Sleigh Ride Orchestre à Cordes [Conducteur et Parties séparées] - Facile Belwin
Composed by Leopold Mozart (1719-1787). Arranged by Jan Farrar-Royce. Masterwork...(+)
Composed by Leopold
Mozart (1719-1787).
Arranged by Jan
Farrar-Royce.
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Belwin Intermediate
String Orchestra.
Baroque; Christmas;
Classical; Masterwork
Arrangement; Winter.
Part(s); Score. 144
pages. Duration 2:35.
Belwin Music #00-45829.
Published by Belwin Music
(AP.45829).
(For String Orchestra, Harp, Timpani, And Percussion). By Arvo Part (1935-). For...(+)
(For String Orchestra,
Harp, Timpani, And
Percussion). By Arvo Part
(1935-). For String
Orchestra, Harp, Timpani,
Percussion. Study score.
58 pages. Duration 34
minutes. Published by
Universal Edition
Contredanse Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Larry Clark. By Larry Clark. For String Orchestra. String Orchestra. Belwin B...(+)
By Larry Clark. By Larry
Clark. For String
Orchestra. String
Orchestra. Belwin
Beginning String
Orchestra. Level: 1
(grade 1). Conductor
Score and Parts. 34
pages. Duration 2:35.
Published by Alfred
Publishing.
Korobushka Orchestre à Cordes [Conducteur et Parties séparées] - Facile Belwin
Arranged by Michael Story. Performance Music Ensemble; Single Titles; String Orc...(+)
Arranged by Michael
Story. Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Intermediate String
Orchestra. Folk. Part(s);
Score. 80 pages. Duration
1:50. Belwin Music
#00-45828. Published by
Belwin Music (AP.45828).
Mama Paquita Orchestre à Cordes [Conducteur et Parties séparées] Belwin
Arranged by Michael Story. Part(s); Score; String Orchestra. Belwin Beginning St...(+)
Arranged by Michael
Story. Part(s); Score;
String Orchestra. Belwin
Beginning String
Orchestra. Folk; Latin.
80 pages. Published by
Belwin Music (AP.44786).
Souvenir d'Amerique Orchestre à Cordes [Conducteur et Parties séparées] Alfred Publishing
(Variations on Yankee Doodle). By Henri Vieuxtemps (1820-1881). Arranged by Rick...(+)
(Variations on Yankee
Doodle). By Henri
Vieuxtemps (1820-1881).
Arranged by Rick England.
Orchestra. String
Orchestra. Highland
String Orchestra. Light
Concert; Novelty;
Patriotic; Romantic.
Conductor Score and
Parts. 124 pages
Tabula Rasa (1977) Orchestre à Cordes [Conducteur d'étude / Miniature] Universal Edition
Doppelkonzert. Composed by Arvo Part (1935-). World Premiere: in Tallinn / Eston...(+)
Doppelkonzert. Composed
by Arvo Part (1935-).
World Premiere: in
Tallinn / Estonia; by the
Estonian Chamber
Orchestra; conducted by
Eri Klas. Study score.
With Standard notation.
Composed 1977. Duration
27 minutes. Universal
Edition #UE31937.
Published by Universal
Edition
Bringer Of Joy Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Belwin
Composed by Gustav Holst (1874-1934). Arranged by Roy Phillippe. Masterworks; Pe...(+)
Composed by Gustav Holst
(1874-1934). Arranged by
Roy Phillippe.
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Belwin Beginning String
Orchestra. 20th Century;
Masterwork Arrangement;
Romantic. Part(s); Score.
64 pages. Duration 1:46.
Belwin Music
#00-BSOM02002. Published
by Belwin Music
America Variations Orchestre à Cordes [Conducteur et Parties séparées] - Facile Kjos Music Company
Orchestra string orchestra - Grade 2.5 SKU: KJ.SO356C Composed by Frank W...(+)
Orchestra string
orchestra - Grade 2.5
SKU: KJ.SO356C
Composed by Frank
Woodruff. Score and
parts. Neil A. Kjos Music
Company #SO356C.
Published by Neil A. Kjos
Music Company
(KJ.SO356C).
UPC:
084027043974.
A
perfect piece any time of
year to honor the USA and
to recognize audience
members who currently or
have served our nation
through military service.
The piece begins with the
familiar My country 'tis
of thee theme stated in
the 1st violins, then
launches into three
vibrant variations that
allows all sections of
the orchestra to shine. G
Major.
Arranged by
Bob Phillips. String
Orchestra. Pop Beginning
String Orchestra. Light
Concert. Score. 12 pages.
Duration 3:00. Alfred
Music #00-29675S.
Published by Alfred Music
(AP.29675S).
UPC:
038081330235.
English.
Here's the
answer when the orchestra
needs to play for
birthdays, events at the
school or in the
community, or to honor
someone. Simple Advocacy!
