Alms Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312418790 No. 3 from Second April<...(+)
Choral SATB Choir and
Piano
SKU:
PR.312418790
No. 3
from Second April.
Composed by Eric Ewazen.
Octavo. Performance
Score. Theodore Presser
Company #312-41879.
Published by Theodore
Presser Company
(PR.312418790).
ISBN
9781491138144. UPC:
680160640218. Second
April, by Edna St.
Vincent
Millay.
Second
April for S.A.T.B. Chorus
and Piano is a
four-movement set, based
on the poetry of Edna St.
Vincent Millay. Ewazen
has long been enamored
with her poetry's
wonderfully vivid and
descriptive imagery of
nature and emotions, and
its powerful and profound
meaning. The third
movement, ALMS is a fast
rondo, intense, bold, and
always dance-like. It is
about both tragedy and
resilience. This music is
primarily minor, yet with
moments of playfulness,
the recollection of happy
times takes over. This
seesaw between emotions
is heard throughout the
movement, and with
Millay’s summing up of
“reality being what it
is,” the piece ends
with strength, boldness,
and
finality. . Program
Notes by Eric
EwazenSECOND APRIL for
S.A.T.B. Chorus and Piano
is a four-movement set,
based on the poetry of
Edna St. Vincent Millay.
I have long been enamored
with the poetry of Millay
for its wonderfully vivid
and descriptive imagery,
and its often powerful
and profound meaning.
Millay’s descriptions
of nature, and of
feelings and emotions,
have always spoken to me.
SECOND APRIL consists of
four of her poems, each
with a distinctive mood,
message, and emotional
feel. They are vivid,
powerful, and beautiful,
inspiring me to capture
these descriptions of the
various scenes she
portrays. Song of a
Second April uses music
to underlie strong
feelings, passions, and
the tragedies of life.
The poem itself is
dramatic, detailing a
time of personal strife
and tragedy, perhaps the
end of a relationship or
even the end of a life.
The music is intense,
fast, in a minor key, and
with rapid, spinning
notes creating a feeling
of powerful, relentless
emotions. Melodies,
motives, and gestures are
tossed between the
voices, increasing the
feelings of intensity and
even desperation. Little
by little, the music
almost dies away, getting
quieter and quieter,
creating a feeling of
resignation, but with a
Picardy Third in the
final chord – maybe a
bit of hope! Mariposa
is a celebration of
nature, wandering through
a field with white and
blue butterflies
appearing almost
wondrously. But there’s
also a profound feeling
of poignancy, noting that
as one relishes such a
beautiful, magical sight,
they should embrace the
experience – the
fleeting, transient
nature of such a perfect
vision and of life
itself. The music
portrays the flying of
the butterflies: gentle,
beautiful, with rich
chords and arpeggios, but
stepping back, as the
fleeting nature of life
is the reality, with
gentle, but sombre chords
interspersed with the
magical flight of the
Mariposa.Alms is a fast
rondo, intense, bold, and
always dance-like. It is
about both tragedy and
resilience. This music is
also in minor, yet with
moments of playfulness,
as a recollection of
happy times or moments
takes over. This seesaw
between emotions is heard
throughout the movement,
as the music continues to
“dance.” And with
Millay’s summing up of
“reality being what it
is,” the piece ends
with strength, boldness,
and finality. Into the
Golden Vessel of Great
Song is an appassionato
call to overcome! The
poem exhorts us to
“sing out” with hope,
determination, and
strength. The music is
full of bright and
lilting energy; but as
the turmoil and times of
strife people can
sometimes feel or
experience, the music
becomes intense,
dramatic, in a minor key,
and with changing
rhythms. BUT, there is a
return to championing the
idea of simply
overcoming, going forward
with hope and
determination, and the
music is in major,
resonant and strong.
.
Choral SATB Choir and Piano SKU: PR.312418770 No. 1 from Second April<...(+)
Choral SATB Choir and
Piano
SKU:
PR.312418770
No. 1
from Second April.
Composed by Eric Ewazen.
Octavo. Performance
Score. Theodore Presser
Company #312-41877.
Published by Theodore
Presser Company
(PR.312418770).
ISBN
9781491138120. UPC:
680160640195. Second
April, by Edna St.
