Violin and Piano. By Edward Huws Jones. (Violin). Boosey and Hawkes Chamber Music. Size 9x12 inches. 28 pages. Published by Boosey and Hawkes.

Violin and piano - Level 1

SKU: LM.26026

Classical. Score. Editions Henry Lemoine #26026. Published by Editions Henry Lemoine (LM.26026).

ISBN 9790230960267.

ANON YME : By an by - BACH : Choral (Passion selon St Jean) - BARTOK : Danse du gardien de cochons - BEETHOVEN : Marmotte (Lied) - BRAHMS : Serenade inutile (Lied) - BRITTEN : Air irlandais - DVORAK : Melodie tzigane - ELGAR : Marche (Pomp and Circumstance, n. 1) - HAYDN : Une histoire tres courante! (Lied) - JOPLIN : The Entertainer (Ragtime, extrait) - MAHLER : Lied (extrait du Cor merveilleux de l'enfant) - MOZART : La petite fileuse (Lied) - SCHOENBERG : Salutations (Lied) - SCHUBERT : Les fleurs du meunier (Lied) - SCHUMANN : Le Paradis et la Peri (choeur des Houris).

(Violin and Piano Reduction With Marked and Unmarked Violin Parts Score and Parts). By Alban Berg (1885-1935). Edited by Michael Kube. For violin and piano reduction. This edition: Urtext edition. Henle Music Folios. Solo part and piano score, paperbound. 124 pages

Chamber Music Clarinet, Piano, Violin

SKU: PR.164002390

Composed by Dan Welcher. Set of Score and Parts. With Standard notation. Composed 1995. 26+14+14 pages. Duration 14 minutes. Theodore Presser Company #164-00239. Published by Theodore Presser Company (PR.164002390).

UPC: 680160038091.

I became interested in the work of Plato through my friend and collaborator, the writer and philosopher Paul Woodruff. Paul's new translation, with Alexander Nehamas, of the Symposium gave me insights into ancient Greek ways of thinking about Love, Beauty, and Wisdom -- and managed to keep the earthy, and often bawdy side of it all in full view. But their new translation of Plato's later dialogue Phaedrus went even further: the beauty of the speeches is breathtaking, and the discourse itself is enough to keep one awake at night. Basically the Great Speech of Socrates in the Phaedrus dialogue has to do with the place of Eros in the world, and with the conflict in the soul between fleshly pleasure and philosophic discovery. I will not attempt to encapsulate this brilliant discourse in a program note: suffice it to say that reading it gave rise to my two-sided work for clarinet, violin, and piano, Phaedrus. The first movement represents the Philosophic life, and is thus subtitled Apollo's Lyre (Invocation and Hymn). It begins with an unaccompanied melody for the clarinet, which (after a pair of harp-like flourishes for the piano, expands into an accompanied canon. The voices in the dialogue (clarinet and violin) follow each other by a prescribed number of beats, but the music is totally devoid of any meter at all. The piano, representing the lyre, accompanies this lyric love-feast with repeated strummed chords. The canon has three large sections, and ends with violin echoing the unaccompanied clarinet invocation as the sound of the lyre fades. The second movement, called Dionysus' Dream-Orgy (Ritual Dance) presents, after a brief introduction, another kind of unmetered music. Rather than long lyric flights of philosophic song, however, this time we hear a unison dance of unbridled energy and sensual transport. The piece soon forms itself into a loose arch form, with contrasting metered dance sections divided by the unison unmetered orgy tune. Midway through the movement, Apollo's melody returns from the first movement, but it is a temporary reminiscence. The orgiastic dance returns, reaches a climax, and ends with a stomping of feet. While Plato asserts that a proper balance between lust and reason is necessary in all men, he (naturally) gives the nod to Philosophy as the better choice in which to live. Not so in my music: the two sides are meant to coexist and to complement each other. No sides are taken. Phaedrus was commissioned of the Verdehr Trio by Michigan State University. It is dedicated to the Vedehr Trio with great affection and admiration.

Composed by Camille Saint- Saens (1835-1921). Edited by Fabien Guilloux and François de Médicis. This edition: urtext edition. Stapled. Performance score, Part. Opus 102. Baerenreiter Verlag #BA10958. Published by Baerenreiter Verlag

Violin, piano

SKU: BR.EB-6794

Composed by Jurg Baur. Solo instruments; Softcover. Edition Breitkopf.

World premiere Dusseldorf, December 6, 1976CDIgor Ozim (Violine), Gunter Ludwig (Klavier)CD Koch 3-1198-2 BibliographyGudelhofer, Matthias: Jurg Baur. Die spate Kammermusik, Koln: Dohr 2002

Music post-1945. Score. Composed 1976. 28 pages. Duration 18'. Breitkopf and Haertel #EB 6794. Published by Breitkopf and Haertel (BR.EB-6794).

ISBN 9790004169919. 9 x 12 inches.

