By Madame Ravissa De Turin. Edited by Claudia Schweitzer. For harpsichord or per...(+)
By Madame Ravissa De
Turin. Edited by Claudia
Schweitzer. For
harpsichord or period
instrument and modern
pianos. Level:
intermediate. Full score.
Published by
Furore-Verlag (German
import).
Piano or Harpsichord SKU: BT.EMBZ20018 France 1. By Szilvia Elek_A...(+)
Piano or Harpsichord
SKU: BT.EMBZ20018
France 1. By
Szilvia Elek_Anikó
Horváth. By Szilvia
Elek. Classical. Book
Only. Composed 2020. 108
pages. Editio Musica
Budapest #EMBZ20018.
Published by Editio
Musica Budapest
(BT.EMBZ20018).
Hungarian-English-Germ
an-French.
This
brand-new series is
intended as a guide to
the keyboard music of the
16th to 19th centuries
for pupils of the piano
and the harpsichord, as
well as of other early
keyboard instruments.
Each volume contains
pieces by well-known and
lesser-known composers
from one country or
region. The main purpose
of the series is to
extend the repertoire and
stylistic knowledge of
both pianists and
harpsichordists while
also presenting fine
pieces and typical genres
based on original
sources. Our edition
retains the performance
indications of the
composers' manuscripts
and contemporary
editions. Each volume
includes:- suggestions
for stylistically
appropriate performance
bothon the piano and on
period instruments-
suggested elaborated
versions of some pieces
and excerpts- a fold-out
list of ornamentation
signs and the composers'
own tables of
ornamentation signs-
biographies of the
composers and the sources
of the pieces-
translations of
foreign-language
performance indications.
The two volumes devoted
to French keyboard music
includes close to 50
showy and relatively easy
works - preludes, dances,
suites, rondeaux, and
character pieces - from
the early 16th until the
late 18th century
(ordered
chronologically).This
publication is printed on
high-quality,
age-resistant paper that
is produced in an
environmentally-friendly,
climate-neutral manner
using renewable raw
materials.
Una nuova collana
ideata per offrire una
guida alla scoperta della
musica per pianoforte e
clavicembalo dal
sedicesimo al
diciannovesimo secolo.
Ogni volume include brani
di compositori di una
specifica nazione o area
geografica. L'intento
è amplicare la
conoscenza e il
repertorio di ogni
musicista. Inoltre in
ogni edizione sono
riportati fedelmente i
suggerimenti per
l'interpretazione e le
indicazioni presenti sui
manoscritti originali. I
due volumi dedicati alla
musica francese includono
circa 50 brani
significativi - preludi,
danze, suites, rondò e
altri - che risalgono
all'inizio del sedicesimo
secolo fino alla fine del
diciottesimo secolo,
rigorosamente inordine
cronologico.
Harpsichord SKU: OT.21125 Composed by Daniel Akiva. 5 short pieces for ha...(+)
Harpsichord
SKU:
OT.21125
Composed by
Daniel Akiva. 5 short
pieces for
harpsichord/cembalo.
Classical. Score. OR-TAV
Music Publications
#21125. Published by
OR-TAV Music Publications
(OT.21125).
ISBN
9789655051117. 8.27 x
11.69 inches.
The
five short movements for
solo cembalo are brief,
personal prayers that
depict how the subject
manages a range of
feelings and emotions.
