By Bee Gees. Arranged by Johan De Meij. For Concert Band. The 80ties / The 70tie...(+)
By Bee Gees. Arranged by
Johan De Meij. For
Concert Band. The 80ties
/ The 70ties /
Arrangements of Modern
Light Music / Pop. Hit
Series. Grade 3. Score.
Duration 3 minutes, 30
seconds
Composed by Bee Gees. Arranged by Johan De Meij. Pop Music/Arrangements of Moder...(+)
Composed by Bee Gees.
Arranged by Johan De
Meij. Pop
Music/Arrangements of
Modern Light Music/The
70s/The 80s/Catalogue Pop
and Swing. Pop and Swing
Series. Full set.
Duration 3 minutes, 30
seconds. Published by
Molenaar Edition
(ML.011523070).
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1023203-010 Composed by Barry...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1023203-010
Composed by Barry Gibb.
Arranged by Naohiro Iwai.
New Sounds for Concert
Band. Original Light
Music. Set (Score &
Parts). Composed 2002. De
Haske Publications #DHP
1023203-010. Published by
De Haske Publications
(BT.DHP-1023203-010).
The hit of the
seventies! When you say
disco, you immediately
think of the Bee Gees.
Their hit song
Stayin’ Alive has
become an evergreen
partly due to the
fabulous dancing of John
Travolta in the film
Saturday Night Fever.
This arrangement for
concert band will make a
great encore at your next
concert!
Die Bee
Gees zählen neben den
Beatles, Paul McCartney,
Elvis Presley und Michael
Jackson zu den fünf
erfolgreichsten
Solointerpreten und
Gruppen der
Popgeschichte.
Unsterblich wurden die
drei Brüder vor allem
durch die Musik zum Film
Saturday Night
Fever, der wie kein
anderer das Discofieber
der 70er-Jahre
beschreibt. Stayin'
Alive wurde zum
meistverkauften
Soundtrack der
Musikgeschichte. Mit
dieser Bearbeitung
können Sie mit Ihrem
Blasorchester für
Discofeeling und Stimmung
sorgen.
Concert
Band, Grade 4 Score.
Composed by Barry Gibb.
Arranged by Naohiro Iwai.
De Haske Concert Band.
Disco, Pop. Softcover.
Duration 270 seconds. De
Haske Publications
#DHP1023203210. Published
by De Haske Publications
(HL.4008134).
UPC:
196288127543.
The
hit of the seventies!
When you say disco, you
immediately think of the
Bee Gees. Their hit song
Stayin Alive has become
an evergreen partly due
to the fabulous dancing
of John Travolta in the
film Saturday Night
Fever. This arrangement
for concert band will
make a great encore at
your next concert!
Stayin' Alive Orchestre d'harmonie - Intermédiaire De Haske Publications
Score and Parts Concert Band (Score & Parts) - Grade 4 SKU: HL.4008133 (+)
Score and Parts Concert
Band (Score & Parts) -
Grade 4
SKU:
HL.4008133
Concert
Band, Grade 4 Score and
Parts. Composed by
Barry Gibb. Arranged by
Naohiro Iwai. De Haske
Concert Band. Disco, Pop.
Softcover. Duration 270
seconds. De Haske
Publications
#DHP1023203010. Published
by De Haske Publications
(HL.4008133).
ISBN
9781705191354. UPC:
196288127536.
The
hit of the seventies!
When you say disco, you
immediately think of the
Bee Gees. Their hit song
Stayin Alive has become
an evergreen partly due
to the fabulous dancing
of John Travolta in the
film Saturday Night
Fever. This arrangement
for concert band will
make a great encore at
your next concert!
Arranged by Wil van der
Beek. Great Classics.
Score Only. Composed
2012. 44 pages. De Haske
Publications #DHP
1125039-140. Published by
De Haske Publications
(BT.DHP-1125039-140).
Flashback Orchestre d'harmonie [Conducteur] - Débutant Gobelin Music Publications
Concert Band/Harmonie - Grade 1.5 SKU: BT.GOB-000479-140 Composed by John...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.GOB-000479-140
Composed by John DeBee.
Score Only. Gobelin Music
Publications #GOB
000479-140. Published by
Gobelin Music
Publications
(BT.GOB-000479-140).
