Dorisch, Mixolydisch und Pentatonik Bluestonleitern. Par DICKBAUER KLAUS. In the previous edition, Klaus Dickbauer covered major scales, triads, and interval exercises - combined with groovy beats - in a fresh and contemporary way. He now continues his well-thought-out approach to scales with a concentration on Dorian, Mixolydian, pentatonic, and blues scales - the perfect tools for building first improvisation skills on the violin. Methodically sound exercises train patterns and motifs to equip the student with a sense of confidence and an appetite for learning the art of improvisation. ? The perfect warm-up for groups and ensembles ? Elementary studies for developing confidence and an interest in learning to improvise ? Groovy tunes and motifs are combined with proven and tested playing pieces to guarantee fun and a positive attitude ? Includes a Play-Along CD to help students become well-acquainted with the concept The musical material is divided into three voices. This layout serves pedagogic purposes while facilitating ensemble playing. Voices can easily be doubled or switched in order to accommodate different ability levels and unite heterogeneous groups. The included CD provides the necessary drive while maintaining stability and authenticity - making this innovative volume even more effective. The sheet music editions for other instruments (Flute, Violin, Recorder, Clarinet, Trumpet, Tenor Saxophone, Alto Saxophone) can be freely combined and make various ensemble combinations possible. Click here for example videos and an overview of all available editions: www.universaledition.com/groove-connection/ Recueil / Violon

International edition. Par SUZUKI SHINICHI. Teach violin with the popular Suzuki Violin School. The Suzuki Method® of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the 'mother-tongue' approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Violin School. Suzuki lessons are generally given in a privatestudio setting with additional group lessons. The student listens to the recordings and works with their Suzuki violin teacher to develop their potential as a musician and as a person. This Suzuki Book and CD is integral for Suzuki violin lessons. This revised edition of the Suzuki Violin School, Volume 3 features: - Revised editing of pieces, including bowings and fingerings - Additional exercises, some from Shinichi Suzuki, plus additional insight and suggestions for teachers - Text in English, French, Spanish, and German. - Musical notation guide - Fingerboard position - CD with recordings by William Preucil Jr., accompanied by Linda Perry, as well as piano accompaniments recorded alone. Titles: Study Points - Tonalization - Vibrato Exercises - Gavotte (Martini) - Minuet (Bach) - Gavotte in G Minor (Bach) - Humoresque (Dvorák) - Gavotte (Becker) - Gavotte in D Major (Bach) - Bourrée (Bach). For a complete list of the most recent printings by AMPV number, go to alfred.com/suzuki. This title is available in SmartMusic. Teach violin with the popular Suzuki Violin School. The Suzuki Method® of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the 'mother-tongue' approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Violin School. Suzuki lessons are generally given in aprivate studio setting with additional group lessons. The student listens to the recordings and works with their Suzuki violin teacher to develop their potential as a musician and as a person. This Suzuki Book and CD is integral for Suzuki violin lessons. This revised edition of the Suzuki Violin School, Volume 3 features: Revised editing of pieces, including bowings and fingerings Additional exercises, some from Shinichi Suzuki, plus additional insight and suggestions for teachers Text in English, French, Spanish, and German. Musical notation guide Fingerboard position CD with recordings by William Preucil Jr., accompanied by Linda Perry, as well as piano accompaniments recorded alone. Titles: Study Points * Tonalization * Vibrato Exercises * Gavotte (Martini) * Minuet (Bach) * Gavotte in G Minor (Bach) * Humoresque (Dvorák) * Gavotte (Becker) * Gavotte in D Major (Bach) * Bourrée (Bach). / Pédagogie / Méthode / Violon

The revised edition for Suzuki Violin School, Volume 5 is available. Like the other revised violin books, the music has been edited by the International Violin Committee. Other features include:* New engravings in a more easily readable 9 x 12 format* New editing of pieces, including bowings and fingerings* Available together with a newly recorded CD for $19.95* CD recorded by William Preucil, Concertmaster of the Cleveland Orchestra* Piano accompaniments recorded by Linda Perry. / Violon