The miniatures each
represent a different
emotional state:
reflection, searching,
meditation, agitation,
and resolution. Each is a
small-scale
representation of a
grand, wide-ranging
prayer of
supplication. As a
composer, performer, and
researcher of early
music, writing for
cembalo allows me not
only to express my
special connection to the
instrument and the period
in which it flourished,
but also to present its
contemporary dimensions
as a rich and versatile
instrument. The
piece was composed at the
request of Hagai Yodan,
who performs it with
great skill. Daniel
Akiva is a composer,
performer, and educator
whose performances on
guitar and lute have won
great acclaim. Mr. Akiva
graduated from the Rubin
Academy of Music in
Jerusalem in 1981, where
he studied classical
guitar with Haim Asulin
and composition with Haim
Alexander. In 1987 he
completed his studies at
the Geneva Conservatorium
in Switzerland where he
studied lute with
Jonathon Rubin and
composition with Jean
Ballisa. For many years,
he headed the Music
Department at the WIZO
High School for the Arts
in Haifa, which he
founded in 1986, and
served as the Artistic
Director of the Guitar
Gems Festival from
2006-2019. As part of his
work at WIZO High School,
he has developed a method
for teaching free
improvisation that has
been incorporated into
the music program at the
school. Mr. Akiva has
appeared in concert as a
guitarist and lutist and
given master classes in
Israel, Europe, Russia,
the United States, and
Latin America. Daniel
Akiva’s
compositional output
includes works for solo
instruments, chamber
ensembles, choir, voice
and guitar, piano, and
chamber orchestra. His
works have been recorded
on twelve CDs, the latest
of which, Malchut, was
issued by OR-TAV in
2014. A native of
Haifa whose family has
lived in Israel for over
five hundred years, he
was steeped in the
Sephardic
(Jewish-Spanish)
tradition from his youth.
Much of his compositional
output has been devoted
to a dialogue with the
music of the Sephardic
Jews. Daniel Akiva has
also maintained a
creative dialogue over
many years with the poets
and writers Amnon
Shamash, Rivka Miriam,
and Avner Peretz.
Chaconne. Composed by Gyorgy Ligeti (1923-2006). This edition: Saddle stitching....(+)
Chaconne. Composed by
Gyorgy Ligeti
(1923-2006). This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Composed 1978.
16 pages. Duration 5'.
Schott Music #ED6805.
Published by Schott Music
Harpsichord SKU: HL.14020226 Composed by Elizabeth Maconchy. Music Sales ...(+)
Harpsichord
SKU:
HL.14020226
Composed
by Elizabeth Maconchy.
Music Sales America.
Classical. Book
[Softcover]. Composed
2002. 16 pages. Chester
Music #CH55112. Published
by Chester Music
(HL.14020226).
8.25x11.75x0.077
inches.
A
Harpsichord is a musical
instrument played by
means of a keyboard. It
produces sound by
plucking a string when a
key is pressed. The
instrument was widely
used in Renaissance and
Baroque music. During the
late 18th century,it
gradually disappeared
from the musical scene
with the rise of the
Piano. In the 20th
century, it made a
resurgence, being used in
historically informed
performances of older
music, in new
(contemporary)
compositions, and
inpopular
culture.
This piece
is perfect for anyone who
wants to discover this
unique instrument.
Composed in 1966 by
Elizabeth
Maconchy the upbeat
allegro of
Notebook For
Harpsichord
takesapproximately 8
minutes to
perform.
Solo Viola da Gamba (Viola or Violoncello), 2 Violins, Cello/Contrabass, Harpsic...(+)
Solo Viola da Gamba
(Viola or Violoncello), 2
Violins,
Cello/Contrabass,
Harpsichord
SKU:
CA.3980614
Gambenkonzert in
A. Composed by Georg
Philipp Telemann. Edited
by Wolfgang Hirschmann.
Arranged by Wolfgang
Hirschmann. Stuttgart
Urtext edition.
Gambenkonzert In A.
Single Part, Violin 2.
TWV 51:A5. 4 pages.
Duration 10 minutes.
Carus Verlag #CV
39.806/14. Published by
Carus Verlag
(CA.3980614).
ISBN
9790007057084. Key: A
major. Language: all
languages.
This
edition makes available a
concerto of Telemann for
viola da gamba - the only
extant Telemann concerto
for this instrument. The
quality of this concerto
lies in the abundance of
the formal and stylistic
traditions which it
develops, and the
resulting individual,
unmistakable synthesis of
those traditions. Score
and part available
separately - see item
CA.3980600.
Solo Viola da Gamba (Viola or Violoncello), 2 Violins, Cello/Contrabass, Harpsic...(+)
Solo Viola da Gamba
(Viola or Violoncello), 2
Violins,
Cello/Contrabass,
Harpsichord
SKU:
CA.3980613
Gambenkonzert in
A. Composed by Georg
Philipp Telemann. Edited
by Wolfgang Hirschmann.
Arranged by Wolfgang
Hirschmann. Stuttgart
Urtext edition.
Gambenkonzert In A.
Single Part, Violin 1.