Vincent
Millay.
Second
April for S.A.T.B. Chorus
and Piano is a
four-movement set, based
on the poetry of Edna St.
Vincent Millay. Ewazen
has long been enamored
with her poetry's
wonderfully vivid and
descriptive imagery of
nature and emotions, and
its powerful and profound
meaning. The first
movement, SONG OF A
SECOND APRIL is dramatic,
detailing a time of
personal strife and
tragedy, perhaps the end
of a relationship or even
the end of a life. The
music is intense, fast,
in a minor key, creating
a feeling of powerful,
relentless emotions.
Little by little, the
music almost dies away,
getting quieter and
quieter, creating a
feeling of resignation,
but with a surprise
Picardy Third in the
final chord –
suggesting a bit of
hope!. SECOND APRIL
for S.A.T.B. Chorus and
Piano is a four-movement
set, based on the poetry
of Edna St. Vincent
Millay. I have long been
enamored with the poetry
of Millay for its
wonderfully vivid and
descriptive imagery, and
its often powerful and
profound meaning.
Millay’s descriptions
of nature, and of
feelings and emotions,
have always spoken to me.
SECOND APRIL consists of
four of her poems, each
with a distinctive mood,
message, and emotional
feel. They are vivid,
powerful, and beautiful,
inspiring me to capture
these descriptions of the
various scenes she
portrays. Song of a
Second April uses music
to underlie strong
feelings, passions, and
the tragedies of life.
The poem itself is
dramatic, detailing a
time of personal strife
and tragedy, perhaps the
end of a relationship or
even the end of a life.
The music is intense,
fast, in a minor key, and
with rapid, spinning
notes creating a feeling
of powerful, relentless
emotions. Melodies,
motives, and gestures are
tossed between the
voices, increasing the
feelings of intensity and
even desperation. Little
by little, the music
almost dies away, getting
quieter and quieter,
creating a feeling of
resignation, but with a
Picardy Third in the
final chord – maybe a
bit of hope! Mariposa
is a celebration of
nature, wandering through
a field with white and
blue butterflies
appearing almost
wondrously. But there’s
also a profound feeling
of poignancy, noting that
as one relishes such a
beautiful, magical sight,
they should embrace the
experience – the
fleeting, transient
nature of such a perfect
vision and of life
itself. The music
portrays the flying of
the butterflies: gentle,
beautiful, with rich
chords and arpeggios, but
stepping back, as the
fleeting nature of life
is the reality, with
gentle, but sombre chords
interspersed with the
magical flight of the
Mariposa.Alms is a fast
rondo, intense, bold, and
always dance-like. It is
about both tragedy and
resilience. This music is
also in minor, yet with
moments of playfulness,
as a recollection of
happy times or moments
takes over. This seesaw
between emotions is heard
throughout the movement,
as the music continues to
“dance.” And with
Millay’s summing up of
“reality being what it
is,” the piece ends
with strength, boldness,
and finality. Into the
Golden Vessel of Great
Song is an appassionato
call to overcome! The
poem exhorts us to
“sing out” with hope,
determination, and
strength. The music is
full of bright and
lilting energy; but as
the turmoil and times of
strife people can
sometimes feel or
experience, the music
becomes intense,
dramatic, in a minor key,
and with changing
rhythms. BUT, there is a
return to championing the
idea of simply
overcoming, going forward
with hope and
determination, and the
music is in major,
resonant and strong.
.
Orchestra String Orchestra - Medium Easy/Medium SKU: CF.CAS22 Composed by...(+)
Orchestra String
Orchestra - Medium
Easy/Medium
SKU:
CF.CAS22
Composed by
Larry Clark. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
12 pages. Carl Fischer
Music #CAS22. Published
by Carl Fischer Music
(CF.CAS22).
ISBN
9780825858208. UPC:
798408058203. 8.5 X 11
inches. Key: G
major.
