Rondeau from 'Abdelazer' Orchestre d'harmonie [Conducteur] - Intermédiaire G and M Brand Music Publishers
((Theme from 'The Young Person's Guide to the Orchestra')). By Henry Purcell (16...(+)
((Theme from 'The Young
Person's Guide to the
Orchestra')). By Henry
Purcell (1659-1695).
Arranged by David Farnon.
For Concert Band (1st
Flute, 2nd Flute, Oboe*,
1st Bb Clarinet, 2nd Bb
Clarinet, 3rd Bb
Clarinet, Bb Bass
Clarinet*, Bassoon*, 1st
Eb Alto Saxophone*, 2nd
Eb Alto Saxophone*, Bb
Tenor Saxophone*, Eb
Baritone Saxophone*, 1st
Bb Trumpet, 2nd Bb
Trumpet, 1st F Horn, 2nd
F Hor). Band Music. Grade
3. Score. Duration 3:10.
Published by G & M Brand
Music Publishers
A Winter Largo Orchestre d'harmonie [Conducteur et Parties séparées] - Facile G and M Brand Music Publishers
By Antonio Vivaldi (1678-1741). Arranged by David Farnon. For Concert Band. Band...(+)
By Antonio Vivaldi
(1678-1741). Arranged by
David Farnon. For Concert
Band. Band Music. Grade
2. Score and set of
parts. Composed 1993.
Duration 2:45. Published
by G & M Brand Music
Publishers
Inglesina The Little English G Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Wingert-Jones Publications
By Davide Delle Cese. Arranged by John R. Bourgeois. For Concert Band. Concert B...(+)
By Davide Delle Cese.
Arranged by John R.
Bourgeois. For Concert
Band. Concert Band Music.
Bourgeois Editions.
Concert March. Medium.
Full Score and Set of
Parts
By Davide Delle Cese. Arranged by John R. Bourgeois. For Concert Band. Concert B...(+)
By Davide Delle Cese.
Arranged by John R.
Bourgeois. For Concert
Band. Concert Band Music.
Bourgeois Editions.
Concert March. Full
Score. Published by
Wingert-Jones
Publications.
Concert Band/Harmonie and Baritone Saxophone Solo - Grade 4 SKU: BT.DHP-10844...(+)
Concert Band/Harmonie and
Baritone Saxophone Solo -
Grade 4
SKU:
BT.DHP-1084447-010
Le Papillon qui tapait
du pied. Composed by
Maxime Aulio. Solo
Spectrum. Concert Piece.
Set (Score & Parts).
Composed 2008. De Haske
Publications #DHP
1084447-010. Published by
De Haske Publications
(BT.DHP-1084447-010).
9x12 inches.
English-German-French-Dut
ch.
The
Butterfly that
Stamped is a story
from the anthology
Just So Stories,
written by Rudyard
Kipling for his daughter
who suffered constant bad
health. The book inspired
composer Maxim Aulio to
compose this work which
is in a French
impressionistic style.
The piece opens with a
beautiful palace
surrounded by the
impressive gardens of
King Solomon. It is in
these gardens that the
baritone saxophone makes
its appearance
representing King Solomon
himself, the flute
representing the
butterfly couple, the
clarinet representing
Queen Balkis and the
trumpet the
djin.
The
Butterfly that
Stamped - Der
Schmetterling, der
aufstampfte“ - ist
eine von zwölf
Erzählungen aus dem
Band Just So
Stories, den Rudyard
Kipling, der berühmte
Autor des
Dschungelbuchs,
Ende des 19. Jahrhunderts
für seine kranke
Tochter schrieb. Der
französische Komponist
Maxime Aulio ließ sich
von dieser bezaubernden
Geschichte zu einer
Komposition im Stil des
französischen
Impressionismus
inspirieren. Vor der
wundervoll orchestrierten
musikalischen Kulisse des
Palastes und der
Gärten König
Salomons treten das
Baritonsaxophon als
König Salomon, die
Flöten als
Schmetterlingspärchen,
eine Klarinette als
Königin Balkis und die
Trompeten als
Dschinnsauf. Vorhang auf!
