Fanfare Band - Grade 2.5 SKU: BT.AMP-465-120 Composed by Philip Sparke. D...(+)
Fanfare Band - Grade 2.5
SKU:
BT.AMP-465-120
Composed by Philip
Sparke. Debut Series.
Hymns & Chorals. Score
Only. Composed 2018. 52
pages. Anglo Music Press
#AMP 465-120. Published
by Anglo Music Press
(BT.AMP-465-120).
English-German-French-
Dutch.
These 30
Original Chorales and
Warm-Ups have been
designed to develop the
most important aspects of
band playing, by
providing material that
can be used at the start
of a rehearsal to test
balance, dynamics,
tuning, flexibility and
articulation. Band
directors are encouraged
to adapt them to address
the specific needs and
challenges of their
ensembles. Dynamics and
tempo indications are not
given and should be
chosen by the director as
required. All the
chorales are strictly
four-part. This
multi-purpose collection
is an essential purchase
for every ambitious band!
30 Original
Chorales and Warm-Ups
is ontwikkeld om
belangrijke vaardigheden
van het spelen in een
blaasorkest te
ontwikkelen door middel
van materiaal dat kan
worden gebruikt om bij de
start van een repetitie
aan de balans, dynamiek,
zuiverheid, flexibiliteit
en articulatie te werken.
Dirigenten kunnen de
koralen en warming-ups
naar wens aanpassen door
zich te richten op
specifieke muzikale
aspecten. Er worden geen
aanwijzingen voor
dynamiek en tempo
gegeven, die bepaalt de
dirigent naar eigen
inzicht. Alle koralen
zijn vierstemmig. Een
veelzijdig toepasbare
bundel die onmisbaar is
voor elk ambitieus
blaasorkest!
Die
30 Original Chorales
and Warm-Ups wurden
konzipiert, um die
wichtigsten Aspekte des
Blasorchesterspiels zu
erarbeiten. Mithilfe des
umfangreichen Materials
kann man zu Beginn einer
Probe Balance, Dynamik,
Stimmung, Flexibilität
und Artikulation üben.
Orchesterleiter können
das Material an die
Bedürfnisse ihres
jeweiligen Orchesters
anpassen, indem sie sich
auf bestimmte
musikalische
Herausforderung
konzentrieren. Es gibt
keine Angaben zu Dynamik
und Tempo, da dies vom
Orchesterleiter
entsprechend gewählt
werden soll. Die
Choräle sind alle
vierstimmig. Eine
vielseitige Sammlung, die
unverzichtbar für
jedes anspruchsvolle
Orchester
ist!
Fanfare Band - Grade 2.5 SKU: BT.AMP-465-020 Composed by Philip Sparke. D...(+)
Fanfare Band - Grade 2.5
SKU:
BT.AMP-465-020
Composed by Philip
Sparke. Debut Series.
Hymns & Chorals. Set
(Score & Parts). Composed
2018. Anglo Music Press
#AMP 465-020. Published
by Anglo Music Press
(BT.AMP-465-020).
English-German-French-
Dutch.
These 30
Original Chorales and
Warm-Ups have been
designed to develop the
most important aspects of
band playing, by
providing material that
can be used at the start
of a rehearsal to test
balance, dynamics,
tuning, flexibility and
articulation. Band
directors are encouraged
to adapt them to address
the specific needs and
challenges of their
ensembles. Dynamics and
tempo indications are not
given and should be
chosen by the director as
required. All the
chorales are strictly
four-part. This
multi-purpose collection
is an essential purchase
for every ambitious band!
30 Original
Chorales and Warm-Ups
is ontwikkeld om
belangrijke vaardigheden
van het spelen in een
blaasorkest te
ontwikkelen door middel
van materiaal dat kan
worden gebruikt om bij de
start van een repetitie
aan de balans, dynamiek,
zuiverheid, flexibiliteit
en articulatie te werken.
