my head and ear. I
then improvised in that
style and concept on my
trombone, recording my
efforts until I was
satisfied with the etude.
All along, my goal was to
play the range of the
instrument while
emphasizing certain
articulations, rhythms,
range and, fundamentally,
the intended style of the
etude. The resulting
etude was then
transcribed by a terrific
graduate student named
Zach Bornheimer, who also
works with many other
classical and jazz
composers as a
copyist/arranger.Tips for
working on the etudes:
Seek out professional
recordings that match the
style of each etude to
get a good idea of what
the etude should sound
like musically. My
recording of each of
these etudes is available
for download and can be
purchased online for a
modest fee. Search for
“Brantley
Etudes†at either
iTunes or CDBaby.
Practice each etude very
slowly and in segments as
needed, using a
metronome. Record
yourself and listen for
good technique,
musicianship and
authenticity of style
with your sound, feel and
articulations. Compare
your own efforts to the
sounds you’ve
heard on recordings.
Would you fit in that
ensemble or band? If
range is an issue, take
certain notes or passages
down or up an octave.
Work on your fundamentals
every day, including the
techniques and skills
needed for these etudes.
Be patient! Small
improvements every day
result in big success
over time. Always play
with a wide dynamic
range. Always play with
line and direction.
Always play with
impeccable time as well
as rhythm. Use a
metronome to help with
this. Always play in
tune. You can work on
this with a tuner as well
as with drones. Play
these for teachers,
friends, peers and
colleagues not only for
their feedback but also
for the experience of
informal performance. An
audience changes
everything. Make music,
listen to music, record
yourself, play in public
and have fun!One final
note: some of these are
hard. On purpose. These
are not warm-ups that you
can play through
mindlessly to get your
face going. These are
“study
pieces†in the
old-fashioned sense. They
are designed to challenge
you as a player, to make
you a little
uncomfortable. Some are
tougher than others, of
course, but none of them
are easy. If you can play
through each of these
well, with great
musicianship and
impeccable technique, you
will be an incredibly
versatile instrumentalist
and be able to secure
performance opportunities
that are outside the
comfort zone of many
trombonists.Thanks for
buying this book. I hope
you enjoy working through
these, whether
you’re a teacher,
student, performer, or
weekend warrior. I
learned a lot by putting
these together and I hope
you find them useful and
helpful.Best
wishes,—Tom
Brantley.
Bass Trombone unaccompanied - advanced SKU: CY.CC2766 Composed by Michael...(+)
Bass Trombone
unaccompanied - advanced
SKU: CY.CC2766
Composed by Michael
Eversden. Contemporary
Jazz/Rock. Coil bound
booklet. Published by
Cherry Classics
(CY.CC2766).
Children the
world over love
'playtime'. A welcome
break from lessons, a
time to burn some energy
and have fun. A time to
play some
games!
Playgroun
d Games is a collection
of etudes for bass
trombone portraying these
traditional games and
reflecting on the
childrens' enjoyment. We
can picture them jumping,
playing Hopscotch,
Leapfrog and 'Skipping'
(the Double Dutch version
of this popular game) and
running around in the
fast and furious Tag!
More peaceful moments are
to be found when you
sense the concentration
during Marbles and Cat's
Cradle and an exciting
contest is on during
Conker
Fight.
These
entertaining pieces are
in many genres and
styles, keys and meters.
Some etudes are funky and
rhythmic, others
dance-like with waltzes
and a merry gigue. They
are appropriate for
intermediate to advanced
performers.
The
etudes evoke feelings for
those on the playground
today and for others,
bringing back happy
memories.
Chamber Music English Horn, Oboe SKU: CF.WF229 15 Pieces for Oboe and ...(+)
Chamber Music English
Horn, Oboe
SKU:
CF.WF229
15 Pieces
for Oboe and English
Horn. Composed by
Gustave Vogt. Edited by
Kristin Jean Leitterman.
Collection - Performance.
32+8 pages. Carl Fischer
Music #WF229. Published
by Carl Fischer Music
(CF.WF229).
Piano SKU: SP.ME1032 Composed by Scott Joplin. Solo; Ragtime. Score. Sant...(+)
Piano
SKU:
SP.ME1032
Composed by
Scott Joplin. Solo;
Ragtime. Score.
Santorella Publications
#ME1032. Published by
Santorella Publications
(SP.ME1032).
ISBN
9781585607440.
The
Masterpiece Edition
series, published
exclusively by Santorella
Publications, is a
collection of original
piano works, as well as
challenging arrangements
and transcriptions
designed for the
experienced to advanced
pianist. The series is
meticulously engraved and
printed on heavy cover
stock and quality paper
to last for generations.
With original works from
the great masters, Bach,
Beethoven, Mozart, and
alike, as well as
arrangements and
transcriptions from some
of the greatest works of
all time, these
Masterpiece Editions are
sure to be popular
favorites while enhancing
the repertoire of most
any serious pianist. In
this case, we are
extremely proud to
release the original,
unedited, Masterpiece
Edition of Joplin's
Entertainer and Maple
Leaf Rag as a 2 in 1
sheet in its purest form.
Our ultimate goal is to
emphasize the necessity
of exceptional quality in
printed sheet music. Time
has heard the strains of
a myriad of musical
styles. Some styles liven
with age while others
fade. The same is true of
the composers themselves;
some are regarded as
brilliant masters from
the beginning of their
lives while others are
praised only
posthumously. Endurance
is the ultimate test.
