Composed by Paolo Ugoletti Andrea Vezzoli. Edited by Piero Bonaguri and Raffaello Ravasio. Saddle stitching. Piero Bonaguri Collection. Classical. Ut Orpheus #CH 254. Published by Ut Orpheus

Guitar solo - Intermediate

SKU: DZ.DZ-732

Composed by Dominique Charpagne. Score. Les Productions d'OZ #DZ 732. Published by Les Productions d'OZ (DZ.DZ-732).

ISBN 9782895006183.

(Special Deluxe Edition with DVD and 2 CDs). For Guitar. Music Sales America. Country, Bluegrass. Book and CD and DVD Package. Music Sales #DV10054N. Published by Music Sales

Acoustic Guitar

SKU: BT.MUSMG0287

Method. Book, CD and DVD. Composed 2015. Hal Leonard Europe #MUSMG0287. Published by Hal Leonard Europe (BT.MUSMG0287).

German.

Was Sie in diesem Lehrbuch finden werden, sind 50 Begleitungen für die Akustik-Gitarre 50 Begleitungen, die für alle Kenntnisstufen geeignet sind und der Feder berühmter Songwriter und Gitarrenspieler, wie Tim Buckley, TracyChapman, Nick Drake, The Eagles, Bob Dylan, Neil Young, Ben Harper, Jason Mraz u.v.a.m., entspringen. Auch wenn die hier dargebotenen 50 Rhythmiken Ihnen vor allem die Gelegenheit bieten sollen, Ihrer Spiel-Lust zu frönen, sowerden sie Ihnen doch, indem Sie einfach ihrem Beispiel folgen, ganz nebenbei und unbemerkt, die unterschiedlichen, für die Akustik-Gitarre kennzeichnenden Begleittechniken (will hei�en das Akkord- undArpeggiospiel,�berga ngs-leersaiten, die geläufigsten rhythmischen Figuren, verschiedene Barré-Klänge, den Umgang mit dem Kapodaster, Open Tunings und einiges andere mehr) beibringen. Die Video-DVD ermöglicht Ihnen, sich die 50Begleitungen anzuhören, aber vor allem anzusehen bei eigentlicher und bei verlangsamter Spielgeschwindigkeit. Sie haben so die Möglichkeit, die richtigen Handgriffe mit den richtigen Fingersätzen rhythmisch im Takt ausführen zulernen(!) Die MP3-CD bietet Ihnen zu jeder Begleitung ein Playalong, was insgesamt 50 ergibt. Diese werden in zwei verschiedenen Tempi abgespielt: im Konzerttempo (bei eigentlicher Spielgeschwindigkeit) und im �bungs-tempo (beiverlangsamter Spielgeschwindigkeit). In dem Playalong bei eigentlicher Spielgeschwindigkeit ist die Gitarre lediglich während des ersten Durchgangs zu hören, dann fällt sie weg, um Ihnen das Feld zu überlassen(!) Die Playalongssind mit Absicht lang gehalten. Jedes davon dauert in etwa 3 bis 4 Minuten, was insgesamt zu 6 h Musizieren führt(!) Auf diese Weise haben Sie genügend Zeit zum �ben und fürs Spielen werden bestmögliche Bedingungen geschaffen.

Guitar

SKU: BT.MUSMS0287

Studies & Exercises. Book, CD and DVD. Composed 2015. Play Music Spain #MUSMS0287. Published by Play Music Spain (BT.MUSMS0287).

Spanish.

Nuestro método recoge 50 acompañamientos para la guitarra acústica. 50 acompañamientos de todos los niveles, inspirados por los mayores guitarristas y songwriters de todos los tiempos (Tim Buckley, Tracy Chapman, Nick Drake, The Eagles, Bob Dylan, Neil Young, Ben Harper, Jason Mraz...).

Taught by Paul W. Hayman. For Guitar (Fingerpicking). Method. Anyone Can Play. All Styles. Level: Beginning. DVD. Size 5.38x7.5. 30 pages. Published by Mel Bay Publications, Inc.

Performed by The Carter Family. Homespun Tapes (Instructional). DVD . Size 5.25x7.5 inches. Published by Homespun Video.