Which of us
does not have them,
memories? Everyone
sometimes remembers
things from the past, be
they happy memories or
not. Sometimes, a scent
may remind us of a
particular place, or a
tune may bring back
memories of a certain
situation. John DeBee
experienced something
similar when he heard a
song on the radio: he
immediately picked up his
pen and composed
‘Flashback’. It
has become a piece that
appeals to the ear, which
will provide both the
musicians performing it
and their audience with
pleasant
memories.
Wie
heeft ze niet,
herinneringen? Iedereen
denkt wel eens terug aan
leuke of minder leuke
dingen die gebeurd zijn.
Soms kan een geur je
terug doen denken aan een
bepaalde plek of een
muziekje een situatie in
je geest
terugroepen. John
DeBee had zo’n ervaring
toen hij op de radio een
liedje hoorde, pakte zijn
pen en componeerde
‘Flashback’. Het
is een prettig in het
gehoor liggend stuk
geworden waarbij zowel de
muzikanten als het
publiek goede
herinneringzullen hebben
of krijgen.
Concert Band/Harmonie - Grade 1.5 SKU: BT.GOB-000479-010 Composed by John...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.GOB-000479-010
Composed by John DeBee.
Set (Score & Parts). 58
pages. Gobelin Music
Publications #GOB
000479-010. Published by
Gobelin Music
Publications
(BT.GOB-000479-010).
Which of us
does not have them,
memories? Everyone
sometimes remembers
things from the past, be
they happy memories or
not. Sometimes, a scent
may remind us of a
particular place, or a
tune may bring back
memories of a certain
situation. John DeBee
experienced something
similar when he heard a
song on the radio: he
immediately picked up his
pen and composed
‘Flashback’. It
has become a piece that
appeals to the ear, which
will provide both the
musicians performing it
and their audience with
pleasant
memories.
Wie
heeft ze niet,
herinneringen? Iedereen
denkt wel eens terug aan
leuke of minder leuke
dingen die gebeurd zijn.
Soms kan een geur je
terug doen denken aan een
bepaalde plek of een
muziekje een situatie in
je geest
terugroepen. John
DeBee had zo’n ervaring
toen hij op de radio een
liedje hoorde, pakte zijn
pen en componeerde
‘Flashback’. Het
is een prettig in het
gehoor liggend stuk
geworden waarbij zowel de
muzikanten als het
publiek goede
herinneringzullen hebben
of krijgen.
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000905-010 Arranged by David ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000905-010
Arranged by David Well.
Set (Score & Parts).
Gobelin Music
Publications #GOB
000905-010. Published by
Gobelin Music
Publications
(BT.GOB-000905-010).
The tradition
of the Christmas tree in
Western Europe dates back
to a time long before any
Christianization had
taken place. During the
severely cold winter
nights, so it was
believed, evil spirits
tried to 'kill' nature.
Needle-leaved trees were
the only ones which kept
their green colour
throughout the year, and
therefore became symbols
of immortality. These
'living' trees, said to
be the work of benign
spirits, were brought
into people's houses to
ward off evil,
life-threatening powers.
In the 14th century
people first started to
decorate Christmas trees.
It was a pagan custom,
originated by the
inhabitants of Alsace.
This custom was taken
over by the Church inthe
course of the 15th and
16th century. At first
the decoration consisted
mainly of edibles, such
as apples and wafers, but
later small presents were
added. Legend has it that
the reformer Martin
Luther was the first
person to decorate a
Christmas tree with
candles. The flickering
candle flames were meant
to create the image of a
starry sky in which
Christ's apparition could
be recognized. The German
organ-player Ernst
Anschütz from Leipzig
was the first person to
notate the song 'O
Tannenbaum', the melody
being a well-known folk
song. Next to 'Stille
Nacht' 'O Tannenbaum' is
the most famous German
Christmas song, now known
throughout the world. In
the United States of
America the melody of 'O
Tannenbaum' has even been
used in four States
(among which the State of
Maryland) for their State
song. In David Well's
arrangement the song is
first heard as many of us
know it. After this
introduction, however, it
is transformed into a
solid rock version, and
the beat has been
changed. In the second
part the familiar
three-four time is back,
but here the rhythm is
different from the
original. After the
richly ornamented rock
beat the basic theme can
be heard once again and
the composition is
concluded in a festive
manner.
