Violin & mixed choir (SATB) - Easy to Moderately Difficult

SKU: OU.9780193528208

Composed by Ralph Vaughan Williams. Arranged by Paul Drayton. Secular Choral - Mixed Voices. Secular. Vocal score. 28 pages. Duration 15'. Oxford University Press #9780193528208. Published by Oxford University Press (OU.9780193528208).

ISBN 9780193528208. 11 x 9 inches.

For violin and mixed choir This innovative and imaginative choral arrangement of The Lark Ascending has the original solo violin part accompanied by mixed choir. It sensitively sets George Meredith's poem (on which the original orchestration is based) and combines this with wordless vocal lines and vocal solos.

(No. 1 of Two Colonial Folksongs). By Appalachian Folk Song. Arranged by Dan Forrest. For SATB choir (Accompaniment: Piano, Four Hands, and Solo Violin). Dan Forrest American Folksongs. Main Key: C Major. Folk, Secular. Medium Adult. Octavo. 16 pages. Duration 4 minutes 25 seconds. Published by Hinshaw Music Inc.

Soprano solo, Tenor solo, Bass solo, Mixed choir (SATB) Orchestra, Organ (Soprano Voice Solo, Tenor Voice Solo, Bass Voice Solo, Mixed choir(SSAB), Fl-picc, 2 Fl, 2 Ob, 2 clarinet, 4bassoon, 4Hn, 2 Kor, 2 Trp, 3trombone, timpani, Be, Tr-Gr, harp, 2 Violin, Viola, Cello, Double Bass, Octobass, Org)

SKU: BA.BA08966-90

Composed by Charles Francois Gounod. Edited by Hans Schellevis. Arranged by Hans Schellevis. This edition: urtext edition. Paperback. Barenreiter Urtext. Vocal Score. Baerenreiter Verlag #BA08966_90. Published by Baerenreiter Verlag (BA.BA08966-90).

ISBN 9790006564002. 27 x 19 cm inches. Text Language: Latin. Preface: Schellevis, Hans.

Sacred works occupy a large part of Charles Gounod's oeuvre. It was the Messe solennelle en l'honneur de Sainte Cecile that established his fame as a church composer. Its melodic invention and effective handling of the orchestra reveal a close proximity to opera.

This Urtext edition is based not only on the original print of 1856 but also on copyists' manuscripts and autograph sources. Rounding off this well-researched Urtext edition are an informative Introduction and a detailed Critical Commentary. The edition is being published to celebrate the 200th anniversary of Gounod's birth.

* Gounod's well-known mass in a new Urtext edition
* Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng)
* Idiomatic piano reduction
* In preparation for the Gounod bicentenary year 2018

SATB choir with vocal solo (flute 1&2, oboe, clarinet 1&2, F horn 1&2, trumpet 1/2&3, trombone 1&2, trombone 3/tuba, percussion, rhythm, synthesizer, harp, violin 1&2, viola, cello/bassoon, string bass) - Moderate

SKU: LP.765762205802

Composed by Jennie Lee Riddle & Jonathan Lee. Arranged by Gary Rhodes. Anthems. Praise & Worship and Sacred. Orchestration on CD-ROM. Published by Lillenas Publishing Company (LP.765762205802).

UPC: 765762205802. Orchestrated by Tim Cates.

When the stars burn down and the earth wears out...we will rise and all applaud! Singing blessing and honor and glory and power forever to our God! These words, penned by Jonathan Lee and Jennie Lee Riddle, are but a bit of the majestic lyrics found in this anthem about the Second Coming. Gary Rhodes' masterful arrangement for solo with choir will surely make this song a favorite.