Discovering Creative Improvisation For String Players. Par WALLER JULIANNA. Learn how to improvise and explore your creativity with this method developed by acclaimed fiddler, violinist, and instructor Julianna Waller. This book is divided into four Skill Sections and presented in workbook format. Each exercise includes basic and advanced examples as well as easy progress tracking. The unique improvisatory activities entice the imagination through imagery, observation, external stimuli, art projects, and memories! This multifaceted methodology is appropriate for novice and professional string players of the fiddle, violin, viola, and cello and is adaptable to many musical styles. A high-quality play-along recording is provided to support your practice and entice your imagination! The recording includes all examples from sections two and three, piano and full band accompaniment tracks for the I - IV - V7 - I chord progression in ten keys, and excerpts from two bluegrass compositions by the author. / Niveau : Intermédiaire à Avancé / Bluegrass and Country - Improvisation / Recueil / Violon

Par DUNCAN CRAIG. Beginning with a section of easy arrangements of popular Cajun tunes, this book progresses to more difficult solos based on the playing of various fiddlers including Dewey Balfa, Michael Doucet, Doug Kershaw, and Rufus Thibodeaux. Cajun stylings, rhythms, double stops, slides, turns and trills, bowings, and tunings are discussed throughout the book. Fiddle and guitar are used in demonstrating the tunes in this book. The recorded versions are played at a slower tempo than typical performance speed to allow the listener to pick out details of the Cajun style. Due to the 1 hour capacity of a CD a few of the tunes in the book had to be omitted from the companion recording included in this package (songs are Eunice Two-Step, J'Ai Vu Le Loup, Je Va T'Aimer Quand-Meme, Johnny Peut Pas Danser, Le Vieux Boeuf Et Le Vieux Charriot, Les Veuves De La Coulee, Ninety-Nine Years Waltz, Quo Faire, Vieux Crowley). / Niveau : Intermédiaire / Cajun-Zydeco - Solos / Recueil / Violon

Music of Spain and South America for Violin by Allan Alexander contains 44 pieces which can be played solo or with a chord instrument. This great collection includes music from the Spain and South America. Most of the pieces have been extended with variations, which make the tunes a more suitable length for performances and are a lot of fun for the violinist to play. Every tune in the book is included on the digitally mastered CD. Though the tunes are very effective as solo material, Allan chose to record them with violinist Elena Rojas. Elena has given a skillful, delightful performance of the music and Allan has rendered the chords artfully. The result is a reallylovely CD; listening will be a pleasure. For the player who is new to music of Spain and South America, the recording will give insights into the melodies, and it will allow the violinist who has no access to a chord instrument to hear and play along with the guitar as the violin part can be turned down by fading one channel. For those who know some of these wonderful tunes, it will be a joy to have the music and hear them played by two musicians who obviously love to play this music together. The CD which comes with the book has all 44 of the tunes in the same order in which they appear in the book. The CD will give you insights into the music, and it will be enjoyable to listen to on its own merit. For additional information, be sure to check out Allan's web site./ Recueil / Violon

Here is the chance to become a true classical soloist! Step into the spotlight and play-along with the superb backing tracks on the specially recorded CDs, containing eleven of the world's best-loved classical melodies, all arranged for Violin. From Handel's Water Music and Mozart's Musical Joke to Beethoven's Allegretto Theme and Schubert's Entr'acte , these wonderful works are firm favourites with audiences of all ages, and this playalong edition will give you an ideal chance to master some of those all-important performance skills by rehearsing with the accompaniments even during your personal practice time. The CDs contain full performance versions of the music with piano accompaniment on the first set of tracks. The Violin part is then omitted from the second set of tracks allowing you to play along with the recorded accompaniments. Features top line arrangements for each of the eleven massive songs with a practical playing guide. / Violon