1. Satz Ritornell - Perpetuum mobile 2. Satz Ritornell - Fantasia 3. Satz Mesto 4. Satz Ritornell - Burletta - Ritornell Ein Ritornell (kurz, melodios) umschliesst das ganze Stuck wie eine Rahmenerzahlung, leitet zum 1. , 2. und 4. Satz, steht wie eine besinnliche Frage am Ende (Es war einmal). Die Musik des ganzen Werks ist von allen Zwangen befreit; eine quasi improvisierte Reihung von Formteilen in jedem Satz. Dodekaphonik, Aleatorik, Klangspiele, Cluster wechseln, als Farbe, -als Felder eingesetzt. Das Klavier ubernimmt verschiedene Aufgaben, Begleitung, Gegenrhythmen, Klangfelder, Dialoge mit der Violine; diese wiederum dominiert meist technisch und musikalisch - aber unaufdringlich, fuhrt wie selbstverstandlich den Reigen an. Jeder einzelne Satz ist charakteristisch-typisch gepragt wie ein ,,moment musical. Satz 1 Perpetuum mobile. Technisch sehr anspruchsvoll fur die Violine, - will immer im Spiel bleiben - endet in insistierenden dreifachen Kanon ff - bricht ab - Satz 2 Klangspiele flag. pizz, gliss. , alternierend in Geige und Klavier (Saiteneffekte), Satz 3 Trauermarschahnliches Mesto Klopfgerausche fur Violine und Klavier als Metron, Ausdrucksstarke Kantilenen Satz 4 Mehrteilige humorvolle Burletta endet auf kreisender Violinfigur, fuhrt unmerklich ins Ritornell zuruck. CD Igor Ozim (Violine), Gunter Ludwig (Klavier) CD Koch 3-1198-2 Bibliography Gudelhofer, Matthias: Jurg Baur. Die spate Kammermusik, Koln: Dohr 2002

World premiere Dusseldorf, December 6, 1976CD Igor Ozim (Violine), Gunter Ludwig (Klavier)CD Koch 3-1198-2 BibliographyGudelhofer, Matthias: Jurg Baur. Die spate Kammermusik, Koln: Dohr 2002.

(Aus dem Musikalischen Opfer , BWV 1079 in der Fassung von Johann Sonnleitner). By Johann Sebastian Bach (1685-1750). Chamber Music (Strings, Winds & Piano). For flute, violin and piano. 29 pages

Violin and Piano. By Giuseppe Tartini. Arranged by Michaelangelo Abbado. (Violin). String Solo. Size 9x12 inches. 24 pages. Published by Ricordi.

Arranged by Daniel Kelley. For Violin/Flute/Oboe and Piano. Solos. Recital, Wedding. Level: Intermediate/Advanced. Piano Score and Solo Part. Published by Last Resort Music Publishing.

Composed by Johann Pachelbel (1653-1706), arranged by Samuel Marder. For violin and piano accompaniment. Format: set of performance parts (includes separate pull-out violin part). With solo part, piano reduction and introductory text. Baroque. 7 pages. 9x12 inches. Published by C.F. Peters.

By Johann Pachelbel (1653-1706). Arranged by Gordon Cherry. For violin and piano. Wedding music. Advanced. Solo part and piano accompaniment. Published by Cherry Classics

Arranged by Lynne Latham. Set of performance parts (piano part spiral bound) for violin solo and piano accompaniment. With standard notation and piano accompaniment. 90 pages. Published by Latham Music Enterprises.

By Morton Feldman. For violin, piano. This edition: Photoprint Edition. Photoprint editions are made to order. Printed on high quality paper and cover stock, they are made on a Canon digital printer from clean digital masters. Most of the photoprint editions are saddle stitched, but larger books have wire spiral binding. Published by C.F. Peters.

Violin and Piano. By Various. Arranged by Applebaum. (Violin). String Solo. Size 9x12 inches. 40 pages. Published by Schirmer

Arranged by Paul de Keyser. For Violin and Piano. Book; Method/Instruction; String - Violin Studies or Collection. Faber Edition. Published by Faber Music

Violin & Piano or CD Play Back / Play Along - Grade 1, Grade 2

SKU: MA.EMR-54331

Melodies pour Debutants / Melodien fur Anfanger. Composed by Karel Chudy. Score and parts. Duration 22'16. Editions Marc Reift #EMR 54331. Published by Editions Marc Reift (MA.EMR-54331).

Festive March / Minueto / Savage / Cradlesong / Funeral March / Prelude / Mazurka / Minuet / Air / Polka / Imitation / Echo / Elegy / Hungarian / Gate Of Fear / Calm / Siciliana / Syncopated / Habanera / Canon / Tarantella / Carol / Pastorale / ...

Composed by Various. Softcover Audio Online. 56 pages. Published by Hal Leonard

Violin and Piano. By Johann Pachelbel. Arranged by Donald Fraser. Fentone Play Along Books. Play Along. 10 pages. Published by Fentone Music.

By John Cage. For violin, piano. This edition: Photoprint Edition. Photoprint editions are made to order. Printed on high quality paper and cover stock, they are made on a Canon digital printer from clean digital masters. Most of the photoprint editions are saddle stitched, but larger books have wire spiral binding. Published by C.F. Peters.

By Morton Feldman. For violin, piano (2 scores needed for performance). This edition: Photoprint Edition. Photoprint editions are made to order. Printed on high quality paper and cover stock, they are made on a Canon digital printer from clean digital masters. Most of the photoprint editions are saddle stitched, but larger books have wire spiral binding. Published by C.F. Peters.

By Johann Sebastian Pachelbel. Arranged by Daniel Dorff. For violin, piano. Duration 4:0. Published by Theodore Presser Company.

By Nicolae Bogdan. For violin and piano/organ. Published by Musikk-Husets Forlag