(Chorale cantata). Composed by Johann Cruger / Felix Mendelssohn Bartholdy. Edited by Gunter Graulich. Arranged by Paul Horn. For SATB choir, 2 violins, viola, cello/double bass, [oboe, bassoon] (arr: organ). Stuttgart Urtext Edition. German title: Jesu, meine Freude. Cantatas, Praise and thanks. Level 4. Complete orchestral parts. Language: German/English. Composed 1828. Duration 9 minutes. Published by Carus Verlag

(Chorale cantata). Composed by Johann Cruger / Felix Mendelssohn Bartholdy. Edited by Gunter Graulich. Arranged by Paul Horn. For SATB choir, 2 violins, viola, cello/double bass, [oboe, bassoon] (arr: organ). This edition: Paperbound. Stuttgart Urtext Edition. German title: Jesu, meine Freude. Cantatas, Praise and thanks. Level 4. Full score. Language: German/English. Composed 1828. 24 pages. Duration 9 minutes. Published by Carus Verlag

By Joel Raney. Edited by Joel Raney. Arranged by Joel Raney. For SATB choir & unison choir (or solo). Sacred. Choral octavo. 16 pages. Published by Hope Publishing Company

Arranged by Greg Jasperse. For SATB choir and violin. Macedonian Folk Song. Octavo. Published by Shawnee Press.

Composed by Philip P. Bliss. Arranged by Jesse Becker and Heather Sorenson. Brookfield Choral Series. General Worship, Lent, Sacred. Octavo. 16 pages. Published by Brookfield Press

(Chorale cantata). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Oswald Bill. For SATB choir, 2 violins, viola, cello/contrabass, [flute or oboe or clarinet]. Stuttgart Urtext Edition. German title: Christe, du Lamm Gottes. Cantatas, Mass sections, Lent and Passiontide, Holy Week, Eucharist, Communion. Complete orchestral parts. Language: German/English. Composed 1827. A 5. Duration 7 minutes. Published by Carus Verlag

Choralkantate. By Felix Mendelssohn. Edited by Bill, Oswald. For SATB Choir, 2 Violins, Viola, Cello/Contrabass, [Flute or Oboe or Clarinet]. Cantatas, Mass Sections; Stuttgart Urtext editions; Occasions: Eucharist, Communion; Use during church year: Lent and Passiontide, Holy Week. Score. Language: German/English. Composed 1827. 20 pages. Duration 7 min. Published by Carus Verlag (German import).

Choralkantate. By Felix Mendelssohn. Edited by Bill, Oswald. For SATB Choir, 2 Violins, Viola, Cello/Contrabass, [Flute or Oboe or Clarinet]. Full score available separately - see item CA.4018400. Cantatas, Mass Sections; Stuttgart Urtext editions; Occasions: Eucharist, Communion; Use during church year: Lent and Passiontide, Holy Week. Organ reduction. Language: German/English. Composed 1827. 12 pages. Duration 7 min. Published by Carus Verlag (German import).

By Johann Valentin Meder (1649-1719). Edited by Wolfgang Horn. Arranged by Wolfgang Horn. For Solo Soprano, SATB Choir, Violin, 2 Viola da Gamba (2 Violins, Viola), Cello, Organ. This edition: paperbound. Confirmation, Mourning, Death. Level 3. Score. Language: German/English. 24 pages. Duration 10 min. Published by Carus Verlag

Arranged by William Gorton. For SATB choir with optional violin (or C instrument - included). Christmas, Sacred. Octavo. Published by Hope Publishing Company

By George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. Arranged by Andreas Kohs. For soprano voice solo, alto voice solo, tenor voice solo, bass voice solo, SSATB choir , violin (2), viola (2), cello, basso continuo (cello, double bass, organ) (2 Solo Sopranos/Solo Alto/Solo Tenor/Solo Bass/Mixed Choir: SSATB/2 Violins/2 Violas/Violoncello/Basses (Violoncello/Contrabass/O rgan)). This edition: Paperback, Urtext edition. Replaces BA 4002-90. Psalm 109. Piano reduction. Language: Latin. HWV 232. 93 pages. Duration 40 minutes. Published by Baerenreiter Verlag

Soli SATB, SATB Choir, 2 Oboe da caccia, 2 Violins, Viola, [cello piccolo], Basso continuo

SKU: CA.3113903

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Vocal score. Composed 1724. BWV 139. 32 pages. Duration 20 minutes. Carus Verlag #CV 31.139/03. Published by Carus Verlag (CA.3113903).