By Various. Edited by Trevor de Clercq. Fake Book. Softcover. 224 pages. Published by Hal Leonard

For Guitar. Guitar Educational. Softcover Audio Online. 64 pages. Published by Hal Leonard

By Jack Wilkins. For Guitar (All). improvisation. Essential Jazz Etudes. Jazz and Blues. Level: Beginning-Intermediate. Book/CD Set. Size 8.75x11.75. 32 pages. Published by Mel Bay Publications, Inc.

Guitar

SKU: HL.48025390

Solo Guitar. Composed by Elena Kats-Chernin. Boosey & Hawkes Chamber Music. Classical. Softcover. Duration 300 seconds. Bote & Bock #M202534199. Published by Bote & Bock (HL.48025390).

UPC: 196288195429.

Littl e Piece of Gossip was commissioned by Geoffrey Morris and was created in close communication between composer and guitarist. It explores instrument-specific questions such as: “How do percussive sounds work on the fretboard; what would happen if we sometimes adopted a rock-style approach; how are the sharp strokes on the lower string; what are the lyrical qualities of the guitar?” The musical idea behind the resulting piece of about five minutes: manic rhythmic toing and froing, prepared by harmonies flashing here and there, turns into a very simple lullaby.

Written by Al DiMeola. For guitar. Format: instructional book. With instructional text, chord names, guitar chord diagrams and instructional photos. Learn to play and note reading. 48 pages. 9x12 inches. Published by Hal Leonard.

Guitar

SKU: BT.DV-22098

Original in C-sharp minor. By Luciano Monaco. By Frederic Chopin. Book Only. Composed 2023. 16 pages. Da Vinci Publishing #DV 22098. Published by Da Vinci Publishing (BT.DV-22098).

Guitar Solo

SKU: IS.G6763EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6763EM. Published by Metropolis Music Publishers (IS.G6763EM).

ISBN 9790365067633.

This sonata (WeissSW No. 25, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIX comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIX comes from Weissâ??s middle â??productiveâ?? period, around 1720. The Sonata has seven movements: Prelude, Allemande (andante), Passepied, Bourée, Sarabande, Menuet, and it ends with a Gigue. There is another copy of this Sonata, known as Suite XIX, in a London Manuscript (British Library Ms. Add. 30387). The London version does not include a Prelude, and the Sarabande is completely different. The other movements are similar to those in the Dresden Manuscript. The Sonata in this Edition is based on the Dresden Manuscript. The purpose of beginning a lute sonata with a Prelude is to introduce the specific key and the harmonic design of the sonata. However, not every sonata in the Dresden and London manuscripts has a Prelude. About one third of the 34 Dresden Sonatas opens with a Prelude, but only six of them may be considered truly integral to the sonata. The other preludes are composed in a rather â??rudimentaryâ?? style, as a model for the less experienced lute player to improvise on the central key and theme. The Prelude in this particular Sonata cannot be regarded as integral. It has been added later, either by the compiler of the volumes or perhaps by Weiss himself. Originally, the Sonata is written in G minor, a key not often used by Weiss, but considered appropriate for playing the lute. With the guitar, however, the key is rather awkward. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to E minor. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.

Guitar Solo

SKU: IS.G6760EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6760EM. Published by Metropolis Music Publishers (IS.G6760EM).

ISBN 9790365067602.

This sonata (WeissSW No. 50, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXVII comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXVII is a large and mature piece, composed in Weissâ??s late period, around 1730. The Sonata has six movements: Introduzzione (an opening movement in Italian style with elements of an Allemande and Prelude), Courante, Bourrée, Sarabande, Menuet, and it ends with a Presto. The use of tempo indications for French dance movements is characteristic for the later work of Weiss. Originally, the Sonata is written in B flat major, a key often used by Weiss as it is appropriate for playing the lute, but rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to G major. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.

Guitar

SKU: HL.14009335

Composed by John W. Duarte. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV950213. Published by Music Sales (HL.14009335).

Guitar Solo

SKU: IS.G6765EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6765EM. Published by Metropolis Music Publishers (IS.G6765EM).

