Composed by Sheldon.
Concert Band. Command
Series. Audio recording
available separately
(items CL.WFR194 &
CL.WFR315). Oversized,
spiral-bound score.
Composed 1981. Duration 5
minutes, 5 seconds. Opus
III Wind Orchestra
Publications
#012-1595-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-1595-75).
A fine overture
full of beautiful
sonorities that
attainable by mid-level
bands. The lively opening
theme and expressive
andante section are a
winning combination that
make this quality
composition for concert
or competition
performances. One of Mr.
Sheldons finest!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Composed by Sheldon.
Concert Band. Command
Series. Audio recording
available separately
(items CL.WFR194 &
CL.WFR315). Extra full
score. Composed 1981.
Duration 5 minutes, 5
seconds. Opus III Wind
Orchestra Publications
#012-1595-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-1595-01).
A fine overture
full of beautiful
sonorities that
attainable by mid-level
bands. The lively opening
theme and expressive
andante section are a
winning combination that
make this quality
composition for concert
or competition
performances. One of Mr.
Sheldons finest!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Composed by Barker.
Concert Band. Command
Series. Audio recording
available separately
(item CL.WFR191). Extra
full score. Composed
1999. Duration 5 minutes,
9 seconds. Opus III Wind
Orchestra Publications
#012-2969-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-2969-01).
A delightful
concert piece for
mid-level bands based on
a famous hymn tune.
Master arranger Warren
Barker takes this well
known melody through a
number of interesting
variations and creates a
band piece which is
perfect for a wide
variety of performance
situations. Exceptional
music that is sure to
inspire your band to new
musical vistas!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Grade 2 SKU: CL.011-2478-01 Composed by J. Williams. Young Concert Band. ...(+)
Grade 2
SKU:
CL.011-2478-01
Composed by J. Williams.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR192). Extra full
score. Composed 1992.
C.L. Barnhouse
#011-2478-01. Published
by C.L. Barnhouse
(CL.011-2478-01).
A delightful
march with a truly regal
sound. The haunting
melody and stately tempo
make this a very
appealing selection for
either contest or concert
use and its slightly
modal sound is sure to
make it a favorite with
your students. Another
extraordinary young band
piece from a very popular
composer. A REAL
WINNER!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Grade 2 SKU: CL.011-2478-00 Composed by J. Williams. Young Concert Band. ...(+)
Grade 2
SKU:
CL.011-2478-00
Composed by J. Williams.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR192). Score and set
of parts. Composed 1992.
C.L. Barnhouse
#011-2478-00. Published
by C.L. Barnhouse
(CL.011-2478-00).
A delightful
march with a truly regal
sound. The haunting
melody and stately tempo
make this a very
appealing selection for
either contest or concert
use and its slightly
modal sound is sure to
make it a favorite with
your students. Another
extraordinary young band
piece from a very popular
composer. A REAL
WINNER!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Call of Courage Orchestre d'harmonie - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-3419-00 Composed by Pastore. Young Concert Band. Comm...(+)
Grade 2
SKU:
CL.011-3419-00
Composed by Pastore.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR336). Overture.
Score and set of parts.
Composed 2005. Duration 2
minutes, 53 seconds. C.L.
Barnhouse #011-3419-00.
Published by C.L.
Barnhouse
(CL.011-3419-00).
This dynamic
piece will let your band
sound their very best!
After a slow and delicate
introduction, the
exuberant sound of this
piece makes it a natural
choice as a concert or
contest opener. Includes
a few easy examples of
mixed meters and has
ample percussion parts to
keep your drummers
involved and interested!
A worthwhile selection
that will pay big
dividends to your band
program!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Call of Courage Orchestre d'harmonie - Facile C.L. Barnhouse
Grade 2.5 SKU: CL.011-3419-01 Composed by Pastore. Young Concert Band. Co...(+)
Grade 2.5
SKU:
CL.011-3419-01
Composed by Pastore.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR336). Extra full
score. Composed 2005.
Duration 2 minutes, 53
seconds. C.L. Barnhouse
#011-3419-01. Published
by C.L. Barnhouse
(CL.011-3419-01).
This dynamic
piece will let your band
sound their very best!
After a slow and delicate
introduction, the
exuberant sound of this
piece makes it a natural
choice as a concert or
contest opener. Includes
a few easy examples of
mixed meters and has
ample percussion parts to
keep your drummers
involved and interested!
A worthwhile selection
that will pay big
dividends to your band
program!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Call of the Valley Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135394-010 Bad Orb Impres...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135394-010
Bad Orb
Impressions. Composed
by Jacob De Haan. Concert
and Contest Collection
CBHA. Concert Piece. Set
(Score & Parts). Composed
2013. De Haske
Publications #DHP
1135394-010. Published by
De Haske Publications
(BT.DHP-1135394-010).
9x12 inches.
English-German-French-Dut
ch.
The inspiration
for this three-part work
goes back to the
International European
Youth Wind Music
Festival, of which the
patron has been Jacob de
Haan several times. It
begins in a festive march
tempo, then sacred music,
instrumental groups
playing off_x001E_stage
and a little march for
brass and _x001D_flutes.
The third movement is a
parade in which the
various sections of the
ensemble head towards the
stage from different
directions. Even without
the effective
choreography of the
musicians, Call of the
Valley is an
impressive concert band
composition.
Jacob
de Haan haalde zijn
inspiratie voor dit
driedelige werk bij het
Hessische kuuroord Bad
Orb en het tweejaarlijkse
Blaasmuziekfestival van
de Europese Jeugd,
waarvan hij meerdere
keren beschermheer was.