Par ASCH GLENN / REINER DAVID. For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from jug band to jazzgrass, from big-band swing to Texas swing. Tunes represent the styles of Stéphane Grappelli, Joe Venuti, Stuff Smith, Eddie South, Mark O'Connor, Benny Thomasson, Jean-Luc Ponty, and Darol Anger. Helpful jazz theory sections with exercises alternate with tunes that show how the theory works inpractice. This book has two objectives: first, to present a broad, roughly chronological sampling of major jazz violinists and the styles associated with them, and secondly, to introduce the basics of jazz theory as applied to the violin. Whether consciously or intuitively, through critical listening or by practicing jazz patterns and exercises, the more knowledge of jazz you acquire, the better you will be able to think about the content of your playing without being bound by technical and theoretical aspects. This anthology was written to help provide that foundation. Interspersed with pragmatic jazz theory lessons, you'll find 28 original tunes in the style of various jazz violin luminaries. The book ends with an extensive discography of recommended jazz recordings with a violin focus. Mandolinists as well as other instrumentalists will find a wealth of useful information in this outstanding collection. Delightful broadcast-quality recordings of the repertoire are available online. Includes access to online audio. Written for intermediate to advanced violinists. / Niveau : Intermédiaire à Avancé / Jazz / Recueil / Violon

Step into the spotlight and play along with the superb backing tracks on the specially recorded CD. A fantastic collection of 10 popular show tunes arranged for Violin. Hear the full performance versions of the music tracks - the Violin part is then omitted so you can play along with the recorded performance. The book features top line arrangements of all 10 pieces, plus a fingering guide. / Violon

The idea for this book series is to give instrumentalists the opportunity to practice solo improvisational techniques while playing along to rhythm tracks of keyboards, guitar, bass, drums/percussion in various different Latin styles including Calypso, Mambo, Salsa, Songo, Bossa, Guaracha, Samba and Latin-Blues. The 24 grooves totalling over 200 riffs/phrases and play-a-long tracks consists of a variety of tempos and keys. Each groove has a variety of riffs to learn that are generally 4 or 8 measures in length. It would be beneficial if you could memorize these riffs so that you can experiment using different permutations of the riffs as well as being used as a starting off point for one's own improvisations. Each riff has been recorded with a rhythm track with each style having an extended play-a-long track, around 3 minutes in length, recorded without the solo part so you can practice the riffs that you have learned. Also, these musical phrases or riffs may be interchanged from one groove to another and should be learned in as many keys as possible. / Niveau : Intermédiaire / Etude / Violon

Par WILKINS JACK. This collection of jazz etudes with accompanying CD gives students a fun and effective way to learn to play jazz style blues lines. The CD tracks provide a professional rhythm section (piano, bass, drums) to play along with, plus recordings of professional jazz musicians playing each etude. The recordings help to provide a model for the student's stylistic development, and an opportunity to play with a great band! Each of the 12 etudes provides a new challenge to master. / Niveau : Débutant à Intermédiaire / Jazz and Blues - Improvisation / Recueil / Violon

Arrangeur: Samuel Applebaum. Par APPLEBAUM SAMUEL. String Tunes was compiled from melodies Samuel Applebaum used to teach his string students. Michael Katz has produced the accompaniment CD (in traditional, jazz and rock styles) to motivate students to practice and perform for friends and family. The melodies are arranged in progressive order from the first three notes students learn to hte end of level one in most method books. These well-known (and some not-as-well-known) melodies may be played as a solo or in unison with other string instruments (violin, viola, cello, bass). If you have a balance control on your compact disc player, you may eliminate the recorded melody by turning the balance all the wayto the right. The number of the melody in the book is the same as the CD track number. Each recorded accompaniment has a count off to get you started. When you perform, announce the name of the song of your audience. / Rép Classique / Recueil / Violon

Par HAYDN FRANZ JOSEF. DOWANI 3 Tempi Play Along is an effective and time-tested method of practicing that offers more than conventional play-long editions. DOWANI 3 Tempi Play Along enables you to learn a work systematically and with accompaniment at different tempi. The first thing you hear on the CD is the concert version in a first-class recording with solo instrument and orchestral, continuo, or piano accompaniment. Then the piano or harpsichord accompaniment follows in slow and medium tempo for practice purposes, with the solo instrument heard softly in the background at slow tempo. Finally, you can play at the original tempo to the accompaniment of an orchestra, piano, or basso continuo. Allversions appearing on the CD were recorded live by renowned soloists, accompanists, and orchestras. There are no synthesised sounds in a DOWANI edition! / Niveau : Avancé / Accessoire / Violon