Scott Joplin endured
great injustices and
criticism, yet he remains
the King of Ragtime. We
remember the genius of
Scott Joplin by
publishing The
Entertainer and Maple
Leaf Rag in this 2 in 1
original edition.
Joplin's most popular
rag, The Entertainer
reached high acclaim in
1973 as a recognizable
theme from the film
classic, The Sting. This
Academy Award-Winning
film was solely
responsible for the
resurgence of ragtime in
general, but more
specifically brought
renewed interest in the
works of Scott Joplin.
The Maple Leaf Rag,
unlike so many others,
became quite popular
during Joplin's lifetime,
so much so that it was
the first sheet of music
to sell over one million
copies. We are pleased to
combine these two rags in
one as a special part of
our Masterpiece Ragtime
Selections. This newly
engraved edition is
clean, sharp, distinct,
and accurate. An absolute
pleasure to read as each
crisp note seems to pop
off the page.
Guitar SKU: HL.50510141 Performace Pieces, Etudes and Technical Exerci...(+)
Guitar
SKU:
HL.50510141
Performace Pieces,
Etudes and Technical
Exercises for
Advanced. Composed by
Erzsé, Mikló,
bet Nagy, czi, and s
Mosó. EMB. Volume
5. Baroque, Classical,
Hungarian, Renaissance.
Softcover. 108 pages.
Editio Musica Budapest
#Z12891. Published by
Editio Musica Budapest
(HL.50510141).
ISBN
9790080128916. UPC:
073999708516. Bach (23 x
30,2 cm) inches.
Hungarian, English,
German. Erzsebet Nagy;
Miklos
Mosoczi.
This
publication is a
completely revised
edition of our
five-volume guitar tutor.
In the decades since its
first edition, the
musical interests of
students and their
practice possibilities
have changed. To adapt to
this, we have partly
expanded and partly
reduced the musical and
technical material of the
tutor. We have increased
the number of recital
pieces at all levels of
difficulty,so that
students can spend longer
on a varied repertoire at
their respective level.
We have determined the
works in the volume V
which demand a more
developed technique and
musicality to extend the
repertoire of those who
wish to study further.
The transcription of lute
works has sometimes made
significant compromises
necessary. However, in
our view, it is a
significant gain that
students can get to know
a Dowland fantasy or an
early English Baroque set
of variations. This
volume comprises 44
concert pieces from the
early 17th to the 20th
centuries, 18
advanced-level studies by
Carcassi, Coste,
Giuliani, and Sor, as
well as several
advanced-level technical
exercises. Besides
original works by
Giuliani, Sor, Tarrega,
and others, it features
several transcriptions of
works by Dowland, Rameau,
J. S. Bach, and D.
Scarlatti.
Saxophone SKU: HL.48181238 Composed by Marcel Mule. Leduc. Classical. Sof...(+)
Saxophone
SKU:
HL.48181238
Composed
by Marcel Mule. Leduc.
Classical. Softcover. 32
pages. Alphonse Leduc
#AL20566. Published by
Alphonse Leduc
(HL.48181238).
UPC:
888680868192.
9.0x12.0x0.136
inches.
Varied
Studies in all keys by
Marcel Mule (1901-2001)
is a set of thirty
studies for Saxophone.
Initially composed by
Jakob Dont, Rodolphe
Kreutzer, Jacques Mazas,
Niccolo Paganini, Pierre
Rode among others, these
Varied Studies in all
keys for all Saxophones
would fit the skills of
advanced-intermediate
players. Marcel Mule
(1901-2001) is one of the
greatest French
Saxophonists, renowned
worldwide for his work on
the classical Saxophone
repertoire. He was
teaching his students how
to obtain a good quality
of sound and believed it
was dependent on the
embouchure, the emission,
the mastery of vibrato
and, therefore, of
breathing. He wrote
different methods that
focus on technique,
articulation and tone
productions such as '18
Exercises or Studies',
'Daily Exercises after
Terschack' or '30 Great
Exercises or Studies
after Soussmann' (in two
books), among
others..
10 Great Etudes for Playing and Improvising on the Blues. Composed by Jim Sni...(+)
10 Great Etudes for
Playing
and Improvising on the
Blues. Composed by Jim
Snidero. Brass - Trombone
and Baritone Method or
Collection;
Improvisation;
Method/Instruction; Play-
Along; Technique
Musicianship; Theory.
Advance Music. Blues;
Jazz.
Book; CD. Alfred Music
#01-
ADV14533. Published by
Alfred Music
10 Great Etudes for Playing and Improvising on the Blues. Composed by Jim Sni...(+)
10 Great Etudes for
Playing
and Improvising on the
Blues. Composed by Jim
Snidero. Improvisation;
Method/Instruction; Play-
Along; Technique
Musicianship; Theory;
Woodwind - Clarinet
Method
or Collection. Advance
Music. Blues; Jazz. Book;
CD. Alfred Music #01-
ADV14535. Published by
Alfred Music
10 Great Etudes for Playing and Improvising on the Blues. Composed by Jim Sni...(+)
10 Great Etudes for
Playing
and Improvising on the
Blues. Composed by Jim
Snidero. Improvisation;
Method/Instruction; Play-
Along; Technique
Musicianship; Theory;
Woodwind - Saxophone
Method
or Collection. Advance
Music. Blues; Jazz. Book;
CD. Alfred Music #01-
ADV14530. Published by
Alfred Music