In het werk verwerkte de
componist verschillende
e_x001D_ecten die
betrekking hebben op het
festival. Zo hoort men in
de vallei verschillende
orkesten door elkaar
spelen, een indrukwekkend
e_x001D_ect dat ook in de
compositie werd verwerkt.
Ook kan men ervoor kiezen
om tijdens het werk het
orkest op te splitsen en
het podium te laten
verlaten en marcherend
weer richting podium te
stappen. Een spectaculair
en vernieuwend
werk!
Die
Inspiration für
dieses dreiteilige Werk
geht auf das
Internationale
Blasmusikfest der Jugend
Europas zurück,
dessen Schirmherr schon
mehrfach Jacob de Haan
war. Es beginnt in
festlich marschierendem
Tempo, gefolgt von
sakraler Musik, abseits
der Bühne
spielenden
Instrumentengruppen und
einem kleinen Marsch
für Blechbläser
und Flöten. Der dritte
Satz ist eine Parade, bei
der sich das geteilte
Orchester aus
verschiedenen Richtungen
auf die Bühne zu
bewegt. Auch ohne die
effektvolle
Positionierung der
Musiker ist Call of
the Valley ein
eindrucksvolles
Blasorchesterwerk.
Un
festival di musica per
_x001E_ati per banda
giovanile che si tiene a
Hesse in Germania, e al
quale Jacob de Haan ha
più volte partecipato
in veste di giurato, è
servito da ispirazione
per comporre questo
brano. L’inizio
vede un tempo festivo che
simboleggia
l’arrivo delle
bande. Sonorit maestose
disegnano un concerto di
musica sacra, seguite da
suoni che evocano le
interpretazioni di varie
orchestre. Un gruppo di
sax interpreta un piccolo
valzer, un altro gruppo
che unisce ottoni,
_x001D_auti e ottavino
suona una piccola marcia.
Nel _x001E_finale
dell’opera,
l’orchestra
riprende i temi dei due
gruppi.
Call of the Valley Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135394-140 Bad Orb Impres...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135394-140
Bad Orb
Impressions. Composed
by Jacob De Haan. Concert
and Contest Collection
CBHA. Concert Piece.
Score Only. Composed
2013. 24 pages. De Haske
Publications #DHP
1135394-140. Published by
De Haske Publications
(BT.DHP-1135394-140).
9x12 inches.
English-German-French-Dut
ch.
The inspiration
for this three-part work
goes back to the
International European
Youth Wind Music
Festival, of which the
patron has been Jacob de
Haan several times. It
begins in a festive march
tempo, then sacred music,
instrumental groups
playing off_x001E_stage
and a little march for
brass and _x001D_flutes.
The third movement is a
parade in which the
various sections of the
ensemble head towards the
stage from different
directions. Even without
the effective
choreography of the
musicians, Call of the
Valley is an
impressive concert band
composition.
Jacob
de Haan haalde zijn
inspiratie voor dit
driedelige werk bij het
Hessische kuuroord Bad
Orb en het tweejaarlijkse
Blaasmuziekfestival van
de Europese Jeugd,
waarvan hij meerdere
keren beschermheer was.
In het werk verwerkte de
componist verschillende
e_x001D_ecten die
betrekking hebben op het
festival. Zo hoort men in
de vallei verschillende
orkesten door elkaar
spelen, een indrukwekkend
e_x001D_ect dat ook in de
compositie werd verwerkt.
Ook kan men ervoor kiezen
om tijdens het werk het
orkest op te splitsen en
het podium te laten
verlaten en marcherend
weer richting podium te
stappen. Een spectaculair
en vernieuwend
werk!
Die
Inspiration für
dieses dreiteilige Werk
geht auf das
Internationale
Blasmusikfest der Jugend
Europas zurück,
dessen Schirmherr schon
mehrfach Jacob de Haan
war. Es beginnt in
festlich marschierendem
Tempo, gefolgt von
sakraler Musik, abseits
der Bühne
spielenden
Instrumentengruppen und
einem kleinen Marsch
für Blechbläser
und Flöten. Der dritte
Satz ist eine Parade, bei
der sich das geteilte
Orchester aus
verschiedenen Richtungen
auf die Bühne zu
bewegt. Auch ohne die
effektvolle
Positionierung der
Musiker ist Call of
the Valley ein
eindrucksvolles
Blasorchesterwerk.
Un
festival di musica per
_x001E_ati per banda
giovanile che si tiene a
Hesse in Germania, e al
quale Jacob de Haan ha
più volte partecipato
in veste di giurato, è
servito da ispirazione
per comporre questo
brano. L’inizio
vede un tempo festivo che
simboleggia
l’arrivo delle
bande. Sonorit maestose
disegnano un concerto di
musica sacra, seguite da
suoni che evocano le
interpretazioni di varie
orchestre. Un gruppo di
sax interpreta un piccolo
valzer, un altro gruppo
che unisce ottoni,
_x001D_auti e ottavino
suona una piccola marcia.
Nel _x001E_finale
dell’opera,
l’orchestra
riprende i temi dei due
gruppi.
Composed by Michael Kamuf. Concert Band; Performance Music Ensemble; Single Titl...(+)
Composed by Michael
Kamuf. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Very Beginning
Band. Score. 16 pages.
Duration 1:45. Belwin
Music #00-45764S.
Published by Belwin Music
(AP.45764S).
Concert Band - Grade 0.5 SKU: AP.45764 Composed by Michael Kamuf. Concert...(+)
Concert Band - Grade 0.5
SKU: AP.45764
Composed by Michael
Kamuf. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Very Beginning
Band. Score and Part(s).
132 pages. Duration 1:45.
Belwin Music #00-45764.
Published by Belwin Music
(AP.45764).
UPC:
038081529325.