The fast
paced rondo has a Dorian
flavored melody with
hints of quartel (based
on an interval of a
fourth) harmony to give
it a contemporary sound
The players are presented
with solo opportunities
as well as harmonic turns
and twists that will keep
them. Rondo in the
Nick of Time was
originally the third
movement for a woodwind
quintet piece that I
wrote in 1990. I have
always been fond of this
little piece and felt
that it would adapt well
to larger ensembles. I
have also scored this
piece for band as part of
a suite called Upon a
New Horizon.The main
theme is based on the
Dorian Mode. The use of
quartal harmony makes up
most of the harmonic
material. Each statement
of the theme is followed
by an episode that
increases in length each
time. There is a sudden
change of style and tempo
in the middle of the
piece, where fragments of
the theme are developed.
The title is a
play-on-words, since the
work contains hemiola
effects that alter the
feel of the time.As with
all of my pieces for
strings, the bowings are
given only as a
reference. Feel free to
alter them to fit the
needs of your students. I
have indicated a rather
fast tempo for the piece.
I really like the piece
to fly, but it will work
and sound fine at a
slower tempo as well.
Just endeavor to keep
their energy moving
forward.It has been my
pleasure to have the
opportunity to write this
piece. I hope that you
and your students enjoy
it and find it useful in
your program.-Larry
ClarkLakeland, FL.
2005.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Trombone and Piano - Advanced SKU: CY.CC3136 Composed by John W. Ware. Cl...(+)
Trombone and Piano -
Advanced
SKU:
CY.CC3136
Composed by
John W. Ware. Classical.
Score and Parts. Cherry
Classics #CC3136.
Published by Cherry
Classics (CY.CC3136).
ISBN 9790530111055.
8.5 x 11 in
inches.
This fine
work has sat dormant for
many years and has now
come to light thanks to
the efforts of Charlie
Vernon, Bass Trombonist
of the Chicago Symphony,
who performed this
virtuoso work as a young
performer. The concerto
is in the standard three
movement form: Fast,
slow, fast. This
publication is a
reduction from the
original orchestral
version (to be released
at some point in the
future). Here is a
description of the
Concerto by the composer,
John W. Ware. I started
on the trombone concerto
in my junior year
studying composition at
Indiana University. While
working on it, I learned
of an opportunity to make
it sort of a thesis piece
(though students didn't
write a thesis in
composition while an
undergrad). The original
version was for trombone
with string orchestra,
and it was performed by
the IU String Orchestra,
conducted by Dr. Arthur
Corra, with Robert Priez,
trombone, as part of my
senior composition
recital. I thought the
performance was quite
good (Priez played
extraordinarily well),
and the piece received a
newspaper review in the
Indiana Daily Student, in
which the reviewer wrote
that the work was almost
too exciting. I thought
at the time that he had
given me and my music a
fine compliment. I made a
piano version of the
accompaniment, shortening
and tightening the first
movement, for
performances in 1966; I
made a second revision in
1967 for a performance by
E. J. Eaton, trombonist
at the University of
Tennessee at Martin,
arriving at the form in
which the work exists
now. The first movement
is in fairly normal
sonata-allegro form, in
the key of A minor. It
alternates between
assertive and more
thoughtful moods. There
is no introduction; the
soloist enters
immediately and dominates
much of the movement. The
main theme is--by some
manipulation--a source
for most of the other
themes, and all of the
themes are used in close
proximity to each other,
including contrapuntal
combinations, especially
near the end. Originally
the movement included a
lengthy fugato, now much
shortened and including a
stretto that builds and
subsides before a cadenza
leading to a coda based
on both the principal and
secondary themes. Key
relations in this
movement, as in the other
two, are quite free and
often chromatic, with
frequent third-relations;
but returns to the tonic
at the end are emphatic.
The writing is
challenging for both
soloist and accompanist;
the piece is substantial,
requiring technique and
stamina. The second
movement is in F minor
and is also built on both
contrast and close
relationships between the
main and secondary
themes. The main theme is
heard in the piano part
before the soloist
enters. The mood is more
lyric than in the first
movement, but with
dramatic episodes also.
In this movement are some
definite derivations from
themes in the first
movement. The ending is a
sort of lengthened shadow
of the opening. The
finale returns to A
minor, with themes
slightly related to
polonaise rhythms, but
with strong echoes of
first-movement themes.
Here, too, dramatic and
lyric episodes alternate,
with dotted rhythms
frequently propelling the
music forward. The
introduction is a brief
and simple preparation
for the solo entry. Later
in the movement, a very
brief, slightly slower
section is soon overtaken
by the original tempo.
