Book. Published by Music Sales. (YK21038) Easy, familiar solos from baroque to...(+)
Book. Published by Music
Sales. (YK21038)
Easy, familiar solos from
baroque to boogie edited
and arranged by Jerome
Goldstein with simple
piano arrangements by
Denes Agay accompanying
each piece. Songs include
Lonesome Road, House Of
The Rising Sun, When the
Saints Come Marchin' In,
Cappriccio Italien, and
many others.
Choral (SATB) SKU: HL.1422269 Composed by Joseph M. Martin. Shawnee Sacre...(+)
Choral (SATB)
SKU:
HL.1422269
Composed
by Joseph M. Martin.
Shawnee Sacred. Advent,
Carol, Christmas,
Christmas/Advent Sacred,
Holiday. Softcover.
Duration 2760 seconds.
Published by Shawnee
Press (HL.1422269).
ISBN 9798350120998.
UPC: 196288199403.
6.75x10.5x0.305
inches.
From
prophecy and promise to
powerful proclamation,
this work is a
celebration of light and
joy! Filled with beloved
carol tunes and original
seasonal selections, the
cantata is traditional in
style but fresh with
meaning and relevance.
The work's thoughtful
scripture-based narration
journeys the listener
through the timeless
account of the birth of
Jesus and the coming of
the Light of the World.
Festive orchestrations
and a full line of
rehearsal support
products aid learning and
provide directors with a
variety of performance
options. Songs include:
Prelude of Promise; The
Light of Hope; Carol of
the Rising Star; Dreamers
of the Dawn; A Morning
Star Will Rise; Star of
Promise; A Whisper on the
Wind; A Child Is Born;
You Are the Star; Carols
of Hope, Songs of
Light.
Arranged by Dave Williamson. For SATB choir and keyboard accompaniment. Anthem. ...(+)
Arranged by Dave
Williamson. For SATB
choir and keyboard
accompaniment. Anthem.
General. Difficulty:
moderate. Octavo. 12
pages. Published by
Lillenas Publishing
Company
Book and CD. Published by Music Sales. (AM973841) Takes you through barre ch...(+)
Book and CD. Published
by Music Sales.
(AM973841)
Takes you through barre
chords, bass runs and
hammer-ons, the swing
rhythm, classical style
and music theory. Learn
well known songs by the
Beatles, Van Morrison,
Bob Dylan, the Kinks and
many others! CD includes
professional quality
play-along backing tracks
to match the songs in the
book.
Edited by Jerome Goldstein, Arranged by Denes Agay. Book. Published by Music Sa...(+)
Edited by Jerome
Goldstein, Arranged by
Denes Agay. Book.
Published by Music Sales.
(YK21541)
Easy, familiar solos for
Eb Alto saxophone from
baroque to boogie.
Includes Lonesome Road,
House of the Rising Sun,
Rumanian Rhapsody, and
many more.
Composed by Victor C Johnson. Choral. Sacred Anthem, Advent, Christmas, Epipha...(+)
Composed by Victor C
Johnson.
Choral. Sacred Anthem,
Advent, Christmas,
Epiphany.
Octavo. Lorenz Publishing
Company #10/5508L.
Published
by Lorenz Publishing
Company
For
Chamber Orchestra.
Composed by James
Matheson. This edition:
Version 6/10/10. Sws.
Contemporary. Full score.
With Standard notation.
Composed February 13
2003. 84 pages. Duration
18 minutes. Theodore
Presser Company
#416-41423. Published by
Theodore Presser Company
(PR.416414230).
ISBN
9781598066630. UPC:
680160602087. 9x12
inches.
Colonnade
is James
Matheson’s
intriguing response to
the Albany
Symphony’s
commission to create a
work inspired by the NY
State Board of Education
Building, designed by the
renowned architect Rafael
Guastavino. Matheson
explains that “A
colonnade acts as a
metaphor for the tension
between knowledge and
perception. The columns
are the same height and
equidistant from each
other; while the mind
understands this fully,
there exists no place
from which one can
perceive this –
the columns always appear
to be of uneven height
and spacing. If one then
adds motion to
perspective, identical
columns acquire
elasticity, and begin to
change kaleidoscopically
– they shrink,
grow, become closer, and
then further
apart.†This
structural paradox is
given musical life in the
outer sections of
Colonnade, while the
long, arching middle
section is inspired by
the vaulted ceiling of
one of the
building’s largest
rooms, enhancing the
structure’s
spacious openness and
lightness. Colonnade
is inspired by
Albany’s majestic
New York State Board of
Education Building, and
written on a commission
from the Albany Symphony
Orchestra. It was an
intriguing task, in part
because in order to
accept the commission I
had to agree to write a
work “inspired
by†a building I
had not yet seen.