The Butterfly
That Stamped è una
delle dodici novelle
della raccolta Just So
Stories, del celebre
scrittore britannico
Rudyard Kipling
(1865-1936). Maxime Aulio
se ne è ispirato per
creare un brano che di
iscrive nella tradizione
dell’impressionism
o musicale francese. Il
sax baritono solo
rappresenta il Re
Salomone, figlio di
David. I personaggi si
muovono in uno sfondo
orchestrale meraviglioso
e incantano per la loro
poesia.
Concert Band/Harmonie and Baritone Saxophone Solo - Grade 4 SKU: BT.DHP-10844...(+)
Concert Band/Harmonie and
Baritone Saxophone Solo -
Grade 4
SKU:
BT.DHP-1084447-140
Le Papillon qui tapait
du pied. Composed by
Maxime Aulio. Solo
Spectrum. Concert Piece.
Score Only. Composed
2008. 24 pages. De Haske
Publications #DHP
1084447-140. Published by
De Haske Publications
(BT.DHP-1084447-140).
9x12 inches.
English-German-French-Dut
ch.
The
Butterfly that
Stamped is a story
from the anthology
Just So Stories,
written by Rudyard
Kipling for his daughter
who suffered constant bad
health. The book inspired
composer Maxim Aulio to
compose this work which
is in a French
impressionistic style.
The piece opens with a
beautiful palace
surrounded by the
impressive gardens of
King Solomon. It is in
these gardens that the
baritone saxophone makes
its appearance
representing King Solomon
himself, the flute
representing the
butterfly couple, the
clarinet representing
Queen Balkis and the
trumpet the
djin.
The
Butterfly that
Stamped - Der
Schmetterling, der
aufstampfte“ - ist
eine von zwölf
Erzählungen aus dem
Band Just So
Stories, den Rudyard
Kipling, der berühmte
Autor des
Dschungelbuchs,
Ende des 19. Jahrhunderts
für seine kranke
Tochter schrieb. Der
französische Komponist
Maxime Aulio ließ sich
von dieser bezaubernden
Geschichte zu einer
Komposition im Stil des
französischen
Impressionismus
inspirieren. Vor der
wundervoll orchestrierten
musikalischen Kulisse des
Palastes und der
Gärten König
Salomons treten das
Baritonsaxophon als
König Salomon, die
Flöten als
Schmetterlingspärchen,
eine Klarinette als
Königin Balkis und die
Trompeten als
Dschinnsauf. Vorhang auf!
The Butterfly
That Stamped è una
delle dodici novelle
della raccolta Just So
Stories, del celebre
scrittore britannico
Rudyard Kipling
(1865-1936). Maxime Aulio
se ne è ispirato per
creare un brano che di
iscrive nella tradizione
dell’impressionism
o musicale francese. Il
sax baritono solo
rappresenta il Re
Salomone, figlio di
David. I personaggi si
muovono in uno sfondo
orchestrale meraviglioso
e incantano per la loro
poesia.
Volare Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1064174-010 Nel blu dipint...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1064174-010
Nel blu dipinto di
blu. Composed by
Domenico Modugno, Franco
Migliacci. Arranged by
Lorenzo Bocci. DHP Pop,
Film and Show. Set (Score
& Parts). Composed 2006.
De Haske Publications
#DHP 1064174-010.
Published by De Haske
Publications
(BT.DHP-1064174-010).
9x12 inches.
English-German-French-Dut
ch.
In 1958,
Domenico Modugno
(1928-1994) song Nel blu
dipinto di blu (or
Volare) was the Italian
entry at the Eurovision
Song Contest. Modugno did
not win the contest (he
became third) but the
song - a true sing-along
- turned out to be a
worldwide hit. In the
course of decades, Volare
has been translated into
various languages, and
performed by many artists
of repute, like The Gipsy
Kings, Dean Martin, Louis
Armstrong, Petula Clark,
and David Bowie. With
this catchy arrangement,
Lorenzo Bocci has given
Volare a wonderfully
fitting Concert Band
sound.
In 1958
behaalde Domenico Modugno
met Nel blu Dipinto di
blu (oftewel
Volare) voor
Italië de derde plaats
tijdens het Eurovisie
Songfestival. Sindsdien
is deze meezinger
wereldberoemd. In de loop
der decennia is
Volarevertaalsin
diverse talen en
uitgevoerd door vele
artiesten van naam, zoals
The Gipsy Kings, Dean
Martin, Louis Armstrong,
Petula Clark en David
Bowie. Met dit
aanstekelijke arrangement
heeft Lorenzo Bocci
Volare ineen perfect
passend jasje voor
harmonieorkest
gestoken.