O Christmas Tree Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000905-140 Arranged by David ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000905-140
Arranged by David Well.
Score Only. 10 pages.
Gobelin Music
Publications #GOB
000905-140. Published by
Gobelin Music
Publications
(BT.GOB-000905-140).
The tradition
of the Christmas tree in
Western Europe dates back
to a time long before any
Christianization had
taken place. During the
severely cold winter
nights, so it was
believed, evil spirits
tried to 'kill' nature.
Needle-leaved trees were
the only ones which kept
their green colour
throughout the year, and
therefore became symbols
of immortality. These
'living' trees, said to
be the work of benign
spirits, were brought
into people's houses to
ward off evil,
life-threatening powers.
In the 14th century
people first started to
decorate Christmas trees.
It was a pagan custom,
originated by the
inhabitants of Alsace.
This custom was taken
over by the Church inthe
course of the 15th and
16th century. At first
the decoration consisted
mainly of edibles, such
as apples and wafers, but
later small presents were
added. Legend has it that
the reformer Martin
Luther was the first
person to decorate a
Christmas tree with
candles. The flickering
candle flames were meant
to create the image of a
starry sky in which
Christ's apparition could
be recognized. The German
organ-player Ernst
Anschütz from Leipzig
was the first person to
notate the song 'O
Tannenbaum', the melody
being a well-known folk
song. Next to 'Stille
Nacht' 'O Tannenbaum' is
the most famous German
Christmas song, now known
throughout the world. In
the United States of
America the melody of 'O
Tannenbaum' has even been
used in four States
(among which the State of
Maryland) for their State
song. In David Well's
arrangement the song is
first heard as many of us
know it. After this
introduction, however, it
is transformed into a
solid rock version, and
the beat has been
changed. In the second
part the familiar
three-four time is back,
but here the rhythm is
different from the
original. After the
richly ornamented rock
beat the basic theme can
be heard once again and
the composition is
concluded in a festive
manner.
Spanish Dance Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000214-140 Composed by Carl W...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000214-140
Composed by Carl
Wittrock. Score Only. 24
pages. Gobelin Music
Publications #GOB
000214-140. Published by
Gobelin Music
Publications
(BT.GOB-000214-140).
Experience the
Spanish temperament with
this solo work for
English Horn or Alto
Saxophone. Alternating
between passion and
introversion, the Spanish
beauty moves over the
dance floor. In his own,
unique way, composer Carl
Wittrock has translated
this image into a
dazzling, well-balanced
piece that treats
listeners to exquisite
harmony between soloist
and band.
Spaans
temperament! Dat proeft u
in dit solowerk voor
althobo of altsaxofoon.
Afwisselend passievol en
introvert ziet u de
Spaanse schone voor uw
geestesoog over de
dansvloer bewegen.
Componist Carl Wittrock
vertaalde dit beeld op
zijn eigen, bijzondere
manier in een
evenwichtige compositie.
Een schitterend werk dat
een prachtig samenspel
tussen solist en orkest
laat horen.
Erleben Sie
spanisches Temperament
pur mit diesem Solowerk
für Englischhorn
oder Altsaxophon! Die
Musik beschwört das Bild
spanischer Tänzerinnen
herauf, die sich
abwechselnd
leidenschaftlich und in
sich gekehrt über
die Tanzfläche bewegen.
In seiner ganz eigenen
Art gelang es Carl
Wittrock dieses Bild in
ein schillerndes,
ausgewogenes Werk zu
übertragen, das die
Zuhörer ein mit einem
besonders harmonischen
Zusammenspiel von Solist
und Blasorchester
verwöhnt.
Un brano per
corno inglese o sassofono
contralto tutto nel segno
del temperamento
spagnolo! Il compositore
traduce in musica la
passione e l’entusiasmo
di danzatrici spagnole
che si esibiscono in
pista. In uno stile molto
personale, Carl Wittrock
riesce a creare una
perfetta sintonia tra il
solista e
l’organico.
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000214-010 Composed by Carl W...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000214-010
Composed by Carl
Wittrock. Set (Score &
Parts). 81 pages. Gobelin
Music Publications #GOB
000214-010. Published by
Gobelin Music
Publications
(BT.GOB-000214-010).