Thisproblem was
compounded by the fact
that, for me, the very
notion of extra-musical
inspiration is a complex
one, particularly with
respect to literary or
visual sources. I
generally find ideas and
abstracted notions more
generative of musical
ideas than specific ones
(a poem, an experience, a
painting). So when I went
to seeand tour the
building, I sought to
identify fundamental
formal aspects of the
building which I could
process into musical
ideas, and would then be
linked to the building
through a sense of formal
relationship. In theend,
two characteristics of
the building stood out as
noteworthy and
undiminished by time
(compared with, for
instance, the
building’s
rotunda, which contains a
series of quaintly
outdated allegorical
paintings): theexterior
colonnade and a beautiful
interior vaulted ceiling,
designed by Rafael
Guastavino.For me, a
colonnade acts as a
metaphor for the tension
between knowledge and
perception. We all know,
for instance, that the
columns are of the same
height and are
equidistant from each
other. Nevertheless,
while the mind
understands this fully,
it is also the case that
there exists no place
– no standpoint or
viewpoint –
anywhere in the universe
– from which one
can perceive this; the
columns always appear to
be of uneven height and
spacing. If one then adds
motion to perspective
– a walk along the
colonnade, for instance
– the fixed, even,
rigidly identical columns
acquire elasticity, and
begin to change
kaleidoscopically
– they shrink,
grow, become closer, and
then further apart.
Further, the detail of
the building’s
façade behind the
colonnadeshifts into and
out of visibility, with
different portions
obscured by the columns
from each vantage point.
These considerations
underlie the outer
sections of Colonnade, in
which a continuously
repeated, continuously
varied rising figure
– suggestive of a
column –
dominates. The iterations
of this elastic,
evolvingfigure are
interspersed with other
music – suggestive
of the building’s
façade. The second
feature of the building
that caught my attention
was the vaulted ceiling,
designed by Guastavino,of
one of the
building’s largest
rooms. The ceiling
enhances the spaciousness
of the room, giving it an
openness and lightness
that is quite
captivating. The middle
section of Colonnade has
this openness at its
core, and is dominated by
long, arching lines that,
to me, suggest the
refined beauty of this
ceiling.World premiere
March 8, 2003; Albany
Symphony Orchestra
conducted by David Alan
Miller.
Saxophone Bb or Eb - Level 1 SKU: LM.26838 Composed by Michel Pellegrino....(+)
Saxophone Bb or Eb -
Level 1
SKU:
LM.26838
Composed by
Michel Pellegrino. Pop,
jazz. Score and CD.
Editions Henry Lemoine
#26838. Published by
Editions Henry Lemoine
(LM.26838).
ISBN
9790230968386.
Buck
et's Got a Hole in it -
Frankie et Johnny - Hold
on - Jericho - Joe Turner
- Let my People Go -
Nobody Knows - St James
Infirmary - Teacher's
Blues - The House of the
Rising Sun.
Trumpet SKU: LM.28564 Composed by Michel Pellegrino. Pop, jazz. Score and...(+)
Trumpet
SKU:
LM.28564
Composed by
Michel Pellegrino. Pop,
jazz. Score and CD.
Editions Henry Lemoine
#28564. Published by
Editions Henry Lemoine
(LM.28564).
ISBN
9790230985642.
Buck
et's Got a Hole in it -
Frankie et Johnny - Hold
on - Jericho - Joe Turner
- Let my People Go -
Nobody Knows - St James
Infirmary - Teacher's
Blues - The House of the
Rising Sun.
(50 Current Rock and Pop Hits). For Guitar. This edition: Guitar TAB Edition...(+)
(50 Current Rock and Pop
Hits). For Guitar. This
edition: Guitar TAB
Edition.
Artist/Personality; Book;
Guitar Mixed Folio;
Guitar
TAB. The Guitar
Collection.
Pop; Pop/Rock; Rock. 256
pages. Published by
Alfred
Music
By Nicolas Horvath. By Robert Orledge and Claude Debussy (1862-1918). Redi...(+)
By Nicolas Horvath. By
Robert Orledge and Claude
Debussy (1862-1918).
Rediscoverd Debussy.
Christmas. Score. Musik
Fabrik #MFCD017A.
Published
by Musik Fabrik
Piano - Grade 5 SKU: FA.MFCD017B By Nicolas Horvath. By Claude Debussy an...(+)
Piano - Grade 5
SKU:
FA.MFCD017B
By
Nicolas Horvath. By
Claude Debussy and Robert
Orledge. Rediscoverd
Debussy. Christmas.
Score. Musik Fabrik
#MFCD017B. Published by
Musik Fabrik
(FA.MFCD017B).
8.27 x
11.69
inches.
Contains Le
Roi Lear:
Prelude,Premiere Fanfare,
and La Mort de
Cordelia,Toomai des
elephants, Rodrigue et
Chimene: Prelude a l'acte
1p. Le Martyre de Saint
Sebastien: La Passion ,
and No-ja-li ou Le Palais
du Silence
From
Robert Orledge's
notes:
My interest
in the wonderful music of
Claude Debussy began in
the 1980s when I
researched and published
a book with Cambridge
University Press entitled
Debussy and the Theatre.