Toward the end, there is
a second cadenza, again
leading to a swift and
energetic coda. The work
is about 20 minutes in
length and is appropriate
for advanced
performers.
Mariposa Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312418780 No. 2 From Second April<...(+)
Choral SATB Choir and
Piano
SKU:
PR.312418780
No. 2
From Second April.
Composed by Eric Ewazen.
Fold. Performance Score.
Theodore Presser Company
#312-41878. Published by
Theodore Presser Company
(PR.312418780).
ISBN
9781491138137. UPC:
680160640201. Second
April, by Edna St.
Vincent
Millay.
Second
April for S.A.T.B. Chorus
and Piano is a
four-movement set, based
on the poetry of Edna St.
Vincent Millay. Ewazen
has long been enamored
with her poetry's
wonderfully vivid and
descriptive imagery of
nature and emotions, and
its powerful and profound
meaning. The second
movement, MARIPOSA
celebrates nature,
wandering through a field
of white and blue
butterflies appearing
wondrously, with rich
chords and arpeggios. Yet
also stepping back, the
fleeting nature of life
is the reality, with
gentle, somber chords
interspersed with the
magical flight of the
Mariposa. Program
Notes by Eric
EwazenSECOND APRIL for
S.A.T.B. Chorus and Piano
is a four-movement set,
based on the poetry of
Edna St. Vincent Millay.
I have long been enamored
with the poetry of Millay
for its wonderfully vivid
and descriptive imagery,
and its often powerful
and profound meaning.
Millay’s descriptions
of nature, and of
feelings and emotions,
have always spoken to me.
SECOND APRIL consists of
four of her poems, each
with a distinctive mood,
message, and emotional
feel. They are vivid,
powerful, and beautiful,
inspiring me to capture
these descriptions of the
various scenes she
portrays. Song of a
Second April uses music
to underlie strong
feelings, passions, and
the tragedies of life.
The poem itself is
dramatic, detailing a
time of personal strife
and tragedy, perhaps the
end of a relationship or
even the end of a life.
The music is intense,
fast, in a minor key, and
with rapid, spinning
notes creating a feeling
of powerful, relentless
emotions. Melodies,
motives, and gestures are
tossed between the
voices, increasing the
feelings of intensity and
even desperation. Little
by little, the music
almost dies away, getting
quieter and quieter,
creating a feeling of
resignation, but with a
Picardy Third in the
final chord – maybe a
bit of hope! Mariposa
is a celebration of
nature, wandering through
a field with white and
blue butterflies
appearing almost
wondrously. But there’s
also a profound feeling
of poignancy, noting that
as one relishes such a
beautiful, magical sight,
they should embrace the
experience – the
fleeting, transient
nature of such a perfect
vision and of life
itself. The music
portrays the flying of
the butterflies: gentle,
beautiful, with rich
chords and arpeggios, but
stepping back, as the
fleeting nature of life
is the reality, with
gentle, but sombre chords
interspersed with the
magical flight of the
Mariposa.Alms is a fast
rondo, intense, bold, and
always dance-like. It is
about both tragedy and
resilience. This music is
also in minor, yet with
moments of playfulness,
as a recollection of
happy times or moments
takes over. This seesaw
between emotions is heard
throughout the movement,
as the music continues to
“dance.” And with
Millay’s summing up of
“reality being what it
is,” the piece ends
with strength, boldness,
and finality. Into the
Golden Vessel of Great
Song is an appassionato
call to overcome! The
poem exhorts us to
“sing out” with hope,
determination, and
strength. The music is
full of bright and
lilting energy; but as
the turmoil and times of
strife people can
sometimes feel or
experience, the music
becomes intense,
dramatic, in a minor key,
and with changing
rhythms. BUT, there is a
return to championing the
idea of simply
overcoming, going forward
with hope and
determination, and the
music is in major,
resonant and strong.
.
By Georg Philipp Telemann (1681-1767). Edited by Klaus Hofmann. For violin/basso...(+)
By Georg Philipp Telemann
(1681-1767). Edited by
Klaus Hofmann. For
violin/basso continuo.
This edition: Stapled,
Urtext edition. Stapled.
From Essercizii musici.