Experience the
Spanish temperament with
this solo work for
English Horn or Alto
Saxophone. Alternating
between passion and
introversion, the Spanish
beauty moves over the
dance floor. In his own,
unique way, composer Carl
Wittrock has translated
this image into a
dazzling, well-balanced
piece that treats
listeners to exquisite
harmony between soloist
and band.
Spaans
temperament! Dat proeft u
in dit solowerk voor
althobo of altsaxofoon.
Afwisselend passievol en
introvert ziet u de
Spaanse schone voor uw
geestesoog over de
dansvloer bewegen.
Componist Carl Wittrock
vertaalde dit beeld op
zijn eigen, bijzondere
manier in een
evenwichtige compositie.
Een schitterend werk dat
een prachtig samenspel
tussen solist en orkest
laat horen.
Erleben Sie
spanisches Temperament
pur mit diesem Solowerk
für Englischhorn
oder Altsaxophon! Die
Musik beschwört das Bild
spanischer Tänzerinnen
herauf, die sich
abwechselnd
leidenschaftlich und in
sich gekehrt über
die Tanzfläche bewegen.
In seiner ganz eigenen
Art gelang es Carl
Wittrock dieses Bild in
ein schillerndes,
ausgewogenes Werk zu
übertragen, das die
Zuhörer ein mit einem
besonders harmonischen
Zusammenspiel von Solist
und Blasorchester
verwöhnt.
Un brano per
corno inglese o sassofono
contralto tutto nel segno
del temperamento
spagnolo! Il compositore
traduce in musica la
passione e l’entusiasmo
di danzatrici spagnole
che si esibiscono in
pista. In uno stile molto
personale, Carl Wittrock
riesce a creare una
perfetta sintonia tra il
solista e
l’organico.
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000565-010 Composed by Sijtze...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.GOB-000565-010
Composed by Sijtze van
der Hoek. Arranged by
Marten van der Wal. Set
(Score & Parts). Gobelin
Music Publications #GOB
000565-010. Published by
Gobelin Music
Publications
(BT.GOB-000565-010).
An arrangement
of a religious song
(Psalm 81) always stirs
the imagination,
especially when sounding
as intimate, atmospheric
and harmoniously as in
Now to God our King.
Een bewerking van
een geestelijk lied
(Psalm 81) spreekt altijd
tot de verbeelding. Zeker
als het zo intiem en
sfeervol, maar ook zo
welluidend en majestueus
klinkt als in Now to God
our King. Marten van
der Wal maakte de
instrumentatievoor
harmonie-orkest.
Score Only. Gobelin Music
Publications #GOB
000565-140. Published by
Gobelin Music
Publications
(BT.GOB-000565-140).
An arrangement
of a religious song
(Psalm 81) always stirs
the imagination,
especially when sounding
as intimate, atmospheric
and harmoniously as in
Now to God our King.
Een bewerking van
een geestelijk lied
(Psalm 81) spreekt altijd
tot de verbeelding. Zeker
als het zo intiem en
sfeervol, maar ook zo
welluidend en majestueus
klinkt als in Now to God
our King. Marten van
der Wal maakte de
instrumentatievoor
harmonie-orkest.
Composed by Wilco
Moerman. Set (Score &
Parts). 48 pages. Gobelin
Music Publications #GOB
001140-010. Published by
Gobelin Music
Publications
(BT.GOB-001140-010).
In Theme Park
Fun! your orchestra pays
a visit to an amusement
park. During your visit,
you will experience some
spectacular rides and
attractions this theme
park offers. The
uniqueness of Theme Park
Fun! is the interplay
between music and(moving)
images. Animations and
illustrations support the
visual
composition.
Pa
rt 1: The Entrance &
Parade [with
animation] The
opening of the park is a
fact. A day full of fun
and pleasure awaits! You
and the other visitors
willbe confronted with
all the rides,
attractions and
adventures the theme park
has to offer. Which ride
shall we do first?! There
is so much to do and
experience on this day in
the park! A parade of
colorful floats and park
figures is passing
by. Letthe fun
begin!
Part 2:
The Haunted House [with
animation] The
only ride in the park
that is not related to
fun, is the Haunted
House. Here visitors will
be challenged to visit a
house full of ghosts,
creepy figures and
otherominous things. The
clock strikes twelve,
there is no turning back.