Dirigenten kunnen de
koralen en warming-ups
naar wens aanpassen door
zich te richten op
specifieke muzikale
aspecten. Er worden geen
aanwijzingen voor
dynamiek en tempo
gegeven, die bepaalt de
dirigent naar eigen
inzicht. Alle koralen
zijn vierstemmig. Een
veelzijdig toepasbare
bundel die onmisbaar is
voor elk ambitieus
blaasorkest!
Die
30 Original Chorales
and Warm-Ups wurden
konzipiert, um die
wichtigsten Aspekte des
Blasorchesterspiels zu
erarbeiten. Mithilfe des
umfangreichen Materials
kann man zu Beginn einer
Probe Balance, Dynamik,
Stimmung, Flexibilität
und Artikulation üben.
Orchesterleiter können
das Material an die
Bedürfnisse ihres
jeweiligen Orchesters
anpassen, indem sie sich
auf bestimmte
musikalische
Herausforderung
konzentrieren. Es gibt
keine Angaben zu Dynamik
und Tempo, da dies vom
Orchesterleiter
entsprechend gewählt
werden soll. Die
Choräle sind alle
vierstimmig. Eine
vielseitige Sammlung, die
unverzichtbar für
jedes anspruchsvolle
Orchester
ist!
Part I of the sacred
singspiel. Composed
by Wolfgang Amadeus
Mozart. Edited by Franz
Giegling. This edition:
complete edition, urtext
edition. Linen. New
Mozart Edition (Neue
Mozart Ausgabe - NMA)
Series I, Werkgruppe 4,
No. 1. Complete edition,
Score. K. 35. Duration 1
hour, 24 minutes.
Baerenreiter Verlag
#BA04513_01. Published by
Baerenreiter Verlag
(BA.BA04513-01).
ISBN
9790006449453. 33 x 25.8
cm inches. Text: Ignaz A
Weiser.
This work,
possibly commissioned by
Prince-Bishop Sigismund
Christoph von
Schrattenbach , was
assigned to three
Salzburg composers: W. A.
Mozart (part 1), Michael
Haydn (part 2), and Anton
Cajetan Adlgasser (part
3). Only the manuscript
of part 1 has survived.
Here Mozart drew heavily
on the Salzburg tradition
of church music and
school dramas, perhaps
taking Johann Ernst
Eberlin and even his
father Leopold as his
models.
The
first performance took
place in the Knights'
Hall of the prince's
palace on 12 March 1767.
The libretto was supplied
by Ignaz Anton Weiser
(1701-1785), town
councillor and mayor of
Salzburg .
Mozart wrote out many of
the appoggiaturas in this
early work, thereby
providing a useful guide
to the vocal practices of
his day. Aria no. 2 has
come down to us with an
instructive passage in
which the vocal part is
ornamented in the hand of
Leopold Mozart.
The piano reduction,
by K.-H. Muller , was
prepared on the basis of
the New Mozart Edition.
The piano part is
uncluttered and
easy-to-play.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Arranged for Voice and Orchestra. By Benjamin Britten. (Study Score). Boosey an...(+)
Arranged for Voice and
Orchestra. By Benjamin
Britten. (Study Score).
Boosey and Hawkes Scores
and Books. Size
7.25x10.25 inches. 82
pages. Published by
Boosey and Hawkes.
Expedition Orchestre à Cordes - Débutant Carl Fischer
Orchestra Violin I, Violin II, Violin III (Viola T.C.), Viola, Cello, Bass,...(+)
Orchestra Violin I,
Violin II, Violin III
(Viola T.C.), Viola,
Cello, Bass, Piano -
Grade 1
SKU:
CF.FAS133
Composed by
Kathryn Griesinger. Fas.
Set of Score and Parts.
Duration 2 minutes, 44
seconds. Carl Fischer
Music #FAS133. Published
by Carl Fischer Music
(CF.FAS133).
ISBN
9781491164761. UPC:
680160923670. Key: D
major.
