Violin

SKU: AP.49294

Volume 3. Violin Part. Composed by Dr. Shinichi Suzuki. This edition: International/Asian. MakeMusic Cloud; Method/Instruction; String - Violin (Suzuki); Suzuki. Suzuki Violin School. Book and CD. 28 pages. Alfred Music #00-49294. Published by Alfred Music (AP.49294).

ISBN 9781470644680. UPC: 038081563381. English.

Authorized Asian Edition - Available ONLY in Asia.

Teach violin with the popular Suzuki Violin School! The Suzuki Method of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Violin School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and work with their Suzuki violin teacher to develop their potential as a musician and as a person.

This Suzuki Book and CD (Asian Edition) is integral for Suzuki violin lessons. This revised edition of the Suzuki Violin School, Volume 3 features:
* Engravings in a 9 x 12 format
* Revised editing of pieces, including bowings and fingerings
* 16 additional pages
* Additional exercises, some from Shinichi Suzuki, plus additional insight and suggestions for teachers
* Glossary of terms in English, French, German, and Spanish
* Musical notation guide
* Fingerboard position
* CD features new recordings by Hilary Hahn in collaboration with pianist Natalie Zhu, as well as piano accompaniment only tracks for play-along purposes.

Titles: Study Points * Tonalization * Vibrato Exercises * Gavotte (Martini) * Minuet (Bach) * Gavotte in G Minor (Bach) * Humoresque (Dvorák) * Gavotte (Becker) * Gavotte in D Major (Bach) * Bourrée (Bach).

This title is available in MakeMusic Cloud.

About Suzuki Method

The Suzuki Method is based on the principle that all children possess ability and that this ability can be developed and enhanced through a nurturing environment. All children learn to speak their own language with relative ease and if the same natural learning process is applied in teaching other skills, these can be acquired as successfully. Suzuki referred to the process as the Mother Tongue Method and to the whole system of pedagogy as Talent Education. The important elements of the Suzuki approach to instrumental teaching include the following:an early start (aged 3-4 is normal in most countries); the importance of listening to music; learning to play before learning to read; -the involvement of the parent; a nurturing and positive learning environment; a high standard of teaching by trained teachers; the importance of producing a good sound in a balanced and natural way; core repertoire, used by Suzuki students across the world; social interaction with other children. Suzuki students from all over the world can communicate through the language of music.

Composed by Roland Vamos. With Standard notation. 72 pages. Carl Fischer #BF00067. Published by Carl Fischer

For Solo Violin. Composed by Nicolo Paganini (1782-1840). Edited by Italo Vescovo. Ricordi. Softcover. Ricordi #NR142299. Published by Ricordi

12 Solo Arrangements with Online Accompaniment. By Metallica. Instrumental Play-Along. Heavy Metal, Rock. Softcover Audio Online. 16 pages. Published by Cherry Lane Music

Violin

SKU: HL.49047398

Solo Violin. Composed by Dominique Le Gendre. String Solo. Classical. Softcover. 8 pages. Duration 300 seconds. Schott Music #ED14165. Published by Schott Music (HL.49047398).

ISBN 9798350127898. UPC: 842819121244. 9.0x12.0x0.061 inches.

This work for solo violin was commissioned by American Violinist Wendy Case for her CD of works for solo violin by living composers titled The Tiger and The Clover released in February 2022 by the label Blue Griffin. Just as Wendy proposed this new work, I heard the news that the Polish poet Adam Zagajewski who I had met through mutual friends, had died. I had long admired his essays that thoughtfully and with grace and ease, merged the past with the present in the way that only a poet can, lifting the reader onto a plain of images, thoughts and words that conjure seamless journeys through time, space and the imagination. His essays often refer to the music of Bach and I found myself writing this piece inhabited by the physical pleasure of playing Bach's suites for Lute transposed for the guitar. The piece revolves around a simple repetitive semiquaver motif playing with the Aeolian mode starting on G. The motif ascends and descends playing with and against the low G string to extend itself away from the home mode, then returning and gradually extending into quavers to reach the key of E major while hinting at A minor. The repetitive nature of the piece invites the player to explore variations in sound quality and dynamics and to enjoy the effect of the notes playing against each other as they rise and fall away but always maintain a constant tempo and rhythm.