English.
This
energetic original work
for your very first
concert employs
contrasting themes while
serving as the perfect
vehicle to introduce
staccato and accented
articulations. All
instruments get an
opportunity to play one
of the themes. Destined
to be a favorite of
students and audiences
alike! (1:45).
Ponte Romano Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4.5 SKU: BT.DHP-1002068-010 Composed by Jan...(+)
Concert Band/Harmonie -
Grade 4.5
SKU:
BT.DHP-1002068-010
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Set (Score
& Parts). Composed 2000.
De Haske Publications
#DHP 1002068-010.
Published by De Haske
Publications
(BT.DHP-1002068-010).
This concert
overture, which has the
air of a symphonic poem,
takes its inspiration
from an ancient Roman
bridge. A massive
introduction, a
threatening allegro and
alternating virtuoso and
chorale themes quickly
succeed each other.
Trombones and trumpets
introduce a rhythmical
theme which develops
throughout all instrument
groups. The allegro is
characterised by a
quasi-obsessive cadence
which depicts a Roman
army constantly beating
time.
Elephant Orchestre d'harmonie - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS127 Composed by Peter Sciaino. Fol...(+)
Band concert band - Grade
1
SKU: CF.BPS127
Composed by Peter
Sciaino. Folio. Bps. Set
of Score and Parts.
8+2+8+2+5+2+2+8+3+6+2+3+1
+1+2+2+12 pages. Duration
2 minutes, 39 seconds.
Carl Fischer Music
#BPS127. Published by
Carl Fischer Music
(CF.BPS127).
ISBN
9781491156209. UPC:
680160914746. 9 x 12
inches.
Program
Notes Elephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however, it's
their trumpeting that
makes them stand out as
the instrumentalists of
the animal kingdom! In
this selection, an
elephant's slow gate and
general demeanor are
represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young percussionists.
At m. 33 the
trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or lunch-bag
mutes, over their bells
(in their bells for horn
players). For the trumpet
players, the mutes can be
enhanced with an
additional balled-up
piece of paper placed at
the bottom of the bag
prior to slipping it over
the bell. Horns should
ball up the bag itself
and experiment with
placement to create the
most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age. Note to the
Conductor This piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece. Younger students
will likely need a
reasonable amount of
practice in successfully
using the lunch-bag
mutes. Allowing
additional rehearsal time
for this is
recommended. Program
Notes Elephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however, it's
their trumpeting that
makes them stand out as
the instrumentalists of
the animal kingdom! In
this selection, an
elephant's slow gait and
general demeanor are
represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young percussionists.
At m. 33 the
trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or lunch-bag
mutes, over their bells
(in their bells for horn
players). For the trumpet
players, the mutes can be
enhanced with an
additional balled-up
piece of paper placed at
the bottom of the bag
prior to slipping it over
the bell. Horns should
ball up the bag itself
and experiment with
placement to create the
most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age. Note to the
Conductor This piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece. Younger students
will likely need a
reasonable amount of
practice in successfully
using the lunch-bag
mutes. Allowing
additional rehearsal time
for this is
recommended. Program
NotesElephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however,
it’s their
trumpeting that makes
them stand out as the
instrumentalists of the
animal kingdom! In this
selection, an
elephant’s slow
gait and general demeanor
are represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young
percussionists. At m.
33 the trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or
“lunch-bag
mutes,†over their
bells (in their bells for
horn players). For the
trumpet players, the
mutes can be enhanced
with an additional
balled-up piece of paper
placed at the bottom of
the bag prior to slipping
it over the bell. Horns
should ball up the bag
itself and experiment
with placement to create
the most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age.Note to the
ConductorThis piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece.Younger students
will likely need a
reasonable amount of
practice in successfully
using the
“lunch-bag
mutes.†Allowing
additional rehearsal time
for this is
recommended.
Mallet Mambo Orchestre d'harmonie - Facile C.L. Barnhouse
Concert band - Grade 2 SKU: CL.024-4415-01 Composed by Robert W. Smith. Y...(+)
Concert band - Grade 2
SKU:
CL.024-4415-01
Composed by Robert W.
Smith. Young Concert
Band. Rising Band Series
for Developing Bands!
Audio recording available
separately (item
CL.WFR386). Extra full
score. Composed 2015.
Duration 1 minute, 47
seconds. C.L. Barnhouse
#024-4415-01. Published
by C.L. Barnhouse
(CL.024-4415-01).
Featuring your
percussion section on
mallet instruments and
other latin accessories,
Mallet Mambo is a fun and
educational experience
for the full band!
Composed in the classic
Cuban dance and musical
style, Mallet Mambo
provides multiple
teaching opportunities
for percussion and winds
alike. Ritmos
calientes!
I Love the 207 Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1125251-010 Composed by Itaru...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1125251-010
Composed by Itaru Sakai.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2012. De
Haske Publications #DHP
1125251-010. Published by
De Haske Publications
(BT.DHP-1125251-010).
9x12 inches.
English-German-French-Dut
ch.
I Love the
207 was composed in
February 2010 for a
commission by Osumi
Symphonic Band in Kyoto.
It was first performed on
25 April 2010 by Osumi
Symphonic Band, conducted
by Masanori Ozaki. This
piece begins with an
introduction to present
the instruments, followed
by a light scherzo. The
title is an affectionate
reference to the commuter
rail 207 series of the
West Japan Railway
Company. When the band
started their activity,
the 207 series trains
began running through the
fields next to the
building where they
practice. The composer
hopes that the trains
continue to run and bring
smiles to people’s
faces.
I Love
the 207 is in
februari 2010
gecomponeerd in opdracht
van de Osumi Symphonic
Band uit Kyoto, Japan.