TWV 51:A5. 4 pages.
Duration 10 minutes.
Carus Verlag #CV
39.806/13. Published by
Carus Verlag
(CA.3980613).
ISBN
9790007057077. Key: A
major. Language: all
languages.
This
edition makes available a
concerto of Telemann for
viola da gamba - the only
extant Telemann concerto
for this instrument. The
quality of this concerto
lies in the abundance of
the formal and stylistic
traditions which it
develops, and the
resulting individual,
unmistakable synthesis of
those traditions. Score
and part available
separately - see item
CA.3980600.
Harpsichord (Harpsichord) SKU: HL.51481381 Urtext Edition, Piano Reduc...(+)
Harpsichord (Harpsichord)
SKU: HL.51481381
Urtext Edition, Piano
Reduction. Composed
by Johann Sebastian Bach.
Edited by Matan Entin,
Norbert Mü, and
llemann. Henle Music
Folios. Classical.
Softcover. 46 pages. G.
Henle #HN1381. Published
by G. Henle
(HL.51481381).
UPC:
196288019442.
9.25x12.25x0.16
inches.
Johannes
Umbreit (piano
reduction); Michael
Schneidt (fingering) Two
copies needed for
performance It is almost
impossible to tell from
listening to them that
Bach's extremely popular
concerti for harpsichord
were probably his own
transcriptions of solo
concerti which had
originally been composed
for violin or a woodwind
instrument. The outer
movements of the second
concerto, in E major,
probably written around
1738, sparkle with joy,
while the expressive
melodic lines of the
middle movement, the
Siciliano in C-sharp
minor, transport the
listener to the realm of
his Passion music. G.
Henle Publishers presents
this repertoire standard
in an Urtext edition with
an extensive commentary.
The study edition (HN
7381) features the
complete orchestral
score; the piano
reduction (HN 1381)
contains the solo part as
well as a very playable
piano reduction of the
score prepared by
Johannes Umbreit for
practical use.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Solo Viola da Gamba (Viola or Violoncello), 2 Violins, Cello/Contrabass, Harpsic...(+)
Solo Viola da Gamba
(Viola or Violoncello), 2
Violins,
Cello/Contrabass,
Harpsichord
SKU:
CA.3980615
Gambenkonzert in
A. Composed by Georg
Philipp Telemann. Edited
by Wolfgang Hirschmann.
Arranged by Wolfgang
Hirschmann. Stuttgart
Urtext edition.
Gambenkonzert In A.
Single Part, basso
continuo. TWV 51:A5. 4
pages. Duration 10
minutes. Carus Verlag #CV
39.806/15. Published by
Carus Verlag
(CA.3980615).
ISBN
9790007057091. Key: A
major. Language: all
languages.
This
edition makes available a
concerto of Telemann for
viola da gamba - the only
extant Telemann concerto
for this instrument. The
quality of this concerto
lies in the abundance of
the formal and stylistic
traditions which it
develops, and the
resulting individual,
unmistakable synthesis of
those traditions. Score
and part available
separately - see item
CA.3980600.
Solo Viola da Gamba (Viola or Violoncello), 2 Violins, Cello/Contrabass, Harpsic...(+)
Solo Viola da Gamba
(Viola or Violoncello), 2
Violins,
Cello/Contrabass,
Harpsichord
SKU:
CA.3980612
Gambenkonzert in
A. Composed by Georg
Philipp Telemann. Edited
by Wolfgang Hirschmann.
Arranged by Wolfgang
Hirschmann. Stuttgart
Urtext edition.
Gambenkonzert In A.
Single Part,
Viola-Solostimme
Altschlussel. TWV 51:A5.
8 pages. Duration 10
minutes. Carus Verlag #CV
39.806/12. Published by
Carus Verlag
(CA.3980612).
ISBN
9790007057060. Key: A
major. Language: all
languages.
This
edition makes available a
concerto of Telemann for
viola da gamba - the only
extant Telemann concerto
for this instrument. The
quality of this concerto
lies in the abundance of
the formal and stylistic
traditions which it
develops, and the
resulting individual,
unmistakable synthesis of
those traditions. Score
and part available
separately - see item
CA.3980600.