Nel
blu dipinto di blu,
besser bekannt als
Volare, gewann
1958, im Jahr seiner
Entstehung das Festival
von San Remo, wurde im
selben Jahr Zweiter beim
Grand Prix
d’Eurovision und
danach, in viele Sprachen
übersetzt und von
berühmten Künstlern
gesungen, zum Welthit.
Mit dieser eingängigen
Bearbeitung des Ohrwurms
verlieh Lorenzo Bocci
Volare einen
wunderbar authentischen
Blasorchesterklang.
Nel 1958,
Domenico Modugno
partecipò
all’Eurovision
Song Contest con Nel
Blu Dipinto Di Blu.
La canzone non vinse il
concorso ma il suo motivo
è oggi una delle
melodie più note al
mondo. Nel corso degli
anni ha ricevuto il
tributo di interpreti di
altissimo profilo che
vanno da Louis Armstrong
a David Bowie, passando
per Dean Martin, Gipsy
Kings e Petula Clark.
Grazie
all’arrangiamento
di Lorenzo Bocci, anche
la tua banda potr
reinterpretare questo
grande classico della
canzone italiana.
Volare Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1064174-140 Nel blu dipint...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1064174-140
Nel blu dipinto di
blu. Composed by
Domenico Modugno and
Franco Migliacci.
Arranged by Lorenzo
Bocci. DHP Pop, Film and
Show. Score Only.
Composed 2006. 28 pages.
De Haske Publications
#DHP 1064174-140.
Published by De Haske
Publications
(BT.DHP-1064174-140).
9x12 inches.
English-German-French-Dut
ch.
In 1958,
Domenico Modugno
(1928-1994) song Nel blu
dipinto di blu (or
Volare) was the Italian
entry at the Eurovision
Song Contest. Modugno did
not win the contest (he
became third) but the
song - a true sing-along
- turned out to be a
worldwide hit. In the
course of decades, Volare
has been translated into
various languages, and
performed by many artists
of repute, like The Gipsy
Kings, Dean Martin, Louis
Armstrong, Petula Clark,
and David Bowie. With
this catchy arrangement,
Lorenzo Bocci has given
Volare a wonderfully
fitting Concert Band
sound.
Nel blu
dipinto di blu,
besser bekannt als
Volare, gewann
1958, im Jahr seiner
Entstehung das Festival
von San Remo, wurde im
selben Jahr Zweiter beim
Grand Prix
d’Eurovision und
danach, in viele Sprachen
übersetzt und von
berühmten Künstlern
gesungen, zum Welthit.
Mit dieser eingängigen
Bearbeitung des Ohrwurms
verlieh Lorenzo Bocci
Volare einen
wunderbar authentischen
Blasorchesterklang.
Nel 1958,
Domenico Modugno
partecipò
all’Eurovision
Song Contest con Nel
Blu Dipinto Di Blu.
La canzone non vinse il
concorso ma il suo motivo
è oggi una delle
melodie più note al
mondo. Nel corso degli
anni ha ricevuto il
tributo di interpreti di
altissimo profilo che
vanno da Louis Armstrong
a David Bowie, passando
per Dean Martin, Gipsy
Kings e Petula Clark.
Grazie
all’arrangiamento
di Lorenzo Bocci, anche
la tua banda potr
reinterpretare questo
grande classico della
canzone italiana.
The Eve of the War Orchestre d'harmonie - Intermédiaire/avancé Music Sales
Concert Band/Harmonie - Grade 4 SKU: BT.1373-06-140-MS From The War of...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.1373-06-140-MS
From The War of the
Worlds. Composed by
Jeff Wayne. Arranged by
Ed Keeley. De Haske Pop
Collection. Pop & Rock.
Score Only. Composed
2006. Music Sales
#1373-06-140 MS.
Published by Music Sales
(BT.1373-06-140-MS).
9x12 inches.
English-German-French-Dut
ch.