Written
within the range of the
D-major scale, this
adventurous piece uses
only quarter, half, and
whole notes. Frequent
unison rhythms will help
young players build
confidence as they
venture into independent
harmonic lines and
expanding dynamic range.
With Violin 2 doubling
Viola and Cello doubling
Bass, the simple scoring
and scale-based passages
will give even a small
ensemble a big, full
sound. Melodic
material is passed to all
sections and players can
practice maintaining a
steady tempo during a
brief pizzicato
section. Have fun
exploring!
Expedition Orchestre à Cordes [Conducteur] - Débutant Carl Fischer
Orchestra Violin I, Violin II, Violin III (Viola T.C.), Viola, Cello, Bass,...(+)
Orchestra Violin I,
Violin II, Violin III
(Viola T.C.), Viola,
Cello, Bass, Piano -
Grade 1
SKU:
CF.FAS133F
Composed
by Kathryn Griesinger.
Fas. Full score. Duration
2 minutes, 44 seconds.
Carl Fischer Music
#FAS133F. Published by
Carl Fischer Music
(CF.FAS133F).
ISBN
9781491165164. UPC:
680160924073. Key: D
major.
Written
within the range of the D
major scale, this
adventurous piece uses
only quarter, half, and
whole notes. Frequent
unison rhythms will help
young players build
confidence as they
venture into independent
harmonic lines and
expanding dynamic range.
With Violin 2 doubling
Viola and Cello doubling
Bass, the simple scoring
and scale-based passages
will give even a small
ensemble a big, full
sound. Melodic
material is passed to all
sections and players can
practice maintaining a
steady tempo during a
brief pizzicato
section. Have fun
exploring!
Chamber Music viola, piano accompaniment SKU: PR.114422510 Composed by St...(+)
Chamber Music viola,
piano accompaniment
SKU: PR.114422510
Composed by Stacy Garrop.
Sws. Set of Score and
Parts. 8+2 pages.
Duration 5 minutes.
Theodore Presser Company
#114-42251. Published by
Theodore Presser Company
(PR.114422510).
UPC:
680160683840. 9 x 12
inches.
THE
SOLITUDE OF STARS is a
5-minute work for viola
and piano. It depicts the
composer’s awe at
experiencing a nighttime
view of the starry
heavens, shining brightly
over the vast expanse of
the Wyoming prairie. The
slow passage of time is
evoked by slowly rocking
eighth-notes, creating a
gentle texture. THE
SOLITUDE OF STARS is a
powerful depiction of
celestial beauty,
technically within the
reach of
intermediate-level
performers.
Books and Journals SKU: UT.QC-2 Composed by Rohan H. Stewart-MacDonald. H...(+)
Books and Journals
SKU: UT.QC-2
Composed by Rohan H.
Stewart-MacDonald.
Hardback (Cloth Hard
Cover with Jacket).
Quaderni Clementiani.
Classical. Books and
Journals. Ut Orpheus #QC
2. Published by Ut
Orpheus (UT.QC-2).
ISBN 9788881094585.
6.5 x 9.5
inches.
The career
of Muzio Clementi
(1752-1832) spanned the
lives of both Mozart and
Beethoven and was
exceptionally diverse. It
encompassed performing on
the keyboard, conducting,
teaching, business
activities and
composition in the realms
of keyboard, chamber and
orchestral music. This
book focuses on
Clementi’s keyboard
sonatas and aims to shed
new light on their
relationship with the
complex cross-currents of
late eighteenth-century
musical style, both in
England, where Clementi
was active for much of
his career, and the
continent, which he
visited
periodically. The
first chapter summarises
Clementi’s
historical reputation as
it developed in the
nineteenth and twentieth
centuries, and evaluates
the impact on it of the
significant developments
in Clementi scholarship
since 2000. The aim is to
stress the deficiencies
of the established view
of Clementi as a keyboard
pedagogue and to stress
the importance of
liberating him as much as
possible from this
ingrained perception.