ISBN 9790007181192. Language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score available separately - see item CA.3113900.

SATB choir and orchestra (flute 1 & 2, oboe, trumpet 1, trumpet 2 & 3, horn 1 & 2, trombone 1 & 2, trombone 3/tuba, percussion, rhythm, violin 1 & 2, viola, cello/bassoon, string bass)

SKU: LP.765762182905

Composed by Jimmy Fortune & Bria Slaughter Dave Clark. Arranged by Cliff Duren. Anthems. Inspirational, Patriotic and Sacred. Orchestration on CD-ROM. Published by Lillenas Publishing Company (LP.765762182905).

UPC: 765762182905.

Beaut iful and thought-provoking this moving anthem pays homage to the tremendous sacrifice made by men and women of our armed forces reminding us all that so much more than love has grown when a hero's coming home. For solo voice with choir this piece is perfect for Memorial Day Veteran's Day 4th of July or any service of recognition. DVD accompaniment is available.

(Kantate zum Sonntag Septuagesimae). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For soprano voice solo, SATB choir, oboe, violin solo, 2 violins, viola, basso continuo. BWV 84. Full score available separately - see item CA.3108400. Genres: Cantatas; Stuttgart Urtext Editions; Use / Occasion: Praise and thanks; Use during church year: Special Days. Level 3. Part: Violin 1. Language: German/English. Composed 1727 (?). 8 pages. Duration 16 min. Published by Carus Verlag

(Kantate zum Sonntag Septuagesimae). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For soprano voice solo, SATB choir, oboe, violin solo, 2 violins, viola, basso continuo. BWV 84. Full score available separately - see item CA.3108400. Genres: Cantatas; Stuttgart Urtext Editions; Use / Occasion: Praise and thanks; Use during church year: Special Days. Level 3. Part: Violin 2. Language: German/English. Composed 1727 (?). 4 pages. Duration 16 min. Published by Carus Verlag

ATB vocal soli, SATB choir, recorder, violin solo, violin, 2 viola, cello, basso continuo - Level 3

SKU: CA.3118219

Cantata for Palm Sunday or for the feast of the Annunciation. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Himmelskonig, Sei Willkommen A-Dur. Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. Composed 1714. BWV 182. Duration 30 minutes. Carus Verlag #CV 31.182/19. Published by Carus Verlag (CA.3118219).

ISBN 9790007136949. Key: A major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score and parts available separately - see item CA.3118200.

Orchestra Soli ATB, SATB Choir, Recorder, Violin solo, Violin, 2 Viola, Cello, Basso Continuo - Level 3

SKU: CA.3118207

Cantata for Palm Sunday or for the feast of the Annunciation. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: paperbound. BWV 182. Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Study score. Composed 1714. BWV 182. Duration 30 minutes. Carus Verlag #CV 31.182/07. Published by Carus Verlag (CA.3118207).

ISBN 9790007050276. Key: A major. Language: German/English. Text: Franck, Salomo.

Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score available separately - see item CA.3118200.

ATB vocal soli, SATB choir, recorder, violin solo, violin, 2 viola, cello, basso continuo - Level 3

SKU: CA.3118213

Cantata for Palm Sunday or for the feast of the Annunciation. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Himmelskonig, Sei Willkommen A-Dur. Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Viola 2. Composed 1714. BWV 182. 8 pages. Duration 30 minutes. Carus Verlag #CV 31.182/13. Published by Carus Verlag (CA.3118213).

ISBN 9790007050306. Key: A major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score and part available separately - see item CA.3118200.