Performance score, Set of
parts. Language:
German/English. TWV
41:F4, TWV 41:A6. 19/11/9
pages. Published by
Baerenreiter Verlag
Composed by Todd Parrish.
Carl Fischer Concert
String Orchestra Series.
Set of Score and Parts.
16+16+10+10+10+12 pages.
Duration 3 minutes, 10
seconds. Carl Fischer
Music #CAS138. Published
by Carl Fischer Music
(CF.CAS138).
ISBN
9781491160534. UPC:
680160919123.
Named
for the West Wind, this
Grade 3 original work
makes use of quarter and
eighth note triplets to
depict a sense of
swirling motion. A
forward- moving theme is
passed between sections
in the orchestra
accompanied by a steady,
march-like staccato
pulse. The opening B
minor theme rises and
falls, giving way to a
faster, rhythmic section
in D major. Ascending and
descending scale passages
are exchanged between
voices with a light,
springy spiccato. The
music swells with
crescendos and
decrescendos portraying
the sweeping ebb and flow
of the wind. The primary
minor theme returns with
a dramatic unison
statement in the violins,
shifting modally as it
builds to a momentous
finale. An excellent
piece for working on
extended finger patterns,
bowing styles, and
dynamic changes. Named
for the West Wind, this
Grade 3 original work
makes use of quarter and
eighth note triplets to
depict a sense of
swirling motion. A
forward- moving theme is
passed between sections
in the orchestra
accompanied by a steady,
march-like staccato
pulse. The opening B
minor theme rises
andfalls, giving way to a
faster, rhythmic section
in D major. Ascending and
descending scale passages
are exchanged between
voices with a light,
springy spiccato. The
music swells with
crescendos and
decrescendos portraying
the sweeping ebb and flow
of the wind. The primary
minor theme returns with
a dramatic unison
statement in the violins,
shifting modally as it
builds to a momentous
finale. An excellent
piece for working on
extended finger patterns,
bowing styles, and
dynamic changes.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Ligne De Mélodie, Paroles et Accords [Fake Book] - Facile Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C
instrument. Format:
fakebook (spiral bound).
With vocal melody,
lyrics, piano
accompaniment, chord
names and leadsheet
notation. Hymn. Series:
Hal Leonard Fake Books.
494 pages. 9x12 inches.
Published by Hal Leonard.
Air And Caprice Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1.5-2 SKU: CF.FAS2 Composed by Larry C...(+)
Orchestra String
Orchestra - Grade 1.5-2
SKU: CF.FAS2
Composed by Larry Clark.
SWS - FS. Carl Fischer
First Plus String
Orchestra Series. Score
and Parts. With Standard
notation. 8+8+5+5+2+5+8
pages. Carl Fischer Music
#FAS2. Published by Carl
Fischer Music (CF.FAS2).
ISBN 9780825840753.
UPC: 798408040758. 8.5 X
11 inches. Key: E
minor.
Expressive
playing, some simple
counterpoint, and a touch
of pizzicato characterize
this contemporary
sounding but accessible
piece in two contrasting
sections, slow and
lively. Duration:
3'15. The definition
of Air is a tune or
melody, but often it is
used to describe a piece
that is lyrical in
nature, as in the first
section of this piece.
The next section of the
piece is called Caprice,
which is the French word
for capriccio. The
term capriccio has
been used as the title
for a variety of
different types of works
throughout music history.
It is used here in its
literal definition which
describes the fanciful,
capricious nature of the
second section of the
piece.As part of the
development of the piece,
the minor material from
the Air is used as bridge
material in the Caprice
section. The Air and
Caprice should be very
contrasting in style.
Play the Air very
sustained and
chorale-like and the
Caprice, light with
forward motion. The tempo
of the Caprice should not
be too fast; however, the
tempo can be adjusted
down to accommodate the
ability level of your
ensemble. Bowings have
not been over-marked, and
no slurs are used; feel
free to alter it if
necessary.It has been my
pleasure to have had the
opportunity to write this
piece. I hope that you
and your students find it
useful for your
program.
Composed by Shirl Jae
Atwell. Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score. 8
pages. Highland/Etling
#00-38476S. Published by
Highland/Etling
(AP.38476S).
UPC:
038081431604.
English.
