Orchestra

SKU: FG.55011-315-2

Composed by Kalevi Aho. Study score. Fennica Gehrman #55011-315-2. Published by Fennica Gehrman (FG.55011-315-2).

ISBN 9790550113152.

The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone.

Normal ly, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time.

The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell.

The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone.

Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time.

The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell.

The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone.

Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time.

The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell.

The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone.

Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time.

The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell.

Orchestra

SKU: HL.14042598

Composed by Poul Ruders. Music Sales America. Classical. Softcover. Composed 2013. Edition Wilhelm Hansen #WH31776. Published by Edition Wilhelm Hansen (HL.14042598).

ISBN 9788759827482.

Prog ramme Note Poul Ruders WIND-DRUMMING WIND-DRUMMING was written in 1979 on a commission from The Danish Percussion Ensemble. The piece is a clash of two kinds of sound-associations, the mystic, exotic impact of Latin-American drumming, and the more well dressed reputation of Western concert-instruments, in this case a wind-quintet (w. electric flute). The two instrumental camps either melt into one soft humming ritual or are split wide apart, the winds tearing their way through the undergrowth of rainforest-drumming. There is more than one way of getting on to WIND-DRUMMING: obviously it is about the confrontation of two incongruent ways of living, a lament on the damage done tothe tropical rainforests of the world by modern civilisation. One can hear it plainly as a direct rhythm-show, a downright number or a joyous homage to the most exiting kind of folkloristic music at all: the carnal spell of the Brazilian Samba. Poul Ruders.

(A Christmas Celebration for Choir and Four Narrators with optional Full Orchestra). By Stan Pethel. Orchestra. For Flute, Oboe, 2 Horns, 2 Trumpets, 2 Trombones, Percussion (Drum Set), Rhythm, 2 Violins, Viola, Cello, Contrabass, Piano. Cantata. Choral: Christmas. Orchestration. Published by Lorenz Publishing Company

(for the victims of the September 11, 2001 attacks and all victims of senseless violence). By Rene Clausen. Orchestra. For Piccolo, 2 Flutes, 2 Oboes, English Horn, 2 Clarinets, Bass Clarinet, 2 Bassoons, 4 Horns, 3 Trumpets, 2 Trombones, Bass Trombone, Tuba, Timpani, Cymbals, Mallets, Snare Drum, Bass Drum, Percussion, Harp, Piano, 2 Violins, Viola, Cello, Double Bass. Concert. Orchestral Full Score and Parts. Published by Roger Dean Publishing

(Through the Passion and Resurrection of Christ). By Pepper Choplin. Arranged by Stan Pethel. Orchestra. For Flute, Oboe, English Horn, Penny Whistle, 2 Trumpets, 2 Trombones, Dulcimer, Autoharp, Guitar, Banjo, opt. Mandolin, 2 Percussion, Timpani, Piano, 2 Violins, Viola, Cello, and Bass. Cantata. Choral: Easter, Holy Week. Orchestral Score and Parts. Published by Lorenz Publishing Company

(Suite for Winds & Percussion). By Timothy Broege. MusicWorks Grade 2. Concert Band. Score and full set of parts. Published by Hal Leonard.

(For Winds and Percussion). By Michael Sweeney. MusicWorks Grade 3. Concert Band. Score and full set of parts. Size 9x12 inches. Published by Hal Leonard.

By Claude T. Smith. MusicWorks Grade 3. Concert Band. Score and full set of parts. Size 8.5x11 inches. Published by Hal Leonard.

Orchestra - Grade 1.5

SKU: AP.47447

Composed by Michael Story. Full Orchestra; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Belwin Beginning Full Orchestra. Score and Part(s). 120 pages. Belwin Music #00-47447. Published by Belwin Music (AP.47447).

ISBN 9781470660864. UPC: 038081545752. English.

One of the most flexible pieces ever written, this powerful original work by Michael Story will provide the opportunity for an entire instrumental program to perform together! Perfect also for a first full orchestra experience with plenty of doubling, it can be performed by string orchestra alone or with almost any combination of winds or percussion. The piano part is also completely optional, as it simply reinforces the string parts. The percussion parts are written for up to five players; however, if you have extra percussionists, you can double as many as you wish on the tom-tom part. This title is available in MakeMusic Cloud.

Orchestra

SKU: SU.80119016

For Orchestra. Composed by Meyer Kupferman. Orchestra. Score. Subito Music Corporation #80119016. Published by Subito Music Corporation (SU.80119016).

A Crucible for the Moon (1986) for high soprano, alto saxophone, and percussion ensemble (7 players) is a cantata set to an original text by the composer. This work has been recorded by Anne Tedards, soprano; David Matthew, saxophone; The University of Oregon Percussion Ensemble; Charles Dowd, conductor, on Soundspells Productions CD129: Moon Music 2000. Published by: Soundspells Productions This full performance set includes two scores (conductor and soprano) and a set of performance parts for saxophonist and the seven percussionists.