This is attempted, in the
remaining chapters,
through close, analytical
readings of a variety of
keyboard sonatas from all
stages of his career,
comparing them with a
range of works by Haydn,
Mozart, Beethoven and
other contemporaries such
as Jan Ladislav Dussek
(1760-1812). The
comparisons are made from
the perspectives of
distinguishing features
of Clementi’s style
such as his unusually
intense deployment of
strict counterpoint in
the later keyboard
sonatas; his cultivation
of irregularity in
recapitulations; his use
of the
‘three-key’
exposition in the
middle-to-later stages of
his career that seems to
anticipate
nineteenth-century
developments, and also
his assimilation of
heightened virtuosity
into the earlier sonatas,
often in the form of
cadenzas more suggestive
of the keyboard concerto
a genre Clementi
seems, rather strangely,
to have neglected. The
book has been envisaged
as a direct response, not
only to the most recent
scholarship on Clementi,
but also to current
approaches to
eighteenth-century music
in general, including the
interdisciplinary work of
Annette Richards.
Kontrabass und 2 CDs SKU: HG.GH-11745 Vorstufe / Erweiterung. Comp...(+)
Kontrabass und 2 CDs
SKU: HG.GH-11745
Vorstufe /
Erweiterung. Composed
by Thomas Grossmann.
Score and CD. Hug
Musikverlage #GH 11745.
Published by Hug
Musikverlage
(HG.GH-11745).
ISBN
9790202824283.
Note
nformat, 44 Seiten,
illustriert, mit CD
(Audio) Das
Kontrabass-Spielbuch
enthalt viele sehr
einfache Spielstucke fur
den Einstiegsunterricht
ab 6 Jahren und versteht
sich als Erganzung zum
Kontrabass-ABC Band 1
oder zu jeder anderen
Kontrabass-Schule. Es
kann als Vorstufe oder
Erweiterung genutzt
werden. Dadurch
ermoglicht es Lehrern und
Schulern ein Hochstmass
an Flexibilitat. Viele
Stucke eignen sich
ebenfalls fur den
Gruppenunterricht. Der
Einstieg soll leicht
fallen, fundiert und
motivierend auf die
Spieltechniken
vorbereiten und,
besonders auch den
jungsten Kontrabassisten,
viel Spass machen.
Kontrabass ABC Das
Kontrabass-ABC ist eine
neue Kontrabassmethode in
3 Banden und einem
Spielbuch. Es wurde
sowohl fur Anfanger als
auch fur
Instrumentenwechsler
konzipiert und ist keine
ausschliessliche
Kinder-Bass-Schule. Das
Kontrabass-ABC richtet
sich an
Kontrabass-Schuler aller
Altersstufen. Es wurde in
uber 20-jahriger
Unterrichtstatigkeit fur
Schuler im Alter von 6
bis 60 Jahren entwickelt
und von ebendiesen
ausprobiert. An dieser
wichtigen, fantasievoll
gestalteten und
padagogisch vorbildlichen
Kontrabass-Schule werden
alle ihre Freude haben.
Prof. Jorg Linowitzki
(Prof. fur Kontrabass an
der Musikhochschule
Lubeck), im
Begleitwort.
Klavier 4ms und 6ms + CD SKU: HG.GH-11710 15 Stucke fur 4 und 6 Hande<...(+)
Klavier 4ms und 6ms + CD
SKU: HG.GH-11710
15 Stucke fur 4 und 6
Hande. Composed by
Luis Zett. Score and CD.
Hug Musikverlage #GH
11710. Published by Hug
Musikverlage
(HG.GH-11710).
ISBN
9790202823675.
Vier
- und sechshandig
bedeutet: voller Klang am
Klavier sowie Spass zu
zweit und zu dritt beim
gemeinsamen Musizieren.