Dit orkest bracht op 25
april 2010 de
première, onder
leiding van dirigent
Masanori Ozaki. Het werk
begint met een
inleidingwaarin de
instrumenten worden
gepresenteerd, gevolgd
door een licht scherzo.
De titel verwijst naar de
forenzentrein van het
type 207 van de West
Japan Railway Company.
Toen het orkest begon,
begonnen ook de treinen
uit de207-serie door de
velden te rijden naast
het gebouw waar wordt
gerepeteerd. De componist
hoopt dat de treinen
zullen blijven rijden tot
tevredenheid van de
mensen die er gebruik van
maken.
I Love
the 207 wurde im
Februar 2010 als
Auftragswerk für die
Osumi Symphonic Band in
Kyoto (Japan) komponiert.
Die Urraufführung fand
am 25. April 2010 mit der
Osumi Symphonic Band,
unter der Leitung von
Masanori Ozaki, statt.
Das Stück beginnt
einer Einleitung zur
Vorstellung aller
Instrumente; dann folgt
ein leichtes Scherzo. Der
Titel ist eine liebevolle
Anspielung auf die
Pendlerzüge der Serie
207 der West-Japanischen
Eisenbahngesellschaft.
Während der
Anfangszeit des
Blasorchesters begannen
die Züge der
207er-Serie die Felder
ganz in der Nähe des
Proberaums zu
durchqueren. Mit diesem
Stück will der
Komponist seiner Hoffnung
Ausdruck verleihen, dass
die Züge auchweiterhin
fahren und ein Lächeln
auf die Gesichter der
Menschen zaubern
mögen.
Questo brano
è stato commissionato
a Itaru Sakai
dall’orchestra di
fiati di Osumi in
Giappone. I Love the
207 inizia con la
presentazione di ogni
sezione della banda,
seguita da un leggero
scherzo. Il titolo si
riferisce affettuosamente
e con un tocco ironico ai
treni della periferia
della serie 207 della
West Japan Railway
Company. In effetti, la
data di fondazione
dell’orchestra di
fiati che ha
commissionato il brano
coincide con la nascita
di questi treni che
attraversano le campagne
e sfrecciano vicino alla
sede della banda.
I Love the 207 Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1125251-140 Composed by Itaru...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1125251-140
Composed by Itaru Sakai.
Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2012. 36 pages.
De Haske Publications
#DHP 1125251-140.
Published by De Haske
Publications
(BT.DHP-1125251-140).
9x12 inches.
English-German-French-Dut
ch.
I Love the
207 was composed in
February 2010 for a
commission by Osumi
Symphonic Band in Kyoto.
It was first performed on
25 April 2010 by Osumi
Symphonic Band, conducted
by Masanori Ozaki. This
piece begins with an
introduction to present
the instruments, followed
by a light scherzo. The
title is an affectionate
reference to the commuter
rail 207 series of the
West Japan Railway
Company. When the band
started their activity,
the 207 series trains
began running through the
fields next to the
building where they
practice. The composer
hopes that the trains
continue to run and bring
smiles to people’s
faces.
I Love
the 207 is in
februari 2010
gecomponeerd in opdracht
van de Osumi Symphonic
Band uit Kyoto, Japan.
Dit orkest bracht op 25
april 2010 de
première, onder
leiding van dirigent
Masanori Ozaki. Het werk
begint met een
inleidingwaarin de
instrumenten worden
gepresenteerd, gevolgd
door een licht scherzo.
De titel verwijst naar de
forenzentrein van het
type 207 van de West
Japan Railway Company.
Toen het orkest begon,
begonnen ook de treinen
uit de207-serie door de
velden te rijden naast
het gebouw waar wordt
gerepeteerd. De componist
hoopt dat de treinen
zullen blijven rijden tot
tevredenheid van de
mensen die er gebruik van
maken.
I Love
the 207 wurde im
Februar 2010 als
Auftragswerk für die
Osumi Symphonic Band in
Kyoto (Japan) komponiert.
Die Urraufführung fand
am 25. April 2010 mit der
Osumi Symphonic Band,
unter der Leitung von
Masanori Ozaki, statt.
Das Stück beginnt
einer Einleitung zur
Vorstellung aller
Instrumente; dann folgt
ein leichtes Scherzo. Der
Titel ist eine liebevolle
Anspielung auf die
Pendlerzüge der Serie
207 der West-Japanischen
Eisenbahngesellschaft.
Während der
Anfangszeit des
Blasorchesters begannen
die Züge der
207er-Serie die Felder
ganz in der Nähe des
Proberaums zu
durchqueren. Mit diesem
Stück will der
Komponist seiner Hoffnung
Ausdruck verleihen, dass
die Züge auchweiterhin
fahren und ein Lächeln
auf die Gesichter der
Menschen zaubern
mögen.
Questo brano
è stato commissionato
a Itaru Sakai
dall’orchestra di
fiati di Osumi in
Giappone. I Love the
207 inizia con la
presentazione di ogni
sezione della banda,
seguita da un leggero
scherzo. Il titolo si
riferisce affettuosamente
e con un tocco ironico ai
treni della periferia
della serie 207 della
West Japan Railway
Company. In effetti, la
data di fondazione
dell’orchestra di
fiati che ha
commissionato il brano
coincide con la nascita
di questi treni che
attraversano le campagne
e sfrecciano vicino alla
sede della banda.
River City Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1155623-140 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1155623-140
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Score
Only. Composed 2015. 12
pages. De Haske
Publications #DHP
1155623-140. Published by
De Haske Publications
(BT.DHP-1155623-140).
English-German-French-
Dutch.