ISBN 9790365067657.

This sonata (WeissSW No. 4, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIV comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIV comes from Weissâ??s late â??productiveâ?? period, after 1730. The Sonata has six movements: Prelude, Ouverture (including allegro and largo), Courante, Bourée, Menuet and Gavotte. There is another copy of this Sonata, known as Parte (or Partita) no. 11, in a London Manuscript (British Library Ms. Add. 30387). The London Manuscript seems to be incomplete. It does not include a Menuet and a Gavotte. The Sonata in this Edition is based on the Dresden Manuscript. However, both the Prelude and the Bourée are coming from the London copy. The Dresden Prelude is regarded as spurious, and the London Bourée is more lively and in balance with the other movements. In a few passages of the Ouverture and the Courante I have made some adaptions on the basis of the London manuscript, to create the best of the two versions. In the Ouverture I have omitted the repeat indications. There are two Menuets in the Dresden Sonata. One has been crossed in the original manuscript with the accompanying note: ist nicht von Mr Weis. The other one has been added later, probably by the compiler of the volumes. The original London Prelude of this particular Sonata is composed in a â??simplifiedâ?? style; a common practice for adding preludes to lute sonatas in the 18th century. I have added the original example to my transcribed version. Perhaps it invites others to make their own arrangement. Originally, the Sonata is written in B flat major, a key often used by Weiss as it is appropriate for playing the lute. With the guitar, however, the key is rather awkward. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to G major. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.

Guitar Solo

SKU: IS.G6767EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6767EM. Published by Metropolis Music Publishers (IS.G6767EM).

ISBN 9790365067671.

This sonata (WeissSW No. 15, London) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata X comes from Weissâ??s middle â??productiveâ?? period, thought to have taken place between 1719 and 1725. The original tablature manuscript is in the British Library (London Ms. Add. 30387). The Sonata has six movements: Allemande, Courante, Paisane, Sarabande, Menuet, and it ends with a Gigue. There is a another copy of this Sonata in the Warszawa Biblioteka Uniwersytecka Poland (in its entirety), and a copy in the Sächsisches Landesbibliothek in Dresden (Suite XXVI), which contains three concordant movements: Allemande, Courante, and the Gigue. The Dresden manuscript displays some differences from the London manuscript. This Edition has taken those differences into account in certain details. Originally, the Sonata is written in B flat major, a key often used by Weiss as it is appropriate for playing the lute, but rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to G major. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.

Guitar Solo

SKU: IS.G6764EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6764EM. Published by Metropolis Music Publishers (IS.G6764EM).

ISBN 9790365067640.

This sonata (WeissSW No. 23, London) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XVII comes from Weissâ??s middle â??productiveâ?? period, thought to have taken place between 1719 and 1725. The original tablature manuscript is in the British Library (London Ms. Add. 30387). It is the only London Sonata with a title: Divertimento à solo. The Sonata has ten separate movements: Prelude (PrÇ£lude), Entrée, Bourée I and II, Gavotte I and II, Sarabande, Menuet I and II, and Saltarella. The Entrée is nothing more than an Allemande. The Saltarella resembles the Scottish Gigue. The pairs of the middle â??dancesâ?? are intended to be played side by side, as one coherent movement in which the second part complements the musical notion of the first part. There are concordant copies of the first parts of the Bourée, Gavotte and Menuet in the Sächsisches Landesbibliothek in Dresden (Suite XXVI). Bourée I can also be found in the Bayerische Staatsbibliothek in München, although it is quite different from the London version. Originally, the Sonata is written in B flat major, a key often used by Weiss as it is appropriate for playing the lute, but rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to G major. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.

By Aaron Stang. For Guitar. Guitar Method or Supplement. Warner Bros. Publications 21st Century Guitar Course. Level: Level 1. Book. 48 pages. Published by Alfred Publishing.

by William Bay and Mike Christiansen. For all guitars. Mastering Guitar. All styles, assorted music styles. Level: Intermediate. Book/CD Set. Method. Size 8.75x11.75. 152 pages. Published by Mel Bay Pub., Inc.