When Jeff
Wayne’s musical
adaptation
H.G.Wells’ novel
The War of the Worlds was
originally released, no
one would have believed
that it would become so
popular. The Eve of the
War, the stunning opening
scene of Wayne’s
show, became a huge
international hit single
in its own right. This
new arrangement by the
highly respected British
composer/arranger Ed
Keeley retains all the
drama and tension of the
original atmospheric
opening. A joy to perform
and a pleasure to listen
to.
Toen Jeff
Wayne’s muzikale
bewerking van The War
of the Worlds - H.G.
Wells’ roman uit
1898 - eind jaren
zeventig werd
uitgebracht, had niemand
kunnen denken dat deze zo
populair zou worden. Met
Richard Burton, David
Essexen Phil Lynott
(beiden van Thin Lizzy),
Julie Covington, Chris
Thompson en Justin
Hayward bestormde het
dubbelalbum meteen de
Britse hitlijsten, waar
het jarenlang bleef
staan. The Eve of the
War, de verbluffende
openingsscène,werd als
single een enorme
internationale hit. Een
feest der herkenning voor
uw
publiek.
Krieg
der Welten ist wohl
jedem ein Begriff, sei es
in Form von
H.G.Wells’ Roman
aus dem Jahr 1898, Orson
Welles‘
Radioadaption, Jeff
Waynes innovativem
Rockmusical oder
jüngst von Steven
Spielbergs Kinofilm aus
dem Jahr 2005. The Eve
of the War, die
atemberaubende
Eröffnungsmelodie von
Waynes Musikversion wurde
ein großer
internationaler Hit. Das
Album ist die bekannteste
Musikaufnahme aller
Zeiten und wurde mehrfach
ausgezeichnet. Grund
genug für Edwin H.
Keely, diese Bearbeitung
für Blasorchester zu
schreiben, die dem
Original absolut gerecht
wird.
The War
of the Worlds (La
guerra dei mondi) è
universalmente noto come
romanzo di H.G. Wells del
1898,
nell’adattamento
radiofonico di Orson
Welles, come musical rock
firmato Jeff Waynes, e
anche per il film di
Steven Spielberg del
2005. L’album è
uno dei più grandi
successi mondiali,
premiato numerose volte.
Queste ragioni hanno
spinto Edwin H. Keeley a
comporre questo
arrangiamento per banda
molto fedele
all’originale.
The Eve of the War Orchestre d'harmonie - Intermédiaire/avancé Music Sales
Concert Band/Harmonie - Grade 4 SKU: BT.1373-06-010-MS From The War of...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.1373-06-010-MS
From The War of the
Worlds. Composed by
Jeff Wayne. Arranged by
Ed Keeley. De Haske Pop
Collection. Concert
Piece. Set (Score &
Parts). Composed 2006.
Music Sales #1373-06-010
MS. Published by Music
Sales
(BT.1373-06-010-MS).
9x12 inches.
English-German-French-Dut
ch.
When Jeff
Wayne’s musical
adaptation
H.G.Wells’ novel
The War of the Worlds was
originally released, no
one would have believed
that it would become so
popular. The Eve of the
War, the stunning opening
scene of Wayne’s
show, became a huge
international hit single
in its own right. This
new arrangement by the
highly respected British
composer/arranger Ed
Keeley retains all the
drama and tension of the
original atmospheric
opening. A joy to perform
and a pleasure to listen
to.
Toen Jeff
Wayne’s muzikale
bewerking van The War
of the Worlds - H.G.
Wells’ roman uit
1898 - eind jaren
zeventig werd
uitgebracht, had niemand
kunnen denken dat deze zo
populair zou worden. Met
Richard Burton, David
Essexen Phil Lynott
(beiden van Thin Lizzy),
Julie Covington, Chris
Thompson en Justin
Hayward bestormde het
dubbelalbum meteen de
Britse hitlijsten, waar
het jarenlang bleef
staan. The Eve of the
War, de verbluffende
openingsscène,werd als
single een enorme
internationale hit. Een
feest der herkenning voor
uw
publiek.