Jeunesse
is a French word used to
describe the time of
one's youth, which is
reflected in this music
that is carefree, yet
bittersweet. This lovely
piece has a lilting
quality that demands
attention be paid to the
legato markings, the
equality between the
voices, and the rhythmic
pulse that moves the
piece forward. Make sure
not to lose the poignancy
by playing the piece too
fast or too slow. Let the
music have control.
Chamber Music String Quartet SKU: PR.11440902S Composed by Behzad Ranjbar...(+)
Chamber Music String
Quartet
SKU:
PR.11440902S
Composed
by Behzad Ranjbaran. Full
score. With Standard
notation. Composed 1990.
44 pages. Duration 22
minutes. Theodore Presser
Company #114-40902S.
Published by Theodore
Presser Company
(PR.11440902S).
UPC:
680160013708.
The
quartet begins with a
5-note motif, played in
unison that permeates
melodically and
harmonically throughout
the movement. The
energetic and hard-driven
character of the second
musical idea propels the
music forward with fast
moving notes and greater
urgency. It often
alternates with the more
lyrical rendition of the
5-note motif, yielding
contrasting sections.
After a brief coda, the
5-note motif concludes
the movement much the
same way it had begun but
with greater intensity.
The second movement
explores the world of
fantasy. To some extent
the beginning and the
ending of the movement
function as the opening
and closing doors that
separate the reality from
the dream and
subconscious. It is one
continuous movement in an
arch form that gradually
accelerates to an
expansive emotional
climax and returning
steadily to the surface
led by an ethereal solo
cello. The transcendent
ending is similar to the
beginning, though half
step higher. The third
movement begins boldly
with the 5-note motif
transformed into a dance
character in a compound
meter. The asymmetrical
meter of the Persian folk
music influences much of
the rhythmic character of
the movement. The return
of many materials from
earlier movements
interwoven into the
fabric of this movement
reinforces the cyclical
and organic character of
the quarter.
Particularly, a
mysterious passage,
reminiscence of the
second movement leading
to a brief full-blown
ballad is a favorite
moment of Ranjbaran's in
the quartet. A blazingly
virtuosic viola leads the
quartet to an uplifting
conclusion.
SATB Chorus & Organ SKU: SU.91480570 For SATB Chorus & Organ. Comp...(+)
SATB Chorus & Organ
SKU: SU.91480570
For SATB Chorus &
Organ. Composed by
Dan Locklair.
Vocal/Choral, Sacred
Choral. Accompanied by
organ. Choral Octavo.
Composed 2010. Duration
7'. Subito Music
Corporation #91480570.
Published by Subito Music
Corporation
(SU.91480570).
Text:
Angier Brock.
SATB
Chorus, Organ Duration:
7' Text: Angier Brock
Composed: 2010 Published
by: Subito Music
Publishing YouTube: Ms.
Brock’s moving
poem is lyrical
throughout. Even in its
beautiful originality,
the poem invokes The Book
of Common Prayer and
biblical scripture (the
latter through references
to dust and breath from
Genesis 2 to the final
line of the poem invoking
the opening of Psalm 62).
Ms. Brock’s poetry
is also filled with
wonderful twists on
traditional texts (such
as in the creative and
reverse naming of the
Trinity in speaking of
Inventing Wind, Generous
Christ, and Luminous
God). Musically, the main
melodic material of the
piece is immediately
heard on a solo organ
color accompanied by
organ strings over a
recurring pedal pulse on
the pitch C. The chorus
soon enters with the
first stanza of the text.
As this stanza unfolds,
the harmony starts to
gradually change as the
pulsing pedal rhythm
begins to move upward by
step. An organ interlude,
reflective of the opening
introduction, soon
emerges (though now over
a C-sharp recurring pedal
pulse), and leads to a
similar choral setting as
found in stanza one. As
the poem’s second
stanza moves forward, it
eventually folds into the
more harmonically rich
stanza three. A fast,
dance-like section
evolves at Inventing
Wind, what a lively dance
your energy creates!
eventually bringing the
work to its climax point.
The spirit of dance soon
subsides and leads to a
quiet and gentle close on
the words …for you
alone my soul in silence
waits.
Minimum
order quantity: 8 copies.
