SATB choir, cantor, assembly, keyboard accompaniment

SKU: GI.G-005322

Composed by Richard J. Clark. Lent. Sacred. Octavo. GIA Publications #005322. Published by GIA Publications (GI.G-005322).

Scripture: Psalm 1, Matthew 4, Psalm 91, Matthew 17, Psalm 45, John 4, Isaiah 12, Psalm 84, John 9, Psalm 27, Psalm 122, Luke 15, Psalm 32, John 11, Psalm 130, John 12, Psalm 17, John 8, Psalm 32, Matthew 26, Psalm 22.

By Richard J. Barber. For Viola. Solo for Viola. Meter: 3/4. Christmas. Level: 3. Duration 4'00". Published by David E. Smith Publications.

By Richard J. Barber. Solo for Cello. Level: 3. Published by David E. Smith Publications.

Selected from the 2017 and 2018 syllabus. Composed by Richard Jones. ABRSM Exam Pieces. Book only. 20 pages. Published by ABRSM (Associated Board of the Royal Schools of Music)

Choral (Accompaniment CD)

SKU: HL.121368

Composed by Edwin M. Willmington. Fred Bock Publications. Anthem, General Worship, Sacred. Jubal House Publications #JH-1085. Published by Jubal House Publications (HL.121368).

UPC: 884088922719. 5.75x5 inches. Andre Castillo/Edwin M. Willmington.

Compos ed and arranged for the retirement of Fuller Seminary president, Richard J. Mouw, this choral anthem introduces a beautiful new hymn tune in an expansive and exciting setting. Don't miss this piece for your church or community choir!

(Orchestra Accompaniment)

SKU: HL.121367

Composed by Edwin Willmington. Fred Bock Publications. Anthem, General Worship, Sacred. Jubal House Publications #JH-1084. Published by Jubal House Publications (HL.121367).

UPC: 884088922702. 5.75x5 inches. Andre Castillo/Edwin M. Willmington.

Compos ed and arranged for the retirement of Fuller Seminary president, Richard J. Mouw, this choral anthem introduces a beautiful new hymn tune in an expansive and exciting setting. Don't miss this piece for your church or community choir!

By Richard J. Barber. Solo for Violin. Level: 3. Published by David E. Smith Publications.

SATB choir, keyboard, piano accompaniment

SKU: GI.G-008528

Composed by Richard J. Siegel. Tune Name: Near The Cross, 76 76 With Refrain. Sacred. Octavo. 8 pages. GIA Publications #008528. Published by GIA Publications (GI.G-008528).

UPC: 641151085289.

SATB choir, organ accompaniment, 2 trumpets in B-flat

SKU: GI.G-003033

Arranged by Richard J. Siegel. Sacred. Octavo. 16 pages. GIA Publications #003033. Published by GIA Publications (GI.G-003033).

UPC: 641151030333.

(Brass Solos & Ensemble/Trumpet And Piano/organ). By Cioffari, Richard J.. Arranged by Robert Geisler. For Trumpet (trumpet & piano). Brass Solos & Ensembles - Trumpet And Piano/Organ. Southern Music. Grade 5. 12 pages. Southern Music Company #SU75. Published by Southern Music Company

A cappella,SSATB choir

SKU: GI.G-005284

Composed by Richard J. Siegel. Sacred. Octavo. GIA Publications #005284. Published by GIA Publications (GI.G-005284).

By L. J. White. For SS choir and organ/piano. Upper Voices. Sacred, Choral Leaflet. Vocal score. 4 pages. Duration 2'. Published by Oxford University Press

Composed by Carl Maria von Weber (1786-1826). Edited by Richard W. Sargeant Jr. Overture, Opera, Original Works. Reprint Source: Edwardsville: Serenissima Music, Inc., 2015. Plate 41618. Romantic, German. Study score (paperback). Composed 1823. 50 pages. Duration 8 minutes. Published by Serenissima (SA.41618).

String Quartet

SKU: PR.16400222S

Composed by Dan Welcher. Full score (study). With Standard notation. Duration 11 minutes. Theodore Presser Company #164-00222S. Published by Theodore Presser Company (PR.16400222S).

UPC: 680160037841.