Harpsichord SKU: HL.48181261 Composed by Jacques-Francois Ibert. Leduc. C...(+)
Harpsichord
SKU:
HL.48181261
Composed
by Jacques-Francois
Ibert. Leduc. Classical.
16 pages. Alphonse Leduc
#AL20630. Published by
Alphonse Leduc
(HL.48181261).
UPC:
888680787110.
9.25x12.25x0.083
inches.
“Bein
g an unusual composer of
his day, Ibert did not
attach himself to any of
the predominant genres of
music of the time.
Described as elicit, the
composer's Deux
Interludes for Flute,
Violin and Harpsichord is
pleasantly unusual in
instrumentation, creating
a worthy addition to the
classical music
repertoire. Ibert stands
out as a composer who
tackled all styles with
equal success, his Deux
Interludes for Flute,
Violin and Harpsichord
being no exception. With
clear, separate parts,
this edition is a must
buy for aspiring
musicians seeking to
expand their
repertoire.â€.
(for Cembalo or Harpsichord). By Hermann Schroeder (1904-1984). For Harpsichord,...(+)
(for Cembalo or
Harpsichord). By Hermann
Schroeder (1904-1984).
For Harpsichord, Cembalo.
Schott. Softcover. 12
pages. Schott Music
#ED20936. Published by
Schott Music
Harpsichord SKU: FG.55011-764-8 Composed by Esa Pietilä. Classical, co...(+)
Harpsichord
SKU:
FG.55011-764-8
Composed by Esa
Pietilä. Classical,
contemporary. Book.
Fennica Gehrman
#55011-764-8. Published
by Fennica Gehrman
(FG.55011-764-8).
ISBN
9790550117648.
The
title of Esa
Pietilä’s solo
harpsichord work Fata
morgana (2019) refers to
a special weather
con-dition, which creates
illusory effect of
mirage-like fairy
castle-like monuments in
the horizon of the sea.
The piece brings forth
the frightening bass
sonority on double
manual, full size
harpsichord and the
brightness on the treble
and makes a dialogue out
of them. “I got
fasci-nated by the
sonority, character and
power of the low register
sound on the instrument,
es-pecially when used in
non-traditional way and
found some kind of
especially delightful and
outlandish cluster-mud
and airy glimmering
things which seem to play
together, the com-poser
describes. The challenges
of the piece lie in
rhythmical ideas, which
are surprisingly
multi-faceted and in the
short, improvised
section.
Duration: c.
6’
Esa
Pietilän
soolo-cembalolle tehdyn
sävellyksen otsikko
Fata morgana (2019)
viittaa erityisen
sääil-miön
aiheuttamaan
illusatoriseen
kangastuksen tapaiseen
efektiin, joka tuo esiin
satulinnojen kaltaisten
rakennelmien
ilmaantumisen meren
horisonttiin. Sävellys
tuo esiin cembalon
bas-sorekisterin
pelottavuuden sekä
diskantin kirkkauden ja
käy niillä
vuoropuhelua. Haltioiduin
cembalon alarekisterin
erityisestä soinnista,
karakteerista ja
voimasta, jos sitä
käyttää hyvinkin
ei-perinteisesti.
Löysin myös
erityisen hauskasti
soivaa klusteri-mutaa ja
ilmavaa kimallusta, jotka
sointuvat yhteen,
Pietilä kuvaa
sävellystään.
Kappaleen haasteena ovat
rytmisesti
yllät-tävät ja
monitahoiset ideat
sekä lyhyt
improvisaatiojakso.
Orchestersuite
h-Moll. Composed by
Johann Sebastian Bach.
Arranged by Siegfried
Petrenz. This edition:
Paperbound. German title:
Ouverture H-Moll.
Instrumental arrangements
of works by bach:
Instrumental arrangements
of works by bach. Full
score. BWV 1067. 32
pages. Carus Verlag #CV
17.007/00. Published by
Carus Verlag
(CA.1700700).
ISBN
9790007086565. Key: B
minor. Language: all
languages.
By Marianna Martines (1744-1812). Edited by Sally Fortino. For harpsichord. Pian...(+)
By Marianna Martines
(1744-1812). Edited by
Sally Fortino. For
harpsichord. Piano
(Harpsichord), 2-hands.
First edition.
Instrumental Music.
Intermediate. Full score