Sacramento,
in the American state of
California, is also known
as River City - which is
also the name of the
concert band that
commissioned Jacob de
Haan to write this
sonorous, lyrical work on
the occasion of the 37th
Annual ACB National
Convention, which took
place in 2015 in Rancho
Cordova. All of the fun
that the musicians will
have with the rich
melodic material provided
for all instrument groups
will immediately radiate
into the audience!
Sacramento is een
stad in de Amerikaanse
staat Californië. De
stad staat ook wel bekend
als River City. Het
gelijknamige
harmonieorkest gaf Jacob
de Haan de opdracht dit
sonore, lyrische werk te
schrijven ter gelegenheid
van de 37ste Jaarlijkse
ACB Nationale Conventie
in 2015 in Rancho
Cordova. Met dit rijke
melodische materiaal is
plezier verzekerd voor
zowel muzikanten als
publiek!
River
City ist der
inoffizielle Name der
kalifonischen Stadt
Sacramento und auch der
Name des Blasorchesters,
in dessen Auftrag
lyrische Werk
anlässlich der 37.
Jacob de Haan dieses
klangvolle, Jährlichen
ACB Convention 2015 in
Rancho Cordova schrieb.
Der große
Spielspaß, den die
Musiker mit dem
reichhaltigen melodischen
Material haben werden,
das gerecht auf alle
Instrumentengruppen
verteilt ist, ist absolut
ansteckend!
Sacramento, nello
Stato della California,
è anche conosciuta
come River City. River
City è anche il nome
della banda da concerto
che ha commissionato a
Jacob de Haan la
scrittura di questo
lavoro sonoro e lirico in
occasione della 37°
Annual ACB National
Convention, che ha avuto
luogo nel 2015 a Rancho
Cordova. Il divertimento
che i musicisti avranno
con il ricco materiale
melodico, assegnato a
tutti i gruppi
strumentali, si irradier
immediatamente al
pubblico!
Concert Band (Score) - Grade 4 SKU: HL.4005560 Composed by Richard L. Sau...(+)
Concert Band (Score) -
Grade 4
SKU:
HL.4005560
Composed
by Richard L. Saucedo.
MusicWorks Grade 4.
Concert. Softcover. 16
pages. Duration 360
seconds. Published by Hal
Leonard (HL.4005560).
UPC: 888680753290.
9.0x12.0x0.044
inches.
This
poignant and lyrical work
by Richard Saucedo
utilizes sections of
transparent beauty, with
only a few instruments
playing, contrasted with
sections of dramatic
emotional performed by
the entire ensemble.
Featuring long phrases
and sustained intensity,
this is a challenging yet
rewarding work for mature
bands. Dur: 6:00.
Olympia Orchestre d'harmonie [Conducteur et Parties séparées] - Facile FJH
By Brian Balmages. Arranged by Brian Balmages. FJH Beginning Band. This fanfare ...(+)
By Brian Balmages.
Arranged by Brian
Balmages. FJH Beginning
Band. This fanfare
captures the spirit of
Olympia, the birthplace
of the Olympic Games. The
Games began in 776 B.C.
In honor of Zeus. Since
then, they have become
the central location for
heroes and champions to
compete for the highest
honors in the world. This
work also serves as a
reminder that heroes are
all around us - in
teachers who stay after
school to help students,
in parents who strive to
give their children the
best possible lives, and
most of all in students
themselves, the young
champions of our world
who see nothing between
them and their dreams.
The mallet part calls for
multiple sets of bells
(or other metallic
instruments such as the
vibraphone). Certainly,
two to three players can
really make this an
effective part. There are
two Percussion 1 parts
include
Olympia Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant FJH
By Brian Balmages. Arranged by Brian Balmages. Beginning Band. FJH Beginning Ban...(+)
By Brian Balmages.
Arranged by Brian
Balmages. Beginning Band.
FJH Beginning Band. This
fanfare captures the
spirit of Olympia, the
birthplace of the Olympic
Games. The Games began in
776 B.C. In honor of
Zeus. Since then, they
have become the central
location for heroes and
champions to compete for
the highest honors in the
world. This work also
serves as a reminder that
heroes are all around us
- in teachers who stay
after school to help
students, in parents who
strive to give their
children the best
possible lives, and most
of all in students
themselves, the young
champions of our world
who see nothing between
them and their dreams.
The mallet part calls for
multiple sets of bells
(or other metallic
instruments such as the
vibraphone). Certainly,
two to three players can
really make this an
effective part. There are
two Percussion 1 parts
included: a normal part
and an advanced part. The
level of the snare
drummer will determine
which part should be
used. However, both parts
may be used
simultaneously if
percussionists are
available. Score for this
title: B1270S. Extra part
for this title: B1270P.
Concert Band. Level: 1.
Score and Set of Parts.
Published by The FJH
Music Company Inc.
Golden Peak Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1196201-010 Composed by Thier...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1196201-010
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2019.
De Haske Publications
#DHP 1196201-010.
Published by De Haske
Publications
(BT.DHP-1196201-010).
English-German-French-
Dutch.
Golden
Peak is a concert
piece that takes us deep
into the world of
volcanoes of the Auvergne
in central France. They
are dormant volcanoes
whose origins date back
from 7,000 to over 65
million years ago. Among
the most well-known are
the 80 volcanoes of the
Chaîne des Puys, a
spectacular natural
environment ranking among
the most fascinating
landscapes in the world.
The title of this dynamic
and rhythmic piece is a
reference to the local
spa town of Mont-Dore and
calls upon all sections
of the orchestra. The
central theme is very
mellow yet riveting and
the music depicts both
the dynamism and
tranquillity of the
region.