Luis Zett legt nach
seinen erfolgreichen
Heften Under the Velvet
Moon und Velvet Stars nun
neue, romantische und
groovige Stucke furs
vier- und sechshandige
Spiel vor. Der Band
enthalt nur eigene Stucke
von Zett. Deutlich wir
die Komponente der
romantischen Klangwelt
des 19. Jahrhunderts bei
Zett im kreativen Prozess
... Bei Formen mit
Bewegungsfreude, die das
20. Jahhundert in Europa
heimisch gemacht hat, ist
ein Sentimental Tango zu
nennen. 3 der 15 Stucke
rufen auf zum spiel zu
Dritt. Nahe liegt da, die
Macht des Mammutklangses
am Klavier einmal voll
auszukosten. Deshalb: Big
Noise im Fortissimo fur
alle Spieler! Die dem
Notenband beiliegende CD
bestatigt den komponisten
auch als Padagogen mit
einer Schulerin. nmz,
11/09.
An A-Z Guide to Getting Better. Guitar Educational. Guitar Reference, Instructio...(+)
An A-Z Guide to Getting
Better. Guitar
Educational. Guitar
Reference, Instruction.
Softcover Audio Online.
With guitar tablature.
128 pages. Published by
Hal Leonard
Aus
tiefer Not. Composed
by Friedhelm Rentzsch.
Psalm 130 Fur A +
Orchester (1990). Psalms,
German, Psalms. Set of
Orchestra Parts. Composed
1990. 232 pages. Duration
20 minutes. Carus Verlag
#CV 40.752/09. Published
by Carus Verlag
(CA.4075209).
ISBN
9790007220693. Language:
German.
Friedhelm
Rentzsch, long a cellist
in the Dresden
Philharmonic, set Psalm
130, whose character of
penitence is especially
impressive here, through
the reduction of the
musical forces to a solo
alto with orchestral
accompaniment, and this
in a most unique, urgent
manner. Through the
addition of a sombre text
by Erich Arendt the
subective manner of the
song is placed in a
worldly context
encompassing all periods
of time. Repeatedly,
passages of a quiet
character alternate with
tutti phases which
sometimes climax to
passages employing
clusters. Score and parts
available separately -
see item CA.4075200.
Aus
tiefer Not. Composed
by Friedhelm Rentzsch.
Psalm 130 Fur A +
Orchester (1990). Psalms,
German, Psalms. Single
Part, Cello. Composed
1990. 20 pages. Duration
20 minutes. Carus Verlag
#CV 40.752/14. Published
by Carus Verlag
(CA.4075214).
ISBN
9790007220730. Language:
German.
Friedhelm
Rentzsch, long a cellist
in the Dresden
Philharmonic, set Psalm
130, whose character of
penitence is especially
impressive here, through
the reduction of the
musical forces to a solo
alto with orchestral
accompaniment, and this
in a most unique, urgent
manner. Through the
addition of a sombre text
by Erich Arendt the
subective manner of the
song is placed in a
worldly context
encompassing all periods
of time. Repeatedly,
passages of a quiet
character alternate with
tutti phases which
sometimes climax to
passages employing
clusters. Score and part
available separately -
see item CA.4075200.
Aus
tiefer Not. Composed
by Friedhelm Rentzsch.
Psalm 130 Fur A +
Orchester (1990). Psalms,
German, Psalms. Single
Part, Viola. Composed
1990. 12 pages. Duration
20 minutes. Carus Verlag
#CV 40.752/13. Published
by Carus Verlag
(CA.4075213).
ISBN
9790007220723. Language:
German.
Friedhelm
Rentzsch, long a cellist
in the Dresden
Philharmonic, set Psalm
130, whose character of
penitence is especially
impressive here, through
the reduction of the
musical forces to a solo
alto with orchestral
accompaniment, and this
in a most unique, urgent
manner. Through the
addition of a sombre text
by Erich Arendt the
subective manner of the
song is placed in a
worldly context
encompassing all periods
of time. Repeatedly,
passages of a quiet
character alternate with
tutti phases which
sometimes climax to
passages employing
clusters. Score and part
available separately -
see item CA.4075200.
Aus
tiefer Not. Composed
by Friedhelm Rentzsch.