Orchestra baritone voice solo, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4018511

Chorale cantata. Composed by Felix Bartholdy Mendelssohn. Edited by Gunter Graulich. This edition: urtext. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein; Stuttgart Urtext Edition: Mendelssohn. German title: Ach Gott, vom Himmel sieh darein. Sacred vocal music, Cantatas. Single Part, Violin 1. Composed 1832. MWV A 13. 8 pages. Duration 14 minutes. Carus Verlag #CV 40.185/11. Published by Carus Verlag (CA.4018511).

ISBN 9790007064303. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4018500.

Orchestra baritone voice solo, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4018512

Chorale cantata. Composed by Felix Bartholdy Mendelssohn. Edited by Gunter Graulich. This edition: urtext. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein; Stuttgart Urtext Edition: Mendelssohn. German title: Ach Gott, vom Himmel sieh darein. Sacred vocal music, Cantatas. Single Part, Violin 2. Composed 1832. MWV A 13. 8 pages. Duration 14 minutes. Carus Verlag #CV 40.185/12. Published by Carus Verlag (CA.4018512).

ISBN 9790007064310. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4018500.

Soprano voice solo, SATB choir, 2 violins, viola, cello/contrabass - Level 3

SKU: CA.4013211

Chorale cantata. Composed by Felix Bartholdy Mendelssohn. Edited by Thomas Christian Schmidt. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Wer nur den lieben Gott lasst walten. Innovative practice aids, Sacred vocal music, Cantatas. Single Part, Violin 1. Composed 1829. MWV A 7. 4 pages. Duration 12 minutes. Carus Verlag #CV 40.132/11. Published by Carus Verlag (CA.4013211).

ISBN 9790007217822. Language: German/English. Text: Neumark, Johann Georg. Text: Georg Neumark.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4013200.

Soprano voice solo, SATB choir, 2 violins, viola, cello/contrabass - Level 3

SKU: CA.4013212

Chorale cantata. Composed by Felix Bartholdy Mendelssohn. Edited by Thomas Christian Schmidt. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Wer nur den lieben Gott lasst walten. Innovative practice aids, Sacred vocal music, Cantatas. Single Part, Violin 2. Composed 1829. MWV A 7. 4 pages. Duration 12 minutes. Carus Verlag #CV 40.132/12. Published by Carus Verlag (CA.4013212).

ISBN 9790007217839. Language: German/English. Text: Neumark, Johann Georg. Text: Georg Neumark.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4013200.

(Kantate zum Sonntag Septuagesimae). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For soprano voice solo, SATB choir, oboe, violin solo, 2 violins, viola, basso continuo. This edition: paperbound. BWV 84. Genres: Cantatas; Stuttgart Urtext Editions; Use / Occasion: Praise and thanks; Use during church year: Special Days. Level 3. Score. Language: German/English. Composed 1727 (?). 48 pages. Duration 16 min. Published by Carus Verlag

Solo Soprano voice, SATB Choir, Oboe, Violin solo, 2 Violins, Viola, Basso continuo - Level 3

SKU: CA.3108449

Cantata for the Sunday of Septuagesima. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Organ. Sacred vocal music, Cantatas, Special days, Praise and thanks. Single Part, Organ. Composed circa 1727. BWV 84. 20 pages. Duration 16 minutes. Carus Verlag #CV 31.084/49. Published by Carus Verlag (CA.3108449).

ISBN 9790007206895. Key: E minor / b minor. Language: German/English.

Sco re and part available separately - see item CA.3108400.

(Kantate zum Sonntag Septuagesimae). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For soprano voice solo, SATB choir, oboe, violin solo, 2 violins, viola, basso continuo. This edition: paperbound. BWV 84. Full score available separately - see item CA.3108400. Genres: Cantatas; Stuttgart Urtext Editions; Use / Occasion: Praise and thanks; Use during church year: Special Days. Level 3. Piano/Vocal score. Language: German/English. Composed 1727 (?). 32 pages. Duration 16 min. Published by Carus Verlag