Krieg
der Welten ist wohl
jedem ein Begriff, sei es
in Form von
H.G.Wells’ Roman
aus dem Jahr 1898, Orson
Welles‘
Radioadaption, Jeff
Waynes innovativem
Rockmusical oder
jüngst von Steven
Spielbergs Kinofilm aus
dem Jahr 2005. The Eve
of the War, die
atemberaubende
Eröffnungsmelodie von
Waynes Musikversion wurde
ein großer
internationaler Hit. Das
Album ist die bekannteste
Musikaufnahme aller
Zeiten und wurde mehrfach
ausgezeichnet. Grund
genug für Edwin H.
Keely, diese Bearbeitung
für Blasorchester zu
schreiben, die dem
Original absolut gerecht
wird.
The War
of the Worlds (La
guerra dei mondi) è
universalmente noto come
romanzo di H.G. Wells del
1898,
nell’adattamento
radiofonico di Orson
Welles, come musical rock
firmato Jeff Waynes, e
anche per il film di
Steven Spielberg del
2005. L’album è
uno dei più grandi
successi mondiali,
premiato numerose volte.
Queste ragioni hanno
spinto Edwin H. Keeley a
comporre questo
arrangiamento per banda
molto fedele
all’originale.
SKU: GI.G-10580 Philosopher and Practitioner in Dialogue. Composed...(+)
SKU: GI.G-10580
Philosopher and
Practitioner in
Dialogue. Composed by
William Perrine. Music
Education. 430 pages. GIA
Publications #10580.
Published by GIA
Publications
(GI.G-10580).
ISBN
9781622776375.
Cont
ributors: Travis J. Cross
(University of
California–Los
Angeles) • David J.
Elliott (New York
University) •
Marissa Silverman
(Montclair State
University) • Jacob
Wallace (South Dakota
State University) •
Randall Everett Allsup
(Teachers College,
Columbia University)
• Cynthia Johnston
Turner (Wilfrid Laurier
University) •
Carolyn Barber
(University of
Nebraska-Lincoln) •
John Kratus (Independent
Scholar) • Vincent
C. Bates (Weber State
University) •
Thomas G. Warner, Jr.
(North Carolina
Agricultural and
Technical State
University) • Ben
Hawkins (Transylvania
University) •
Thomas A. Regelski (SUNY
Fredonia School of Music,
Helsinki University of
Finland) • Paul
Woodford (Western
University) •
Charles Peltz (New
England Conservatory of
Music) In the wind band
profession—as in
every great
discipline—it is
critical to take stock in
the big questions about
where we are heading, and
why, as we move through
the twenty-first century.
This thought-provoking
book contains seven
high-level exchanges
between a leading wind
band practitioner and a
music education
philosopher. Each section
of The Future of the Wind
Band grapples with the
most profound issues
facing the music
education profession and
the path of instrumental
music education in our
schools: Relevance: What
relevance, if any, does
the wind band have both
to today’s
students and to culture
more broadly in the
twenty-first century?
What relevance does the
band experience hold for
students’ everyday
life? Repertoire: What is
the relationship between
the repertoire performed
by wind ensembles and the
larger musical world?
Pedagogy: What
constitutes best practice
in terms of musical
pedagogy and rehearsal
technique within the
large-ensemble
experience? Creativity:
Can the wind band
function as a vehicle for
enhancing the individual
creativity of its
members? Economic
Justice: How do issues of
social class and the
distribution of wealth
relate to broader
questions of social
justice within the
context of instrumental
music education?
Professional Ethics: What
are the primary ethical
responsibilities of the
wind band conductor?
Democratic Citizenship:
What relationship, if
any, can be drawn between
membership in the wind
band and citizen
participation in
democracy? Such exchanges
can only strengthen our
profession and pay rich
dividends in our musical
and educational work with
the students we serve.
Editor of this book,
William (Bill) M. Perrine
is Associate Professor of
Music and Director of
Instrumental Activities
at Concordia University
in Ann Arbor, Michigan,
where he directs the wind
ensemble, marching band,
and community
orchestra.
Concertino Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Editions Marc Reift (Swiss import)
By Ferdinand David. Arranged by John G. Mortimer. For trombone and wind band (co...(+)
By Ferdinand David.
Arranged by John G.
Mortimer. For trombone
and wind band (concert
band). Swiss import.
Original Composition.
Level: 4 . Score and
parts. Published by
Editions Marc Reift. (EMR
1403A)