Ghosts are whispering,
yelling, screaming...
Fortunately it is almost
one oclock, so we can
leave this creepy place
quickly.
Part
3: The Swinging Galleon
[withillustrations]What a huge pirate
ship! Each time you swing
back and forth, you will
feel that weird feeling
in your stomach. When you
are thrown completely
into the top you will
have a fantastic view
over the park, but you
can not enjoy itfor long.
Before you know the ship
swings back the other
way.
Part 4:
The Fairy Tale Ride [with
illustrations] Aft
er all those exciting and
spectacular rides and
attractions, it is time
for a peaceful tour in
The Fairy Tale
Ride.Surrounded by a
fairytale setting, you
will discover fable
figures, talking animals
and colorful designs.
Such a beauty and
tranquility. Having had
this experience, we are
ready again for the big
rides in the
park!
Part 5:
The Bumper Cars[with
illustrations] Now
its time to crawl behind
the wheel of the Bumper
Cars! Shall we all chase
the conductor?! Before
you know you are hit by
another visitor or you
will bump against someone
else. In this tough ride
you can prove yourselfas
a real driver, or perhaps
as a really bad
one.
Part 6:
The Roller Coaster [with
illustrations] The
largest, fastest and
scariest ride in the park
... we should definitely
do the Roller Coaster!
All together in the
train,
theover-the-shoulder
restraints are
lowering... be ready to
ride. The train leaves
the station and is
heading for the big lift
hill. It will be very
scary when the train
reaches the top and the
train will be plunged
down the first drop!
Loops,corkscrews and
other spectacular coaster
elements will follow...
Before you know it, the
ride of your life is
over. Shall we ride it
again?!
Part 7:
Leaving the Park [with
animation] Unfortu
nately everything comes
to an end. Thisday in the
theme park is over, but
we have a lot new
experiences to talk
about! The memories of
all the funny and
spectacular rides will
come up when we walk
through the park to the
exit. Just one look over
the shoulder, the
amusement park figuresare
waving at us. Hopefully
we will come back again
soon!
In
'Theme Park Fun!' bezoek
je met de hele
muziekvereniging een
pretpark. Tijdens het
bezoek word je op
muzikale wijze
geconfronteerd met een
aantal spectaculaire
attracties die het
pretpark rijk is. Het
unieke van 'Theme Park
Fun!'is het samenspel
tussen muziek en
beeld.
Deel 1:
'The Entrance & Parade'
[met
animatiefilm] De
opening van het pretpark
is een feit. De dag vol
plezier kan beginnen en
de bezoekers worden hier
geconfronteerdmet alle
attracties en avonturen
die ze in het pretpark
staan te wachten. In
welke attractie zullen we
als eerst stappen?! Er is
zoveel te doen en te
beleven deze dag in het
pretpark! Een parade met
parkfiguren en kleurrijke
praalwagenskomt voorbij,
de pret kan
beginnen!
Deel
2: 'The Haunted House'
[met
animatiefilm] De
enige attractie in het
pretpark die geen 'pret'
uitstraalt, is het
spookhuis. Hier worden de
bezoekers uitgedaagd om
zichte begeven in een
huis vol spoken, geesten
en andere onheilspellende
dingen. De klok slaat 12
keer, er is geen weg meer
terug. Gefluister...,
geschreeuw... Gelukkig
slaat de klok bijna 1 uur
en kunnen we deze ongure
plek snel
verlaten.
Deel3
: 'The Swinging Galleon'
[met
illustraties] Wat
een groot piratenschip!
Elke keer wanneer je heen
en weer schommelt, voel
je dat rare gevoel in je
buik. Wanneer je helemaal
in de top geslingerd
bentheb je een
fantastisch uitzicht over
het pretpark, maar je
kunt er niet lang van
genieten. Voor je het
weet zwaait het schip
weer de andere kant
op.
Deel 4:
'The Fairy Tale Ride'
[met
illustraties] Na
al die spannendeen
spectaculaire attracties
is het tijd voor een
rustig ritje in 'The
Fairy Tale Ride'. Omgeven
door een sprookjesachtige
omgeving waan je je
tussen elfjes, pratende
dieren en kleurrijke
decors. Wat een
schoonheid en rust,
hierna.