Psalm 130 Fur A +
Orchester (1990). Psalms,
German, Psalms. Single
Part, Violin 1. Composed
1990. 12 pages. Duration
20 minutes. Carus Verlag
#CV 40.752/11. Published
by Carus Verlag
(CA.4075211).
ISBN
9790007220709. Language:
German.
Friedhelm
Rentzsch, long a cellist
in the Dresden
Philharmonic, set Psalm
130, whose character of
penitence is especially
impressive here, through
the reduction of the
musical forces to a solo
alto with orchestral
accompaniment, and this
in a most unique, urgent
manner. Through the
addition of a sombre text
by Erich Arendt the
subective manner of the
song is placed in a
worldly context
encompassing all periods
of time. Repeatedly,
passages of a quiet
character alternate with
tutti phases which
sometimes climax to
passages employing
clusters. Score and part
available separately -
see item CA.4075200.
Aus
tiefer Not. Composed
by Friedhelm Rentzsch.
Psalm 130 Fur A +
Orchester (1990). Psalms,
German, Psalms. Single
Part, Double Bass.
Composed 1990. 12 pages.
Duration 20 minutes.
Carus Verlag #CV
40.752/15. Published by
Carus Verlag
(CA.4075215).
ISBN
9790007220747. Language:
German.
Friedhelm
Rentzsch, long a cellist
in the Dresden
Philharmonic, set Psalm
130, whose character of
penitence is especially
impressive here, through
the reduction of the
musical forces to a solo
alto with orchestral
accompaniment, and this
in a most unique, urgent
manner. Through the
addition of a sombre text
by Erich Arendt the
subective manner of the
song is placed in a
worldly context
encompassing all periods
of time. Repeatedly,
passages of a quiet
character alternate with
tutti phases which
sometimes climax to
passages employing
clusters. Score and part
available separately -
see item CA.4075200.
Aus
tiefer Not. Composed
by Friedhelm Rentzsch.
Psalm 130 Fur A +
Orchester (1990). Psalms,
German, Psalms. Single
Part, Violin 2. Composed
1990. 12 pages. Duration
20 minutes. Carus Verlag
#CV 40.752/12. Published
by Carus Verlag
(CA.4075212).
ISBN
9790007220716. Language:
German.
Friedhelm
Rentzsch, long a cellist
in the Dresden
Philharmonic, set Psalm
130, whose character of
penitence is especially
impressive here, through
the reduction of the
musical forces to a solo
alto with orchestral
accompaniment, and this
in a most unique, urgent
manner. Through the
addition of a sombre text
by Erich Arendt the
subective manner of the
song is placed in a
worldly context
encompassing all periods
of time. Repeatedly,
passages of a quiet
character alternate with
tutti phases which
sometimes climax to
passages employing
clusters. Score and part
available separately -
see item CA.4075200.
Aus
tiefer Not. Composed
by Friedhelm Rentzsch.
German title: Psalm 130
Fur A + Orchester (1990).
Psalms, German, Psalms.
Full score. Composed
1990. Duration 20
minutes. Carus Verlag #CV
40.752/00. Published by
Carus Verlag
(CA.4075200).
ISBN
9790007106447. Language:
German.
Friedhelm
Rentzsch, long a cellist
in the Dresden
Philharmonic, set Psalm
130, whose character of
penitence is especially
impressive here, through
the reduction of the
musical forces to a solo
alto with orchestral
accompaniment, and this
in a most unique, urgent
manner. Through the
addition of a sombre text
by Erich Arendt the
subective manner of the
song is placed in a
worldly context
encompassing all periods
of time. Repeatedly,
passages of a quiet
character alternate with
tutti phases which
sometimes climax to
passages employing
clusters.
Guitar SKU: M7.DUX-807 Gitarrenbuch zum Gotteslob-Eigenteil des Bistum...(+)
Guitar
SKU:
M7.DUX-807
Gitarrenbuch zum
Gotteslob-Eigenteil des
Bistums Passau.
Composed by Kersten
Wagner and Marius
Schwemmer. This edition:
Ring/Spiral binding.
