Voice(s) with various inst. SKU: BR.MR-1909 From the Cantatas, Masses,...(+)
Voice(s) with various
inst.
SKU:
BR.MR-1909
From
the Cantatas, Masses,
Oratorios. Composed
by Johann Sebastian Bach.
Voice; Softcover. Musica
Rara.
The MUSICA RARA
edition of Bach's
collected arias presents
an authentic musical text
which follows the
principal sources in
phrasing and
articulation.
Aria;
Symphony; Baroque. Score.
52 pages. Breitkopf and
Haertel #MR 1909.
Published by Breitkopf
and Haertel (BR.MR-1909).
ISBN 9790004485040. 9
x 12 inches.
In the
vocal oeuvre of Johann
Sebastian Bach, the arias
scored for obbligato
flute, for two flutes or
for oboe constitute a
dazzlingly varied
repertoire. Treated on an
equal footing with the
vocal part, the obbligato
parts assume solo duties
in many pieces. The most
demanding solo passages
composed for these
instruments in the 18th
century are occasionally
hidden in Bachs
arias.
The MUSICA
RARA edition of Bach's
collected complete arias
and sinfonias presents an
authentic musical text
which follows the
principal sources in
phrasing and
articulation.
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118805
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, End of the church
year, Trinity. Choral
Score. Composed 1728. BWV
188. 2 pages. Duration 25
minutes. Carus Verlag #CV
31.188/05. Published by
Carus Verlag
(CA.3118805).
ISBN
9790007210014. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia. Score available
separately - see item
CA.3118800.
Cantata
for Quasimodogeniti
Sunday. Composed by
Johann Sebastian Bach.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Easter
and Eastertide. Study
score. Composed 1725. BWV
42. 48 pages. Duration 28
minutes. Carus Verlag #CV
31.042/07. Published by
Carus Verlag
(CA.3104207).
ISBN
9790007142711. Text
language:
German/English.
Ins
tead of an opening chorus
Cantata BWV 42 begins
with a magnificent
Sinfonia in the style of
the Brandenburg
Concertos. It is possible
that Bach took this
movement from a concerto
which he had composed
earlier. The first aria,
for alto with obbligato
oboe and bassoon, could
be derived from the
middle movement of this
concerto. The heroic bass
aria, a statement of the
certainty of faith, forms
a weighty counterpart to
the opening movement.
Score available
separately - see item
CA.3104200.