Composed by Stacy Garrop. For orchestra (2 flutes (2 doubles on piccolo), 2 oboes, 2 clarinets in Bb, 2 bassoons, 2 horns in F, trumpet in C, tenor trombone, bass trombone, 4 timpani, percussion - 2 players (to be divided by the percussionists):, small triangle, sizzle cymbal, small suspended cy). Contemporary. Full score - large. Standard Notation. 64 pages. Duration 11 minutes, 30 seconds. Theodore Presser Company #416-41494L. Published by Theodore Presser Company

Orchestra - Grade 3

SKU: AP.38507S

Arranged by Julie Lyonn Lieberman. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Alternatives. Folk; Jewish Heritage; Light Concert; Multicultural; Traditional; World. Score. 12 pages. Highland/Etling #00-38507S. Published by Highland/Etling (AP.38507S).

UPC: 038081430515. English. Traditional.

Klezme r music offers thrilling rhythms and festive yet mysterious melodic themes. No wonder this style is so infectious! This tune is no exception. In the key of C, it challenges students with its Gemini notes that change identities, and its Eastern European modal scale that sports a gap of a minor third. The melody is unforgettable and guaranteed to create an enjoyable playing experience for your students. Includes three percussion parts that can be played by string students or percussionists: tenor drum, bass drum, and tambourine.

Composed by Stacy Garrop. For orchestra (2 flutes (2 doubles on piccolo), 2 oboes, 2 clarinets in Bb, 2 bassoons, 2 horns in F, trumpet in C, tenor trombone, bass trombone, 4 timpani, percussion - 2 players (to be divided by the percussionists):, small triangle, sizzle cymbal, small suspended cy). Contemporary. Full score - study. Standard Notation. 64 pages. Duration 11 minutes, 30 seconds. Theodore Presser Company #416-41494. Published by Theodore Presser Company

By William Windham. By William Windham. For Full Orchestra. Full Orchestra. Belwin Intermediate Full Orchestra. Level: Easy to Medium Easy (grade II-III). Conductor Score, Parts & CD. Duration 2:05. Published by Alfred Publishing.

Composed by Michael Sweeney. MusicWorks Grade 3. Concert. Score and parts. Published by Hal Leonard

(Concerto No. 1 for Marimba, Strings and Percussion). Composed by Gillingham. Arranged by Nathan Daughtrey. For Soloist(s) with String Orchestra (Solo Marimba Percussion 1 (xylophone, bells, chimes) Percussion 2 (brake drum, cowbell, shaker, suspended cymbal, crash cymbals, temple blocks, triangle) Percussion 3 (4 toms, crash cymbals, bass drum, suspended cymbal, tam tam, hi hat) Violin I Violin II). Medium difficult. Orchestra score only. Duration 16:30. Published by C. Alan Publications

Composed by Michael Sweeney. MusicWorks Grade 2. Concert. Score and parts (with online audio). Published by Hal Leonard

Concert Band; Orchestra - Grade 2.5

SKU: AP.49123

Composed by Steve Hodges. 5 or More; MakeMusic Cloud; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Single Titles; Solo Small Ensembles. Young Symphonic. Latin. Score and Part(s). 153 pages. Duration 2:18. Alfred Music #00-49123. Published by Alfred Music (AP.49123).

UPC: 038081563817. English.

This version of Flamingo Road by Steve Hodges is part of our Alfred FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 5 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys.

Flamingo Road is a Latin-inspired piece that starts in the fast lane and never lets up! Featuring an active percussion section and some catchy themes, each section of the band will take a turn in the driver's seat. Stay in your lane! (2:18)

Percussion Accompaniment Track Downloads:
with click
without click This title is available in MakeMusic Cloud.

Concert Band; Orchestra - Grade 1

SKU: AP.49214

Composed by Chris M. Bernotas. 5 or More; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Single Titles; Solo Small Ensembles. Alfred Debut Series. Score and Part(s). Duration 2:20. Alfred Music #00-49214. Published by Alfred Music (AP.49214).

ISBN 9781470648565. UPC: 038081569369. English.

This version of Air Force One by Chris M. Bernotas is part of our Alfred FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 5 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. The 5-part instrumentation will support balanced instrumentation of the lower voices. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys.

Air Force One evokes the proud spirit that is symbolized by the Presidential aircraft. With its rhythmic drive and uplifting melody, this will quickly become a favorite of your students and audience alike. Now scored in a 5-part FLEX format, this piece has engaging rhythms, memorable melodies, and exciting percussion parts!

Percussion Accompaniment Track Downloads:
with click
without click. (2:20).

Composed by John Williams. Deluxe Score for solo clarinet and orchestra. 20 pages. Published by CHERRY LANE.