This work follows my Quartet No. 1 by five years. In terms of style and aesthetic aim, however, it seems light years away. Where the first work, a 28-minute, four-movement piece, took aim at cosmic conflicts and heroic resolutions, the present work is intended as a kind of divertissment. Harbor Music lasts a mere eleven minutes, is cast in a single movement with six sections, and should leave both performers and listeners with a feeling of good humor and affection.   The title comes from my experience as a guest in the magnificent city of Sydney, Australia. One of its most attractive features is its unique system of ferry boats: the city is laid out around a large, multi-channeled harbor, with destinations more easily approached by water than by land. Consequently, inhabitants of Sydney get around on small, people-friendly boats that come and go from the central docks at Circular Quay. During a week's visit in 1991, I must have boarded these boats at least a dozen times, always bound for a new location - the resort town of Manley, or the Zoo at Taronga Park, or the shopping district at Darling Harbour.   In casting about for a form for my second string quartet, a kind of loose rondo came to mind. Each new destination would be approached from the same starting-out point (although there are subtle variations in the repeating theme; it's always in a new key, and the texture is never the same). The result, I hope, is a sense of constant new information presented with introductory frames of a more familiar nature.   The embarkation theme, which begins the piece, is a sort of bi-tonal fanfare in which the violins are in G major and the viola and cello are in B-flat major. It is bold, eager, and forward-looking. The first voyage maintains this bi-tonality, beginning as a 9/8 due for second violin and viola in a kind of rocking motion -much as a boat produces when reaching the deeper water in the harbor. A sweet, nostalgic theme emerges over this rocking accompaniment. This music is developed somewhat, then transforms quickly into a much faster and lighter episode, filled with rising and falling scales (again, in differing keys). A scherzando interlude in short notes and changing meters provides contrast, and the episode ends with a reprise of the scales.   The second embarkation follows, this time in A major/C major. It leads quickly into a very warm and slow theme, in wide-leaping intervals for the viola. This section is interrupted twice by solo cadenzas for the cello, suggesting distant boat-horns in major thirds. The end of the episode becomes a transition, with boat-horns leading into the final appearance of the embarkation music, this time in trills and tremolos instead of sharply accented chords. The nostalgic theme of the first episode makes a final appearance, serving now as a coda. The rocking motion continues, in a lullaby fashion, leaving us drowsy and satisfied on our homeward journey.   Harbor Music was written for the Cavani Quartet, and is dedicated to Richard J. Bogomolny. Commissioned by his employees at First National Supermarkets as a gift, it represents a thank you from many of the people (including this composer) who have benefitted from his vision and generosity. An ardent advocate of chamber music (and a cellist himself), Mr. Bogomolny has for many years been Chairman of the Board of Chamber Music America. -- Dan Welcher.

(Woodwind Solos & Ensemble/Bassoon Unaccompanied). By Cioffari, Richard J.. For Bassoon (Bassoon). Woodwind Solos & Ensembles - Bassoon Unaccompanied. Southern Music. Grade 5. Southern Music Company #ST847. Published by Southern Music Company

By Richard J. (Adapt. By) Wojcik. Arranged by Steven R. Janco. For Voices: SATB, assembly. Instruments: Brass quartet (2 trumpets, 2 trombones), timpani (instruments optional). Organ. Choral Sacred. Level: easy. 10 pages. Published by GIA Publications.

Organ

SKU: GI.G-003031

Composed by Francois Clement Theodore Dubois. Edited by Richard J. Siegel. Sacred. GIA Publications #003031. Published by GIA Publications (GI.G-003031).

Originally one of three pieces for solo organ (Trois Pièces pour Grand Orgue) Théodore Dubois, the majestic Hosannah has been arranged for organ and two trumpets by composer/arranger Richarl Siegel. The piece contrasts stately, chordal sections with more florid (but never complicated) passages, all being brought to a regal conclusion. The trumpet writing is accessible and capable. High school or other intermediate-level players will be able to perform this piece. Optional parts for timpani and cymbal are included, which will add an extra level of brilliance to this fine transcription. It is suitable for any festive celebration. As a prelude on Palm Sunday, this piece would provide a noble opening to Holy Week. As an Easter Vigil or Easter Sunday postlude, it would be a sonic reminder of Christ's triumphant entry into Jerusalem, leading to his triumphant victory over the tomb. For Organ, Two Trumpets, optional Timpani, and Cymbals.

The Complete Christmas Collection. Arranged by Bill Wolaver, Bob Krogstad, Bruce Greer, Carol Tornquist, Mark Hayes, Phil Perkins, Richard Huggins, Teresa Wilhelmi. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Size 9.5x12 inches. 248 pages. Published by Word Music.