By Richard Walthew. For 2 violins, viola, cello and piano. Strings and Piano. First edition. Romantic. Score and set of parts. Published by Rosewood Publications

By James Dillon (1950-). Piano Quintets. For 2 Violins, Viola, Cello, Piano. Modern. Score. Composed 2003; First Performance: Oberlin Contempoary Music Ensemble, Timothy Weiss. Published by Edition Peters

For Piano Quintet. Composed by Tobias Picker. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Score and parts, Softcover. Composed 2010. 30088. 178 pages. Duration 30'. Helicon Music #ED30088. Published by Helicon Music (HL.49019333).

By Antonin Dvorak (1841-1904). This edition: Urtext edition. Stapled. Score with parts. Published by Baerenreiter Verlag

Composed by Cesar Auguste Franck (1822-1890). Edited by Ernst-Gunter Heinemann. Sheet Music. Paperbound. Henle Music Folios. Classical. Score and Parts. 142 pages. G. Henle #HN1142. Published by G. Henle

Chamber Music Violin 1, Violin 2, Viola, Cello, Piano

SKU: PR.11441123S

Composed by Samuel Adler. Score. With Standard notation. Theodore Presser Company #114-41123S. Published by Theodore Presser Company (PR.11441123S).

UPC: 680160016303. 8.5 x 11 inches.

The Quintet for Piano and String Quartet was written for the American String Quartet in the summer of 2000. It is in one movement but has two distinct parts. The first is a slow movement characterized by dotted rhythms. It is a fantasy with some long flowing lines interrupted by short fragments usually in the piano. After a rather agitated section in 6/8 time, this section comes to a quiet close on a G-sharp major chord. The second section of this thirteen-minute work is marked Fast and Energetic. It begins with chords that recur throughout the movement and after two measures a long main theme is introduced which is developed and altered during the rest of the fast portion of the work. One could call this second part a sort of rondo form since this long lyrical theme returns always after contrasts. When it does return, it is treated often by means of imitation, but at the climax returns played in unison by the strings while the piano renders an energetic sixteenth note background. The work ends on an E-flat major chord though the piece is certainly not in any one key, but rather features quick modulations. One might call this non-tonal music which nevertheless always feels like it has a tonal center. --Samuel Adler.

Composed by Duane Funderburk. For 2 violins, viola, cello, piano. Duane Funderburk Chamber Music. Lent, Communion. Medium. Published by MorningStar Music Publishers