Choral (SAB Choir)

SKU: HL.388340

Composed by Robert I. Hugh. Henry Leck Creating Artistry. Concert. Octavo. 16 pages. Duration 220 seconds. Published by Hal Leonard (HL.388340).

UPC: 196288025573. 6.75x10.5x0.033 inches.

Set to the poem, Upon the Swallow, this thoughtful anthem speaks of hope and courage. The relaxed tempo ushers a message of optimism and encourages all to not go where the path may lead. Instead, go where there is no path and leave a trail..

By R. Kelly. Composed by Robert Kelly. Arranged by Mac Huff. (3 Part Mixed). Discovery Choral. 16 pages. Published by Hal Leonard.

Composed by Mark A. Miller. Anthem. Octavo. Published by Chorister's Guild (LO.CGA1510).

By Glee Cast, Nicki Minaj, R Kelly, and Rihanna. By Clemmie Penton, Kevin Hissink, Onika Maraj, and Robert Kelly. Edited by Mark A. Brymer. Arranged by Adam Anders and Peer Astrom. For Choral (3-Part Mixed). Pop Choral Series. 16 pages. Published by Hal Leonard

By Glee Cast, Nicki Minaj, R Kelly, and Rihanna. By Clemmie Penton, Kevin Hissink, Onika Maraj, and Robert Kelly. Edited by Mark A. Brymer. Arranged by Adam Anders and Peer Astrom. For Choral (SSA). Pop Choral Series. 16 pages. Published by Hal Leonard

Performed by Fantasia. Arranged by Alan Billingsley. (SSA). Pop Choral Series. Size 6.75x10.5 inches. Published by Hal Leonard.

Composed by Al Stillman, Ervin Drake, Irvin Graham, Jimmy Shirl. Arranged by John Leavitt. Pop Choral Series. Festival, Standard, Concert, Sacred, General Worship. Octavo. 8 pages. Published by Hal Leonard (HL.252274).

Composed by Jim Brickman and Victoria Shaw. Arranged by Alan Billingsley. Choral Octavo. Alfred Pop Series. Christmas; Sacred; Winter. 16 pages. Published by Alfred Music (AP.45508).

((from Spring Awakening)). By Duncan Sheik and Steven Sater. Arranged by Mark A. Brymer. SAB. Broadway Choral. 12 pages

Composed by Al Stillman, Ervin Drake, Irvin Graham, Jimmy Shirl. Arranged by John Leavitt. Pop Choral Series. Festival, Standard, Concert, Sacred, General Worship. Octavo. 8 pages. Published by Hal Leonard (HL.252273).

By Wesley Whatley and William Schermerhorn. Arranged by Audrey Snyder. SAB. Disney Choral. 8 pages

By Fantasia. Arranged by Alan Billingsley. (SAB). Pop Choral Series. 12 pages. Published by Hal Leonard.

((from Spring Awakening)). By Duncan Sheik and Steven Sater. Arranged by Mark A. Brymer. SSA. Broadway Choral. 12 pages

Composed by Jim Brickman and Victoria Shaw. Arranged by Alan Billingsley. Choral Octavo. Alfred Pop Series. Christmas; Sacred; Winter. 16 pages. Published by Alfred Music (AP.45507).

By Beard / Tucker. For SSA Choir. General Repertory, Secular, General Repertory, Sacred. Sheet Music. Published by Shawnee Press.

Choral SSA Choir and Piano

SKU: CF.CM9747

Composed by Andrew Steffen. Duration 3 minutes, 4 seconds. Carl Fischer Music #CM9747. Published by Carl Fischer Music (CF.CM9747).

ISBN 9781491162354. UPC: 680160921102. Key: E lydian. English. The Vastness of the Universe Jonas Hallgrimsson (1807-1845).

About� � Jónas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.

(Discovery Level 2). By Brahm Wenger and John M. Rosenberg. Arranged by Cristi Cary Miller. For Choral (3-Part Mixed). Discovery Choral. 12 pages. Published by Hal Leonard

(A bold meditation on conflict, communication and compromise). Composed by Elizabeth Alexander. For SSA, SAB (youth choir), piano. Anthems, Sacred, Secular, Jazz / Blues / Rock. Medium. Choral Score. Duration 4 minutes. Published by Seafarer Press

SAB choir, cantor, priest, assembly, keyboard accompaniment, 2 C instruments, cello, guitar - Early intermediate

SKU: GI.G-9730

Composed by Marty Haugen. Mass. Sacred. With guitar chord names. 40 pages. GIA Publications #9730. Published by GIA Publications (GI.G-9730).

UPC: 785147973003. English, Spanish. Text Source: Revised Order of Mass 2010, Lectionary for Mass

Over the past few years, as I have experienced the radical cultural transformation of Roman Catholic communities in the United States, I decided that I wanted to create something in response and support. Mass of Creation went through multiple revisions—into a Protestant version, a revised (2010) text version and a bilingual version. At each transition, the music struggled (I believe) to make the text “sing” as it had with the original version. With the Mass of Reconciliation / Misa de Reconciliación, I began with the premise that the text would be created to be sung throughout either in English or Spanish. My hope was that faith communities that had Masses in both languages might learn the mass setting in their own language and, when they came together for major feast days (Christmas Eve/Day, Easter Vigil/Day, and other celebrations) they could each sing with confidence and passion a setting in their own language.

((Choral Highlights)). By Frank Loesser. Arranged by Mark A. Brymer. For Choral (SAB). Broadway Choral. 32 pages. Published by Hal Leonard

SAB choir, keyboard accompaniment - Early intermediate

SKU: GI.G-5117

Composed by Daniel C. Meyer. Ordinary Time 9 A, Ordinary Time 14 B. Choral. Sacred. Octavo. 8 pages. GIA Publications #5117. Published by GIA Publications (GI.G-5117).

Text by John Reynell Wreford.

Melodic and harmonic interest are features of this song of faith. Stanza one establishes the tune, stanza two gives it to the men with women singing a counter melody, stanza three becomes a “B” section in this AABA form, and the final stanza raises the key and repeats the two counter melodies with S over AB. .

(Vancouver 2010 CTV Olympic Theme Song). Arranged by Mark A. Brymer. SAB. Pop Choral Series. 12 pages. Published by Hal Leonard