During the course of my
studies in Paris, I was
amazed to discover that
Debussy planned over 50
theatrical works but only
finished two of these
entirely by himself (the
opera Pelleas et
Melisande in 1893-1902
and the ballet Jeux for
Diaghilev's Ballets
Russes in 1912-13). Of
the rest, many were never
started musically (like
Siddartha and Orphee-roi
with the Oriental scholar
Victor Segalen, 1907);
some had a few
tantalising sketches
(like the Edgar Allan Poe
opera Le Diable dans le
beffroi, 1902-03); some
were half-finished (like
his other Poe opera La
Chute de la Maison Usher,
1908-17); while others
were musically complete
but had their
orchestrations completed
by other composers (like
Khamma, by Charles
Koechlin, 1912-13; or Le
Martyre de Saint
Sebastien and La Boite a
joujoux by his 'angel of
corrections' ['l'ange des
Corrections'] Andre
Caplet in 1911 and 1919
respectively).
For
it has to be admitted
that what some scholars
call Debussy's
'compulsive achievement'
could equally well be
viewed as laziness,
especially as far as the
minute detail required
for calligraphing his
orchestral scores was
concerned. It was as if
creating the music itself
was of greater importance
than controlling its
final sound, even if
Debussy was an
imaginative orchestrator
when he found the time
and energy to do it. It
also seems true that
Debussy also preferred
inventing ideas to
turning them into
complete pieces. However,
despite the lack of
detail in many of his
sketches (missing clefs,
key signatures, dynamics,
phrasing, etc.) the notes
themselves are
surprisingly accurate,
whether or not they can
be compared with a later
draft. Thus, a large
number of sketches exist
for his Chinese ballet
No-ja-li ou Le Palais du
Silence and it is not too
difficult to see which
parts of Georges de
Feure's 1913 scenario
(see below) inspired
which ideas. But Debussy
hardly made any attempt
to join them together
after the first few
bars.
It was
usually up to his
publisher, Jacques
Durand, to find solutions
when Debussy risked a
breach of contract.
Debussy was supposed to
supervise the
orchestrations completed
by others, but this
supervision was usually
very light and restricted
to quiet, sensitive
moments in which problems
were easier to spot. Far
from jealously guarding
every one of his created
notes, as Ravel did,
Debussy once even went as
far as to ask Koechlin to
'write a ballet for him
that he would sign' on 26
March 1914 when he was
hard-pressed to fulfil
his lucrative contract
for No-ja-li with Andre
Charlot at the Alhambra
Theatre in London. In the
end, Debussy (through
Durand) sent Charlot the
symphonic suite Printemps
instead, whose
orchestration had been
completed by Henri Busser
in the Spring of
1912.
So, when I
was offered early
retirement as Professor
of Music at Liverpool
University in 2004, I
seized the opportunity it
would give me to spend
time trying to
reconstruct some of
Debussy's lost potential
masterpieces from his
existing sketches and
drafts--then
orchestrating them in
Debussy's style when this
was appropriate. I had
begun this mission in
2001 with the most
promising project, the
missing parts of Scene 2
of La Chute de la Maison
Usher and the sheer joy
it gave me at every stage
persuaded me to tackle
other projects,
especially when Debussy
experts were unable to
identify exactly where I
took over from Debussy
(and vice versa) in
Usher.
Performed by Pat Metheny. For guitar (no tablature). Format: fake book. With lea...(+)
Performed by Pat Metheny.
For guitar (no
tablature). Format: fake
book. With leadsheet
notation and chord names.
Jazz and jazz fusion. 448
pages. 9x12 inches.
Published by Hal Leonard.
SAT(B) choir SKU: LP.765762079922 Resurrection Songs for Choir-led Wor...(+)
SAT(B) choir
SKU:
LP.765762079922
Resurrection Songs for
Choir-led Worship.
Arranged by Chris Barron.
Choral. Sacred, Choral
and Easter.
Aaccompaniment CD
(split-channel).
Published by Lillenas
Publishing Company
(LP.765762079922).
UPC:
765762079922.
Creat
ed for the weeks
surrounding Easter, The
Risen One is a
contemporary program for
the growing and changing
church. Choirs, ensembles
and praise teams will
easily have the ability
to lead worship with the
nine featured pieces
including Resurrection
Life; The Uprising;
Beautiful Wounds; Crown
Him with Many Crowns; and
more.Split-channel
accompaniment CD can be
used for both rehearsal
and performance. Each
contains the instrumental
accompaniment on one
channel, vocals on the
other. For performance
purposes, only the
accompaniment channel is
normally used. Includes
multiple rehearsal
points.Note - on
split-channel trax of
musicals where there are
solos, duets, or trios as
well as the full choir,
the solo, duet, or trio
voices will not be heard
on the split-trax.
The Complete Resource for Every Guitar Player!. By Various. Guitar Collection. S...(+)
The Complete Resource for
Every Guitar Player!. By
Various. Guitar
Collection. Softcover.
With notes and tablature.
240 pages. Published by
Hal Leonard.
Ukrainian Bell Carol, House of the Rising Sun. Composed by Traditional. Arrang...(+)
Ukrainian Bell Carol,
House of
the Rising Sun. Composed
by
Traditional. Arranged by
Tyler
Arcari. Christmas.
Intermezzo.
Score and parts. Excelcia
Music Publishing
#ISO2208.
Published by Excelcia
Music
Publishing