Composed by Wilco
Moerman. Score Only.
Gobelin Music
Publications #GOB
001140-140. Published by
Gobelin Music
Publications
(BT.GOB-001140-140).
In Theme Park
Fun! your orchestra pays
a visit to an amusement
park. During your visit,
you will experience some
spectacular rides and
attractions this theme
park offers. The
uniqueness of Theme Park
Fun! is the interplay
between music and(moving)
images. Animations and
illustrations support the
visual
composition.
Pa
rt 1: The Entrance &
Parade [with
animation] The
opening of the park is a
fact. A day full of fun
and pleasure awaits! You
and the other visitors
willbe confronted with
all the rides,
attractions and
adventures the theme park
has to offer. Which ride
shall we do first?! There
is so much to do and
experience on this day in
the park! A parade of
colorful floats and park
figures is passing
by. Letthe fun
begin!
Part 2:
The Haunted House [with
animation] The
only ride in the park
that is not related to
fun, is the Haunted
House. Here visitors will
be challenged to visit a
house full of ghosts,
creepy figures and
otherominous things. The
clock strikes twelve,
there is no turning back.
Ghosts are whispering,
yelling, screaming...
Fortunately it is almost
one oclock, so we can
leave this creepy place
quickly.
Part
3: The Swinging Galleon
[withillustrations]What a huge pirate
ship! Each time you swing
back and forth, you will
feel that weird feeling
in your stomach. When you
are thrown completely
into the top you will
have a fantastic view
over the park, but you
can not enjoy itfor long.
Before you know the ship
swings back the other
way.
Part 4:
The Fairy Tale Ride [with
illustrations] Aft
er all those exciting and
spectacular rides and
attractions, it is time
for a peaceful tour in
The Fairy Tale
Ride.Surrounded by a
fairytale setting, you
will discover fable
figures, talking animals
and colorful designs.
Such a beauty and
tranquility. Having had
this experience, we are
ready again for the big
rides in the
park!
Part 5:
The Bumper Cars[with
illustrations] Now
its time to crawl behind
the wheel of the Bumper
Cars! Shall we all chase
the conductor?! Before
you know you are hit by
another visitor or you
will bump against someone
else. In this tough ride
you can prove yourselfas
a real driver, or perhaps
as a really bad
one.
Part 6:
The Roller Coaster [with
illustrations] The
largest, fastest and
scariest ride in the park
... we should definitely
do the Roller Coaster!
All together in the
train,
theover-the-shoulder
restraints are
lowering... be ready to
ride. The train leaves
the station and is
heading for the big lift
hill. It will be very
scary when the train
reaches the top and the
train will be plunged
down the first drop!
Loops,corkscrews and
other spectacular coaster
elements will follow...
Before you know it, the
ride of your life is
over. Shall we ride it
again?!
Part 7:
Leaving the Park [with
animation] Unfortu
nately everything comes
to an end. Thisday in the
theme park is over, but
we have a lot new
experiences to talk
about! The memories of
all the funny and
spectacular rides will
come up when we walk
through the park to the
exit. Just one look over
the shoulder, the
amusement park figuresare
waving at us. Hopefully
we will come back again
soon!
In
'Theme Park Fun!' bezoek
je met de hele
muziekvereniging een
pretpark. Tijdens het
bezoek word je op
muzikale wijze
geconfronteerd met een
aantal spectaculaire
attracties die het
pretpark rijk is. Het
unieke van 'Theme Park
Fun!'is het samenspel
tussen muziek en beeld.
Deel 1: 'The
Entrance & Parade' [met
animatiefilm] De
opening van het pretpark
is een feit. De dag vol
plezier kan beginnen en
de bezoekers worden hier
geconfronteerdmet alle
attracties en avonturen
die ze in het pretpark
staan te wachten. In
welke attractie zullen we
als eerst stappen?! Er is
zoveel te doen en te
beleven deze dag in het
pretpark! Een parade met
parkfiguren en kleurrijke
praalwagenskomt voorbij,
de pret kan
beginnen!
