Band concert band - Grade 4 SKU: KJ.E1450 Composed by Michael Praetorius....(+)
Band concert band - Grade
4
SKU: KJ.E1450
Composed by Michael
Praetorius. Edited by
Paul Beck.
Solos/ensembles. Music
book. Neil A. Kjos Music
Company #E1450. Published
by Neil A. Kjos Music
Company (KJ.E1450).
Misericordia
domini (1607) was
composed as a double
motet by Michael
Praetorius. His works
helped to establish the
Lutheran church music
style in Germany, and
that is evident in the
chordal, hymnlike setting
of this piece. This
transcription for brass
shines as a concert piece
and is even more
effective when played
antiphonally.
Concert band SKU: CF.CFD17 Composed by Claire Cloninger, Gary Hallquist, ...(+)
Concert band
SKU:
CF.CFD17
Composed by
Claire Cloninger, Gary
Hallquist, and Ron
Harris. Arranged by Camp
Kirkland Gary Hallquist.
Jewel Case. Carl Fischer
Concert Band Recordings.
Audio CD. With Standard
notation. Carl Fischer
Music #CFD17. Published
by Carl Fischer Music
(CF.CFD17).
ISBN
9780825860157. UPC:
798408060152. Text: Keith
Hibbs; Ron Harris; Claire
Cloninger; Gary
Hallquist. Claire
Cloninger, Ron Harris,
Keith Hibbs, Gary
Hallquist.
This
collection offers both
seasonal and general
worship anthems, from one
of America’s
premiere church writers.
The anthems in this
collection are perfectly
suited for praise and
worship and are sure to
become an integral part
of church choir programs.
With seven anthems total,
Hallquist has skillfully
written these beautiful
pieces with care and
thoughtfulness, a style
that has been one of his
trademarks throughout the
years. A must-have for
every church choir!
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 9:00. Published
by Manhattan Beach Music.
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Grade
3. Conductor Full Score.
Duration 9:00
O Christmas Tree Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000905-010 Arranged by David ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000905-010
Arranged by David Well.
Set (Score & Parts).
Gobelin Music
Publications #GOB
000905-010. Published by
Gobelin Music
Publications
(BT.GOB-000905-010).
The tradition
of the Christmas tree in
Western Europe dates back
to a time long before any
Christianization had
taken place. During the
severely cold winter
nights, so it was
believed, evil spirits
tried to 'kill' nature.
Needle-leaved trees were
the only ones which kept
their green colour
throughout the year, and
therefore became symbols
of immortality. These
'living' trees, said to
be the work of benign
spirits, were brought
into people's houses to
ward off evil,
life-threatening powers.
In the 14th century
people first started to
decorate Christmas trees.
It was a pagan custom,
originated by the
inhabitants of Alsace.
This custom was taken
over by the Church inthe
course of the 15th and
16th century. At first
the decoration consisted
mainly of edibles, such
as apples and wafers, but
later small presents were
added. Legend has it that
the reformer Martin
Luther was the first
person to decorate a
Christmas tree with
candles. The flickering
candle flames were meant
to create the image of a
starry sky in which
Christ's apparition could
be recognized. The German
organ-player Ernst
Anschütz from Leipzig
was the first person to
notate the song 'O
Tannenbaum', the melody
being a well-known folk
song. Next to 'Stille
Nacht' 'O Tannenbaum' is
the most famous German
Christmas song, now known
throughout the world. In
the United States of
America the melody of 'O
Tannenbaum' has even been
used in four States
(among which the State of
Maryland) for their State
song. In David Well's
arrangement the song is
first heard as many of us
know it. After this
introduction, however, it
is transformed into a
solid rock version, and
the beat has been
changed. In the second
part the familiar
three-four time is back,
but here the rhythm is
different from the
original. After the
richly ornamented rock
beat the basic theme can
be heard once again and
the composition is
concluded in a festive
manner.
De
traditie van de
‘Kerstboom’ gaat in
West-Europa terug tot ver
voordat er van enige
kerstening sprake was.
Gedurende de koude
strenge winters dacht men
dat kwade geesten de
natuur ‘vermoordde’.
Naaldbomen behielden als
enige hungroene kleur en
werden daardoor symbolen
van onsterflijkheid. Deze
‘levende’ bomen, het
werk van goede machten,
werden in huis gehaald om
kwade geesten en
levensbedreigende
krachten buitenshuis te
houden. Van
‘versierde’
kerstbomenwas het eerst
sprake in de 14e eeuw.
Het was een heidens
gebruik, dat in deze
periode in de Elzas
voorkwam. Tijdens de 15e
en 16e eeuw werd het
versieren van de
kerstboom door de kerk
overgenomen. De
versiering bestond in
eersteinstantie vooral
uit etenswaar, als appels
en koekjes. Later ging
men ook kleine cadeautjes
als versiering gebruiken.