Violin solo

SKU: GH.GE-11358

For Solo Violin. Composed by Benjamin Staern. Duration 9 minutes. Gehrmans Musikforlag #GE 11358. Published by Gehrmans Musikforlag (GH.GE-11358).

ISBN 979-0-070-11358-8. A4 inches.

Work comment by the composer:
The lonely one was composed during May and June of the year 2000. It was written for Annika Gustafsson, to whom it is also dedicated. It was world-premiered on December 1 the same year in Caroli Church in Malmo. After that I had composed The Threat of War that was a dramatic and massive work for orchestra, I wanted to focus on melodic as well as harmonic and rhyhtmical processes combined with a inner dramatic content. In this case the solo violin works as a narrator where the piece itself is like a monologue without words.
In the score there are imprinted expressions like racontare (tellingly), piacevole (pleasingly) och sospirare(sighing).
The lonely one is divided in three sections.
1. Doloroso (Painful) - the violin plays almost imperceptly sighing glissandi that forms the basic material of the work. Its character is constantly searching. It leads up to the section Risoluto (Resolute) that has a very determined and edgy expression.
2. Misterioso (Mysteriously) - the materials from the previous section are now further developed. It builds up and breaks down during the course of the journey. Eventually it reaches a climax on a high d.
3. Calmando e espressivo (Calmingly and expressive) - From the high d it is stepping down to a recapture on material from the first part slightly changed and moody character. It dies out slowly with the lonely notes.

Benjamin Staern

International Edition. By Kuang-Hao Huang. This edition: Performance/Accompaniment CD; International. Method/Instruction; String - Violin (Suzuki); Suzuki. Suzuki Violin School. CD. Alfred Music #00-50110. Published by Alfred Music

Violin Part. By Shinichi Suzuki, violin performed by William Preucil, Jr., piano accompaniment performed by Linda Perry. This edition: International. Method/Instruction; SmartMusic; String - Violin (Suzuki); Suzuki. Suzuki Violin School. Book; CD. 48 pages. Alfred Music #00- 46910. Published by Alfred Music

(Violin Part). By Dr. Shinichi Suzuki. For Violin. This edition: Revised. Method/Instruction; String - Violin (Suzuki). The Suzuki Method Core Materials. Book. 36 pages

Violin Part. Composed by accomp. perf. Natalie Zhu, violin perf. Hilary Hahn, and Dr. Shinichi Suzuki. Method/Instruction; SmartMusic; String - Violin (Suzuki); Suzuki. Suzuki Violin School. Book and CD. 28 pages. Alfred Music #00- 48728. Published by Alfred Music

Violin Part. Composed by Dr. Shinichi Suzuki. This edition: International. Method/Instruction; String - Violin (Suzuki); Suzuki. Suzuki Violin School. Book and CD. 32 pages. Alfred Music #00-50106. Published by Alfred Music

International Edition. By Kuang-Hao Huang. This edition: Performance/Accompaniment CD; International. Method/Instruction; String - Violin (Suzuki); Suzuki. Suzuki Violin School. CD. Alfred Music #00-50115. Published by Alfred Music

Violin Part. Composed by Dr. Shinichi Suzuki. This edition: International. Method/Instruction; String - Violin (Suzuki); Suzuki. Suzuki Violin School. CD; Book. 36 pages. Alfred Music #00-50109. Published by Alfred Music

Critical Edition Violin Solo Part. Composed by Erich Wolfgang Korngold (1897- 1957). LKM Music. Classical. Softcover. Lauren Keiser Music Publishing #S510015. Published by Lauren Keiser Music Publishing

Violin

SKU: ST.C545

Composed by Nigel Goldberg. String music. Clifton Edition #C545. Published by Clifton Edition (ST.C545).