Concert Band; Orchestra - Grade 2.5

SKU: AP.49123S

Composed by Steve Hodges. 5 or More; MakeMusic Cloud; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Single Titles; Solo Small Ensembles. Young Symphonic. Latin. Score. 20 pages. Duration 2:18. Alfred Music #00-49123S. Published by Alfred Music (AP.49123S).

UPC: 038081563824. English.

This version of Flamingo Road by Steve Hodges is part of our Alfred FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 5 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys.

Flamingo Road is a Latin-inspired piece that starts in the fast lane and never lets up! Featuring an active percussion section and some catchy themes, each section of the band will take a turn in the driver's seat. Stay in your lane! (2:18)

Percussion Accompaniment Track Downloads:
with click
without click This title is available in MakeMusic Cloud.

Concert Band; Orchestra - Grade 1

SKU: AP.49214S

Composed by Chris M. Bernotas. 5 or More; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Single Titles; Solo Small Ensembles. Alfred Debut Series. Score. Duration 2:20. Alfred Music #00-49214S. Published by Alfred Music (AP.49214S).

ISBN 9781470648572. UPC: 038081569376. English.

This version of Air Force One by Chris M. Bernotas is part of our Alfred FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 5 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. The 5-part instrumentation will support balanced instrumentation of the lower voices. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys.

Air Force One evokes the proud spirit that is symbolized by the Presidential aircraft. With its rhythmic drive and uplifting melody, this will quickly become a favorite of your students and audience alike. Now scored in a 5-part FLEX format, this piece has engaging rhythms, memorable melodies, and exciting percussion parts!

Percussion Accompaniment Track Downloads:
with click
without click. (2:20).

By Robert Longfield. (Score and Parts). MusicWorks Grade 4. Concert Band. Score and full set of parts. Published by Hal Leonard.

Orchestra

SKU: PR.11641867S

Composed by William Kraft. Full score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867S. Published by Theodore Presser Company (PR.11641867S).

UPC: 680160683208.

Conte xtures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death.

Orchestra

SKU: JK.20034

Composed by K. Newell Dayley. Arranged by Sam Cardon. Difficulty Medium, Orchestral Orchestrations, Jesus Christ - Savior, Love. Christian, Inspirational. Duration 3:40. Jackman Music Corporation #20034. Published by Jackman Music Corporation (JK.20034).

John 15:10-12.

Score and parts to accompany the full-choir arrangement of I Feel My Savior's Love, recorded by the Mormon Tabernacle Choir (#00402).
Orchestratio n includes:
Full Score
Flute
Oboe
Clarinet in B Flat
Harp
Piano
Percussion I (Light Triangle, Finger Cymbals)
Percussion II (B.D., Sus. Cymbal)
Violin I (4)
Violin II (4)
Viola (4)
Violoncello (3)
Doublebass (2)
Composer: K. Newell Dayley
Arranger: Sam Cardon
Lyricist: Ralph G. Rogers, K. Newell Dayley and Laurie Huffman
Difficulty: Medium
Performance time: 3:40
Reference: John 15:10-12.

Full orchestra

SKU: LO.30-3697L

Composed by Mary McDonald. Arranged by Tim Fisher. Choral. Sacred Anthem, All Saints' Day, General. Orchestral score and CD with printable parts. Lorenz Publishing Company #30/3697L. Published by Lorenz Publishing Company (LO.30-3697L).

UPC: 000308153538.

Orche stral Score and CD with Printable Parts for 10/5305L This celebration of Christian unity combines the words of the nineteenth-century hymnwriter Daniel W. Whittle with a bold, uplifting tune by Mary McDonald. Ideal for special church services, the anthem offers a full orchestration, a smaller version for brass and percussion, and an opportunity for congregational singing. The performance/accompaniment CD includes both the brass and percussion accompaniment and the full orchestra accompaniment.

Orchestra - Grade 2

SKU: WD.080689321573

Composed by Billy Payne. Arranged by Billy Payne. Sunday Sounds Series. Modern Christian: Sacred, Orchestral. Orchestration. Word Music #080689321573. Published by Word Music (WD.080689321573).

UPC: 080689321573.

About Sunday Sounds Series

Sun day Sounds Series Instrumentation:
Woodwinds: 2 Flute, Oboe, 2 Clarinet, Bass Clarinet (doubles C Bass), Alto Sax (doubles French Horn), Tenor Sax (doubles Trombone,) Bari Sax (doubles C Bass)
Brass: 2 French Horn, 3 Trumpet, 2 Trombone
Percu ssion: Percussion
Str ings: 2 Violin, Viola
Addition al Parts: C Bass (Bassoon, Bass Trombone, Tuba, Cello, String Bass), Piano/Bass/Guitar, Drum Set, Harp, String Reduction