Make your program visible
with these very easy
songs. All in D Major and
very playable, the four
movements are each
self-contained featuring
the songs Happy Birthday
to You, For He/She's a
Jolly Good Fellow, The
Star-Spangled Banner and
Pomp and Circumstance.
Perfect to leave in the
folder all year long!
(3:00).
Eine Farbstudie fur
Streichorchester.
Composed by Altug Unlu.
Sheet music. Friedrich
Hofmeister Musikverlag
#FH 8019. Published by
Friedrich Hofmeister
Musikverlag (HF.FH-8019).
Composed by Franz Joseph
Haydn. Arranged by Todd
Parrish. String
Orchestra.
Highland/Etling String
Orchestra. Form:
Transcription. Classical;
Masterwork Arrangement.
Score. 20 pages.
Highland/Etling
#00-31595S. Published by
Highland/Etling
(AP.31595S).
UPC:
038081343105.
English.
Celebrate
Haydn's 200th anniversary
with this outstanding
symphony! This exciting
and energetic work is a
rare example of Haydn's
use of the minor tonality
in symphonic writing,
which is aptly subtitled
Trauer, translated
Mourning. The string
parts are very close to
the original with changes
made only to accommodate
the important lines of
the original oboe and
horn parts. Students will
thoroughly enjoy the
contrapuntal style
allowing simultaneous
independent melodies.
Some shifting is required
through third position
for violins and fourth
position for cellos and
basses. This title is
available in MakeMusic
Cloud.
Composed by Edvard Grieg.
Arranged by Carrie Lane
Gruselle. String
Orchestra.
Highland/Etling String
Orchestra. Form: March.
Masterwork Arrangement;
Romantic. Score. 12
pages. Duration 6:00.
Highland/Etling
#00-29730S. Published by
Highland/Etling
(AP.29730S).
UPC:
038081321349.
English.
Here's a
march that is so much
more than a march! This
celebratory concert piece
contains enthusiastic
fanfare, stately march,
lyric melodies, rich
harmonies, prominent
rhythms and gentle
pastoral moments.
Shifting is required for
violin 1, cello and bass,
and optional shifting for
viola. Students in all
sections will experience
the full spectrum of
expressiveness in
dynamics and bowings and
will be challenged with
intonation and rhythmic
clarity. This might be
the time to give your
traditional graduation
march a break!
(6:00).
Jingle In The New Year Orchestre à Cordes SATB A Cappella - Débutant Excelcia Music Publishing
String Orchestra Orchestra - Grade 1 SKU: XC.DSO2002 Composed by Carl Str...(+)
String Orchestra
Orchestra - Grade 1
SKU: XC.DSO2002
Composed by Carl
Strommen. Da Capo String
Orchestra Series.
Christmas and Holiday.
Set of parts. Excelcia
Music Publishing
#DSO2002. Published by
Excelcia Music Publishing
(XC.DSO2002).
UPC:
812598034172. 9 x 12
inches.
Jingle in
the new year with this
simple pairing of Auld
Lang Syne and Jingle
Bells for beginning
string orchestra. Lush
tutti sounds will make
for a successful and
enjoyable experience at
your first holiday
concert!
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F).
ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major.
IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
(Incorporating Deck the Halls and Good King Wenceslas). By Traditional. Arranged...(+)
(Incorporating Deck the
Halls and Good King
Wenceslas). By
Traditional. Arranged by
Doris Gazda. For Violin
I, Violin II, Violin III,
Viola, Cello, Bass,
Piano. Carl Fischer First
Plus String Orchestra
Series. Grade 1.5-2.
Score and part(s). 34
pages. Duration 2
minutes, 35 seconds.
Published by Carl Fischer
String Orchestra SKU: AY.OR3047PM Composed by Arcangel Castillo-Olivari. ...(+)
String Orchestra
SKU:
AY.OR3047PM
Composed
by Arcangel
Castillo-Olivari.
Ensembles - Orchestra.
Conductor Score. Duration
7'. Periferia Publishing
#OR3047PM. Published by
Periferia Publishing
(AY.OR3047PM).
ISBN
9790543572706.
Eleg
y for Strings is a set of
variations, or
developments of the
musical material exposed
in the first 34 measures
of the piece. Two
climaxes are relevant in
this piece: as the piece
becomes more intense and
is ascending in dynamics
the first solo violin
appears after the first
climax. The work ends
with a kind of funeral
march unfolding tree
different textures:
Violin Solo, First
Violins playing long
notes in the background
sul tasto and with mutes.
The rest of the strings
perform an obstinato
which starts to break the
3/4 meter pattern already
present in the entire
piece and suddenly
replaced by a binary
meter. Finally and
progressively, the
strings fade from the
lower registers to the
higher sounds letting
free the soloist
disappear in the
silence.