ISBN 9790570815456.

Combines and replaces the two original publications of Sounds of a Rainbow Book 1 from Spartan Press (SP950-1), into this volume that includes both duets and violin and piano versions in one volume.

Whether a student or a great artist, the desire to make a beautiful sound is a constant in the life of any musician. Sound is the musician’s voice, the means of communicating an artistic vision to the audience and it should be the aim for children of any age or standard to be engaged in good tone production.

The inspiration for writing the pieces for this book came to me from the wish to give the young children I teach music which would develop their ear for both good intonation and beautiful tone production. All the pieces have a strongly implied harmonic structure allowing them to be played without accompaniment. The purpose of the second violin part is therefore to enable the teacher to underline the harmony as well as to influence the student’s tone production and intonation through his own sound, as much can be taught by good example. The violin student also has the option to play with piano. The accompaniments included within this book are written by Heidi Rolfe.

The choice of keys in this book covers most of the requirements for scales in the Associated Board syllabus Grade 1.

Finally I think that children enjoy the challenge of expressing different moods and emotions musically, and I hope that the range of ideas implied by the keys and the titles of these pieces will fire their imagination.

Nigel Goldberg

Grade 1
Former Spartan Press Cat. No.: SP950 and SP951.

Chamber Music Violin

SKU: PR.114418750

Composed by Michael Hersch. Sws. Performance Score. 8 pages. Duration 11 minutes. Theodore Presser Company #114-41875. Published by Theodore Presser Company (PR.114418750).

ISBN 9781491129524. UPC: 680160655489. 9 x 12 inches.

The seven-movement in the snowy margins might be considered a sort of atomic suite, as each movement is succinct, yet a microcosmic powerhouse inspired by “The Comet,” by Polish writer and Holocaust victim Bruno Schulz. Hersch’s intensity is expressed through dramatically captivating violin gestures, pushing the boundaries of texture, technique, and emotion.
Michael Hersch’s in the snowy margins was written in 2010. Like much of his work, it is grounded in literature and art. The title is drawn from a short story, The Comet by Polish writer, poet, and artist, Bruno Schulz (1892-1942). This forms the last of his collection The Street of Crocodiles, published in 1934. Schulz was shot by a Nazi officer in 1942.Both the title of Hersch’s work, and the ‘motto’ found on the composer’s manuscript (‘Thus far and no further. But what has become of the end of the world…’) are to be found in The Comet. It’s interesting that in in the snowy margins, unlike his earlier Fourteen Pieces which were inspired by the poetry of Primo Levi, Hersch chose to not title each individual movement with a quote. However his choices of text are applied, there is a clear quality of distillation. In every case, the texts which the composer has chosen to eschew lie beneath the music, akin to the greater mass of an iceberg, submerged, but imminent.Hersch also has very particular taste in visual art, and there seems to be common ground between the intensely expressionist drawing of Schulz, and those of Michael Mazur, which inspired his string quartet Images from a Closed Ward. The parallels between these artists reflect common traits shared between these two pieces, which provide a window on how the music should be approached, expressively and technically. I would argue, that from a violinist’s point of view, this pertains directly to how bow and left hand should approach the string: the febrile vibrancy of both Mazur and Schulz’s pencil and charcoal strokes, perhaps what T.S. Eliot called the ‘circulation of the lymph’, in every gesture, speaks to the intense experience, physically and emotionally, of playing (and hearing) this music. There is an intense sense of ‘truth to materials’ at every moment, the sense that every note sings on the edge of, or even beyond, total collapse.— Peter Sheppard-Skaerved.

Violin Part. Composed by Dr. Shinichi Suzuki. This edition: International. Method/Instruction; String - Violin (Suzuki); Suzuki. Suzuki Violin School. CD; Book. 32 pages. Alfred Music #00-50114. Published by Alfred Music

By Various. Instrumental Folio. Softcover. 146 pages. Published by Hal Leonard.

Composed by Various. Instrumental Solo. Softcover. 104 pages. Published by Hal Leonard