Golden
Peak is een
concertwerk dat ons
meeneemt naar een
vulkanische wereld: die
van de Auvergne in het
midden van Frankrijk. De
vulkanen daar zijn
slapende; hun oorsprong
gaat terug naar 7000 tot
meer dan 65 miljoen jaar
geleden. Tot de bekendste
behoren de tachtig
vulkanen van de Chaîne
des Puys, een uniek
natuurgebied dat tot de
boeiendste landschappen
van de wereld behoort. De
titel van deze dynamische
en ritmische compositie
verwijst naar de plaats
Mont-Dore aldaar. Het
werk doet een beroep op
alle secties in het
orkest. Het centrale
thema is mild en tegelijk
meeslepend, en verder
beschrijft de muziek
zowel de vitaliteit als
de rust van de
streek.
Golden
Peak ist ein
Konzertstück, das uns
tief in die Welt der
Vulkane in der Auvergne
in Mittelfrankreich
entführt. Es handelt
sich um erloschene
Vulkane, deren
Ursprünge zwischen
7.000 bis 65 Millionen
Jahren vor unserer Zeit
liegen. Zu den
bekanntesten gehören
die 80 Vulkane der
Chaîne des Puys, eine
spektakuläre Gegend,
die zu den
faszinierendsten
Landschaften der Welt
zählt. Der Titel
dieses dynamischen und
rhythmischen Stücks,
in dem alle
Instrumentengruppen des
Orchesters verwendet
werden, bezieht sich auf
die Kurstadt Mont-Dore.
Das zentrale Thema ist
sehr sanft und voller
Emotionen und die Musik
beschreibt sowohl die
Betriebsamkeit als auch
die Ruhe dieserRegion.
Golden Peak Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1196201-140 Composed by Thier...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1196201-140
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2019. 31
pages. De Haske
Publications #DHP
1196201-140. Published by
De Haske Publications
(BT.DHP-1196201-140).
English-German-French-
Dutch.
Golden
Peak is a concert
piece that takes us deep
into the world of
volcanoes of the Auvergne
in central France. They
are dormant volcanoes
whose origins date back
from 7,000 to over 65
million years ago. Among
the most well-known are
the 80 volcanoes of the
Chaîne des Puys, a
spectacular natural
environment ranking among
the most fascinating
landscapes in the world.
The title of this dynamic
and rhythmic piece is a
reference to the local
spa town of Mont-Dore and
calls upon all sections
of the orchestra. The
central theme is very
mellow yet riveting and
the music depicts both
the dynamism and
tranquillity of the
region.
Golden
Peak is een
concertwerk dat ons
meeneemt naar een
vulkanische wereld: die
van de Auvergne in het
midden van Frankrijk. De
vulkanen daar zijn
slapende; hun oorsprong
gaat terug naar 7000 tot
meer dan 65 miljoen jaar
geleden. Tot de bekendste
behoren de tachtig
vulkanen van de Chaîne
des Puys, een uniek
natuurgebied dat tot de
boeiendste landschappen
van de wereld behoort. De
titel van deze dynamische
en ritmische compositie
verwijst naar de plaats
Mont-Dore aldaar. Het
werk doet een beroep op
alle secties in het
orkest. Het centrale
thema is mild en tegelijk
meeslepend, en verder
beschrijft de muziek
zowel de vitaliteit als
de rust van de
streek.
Golden
Peak ist ein
Konzertstück, das uns
tief in die Welt der
Vulkane in der Auvergne
in Mittelfrankreich
entführt. Es handelt
sich um erloschene
Vulkane, deren
Ursprünge zwischen
7.000 bis 65 Millionen
Jahren vor unserer Zeit
liegen. Zu den
bekanntesten gehören
die 80 Vulkane der
Chaîne des Puys, eine
spektakuläre Gegend,
die zu den
faszinierendsten
Landschaften der Welt
zählt. Der Titel
dieses dynamischen und
rhythmischen Stücks,
in dem alle
Instrumentengruppen des
Orchesters verwendet
werden, bezieht sich auf
die Kurstadt Mont-Dore.
Das zentrale Thema ist
sehr sanft und voller
Emotionen und die Musik
beschreibt sowohl die
Betriebsamkeit als auch
die Ruhe dieserRegion.
Score Only Concert Band (Score) - Grade 2-3 SKU: HL.4005188 Arranged by M...(+)
Score Only Concert Band
(Score) - Grade 2-3
SKU: HL.4005188
Arranged by Michael
Sweeney. Flex-Band Grade
2. Folk, Irish.
Softcover. 12 pages.
Published by Hal Leonard
(HL.4005188).
UPC:
888680698119.
9.0x12.0x0.027
inches.
Featuring
the heartfelt melody of
this traditional Irish
folk song, Michael uses
lush harmonies, varieties
in texture, and carefully
paced emotional peaks in
this marvelous setting
for young players. This
version has been
carefully adapted for
flexible
instrumentation.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1115020-140 Composed by Marco...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1115020-140
Composed by Marco Putz.
Compact Band Series.
Concert Piece. Score
Only. Composed 2011. 32
pages. De Haske
Publications #DHP
1115020-140. Published by
De Haske Publications
(BT.DHP-1115020-140).
12 X 9 inches.
English-German-French-Dut
ch.
A Little
Irish Suite is an
original work composed
specifically for the
Compact Band Series. This
series offers smaller
ensembles the opportunity
to perform original,
high-quality works. A
Little Irish Suite
consists of three
movements, all based on
Irish folk tunes. Clear
structure and crisp
harmonies complemented by
plain, comprehensible
melodies, are
characteristic of this
piece. It offers
conductors the
opportunity to work on
tone, balance, phrasing
as well as on technique
with their ensemble. As
with all works in the
Compact Band Series, A
Little Irish Suite
features optional parts
for instruments that are
played less frequently.