To order quantities fewer
than 8, please email
customer service at
sales@subitomusic.com.
O clap your hands Soli, choeur mixte et accompagnement [Octavo] Galaxy Music Corporation
Composed by Stephen Chatman. Children's Sabbath/Emphasis, 21st Century, Praise/T...(+)
Composed by Stephen
Chatman. Children's
Sabbath/Emphasis, 21st
Century,
Praise/Thanksgiving.
Octavo. Galaxy Music
Corporation #7.0577.
Published by Galaxy Music
Corporation
Chasing Orion Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
By Roland Barrett. Concert Band. Concert Band. Belwin Young Band. Form: Overture...(+)
By Roland Barrett.
Concert Band. Concert
Band. Belwin Young Band.
Form: Overture. Grade 2.
Conductor Score and
Parts. 272 pages.
Published by Alfred Music
Publishing
Sea Breeze Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire Jazz Lines Publications
By Dizzy Gillespie. Edited by Rob DuBoff and Jeffrey Sultanof. Arranged by Benny...(+)
By Dizzy Gillespie.
Edited by Rob DuBoff and
Jeffrey Sultanof.
Arranged by Benny Golson.
Swing; Jazz. Score and
parts. Published by Jazz
Lines Publications
(JL.JLP-7335).
Composed by Alan Bullard (1947-). Upper Voices. Christmas, Choral Leaflet. Voca...(+)
Composed by Alan Bullard
(1947-). Upper Voices.
Christmas, Choral
Leaflet. Vocal score. 12
pages. Duration 4'.
Published by Oxford
University Press
(OU.9780193356412).
Three Characters Piano Trio: Violon, Alto, Piano Faber Piano Adventures
(The Collaborative Artist). Composed by Randall Faber. For Piano Trio. Faber Pia...(+)
(The Collaborative
Artist). Composed by
Randall Faber. For Piano
Trio. Faber Piano
Adventures�®. Late
Intermediate. Softcover.
Faber Piano Adventures
#FF7009. Published by
Faber Piano Adventures
Composed by Shirl Jae
Atwell. Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score and
Part(s). 62 pages.
Highland/Etling
#00-38476. Published by
Highland/Etling
(AP.38476).
UPC:
038081431598.
English.
Jeunesse
is a French word used to
describe the time of
one's youth, which is
reflected in this music
that is carefree, yet
bittersweet. This lovely
piece has a lilting
quality that demands
attention be paid to the
legato markings, the
equality between the
voices, and the rhythmic
pulse that moves the
piece forward. Make sure
not to lose the poignancy
by playing the piece too
fast or too slow. Let the
music have control.
Concert Band - Grade 3 SKU: AP.44988 Composed by Jeremy Bell. Concert Ban...(+)
Concert Band - Grade 3
SKU: AP.44988
Composed by Jeremy Bell.
Concert Band; Performance
Music Ensemble; Single
Titles. Young Symphonic.
Halloween. Score and
Part(s). 264 pages.
Duration 2:30. Alfred
Music #00-44988.
Published by Alfred Music
(AP.44988).
UPC:
038081517810.
English.
Escape
from Dead Raider's Hollow
is a fast-paced
adventure. Opening
quietly, the introduction
gradually builds in
volume and energy up to a
tempo change where the
piece takes off and
doesn't relent until the
end. Combining rhythms of
3 over a pulse of 2
creates a hemiola effect
that drives the piece
forward, creating a
feeling of anxiety and
being chased. This is a
bombastic, action-packed
piece with loud
percussive hits, huge
brass, and soaring
woodwinds that ends with
a bang. (2:30).
Composed by Doug Spata.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Light Concert.
Score. 20 pages. Duration
3:35. Highland/Etling
#00-45873S. Published by
Highland/Etling
(AP.45873S).
UPC:
038081523767.
English.
Written
with early advanced
orchestras in mind, here
is a dramatic selection
in fast 3/4 time with
some daring rhythms and
sweeping, romantic
melodies. Teachers can
use Rogue Rider by Doug
Spata to reinforce basic
shifting, precision
bowing and style changes,
and introduce
higher-level musicianship
skills. It's not only a
good teaching piece but
will also be a hit at
concerts and a piece that
students will look
forward to playing.
(3:35).
