(Piano Trio). By Peteris Vasks (1946-). For Cello, Piano/Keyboard, Violin, Piano Trio (Score and Parts). Ensemble. Softcover. 50 pages. Schott Music #ED21375. Published by Schott Music

Composed by Alexander Zemlinsky. Edited by Dominik Rahmer. Henle Music Folios. Softcover. 40 pages. G. Henle #HN578. Published by G. Henle (HL.51480578).

For Violin, Violoncello and Piano. By Franz Joseph Haydn. Edited by I. Becker-Glauch. Piano Trios. Pages: Score = VI and 189 * Vl Part = 46 * Vc Part = 36. Urtext edition-paper bound. Published by G. Henle.

By Antonin Dvorak (1841-1904). Edited by Antonin Pokorny, Karel Aolc. For piano/violin/cello. Replaces H 2443. Score, Set of parts. Language: Czech/English/German. Opus 26. 47/14/15 pages. Published by Baerenreiter Verlag

Piano trio - Moderately Difficult to Difficult

SKU: OU.9780193577817

Composed by William Mathias. Mixed Ensemble. Score and parts. 56 pages. Duration 15'. Oxford University Press #9780193577817. Published by Oxford University Press (OU.9780193577817).

ISBN 9780193577817. 12 x 8 inches.

For piano trio Mathias's only piano trio is a concisely structured work in four movements, including pleasing sonorities and melodic main themes, ranging from the characteristically Celtic to twinges of a slightly folky American feel.

Composed by Arvo Part (1935-). World Premiere: in Helsinki / Finland; by the Kalichstein-Laredo-Robins on Trio. Score and part(s). With Standard notation. Composed 1992/2005. Duration 6 minutes. Universal Edition #UE30456. Published by Universal Edition

Composed by Ludwig van Beethoven (1770-1827), edited by Gunter Raphael. Collection and set of parts for Piano Trio (violin, celo, piano). With introductory text, performance notes, fingerings and bowings. Urtext edition-paper bound. 228 pages. Published by G. Henle.

Composed by Bedrich Smetana (1824-1884). Edited by Milan Pospisil. Sheet Music. Paperbound. Henle Music Folios. Classical. Score and Parts. 88 pages. G. Henle #HN1249. Published by G. Henle

Violin, Violoncello and Piano

SKU: AP.36-60783002

Composed by Camille Saint-Saens. String Duo and Ensemble, Piano Trio, Conductor Score and Parts. Master String Series. Score and Part(s). LudwigMasters Publications #36-60783002. Published by LudwigMasters Publications (AP.36-60783002).

ISBN 9798888528655. UPC: 659359997112. English.

The piano trio version of LA MUSE ET LE POÈTE, Op. 132 was written by Camille Saint-Saëns (1835-1921) in 1910 during a vacation to North Africa, and that version premiered at Queen's Hall on June 7, 1910, with Eugene Ysaÿe on violin, Jospeh Hollmann on cello, and the composer at the piano. Saint-Saëns transcribed the version for violin, cello and orchestra that same year, and the same two string players premiered that version on October 20 at the Sarah Bernhardt Theater in Paris under Fernand Le Borne. Despite the title (which was later added by the publisher to make it more marketable), no program is intended for the work and neither instrument represents either the muse or the poet. Saint-Saëns himself referred to the piece as a conversation between the two instruments instead of a debate between two virtuosos.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Chamber Music Violin, cello, Piano

SKU: PR.144406850

Composed by Ellen Taaffe Zwilich. Sws each. Premiered by the Kalichstein-Laredo-Robins on Trio at Linton Chamber Music, Cincinnati, OH. Contemporary. Set of Score and Parts. With Standard notation. Composed 2016. 28+8+8 pages. Duration 9:30. Theodore Presser Company #144-40685. Published by Theodore Presser Company (PR.144406850).

ISBN 9781491109366. UPC: 680160639311. 9x12 inches.

Continuing a long history of fruitful collaborations between Ellen Taaffe Zwilich and the famed Kalichstein-Laredo-Robins on Trio, the KLR celebrated their 40th anniversary by commissioning Zwilich for a 6th time. PAS DE TROIS is named for the ballet tradition after which it is modeled. In the 1st movement (Entree), the trio bounds onto the stage and engages in various interactions. The 2nd movement (Variata e Coda) gives each of the three a solo turn, followed by an ensemble conclusion.