Conductors can pickand
choose the parts needed
to best fit the music and
the musicians available,
to determine the best
possible instrumentation
for their own ensemble.
The duration of six
minutes and the large
variety and contrast of
material played in A
Little Irish Suite
also make it an ideal
selection for
competitions or
festivals.
A
Little Irish Suite is
een oorspronkelijk werk
dat speciaal voor de
Compact Band Series is
geschreven. Deze serie
geeft kleine ensembles de
mogelijkheid originele
composities van hoge
kwaliteit uit te voeren.
De delen vandeze
sfeervolle Ierse suite
zijn alle drie gebaseerd
op volksmelodieën uit
Ierland. Het werk wordt
gekenmerkt door een
heldere structuur en
verfrissende
harmonieën, aangevuld
door eenvoudige,
aanstekelijke
melodieën. Het biedt
dirigentende kans te
werken aan toon, balans,
frasering en
ensembletechniek. Net als
alle werken in de Compact
Band Series bevat A
Little Irish Suite
optionele partijen voor
instrumenten die minder
vaak worden bespeeld. De
dirigentkan de partijen
uitzoeken die het best
bij de muziek en de
beschikbare bezetting
passen, en zo de best
mogelijke instrumentatie
voor het eigen ensemble
bepalen. De duur van zes
minuten en het
afwisselende karakter van
het speelmateriaalmaken
A Little Irish
Suite ook ideaal voor
concoursen of
festivals.
A
Little Irish Suite
wurde speziell für die
Compact Band Series
komponiert. Diese Reihe
bietet auch weniger gut
besetzten Blasorchestern
die Möglichkeit,
ausgewählte
Originalliteratur zu
spielen. A Little
Irish Suite besteht
aus drei Sätzen, die
alle von irischen
Volksliedern abgeleitet
sind. Klare Formen und
Harmonien sowie einfache,
gut verständliche
Melodien bestimmen das
Stück. Es bietet sich
für jeden Dirigenten
die Gelegenheit, am
Klang, der Balance, der
Phrasierung, aber auch an
der Technik seines
Ensembles zu arbeiten.Wie
bei allen Werken der
Compact Band Series gibt
es für alle seltener
besetzten Instrumente
Optionen in anderen
Stimmen. Der Dirigent
kannentscheiden, wer was
an welcher Stelle spielt
und so die für sein
Orchester bestmögliche
Instrumentierung selbst
festlegen.A Little
Irish Suite ist mit
seiner Länge von sechs
Minuten und dank seines
groÃ?en
Abwechslungsreichtums
auch als
Wettbewerbstück sehr
gut geeignet.
A Little Irish
Suite è un brano
originale composto
appositamente per la
nuova collana Compact
Band Series, con
brani che offrono a
formazioni ridotte la
possibilit di eseguire
brani originali di alta
qualit . I tre movimenti
di questa suite si
ispirano ad arie
irlandesi e si
contraddistinguono per
strutture e armonie
chiare, come anche per
melodie accessibili. A
Little Irish Suite
permette al maestro di
perfezionare il fraseggio
e numerosi aspetti
tecnici. La durata di sei
minuti e unâ??ampia
gamma di contrasti sonori
fanno di A Little
Irish Suite un brano
ideale per concorsi e
festival.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1115020-010 Composed by Marco...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1115020-010
Composed by Marco Putz.
Compact Band Series.
Concert Piece. Set (Score
& Parts). Composed 2011.
De Haske Publications
#DHP 1115020-010.
Published by De Haske
Publications
(BT.DHP-1115020-010).
12 X 9 inches.
English-German-French-Dut
ch.
A Little
Irish Suite is an
original work composed
specifically for the
Compact Band Series. This
series offers smaller
ensembles the opportunity
to perform original,
high-quality works. A
Little Irish Suite
consists of three
movements, all based on
Irish folk tunes. Clear
structure and crisp
harmonies complemented by
plain, comprehensible
melodies, are
characteristic of this
piece. It offers
conductors the
opportunity to work on
tone, balance, phrasing
as well as on technique
with their ensemble. As
with all works in the
Compact Band Series, A
Little Irish Suite
features optional parts
for instruments that are
played less frequently.
Conductors can pickand
choose the parts needed
to best fit the music and
the musicians available,
to determine the best
possible instrumentation
for their own ensemble.
The duration of six
minutes and the large
variety and contrast of
material played in A
Little Irish Suite
also make it an ideal
selection for
competitions or
festivals.
A
Little Irish Suite is
een oorspronkelijk werk
dat speciaal voor de
Compact Band Series is
geschreven. Deze serie
geeft kleine ensembles de
mogelijkheid originele
composities van hoge
kwaliteit uit te voeren.
De delen vandeze
sfeervolle Ierse suite
zijn alle drie gebaseerd
op volksmelodieën uit
Ierland. Het werk wordt
gekenmerkt door een
heldere structuur en
verfrissende
harmonieën, aangevuld
door eenvoudige,
aanstekelijke
melodieën. Het biedt
dirigentende kans te
werken aan toon, balans,
frasering en
ensembletechniek. Net als
alle werken in de Compact
Band Series bevat A
Little Irish Suite
optionele partijen voor
instrumenten die minder
vaak worden bespeeld. De
dirigentkan de partijen
uitzoeken die het best
bij de muziek en de
beschikbare bezetting
passen, en zo de best
mogelijke instrumentatie
voor het eigen ensemble
bepalen. De duur van zes
minuten en het
afwisselende karakter van
het speelmateriaalmaken
A Little Irish
Suite ook ideaal voor
concoursen of
festivals.