Er wordt beweerd dat
Martin Luther, de
hervormer, als eerste
kaarsen in een kerstboom
deed. De fonkelende
vlammetjescreëerden een
sterrenhemel waarin men
Christus’ verschijning
leek te herkennen. De
Duitse organist Ernst
Anschütz uit Leipzig,
was de eerste die het
lied ‘O Tannenbaum’
op schrift stelde. De
melodie was een bekend
volkswijsje.Naast
‘Stille Nacht’ is
‘O Tannenbaum’ het
meest bekende kerstlied
dat vanuit Duitsland de
hele wereld veroverde. De
melodie van ‘O
Tannenbaum’ wordt zelfs
in de Verenigde Staten
van Amerika in vier
verschillende staten
(o.a.Maryland) als
volkslied gebruikt. In
het arrangement van David
Well hoort u het lied
eerst op de manier zoals
velen het kennen. Na deze
inleiding klinkt een
stevige rock-versie en is
de maatsoort niet meer de
gebruikelijke. Het
tussendeelis weer in de
vertrouwde
driekwarts-maatsoort.
Hier is echter de ritmiek
in een ander jasje
gestoken. Na de rijkelijk
met slingers versierde
rock-beat klinkt nog
één keer het
oorspronkelijke thema om
daarna feestelijk af.
O Christmas Tree Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000905-140 Arranged by David ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000905-140
Arranged by David Well.
Score Only. 10 pages.
Gobelin Music
Publications #GOB
000905-140. Published by
Gobelin Music
Publications
(BT.GOB-000905-140).
The tradition
of the Christmas tree in
Western Europe dates back
to a time long before any
Christianization had
taken place. During the
severely cold winter
nights, so it was
believed, evil spirits
tried to 'kill' nature.
Needle-leaved trees were
the only ones which kept
their green colour
throughout the year, and
therefore became symbols
of immortality. These
'living' trees, said to
be the work of benign
spirits, were brought
into people's houses to
ward off evil,
life-threatening powers.
In the 14th century
people first started to
decorate Christmas trees.
It was a pagan custom,
originated by the
inhabitants of Alsace.
This custom was taken
over by the Church inthe
course of the 15th and
16th century. At first
the decoration consisted
mainly of edibles, such
as apples and wafers, but
later small presents were
added. Legend has it that
the reformer Martin
Luther was the first
person to decorate a
Christmas tree with
candles. The flickering
candle flames were meant
to create the image of a
starry sky in which
Christ's apparition could
be recognized. The German
organ-player Ernst
Anschütz from Leipzig
was the first person to
notate the song 'O
Tannenbaum', the melody
being a well-known folk
song. Next to 'Stille
Nacht' 'O Tannenbaum' is
the most famous German
Christmas song, now known
throughout the world. In
the United States of
America the melody of 'O
Tannenbaum' has even been
used in four States
(among which the State of
Maryland) for their State
song. In David Well's
arrangement the song is
first heard as many of us
know it. After this
introduction, however, it
is transformed into a
solid rock version, and
the beat has been
changed. In the second
part the familiar
three-four time is back,
but here the rhythm is
different from the
original. After the
richly ornamented rock
beat the basic theme can
be heard once again and
the composition is
concluded in a festive
manner.
De
traditie van de
‘Kerstboom’ gaat in
West-Europa terug tot ver
voordat er van enige
kerstening sprake was.
Gedurende de koude
strenge winters dacht men
dat kwade geesten de
natuur ‘vermoordde’.
Naaldbomen behielden als
enige hungroene kleur en
werden daardoor symbolen
van onsterflijkheid. Deze
‘levende’ bomen, het
werk van goede machten,
werden in huis gehaald om
kwade geesten en
levensbedreigende
krachten buitenshuis te
houden. Van
‘versierde’
kerstbomenwas het eerst
sprake in de 14e eeuw.
Het was een heidens
gebruik, dat in deze
periode in de Elzas
voorkwam. Tijdens de 15e
en 16e eeuw werd het
versieren van de
kerstboom door de kerk
overgenomen. De
versiering bestond in
eersteinstantie vooral
uit etenswaar, als appels
en koekjes. Later ging
men ook kleine cadeautjes
als versiering gebruiken.
Er wordt beweerd dat
Martin Luther, de
hervormer, als eerste
kaarsen in een kerstboom
deed. De fonkelende
vlammetjescreëerden een
sterrenhemel waarin men
Christus’ verschijning
leek te herkennen. De
Duitse organist Ernst
Anschütz uit Leipzig,
was de eerste die het
lied ‘O Tannenbaum’
op schrift stelde. De
melodie was een bekend
volkswijsje.Naast
‘Stille Nacht’ is
‘O Tannenbaum’ het
meest bekende kerstlied
dat vanuit Duitsland de
hele wereld veroverde. De
melodie van ‘O
Tannenbaum’ wordt zelfs
in de Verenigde Staten
van Amerika in vier
verschillende staten
(o.a.Maryland) als
volkslied gebruikt. In
het arrangement van David
Well hoort u het lied
eerst op de manier zoals
velen het kennen. Na deze
inleiding klinkt een
stevige rock-versie en is
de maatsoort niet meer de
gebruikelijke. Het
tussendeelis weer in de
vertrouwde
driekwarts-maatsoort.