Deel
2: 'The Haunted House'
[met
animatiefilm] De
enige attractie in het
pretpark die geen 'pret'
uitstraalt, is het
spookhuis. Hier worden de
bezoekers uitgedaagd om
zichte begeven in een
huis vol spoken, geesten
en andere onheilspellende
dingen. De klok slaat 12
keer, er is geen weg meer
terug. Gefluister...,
geschreeuw... Gelukkig
slaat de klok bijna 1 uur
en kunnen we deze ongure
plek snel
verlaten.
Deel3
: 'The Swinging Galleon'
[met
illustraties] Wat
een groot piratenschip!
Elke keer wanneer je heen
en weer schommelt, voel
je dat rare gevoel in je
buik. Wanneer je helemaal
in de top geslingerd
bentheb je een
fantastisch uitzicht over
het pretpark, maar je
kunt er niet lang van
genieten. Voor je het
weet zwaait het schip
weer de andere kant
op.
Deel 4:
'The Fairy Tale Ride'
[met
illustraties] Na
al die spannendeen
spectaculaire attracties
is het tijd voor een
rustig ritje in 'The
Fairy Tale Ride'. Omgeven
door een sprookjesachtige
omgeving waan je je
tussen elfjes, pratende
dieren en kleurrijke
decors. Wat een
schoonheid en rust,
hierna.
Concert Band/Harmonie - Grade 2.5 SKU: BT.GOB-000956-010 Composed by Pete...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.GOB-000956-010
Composed by Peter Martin.
Arranged by Menno
Haantjes. Set (Score &
Parts). 164 pages.
Gobelin Music
Publications #GOB
000956-010. Published by
Gobelin Music
Publications
(BT.GOB-000956-010).
Scottish Dances
is based on three
Scottish traditionals:
Cock of the North, The
Bonnie Bank's O'Loch
Lomond and Marie's
Wedding.
I. Cock
of the North's name is
used for multiple things
or events. For example
for a locomotive to a
famous, it seems,
delicious liqueur, and
rallies to snowboard
competitions. Furthermore
is Cock O' the North a
nickname of a famous
Duke. (The 4th Duke of
Gordon). In this
composition Cock of the
North (a Jig) is a
traditional Scottish
bagpipe tune, regularly
played on tattoos by Pipe
Bands. Not infrequently
the drummers sing the
text.
Auntie
Mary, had a canary,
Up the leg of her
trousers While she
was sleeping Iwas
peeping Up the leg of
her trousers.
II.
The Bonnie Bank's O'Loch
Lomond is about a sad
story that took place
during an revolt against
the British. In 1745
Bonnie Prince Charlie had
to retreat. Two of his
men were captured. One
was convicted and
executed, while the other
was released. The spirit
of the executed soldier
would arrive in Scotland
via the 'low road'
(underworld) before his
companion, who had still
a long way to go.
You'll take the
high road And I'll
take the low road And
I'll be in Scotland afore
ye But me and my true
love will never meet
again On the Bonnie
Bonnie Banks of Loch
Lomond
III. In a
Scottish wedding, after
the official ceremonies,
there is often danced.
This is called a ceilidh.
For this we use
traditional Scottish
music such as Marie's
Wedding '. Mid dance
we go back to the church,
where a lovely song in
honor of the couple
sounds. Marie's
Wedding has been recorded
by Van Morrison (among
many others).
Step we gaely, on we go,
heel for heel and toe for
toe Arm and arm and
on we go, all for Marie's
wedding
Scottish
Dances is gebaseerd op
drie Schotse
traditionals: Cock of the
North, The Bonnie Bank's
O'Loch Lomond en Marie's
Wedding.
I. De
naam Cock of the North
wordt voor meerdere
dingen of evenementen
gebruikt. Van een
beroemdelocomotief tot
een, naar het schijnt,
een heerlijke likeur, en
van rally's tot snowboard
wedstrijden. Bovendien
was 'Cock O' the North'
een bijnaam van een
bekende hertog. (the 4th
Duke of Gordon) Het
in deze
compositiegebruikte Cock
of the North (een Jig) is
een traditioneel Schotse
bagpipe tune (doedelzak
liedje) wat regelmatig
gespeeld wordt op taptoes
door Pipebands. Niet
zelden zingen de
slagwerkers de tekst
mee.
Auntie Mary,
had acanary, Up the
leg of her trousers
While she was sleeping I
was peeping Up the
leg of her
trousers.