A
Little Irish Suite
wurde speziell für die
Compact Band Series
komponiert. Diese Reihe
bietet auch weniger gut
besetzten Blasorchestern
die Möglichkeit,
ausgewählte
Originalliteratur zu
spielen. A Little
Irish Suite besteht
aus drei Sätzen, die
alle von irischen
Volksliedern abgeleitet
sind. Klare Formen und
Harmonien sowie einfache,
gut verständliche
Melodien bestimmen das
Stück. Es bietet sich
für jeden Dirigenten
die Gelegenheit, am
Klang, der Balance, der
Phrasierung, aber auch an
der Technik seines
Ensembles zu arbeiten.Wie
bei allen Werken der
Compact Band Series gibt
es für alle seltener
besetzten Instrumente
Optionen in anderen
Stimmen. Der Dirigent
kannentscheiden, wer was
an welcher Stelle spielt
und so die für sein
Orchester bestmögliche
Instrumentierung selbst
festlegen.A Little
Irish Suite ist mit
seiner Länge von sechs
Minuten und dank seines
großen
Abwechslungsreichtums
auch als
Wettbewerbstück sehr
gut geeignet.
A
Little Irish Suite
è un brano originale
composto appositamente
per la nuova collana
Compact Band
Series, con brani che
offrono a formazioni
ridotte la possibilit di
eseguire brani originali
di alta qualit . I tre
movimenti di questa suite
si ispirano ad arie
irlandesi e si
contraddistinguono per
strutture e armonie
chiare, come anche per
melodie accessibili. A
Little Irish Suite
permette al maestro di
perfezionare il fraseggio
e numerosi aspetti
tecnici. La durata di sei
minuti e un’ampia
gamma di contrasti sonori
fanno di A Little
Irish Suite un brano
ideale per concorsi e
festival.
New Frontier Orchestre d'harmonie - Facile C.L. Barnhouse
Concert band - Grade 2 SKU: CL.011-4585-00 A Celebration for Band....(+)
Concert band - Grade 2
SKU:
CL.011-4585-00
A
Celebration for Band.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR392). Score and set
of parts. Composed 2017.
Duration 4 minutes, 44
seconds. C.L. Barnhouse
#011-4585-00. Published
by C.L. Barnhouse
(CL.011-4585-00).
Right from the
start, the captivating
sounds of percussion and
powerful chords lay the
groundwork for an
exciting and energetic
work that is sure to
inspire one and all. Each
instrument has been
scored with special
attention, and
you’ll find the
overall musical content
to be filled with themes
that sing from the heart.
The middle section
includes an optional solo
for that gifted flutist.
You can be assured that
this piece will be very
popular with your
talented musicians. A
guaranteed winner!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
New Frontier Orchestre d'harmonie - Facile C.L. Barnhouse
Concert band - Grade 2 SKU: CL.011-4585-01 A Celebration for Band....(+)
Concert band - Grade 2
SKU:
CL.011-4585-01
A
Celebration for Band.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR392). Extra full
score. Composed 2017.
Duration 4 minutes, 44
seconds. C.L. Barnhouse
#011-4585-01. Published
by C.L. Barnhouse
(CL.011-4585-01).
Right from the
start, the captivating
sounds of percussion and
powerful chords lay the
groundwork for an
exciting and energetic
work that is sure to
inspire one and all. Each
instrument has been
scored with special
attention, and
you’ll find the
overall musical content
to be filled with themes
that sing from the heart.
The middle section
includes an optional solo
for that gifted flutist.
You can be assured that
this piece will be very
popular with your
talented musicians. A
guaranteed winner!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Concert Band Concert Band - Grade 2.5 SKU: FJ.B1860 Composed by Randall S...(+)
Concert Band Concert Band
- Grade 2.5
SKU:
FJ.B1860
Composed by
Randall Standridge.
Concert Band. FJH Young
Band. Score and Part(s).
The FJH Music Company Inc
#98-B1860. Published by
The FJH Music Company Inc
(FJ.B1860).
UPC:
241444440018.
English.
Ignite
your performers' and
audience's excitement
with this fiery concert
work. A simple two
measure motive serves as
the spark that is fanned
into a flame of rhythmic
and harmonic intrigue as
all instruments get
moments to glow!
Featuring fantastic
percussion writing and a
strong sense of
development and
orchestration, this work
is sure to be a bright
spot in your next
concert.
About FJH
Young
Band
Appro
priate for middle school
and smaller high school
groups. Second clarinets
usually stay below the
break. Parts are written
with more independence,
and instrumentation
increases slightly. There
is still adequate
doubling in the lower
voices. Grades 2 -
2.5
Concert Band Concert Band - Grade 2.5 SKU: FJ.B1860S Score Only. C...(+)
Concert Band Concert Band
- Grade 2.5
SKU:
FJ.B1860S
Score
Only. Composed by
Randall Standridge.
Concert Band. FJH Young
Band. Score. The FJH
Music Company Inc
#98-B1860S. Published by
The FJH Music Company Inc
(FJ.B1860S).
English.
Ignite
your performers' and
audience's excitement
with this fiery concert
work. A simple two
measure motive serves as
the spark that is fanned
into a flame of rhythmic
and harmonic intrigue as
all instruments get
moments to glow!
Featuring fantastic
percussion writing and a
strong sense of
development and
orchestration, this work
is sure to be a bright
spot in your next
concert.
About FJH
Young
Band
Appro
priate for middle school
and smaller high school
groups. Second clarinets
usually stay below the
break. Parts are written
with more independence,
and instrumentation
increases slightly. There
is still adequate
doubling in the lower
voices. Grades 2 -
2.5