By Willy Van Dorsselaer. Edited by John Bowden. For Violin and Piano. Educationa...(+)
By Willy Van Dorsselaer.
Edited by John Bowden.
For Violin and Piano.
Educational. Instrumental
Collection. Classical.
Level: Intermediate. Book
and Solo Part. 24+12
pages. Duration 27
minutes. Published by
Digital Music Print
(Belgian import).
By George Frideric Handel (1685-1759). Dowani Book/CD. Play Along. Book and CD. ...(+)
By George Frideric Handel
(1685-1759). Dowani
Book/CD. Play Along. Book
and CD. 16 pages. Dowani
International #DOW4519.
Published by Dowani
International
Violin Abc Violon et Piano EMB (Editio Musica Budapest)
Violin and Piano (VIOLIN AND P) SKU: HL.50487758 Violin Tutor for begi...(+)
Violin and Piano (VIOLIN
AND P)
SKU:
HL.50487758
Violin
Tutor for beginners using
children's and folksongs
from all over the
world. Composed by
Judit Reger Jozsefne
Szasz, Laszlo Denes, and
Rudolf Nemeth. EMB.
Method, Tutor. Book Only.
122 pages. Editio Musica
Budapest #Z14098.
Published by Editio
Musica Budapest
(HL.50487758).
ISBN
9790080140987.
9.0x12.0x0.31 inches.
Hungarian, English,
German.
Violin ABC
is the perfect volume for
pupils to familiarize
themselves with the
instrument, basic musical
elements, and the
sensation of moving
naturally while playing.
Its editors comprise
renowned Hungarian
experts in the field of
violin pedagogy, and
their aim was to create a
publication that allows
children to have a joyous
first encounter with the
violin. Violin ABC helps
students learn to have
calm, relaxed posture and
movements through playful
illustrations. That way,
those who want to play
the violin can get a
worthwhile introduction
to the basics of the
violin repertoire through
various folk songs and
beautiful music
examples.The legendary
violinist, Yehudi Menuhin
(1916 - 1999), had this
to say about the
publication: ''I am
delighted to see a work
on the teaching of the
violin stress the
importance of the
preparation of our body
and limbs, of our minds
and our soul,
independently of the
instrument itself. I have
always said that,
ideally, I would like the
preparation to be so
complete and thorough and
enjoyable, that when a
child first picks up a
violin and a bow, it will
draw a clean sound.')' -
Yehudi Menuhin (1916 -
1999).
Violin, piano SKU: FG.55011-754-9 Viulusonaatti. By Walter Wolff. ...(+)
Violin, piano
SKU:
FG.55011-754-9
Viulusonaatti. By
Walter Wolff. By Yrjö
Kilpinen. Classical.
Book. Fennica Gehrman
#55011-754-9. Published
by Fennica Gehrman
(FG.55011-754-9).
ISBN
9790550117549.
Yrj
¶ Kilpinen (1892-1959)
is most known for his
hundreds of lieds and
song cycles. His
instrumental compositions
have been less know, ie.
the six piano sonatas and
suite for gamba and
piano. Large-scale Sonata
for violin and piano is
dated in 1935 with opus
number 87. The work was
never finished, and
National Library in
Helsinki holds several
sketches and versions in
its Kilpinen collection.
In 2015 violinist
Frida Backman
commissioned a completion
of the Sonata from
composer Walter Wolff.
Wolff worked on the
sketches and versions
until 2018, when the work
was completed and the
Sonata premiered.
The present
publication is the first
publication of the
Sonata. It sheds light to
Kilpinen as an
instrumental composer.
Yrjö Kilpinen
(1892-1959) tunnetaan
lähinnä
lied-sävellyksistä
¤n, joita aktiivisina
sävellysvuosina
syntyikin satoja.
Vähemmälle
huomiolle ovat
jääneet hänen
instrumentaalisävellyk
sensä, mm. kuusi
pianosonaattia,
sellosonaatti, sarja
gamballe ja pianolle
sekä muutamat
pikkukappaleet.
Vuodelle 1935
päivätty
neliosainen,
laajamuotoinen sonaatti
viululle ja pianolle (op.
87) jäi
keskeneräiseksi.
Suomen Kansalliskirjaston
Kilpinen-kokoelmassa oli
useita luonnoksia ja eri
versioita. Sonaatin
osista neljäs oli
keskeneräisin.