Hier is echter de ritmiek
in een ander jasje
gestoken. Na de rijkelijk
met slingers versierde
rock-beat klinkt nog
één keer het
oorspronkelijke thema om
daarna feestelijk af.
A Shaker Gift Song Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for middle school and high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for middle
school and high school
bands. Grade 2. Conductor
score and set of parts.
Duration 2:15. Published
by Manhattan Beach Music
Song of
the Auvergne.
Composed by Kevin
Thompson. Band Music.
Score and parts. Duration
3:30. Published by G & M
Brand Music Publishers
(CN.R10104).
This beautiful
song reflects the
tranquillity of the
French countryside. Dr.
Kevin Thompson is a
leading British authority
on bands and his
sensitive score is ideal
for smaller groups,
providing training for
phrasing and ensemble
playing.
This
beautiful song reflects
the tranquillity of the
French countryside. Dr.
Kevin Thompson is a
leading British authority
on bands and his
sensitive score is ideal
for smaller groups,
providing training for
phrasing and ensemble
playing. Professor Kevin
Thompson is Principal and
Chief Executive of
Dartington College of
Arts, a University Sector
institution dedicated to
the performance
arts.After undergraduate
studies at the Royal
Northern College of
Music, he gained masters
and subsequently doctoral
degrees at the University
of London. He began his
career as a professional
trumpet player,
conductor, composer and
teacher. He was the
architect of University
of Salford's degree in
band musicianship,
launched in 1987 and the
first of its kind. From
1988 - 1993 he was
Principal of Birmingham
Conservatoire and during
this time was elected to
a personal professorship
and subsequently a
Deanship chair.On his
arrival at Dartington, he
was made an honorary
Professor by the
University of Plymouth.
In 1992 he gained a
Winston Churchill
Fellowship to study the
Great American Music
Schools: Juilliard,
Curtis, Eastman, Indiana.
Other awards include
those of the British
Association for American
Studies and the British
Council for the Royal
Danish Academy of Music.
He is a Freeman of the
City of London. His
publications include a
book on brass and wind
bands published by
Cambridge University,
many articles in Times
Newspaper and other
leading British and
American journals. The
book on wind and brass
bands became a key text
in many college and
university reading lists
and was read extensively
throughout the English
speaking world,
particularly in North
America and the Pacific
Rim. He is joint editor,
with Dr Gordon Cox of the
new eleven volume series
on brass playing and
teaching and author of
two of the volumes.
Song of
the Auvergne.
Composed by Kevin
Thompson. Band Music.
Score only. Duration
3:30. Published by G & M
Brand Music Publishers
(CN.S11104).
This beautiful
song reflects the
tranquillity of the
French countryside. Dr.
Kevin Thompson is a
leading British authority
on bands and his
sensitive score is ideal
for smaller groups,
providing training for
phrasing and ensemble
playing.
This
beautiful song reflects
the tranquillity of the
French countryside. Dr.
Kevin Thompson is a
leading British authority
on bands and his
sensitive score is ideal
for smaller groups,
providing training for
phrasing and ensemble
playing. Professor Kevin
Thompson is Principal and
Chief Executive of
Dartington College of
Arts, a University Sector
institution dedicated to
the performance
arts.After undergraduate
studies at the Royal
Northern College of
Music, he gained masters
and subsequently doctoral
degrees at the University
of London. He began his
career as a professional
trumpet player,
conductor, composer and
teacher. He was the
architect of University
of Salford's degree in
band musicianship,
launched in 1987 and the
first of its kind. From
1988 - 1993 he was
Principal of Birmingham
Conservatoire and during
this time was elected to
a personal professorship
and subsequently a
Deanship chair.On his
arrival at Dartington, he
was made an honorary
Professor by the
University of Plymouth.
In 1992 he gained a
Winston Churchill
Fellowship to study the
Great American Music
Schools: Juilliard,
Curtis, Eastman, Indiana.
Other awards include
those of the British
Association for American
Studies and the British
Council for the Royal
Danish Academy of Music.
He is a Freeman of the
City of London. His
publications include a
book on brass and wind
bands published by
Cambridge University,
many articles in Times
Newspaper and other
leading British and
American journals. The
book on wind and brass
bands became a key text
in many college and
university reading lists
and was read extensively
throughout the English
speaking world,
particularly in North
America and the Pacific
Rim. He is joint editor,
with Dr Gordon Cox of the
new eleven volume series
on brass playing and
teaching and author of
two of the volumes.