Sheet music. Songbook.
Edition Dux Verlag #DUX
807. Published by Edition
Dux Verlag (M7.DUX-807).
ISBN
9783868493924.
Das
Notenbuch 'Spielt auf den
Saiten' bietet für die
Lieder im
Gotteslob-Eigenteil des
Bistums Passau
klangschöne und
praktikable
Gitarrenbegleitsätze,
die darüber hinaus auch
Anregungen für das
persönliche
Gitarrenspiel und eine
spieltechnische
Weiterentwicklung bieten
wollen. Alle Liedsätze
sind mit zwei bis drei
Vorspielen von leicht bis
technisch versiert
versehen. Neben der
ausnotierten
Zupfbegleitung sind die
Vorspiele und
Begleitsätze zusätzlich
in einem Tabulatursystem
abgedruckt. Vorschläge
für die Schlagbegleitung
in verschiedenen
Schlagmustern
komplettieren diese
Arbeitshilfe für die
gottesdienstliche und
außergottesdienstliche
Praxis.
By Antonin Dvorak (1841-1904). For cantata (solo voices - soprano, alto, tenor, ...(+)
By Antonin Dvorak
(1841-1904). For cantata
(solo voices - soprano,
alto, tenor, bass, mixed
choir, piano). Vocal
music. Czech title:
Stabat Mater op. 58.
Classical. Piano
reduction. Publication
language:
Czech/German/English/Fren
ch -- Text Lyrics: Latin.
Published by Editio
Baerenreiter Praha
For guitar. Format: guitar solo book. With standard notation (no tablature) and ...(+)
For guitar. Format:
guitar solo book. With
standard notation (no
tablature) and
fingerings. Renaissance,
baroque, classical period
and 20th century. 126
pages. 9x12 inches.
Published by Music Sales.
Lute; Early Music SKU: UT.DM-66 Guide pratique pour le luthiste debuta...(+)
Lute; Early Music
SKU:
UT.DM-66
Guide
pratique pour le luthiste
debutant et avance.
Composed by Miguel
Serdoura. Paperback (Soft
Cover). Classical. With
Text Language: French. Ut
Orpheus #DM 66. Published
by Ut Orpheus (UT.DM-66).
ISBN 9790215325746. 9
x 12 inches.
Cette
Méthode de Luth Baroque
peut vous donner les
bases techniques et
musicales nécessaires à
l?obtention d?une
structure assez solide et
complète du jeu du luth
baroque. Et c?est là
tout l?enjeu et le défi
de l?écriture de cet
ouvrage : donner, au plus
grand nombre de
passionnés,
l?opportunité de
s?exprimer à travers le
luth baroque, et ce,
indépendamment de leur
niveau d?apprentissage.
Notre livre est destiné
non seulement à celui
qui n?a jamais joué d?un
instrument de musique,
mais aussi au guitariste
avisé qui veut s?initier
aux mystères du luth
baroque.
SKU: TL.TCL018670 Electronic Keyboard. Book. Trinity College London #TCL0...(+)
SKU: TL.TCL018670
Electronic Keyboard.
Book. Trinity College
London #TCL018670.
Published by Trinity
College London
(TL.TCL018670).
ISBN
978-0-85736-782-2.
This book contains
everything needed to
prepare for the
performance and technical
work components of a
Trinity Electronic
Keyboard Grade 5 exam in
2019-2022. All pieces
have been composed or
arranged specifically for
the keyboard, and
encompass a wide range of
styles - from classical
favourites to TV, film or
show themes. The 'own
interpretation' piece
allows the candidate to
create a personal
arrangement, choosing
their own voices, style,
keyboard functions and
interpretation. Also
included are the scales,
chord knowledge and
exercises that form the
technical work component
of the exam.
Demonstration recordings
can be downloaded free.
This series provides
progressive steps in
performance and keyboard
functions for all
electronic keyboard
students, whether
preparing for a Trinity
exam or studying on
another path.