Composed by Julie Lyonn
Lieberman. Solo or
Ensemble. Apex String
Orchestra. Score and
parts. Duration 3
minutes, 35 seconds.
Kendor Music Inc #9833.
Published by Kendor Music
Inc (KN.9833).
UPC:
822795098334.
This
multi-faceted musical
canvas presents a number
of signature themes and
moods that can portray
specific characters and
scenes invented by your
students during
rehearsals. It includes
popular components found
in the music that
accompanies visual story
mediums like TV, games,
and movies. A
downloadable lesson plan
with suggested
activities, as well as a
backup track for practice
and performance, is
available from the
composer's website.
Duration 3:55.
String Orchestra SKU: AY.OR3494PM Composed by Maria Jesus Castell. Ensemb...(+)
String Orchestra
SKU:
AY.OR3494PM
Composed
by Maria Jesus Castell.
Ensembles - Orchestra.
Conductor Score. Duration
6'. Periferia Publishing
#OR3494PM. Published by
Periferia Publishing
(AY.OR3494PM).
Orchestra Str (4 Vn parts [2.2.2.2].3.2.2): Harpsichord Continuo in score SKU...(+)
Orchestra Str (4 Vn parts
[2.2.2.2].3.2.2):
Harpsichord Continuo in
score
SKU:
AP.36-A793402
Arranged by Unico Wilhelm
Van wassenaer and
ed./arr. by Fritz Rikko.
String Orchestra. Kalmus
Orchestra Library. Score
and Part(s).
LudwigMasters
Publications #36-A793402.
Published by
LudwigMasters
Publications
(AP.36-A793402).
UPC:
659359748073.
English.
The six
CONCERTI ARMONICI was
long thought to be the
work of the
violinist-impresario
Carlo Ricciotti or
composer Giovanni
Battista Pergolesi, but
more recent research has
revealed the composer to
be Unico Wilhelm van
Wassenauer (1692-1766).
Born into a wealthy Dutch
family, the diplomat and
composer founded a
Collegium musicum in The
Hague under the oversight
of Ricciotti. Composed
between 1725 and 1740,
the six concertos have
been falsely attributed
to a variety of
contemporaries, Ricciotti
and Pergolesi amongst
them, since its anonymous
publication. Wassenauer's
aristocratic background
was the reason for his
secretiveness. The
sentiment of the time
ordained that musicians
belong to the lower
classes. This edition of
CONCERTINO No. 2 (also
CONCERTO ARMONICO in G
Major, CONCERTO IV, or
just CONCERTINO in G),
drawing from the CONCERTO
ARMONICO in G Major, IUW
3, was edited by 20th
century Baroque expert
Fritz Rikko. Rikko
spuriously attributes the
work to Pergolesi.
Despite Wassenauer's
authorship having since
been confirmed, Rikko's
original editorial notes
have been retained.
Instrumentation: Str (4
Vn parts
[2.2.2.2].3.2.2):
Harpsichord Continuo in
score.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Orchestra Str (4 Vn parts [2.2.2.2].3.2.2): Harpsichord Continuo in score SKU...(+)
Orchestra Str (4 Vn parts
[2.2.2.2].3.2.2):
Harpsichord Continuo in
score
SKU:
AP.36-A793401
Arranged by Unico Wilhelm
Van wassenaer and
ed./arr. by Fritz Rikko.
String Orchestra. Kalmus
Orchestra Library. Score.
LudwigMasters
Publications #36-A793401.
Published by
LudwigMasters
Publications
(AP.36-A793401).
ISBN
9798892704922. UPC:
659359746130.
English.
The six
CONCERTI ARMONICI was
long thought to be the
work of the
violinist-impresario
Carlo Ricciotti or
composer Giovanni
Battista Pergolesi, but
more recent research has
revealed the composer to
be Unico Wilhelm van
Wassenauer (1692-1766).
Born into a wealthy Dutch
family, the diplomat and
composer founded a
Collegium musicum in The
Hague under the oversight
of Ricciotti. Composed
between 1725 and 1740,
the six concertos have
been falsely attributed
to a variety of
contemporaries, Ricciotti
and Pergolesi amongst
them, since its anonymous
publication. Wassenauer's
aristocratic background
was the reason for his
secretiveness. The
sentiment of the time
ordained that musicians
belong to the lower
classes. This edition of
CONCERTINO No. 2 (also
CONCERTO ARMONICO in G
Major, CONCERTO IV, or
just CONCERTINO in G),
drawing from the CONCERTO
ARMONICO in G Major, IUW
3, was edited by 20th
century Baroque expert
Fritz Rikko. Rikko
spuriously attributes the
work to Pergolesi.
Despite Wassenauer's
authorship having since
been confirmed, Rikko's
original editorial notes
have been retained.
Instrumentation: Str (4
Vn parts
[2.2.2.2].3.2.2):
Harpsichord Continuo in
score.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.