Viulutaiteilija
Frida Backman tilasi
konserttiaan varten
sonaatin
täydennöksen
säveltäjä Walter
Wolffilta. Hän sai
työnsä
päätöksen 2018,
jonka jälkeen sonaatti
kantaesitettiin.
Fennica Gehrmanin
julkaisu on sonaatin
ensipainos, ja siten
laajentaa kuvaamme
Yrjö Kilpisestä
instrumenttiteosten
säveltäjänä.
Teoksen osat:
Allegro - Andante -
Andante Moderato -
Allegro.
Violin and Piano - early intermediate SKU: BT.DHP-1043625-404 Composed by...(+)
Violin and Piano - early
intermediate
SKU:
BT.DHP-1043625-404
Composed by Alexei
Janschinow. De Haske
Study and Play.
Educational Tool. Book
with Part and
Audio-Online. Composed
2021. 16 pages. De Haske
Publications #DHP
1043625-404. Published by
De Haske Publications
(BT.DHP-1043625-404).
ISBN 9789043161763.
9x12 inches.
English-German-French-Dut
ch.
Study and
Play is ideal for
developing your playing
in an enjoyable and
musically sound way. Each
edition within this
concept features audio
recordings to add
something extra to your
study routine.When you
play
thisConcertino you
will be able to practise
at a slower study tempo,
as well as the normal
tempo, so that you can
work on your violin
playing in a more
concentrated way whilst
improving your insight
into the music. You
cancontinue to study in
this goal-orientated way
until you have achieved
the desired result.
The title of this piece
suggests a concert
situation: playing a solo
partwith accompaniment.
There are thousands of
such works for theviolin
but many of these cannot
be tackled until you have
been playing for a
considerable time.
Concertino in Russian
Style Opus 35 enables
you to gain necessary
experience for this type
of playing: namely having
sufficientmusical and
technical control over
your instrument whilst
having the support of an
accompanist during
performance. This
carefully chosen
concertino will enrich
your repertoire.
St
udy and Play ist das
ideale Konzept, um auf
vergnügliche und
sinnvolle Weise ein gutes
Spiel zu entwickeln.
Jedem Buch mit diesem
Konzept sind
Begleitaufnahmen
beigefügt, welche
die tägliche
ÃÅbungsroutine
individuellergänze
n. Mit Hilfe dieser
Aufnahmen kann das
Concertino im
langsameren
ÃÅbetempo sowie
auch im normalen Tempo
gespielt werden, sodass
man sich zunächst
ganz auf das Violinspiel
konzentrieren kann und
dabei die Musik
kennenlernt. So kann
zielgerichtet
geübt werden, bis
das gewünschte
Ergebnis erreicht
wird.
Der Titel dieses
Stückes beschreibt
die Situation in einem
Konzert: Es wird ein Solo
mit Begleitung gespielt.
Solche Werke gibt es
zutausenden für
Violine, viele
können jedoch erst
nach vielen Jahren
Spielerfahrung gemeistert
werden. Mit Concertino
in Russian Style Opus
35 kann man wichtige
Erfahrungen mit genau
dieser Art des Spiels
sammeln,
nämlichausreichend
musikalische und
technische Beherrschung
über das
Instrument zu erlangen
und gleichzeitig mit der
Unterstützung
eines Pianisten spielen
zu können. Dieses
sorgfältig
ausgewählte
Concertino ist auf
jeden Fall
eineBereicherung Ihres
Repertoires.
Study and
Play è il
concetto ideale per
sviluppare il vostro modo
di suonare in un contesto
piacevole e solidamente
strutturato. Le
registrazione di
accompagnamento vi
permettono di suonare sia
a tempo normale che
più lento,al fine
di migliorare la
concentrazione sullo
studio della tecnica e
avere un migliore
approccio con le varie
parti del brano. Le parti
dellââ¬â¢accom
pagnamento al pianoforte
incluse nelle
pubblicazioni (versione
cartacea) vipermettono di
suonare con un pianista
accompagnatore.
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48025035 Violin and...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.48025035
Violin and Piano.
Composed by Brett Dean.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 52 pages.
Duration 1020 seconds.
Bote & Bock #M202535639.
Published by Bote & Bock
(HL.48025035).
ISBN
9783793142607. UPC:
196288020790.
9.0x12.0x0.171
inches.