You'll
take the high road
And I'll take the low
road And I'll be in
Scotland aforeye But
me and my true love will
never meet again On
the Bonnie Bonnie Banks
of Loch Lomond
III. Bij een Schotse
bruiloft wordt na de
officiele plechtigheden
vaak gedanst. Dit noemt
men een ceilidh. Hiervoor
gebruiktmen traditionele
Schotse muziek zoals
bijv. 'Marie's
Wedding'. Halverwege
de dans gaan we nog even
terug naar de kerk, waar
een lieflijk lied ter ere
van het bruidspaar
klinkt. Marie's
Wedding is o.a. door Van
Morrison opgenomen.
Scottish Dances Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.GOB-000956-140 Composed by Pete...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.GOB-000956-140
Composed by Peter Martin.
Arranged by Menno
Haantjes. Score Only.
Gobelin Music
Publications #GOB
000956-140. Published by
Gobelin Music
Publications
(BT.GOB-000956-140).
Scottish Dances
is based on three
Scottish traditionals:
Cock of the North, The
Bonnie Bank's O'Loch
Lomond and Marie's
Wedding.
I. Cock
of the North's name is
used for multiple things
or events. For example
for a locomotive to a
famous, it seems,
delicious liqueur, and
rallies to snowboard
competitions. Furthermore
is Cock O' the North a
nickname of a famous
Duke. (The 4th Duke of
Gordon). In this
composition Cock of the
North (a Jig) is a
traditional Scottish
bagpipe tune, regularly
played on tattoos by Pipe
Bands. Not infrequently
the drummers sing the
text.
Auntie
Mary, had a canary,
Up the leg of her
trousers While she
was sleeping Iwas
peeping Up the leg of
her trousers.
II.
The Bonnie Bank's O'Loch
Lomond is about a sad
story that took place
during an revolt against
the British. In 1745
Bonnie Prince Charlie had
to retreat. Two of his
men were captured. One
was convicted and
executed, while the other
was released. The spirit
of the executed soldier
would arrive in Scotland
via the 'low road'
(underworld) before his
companion, who had still
a long way to go.
You'll take the
high road And I'll
take the low road And
I'll be in Scotland afore
ye But me and my true
love will never meet
again On the Bonnie
Bonnie Banks of Loch
Lomond
III. In a
Scottish wedding, after
the official ceremonies,
there is often danced.
This is called a ceilidh.
For this we use
traditional Scottish
music such as Marie's
Wedding '. Mid dance
we go back to the church,
where a lovely song in
honor of the couple
sounds. Marie's
Wedding has been recorded
by Van Morrison (among
many others).
Step we gaely, on we go,
heel for heel and toe for
toe Arm and arm and
on we go, all for Marie's
wedding
Scottish
Dances is gebaseerd op
drie Schotse
traditionals: Cock of the
North, The Bonnie Bank's
O'Loch Lomond en Marie's
Wedding.
I. De
naam Cock of the North
wordt voor meerdere
dingen of evenementen
gebruikt. Van een
beroemdelocomotief tot
een, naar het schijnt,
een heerlijke likeur, en
van rally's tot snowboard
wedstrijden. Bovendien
was 'Cock O' the North'
een bijnaam van een
bekende hertog. (the 4th
Duke of Gordon) Het
in deze
compositiegebruikte Cock
of the North (een Jig) is
een traditioneel Schotse
bagpipe tune (doedelzak
liedje) wat regelmatig
gespeeld wordt op taptoes
door Pipebands. Niet
zelden zingen de
slagwerkers de tekst
mee.
Auntie Mary,
had acanary, Up the
leg of her trousers
While she was sleeping I
was peeping Up the
leg of her
trousers.
You'll
take the high road
And I'll take the low
road And I'll be in
Scotland aforeye But
me and my true love will
never meet again On
the Bonnie Bonnie Banks
of Loch Lomond
III. Bij een Schotse
bruiloft wordt na de
officiele plechtigheden
vaak gedanst. Dit noemt
men een ceilidh. Hiervoor
gebruiktmen traditionele
Schotse muziek zoals
bijv. 'Marie's
Wedding'. Halverwege
de dans gaan we nog even
terug naar de kerk, waar
een lieflijk lied ter ere
van het bruidspaar
klinkt. Marie's
Wedding is o.a. door Van
Morrison opgenomen.