With Berlin
Music, Brett Dean wrote a
threefold homage: to the
classical duo consisting
of violin and piano; to
the violin virtuoso
Midori, for whom the
piece was written; and to
the city of Berlin, where
he lived between the
mid-1980s and 2000 and
whose rich cultural life
he owes much to his
development as a musician
and composer. The first
four, relatively short
movements of the
five-movement work form a
suite of character
pieces, which is followed
by a longer final
movement. In summary,
this turns out to be the
actual main movement from
which all motifs and
harmonies emerged in a
compositional manner.
This includes tuning down
the G side by a whole
tone - an apparently
small difference, but one
that has a major effect
on the timbre and
resonance of the
instrumentand suddenly
makes previously
impossible interval
sequences playable. In
addition, the violin in
the third movement (a
moto perpetuo in which
Dean bows to Ravel's
violin sonata) has to
play with a practice
damper, while the pianist
changes the instrument
and plays on a standing
piano that is dampened by
a pedal and placed next
to the concert grand
Expressing nervous energy
in tight college
spaces.
Violin, piano SKU: BR.SON-454 Complete Works. Composed by Felix Ba...(+)
Violin, piano
SKU:
BR.SON-454
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Birgit Muller.
Solo instruments; Linen.
Complete Works. Romantic
period. Complete Works.
Breitkopf and Haertel
#SON 454. Published by
Breitkopf and Haertel
(BR.SON-454).
ISBN
9790004803646. 9 x 12
inches.
The Violin
Concerto in E minor, op.
64, and the Sonata in F
minor, op. 4, are the
only works for solo
violin that Mendelssohn
had had printed during
his lifetime. However,
his complete oeuvre
includes other completed
or fragmentary
compositions, including
two further concertos and
several unfinished
sonatas and other
individual pieces. He
himself had an
extraordinary command of
the violin and entrusted
the instrument in several
other works, such as the
Octet op. 20 or the
concert aria Infelice! -
Ah, ritorno, eta
dell'oro, with special
tasks. Nevertheless, with
regard to details of
playing technique, he
usually sought advice
from solo violinist
friends, first from
Eduard Ritz, then, after
Ritz's early death, from
Ferdinand David. The
present volume contains
all of the completed and
fragmentary compositions
for violin and piano that
have survived - from the
early Prelude and Fugue
in D and G minor from
Zelter's practice book
(1820), which can be
assigned without doubt,
through to the Sonata in
F major (1838) in their
various versions.
Two is a Team Violon et Piano [Partition + CD] - Facile De Haske Publications
Composed by Ed Wennink and Nettie Vening. Two is a team. Book with CD. Compo...(+)
Composed by Ed Wennink
and
Nettie Vening. Two is a
team.
Book with CD. Composed
2013.
44 pages. De Haske
Publications #DHP
1125296-
400. Published by De
Haske
Publications
Chamber Music & Piano Accompaniment 1 Violin 1 Piano - Grade 2 SKU: FL.FX0726...(+)
Chamber Music & Piano
Accompaniment 1 Violin 1
Piano - Grade 2
SKU:
FL.FX072649
Composed
by Pascal Proust.
Original Composition.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX072649.
Published by FLEX
Editions (FL.FX072649).
A small trip in
calm waters... for young
instrumentalists of the
first cycle of
conservatories. - Pascal
PROUST ;
A Piece
for students from 2 or 3
years of instrument
practice ; Instruments: 1
Violin 1 Piano; Difficuly
Level: Grade 2; Duration:
2 mn 10 s; Musical Style:
Classical, Educational;
Category: Original
Composition; Composer:
Pascal PROUST;.
Composed by Camille Saint- Saens (1835-1921). Edited by Fabien Guilloux and Fra...(+)
Composed by Camille
Saint-
Saens (1835-1921). Edited
by
Fabien Guilloux and
François
de Médicis. This
edition:
urtext edition. Stapled.
Performance score, Part.
Opus
102. Baerenreiter Verlag
#BA10958. Published by
Baerenreiter Verlag
Violin, piano SKU: BR.EB-4476 Composed by Wolfgang Amadeus Mozart. Edited...(+)
Violin, piano
SKU:
BR.EB-4476
Composed
by Wolfgang Amadeus
Mozart. Edited by Helmut
Gartner. Solo
instruments; Softbound.
Edition Breitkopf.
Sonata; Classical. Score.
88 pages. Breitkopf and
Haertel #EB 4476.
Published by Breitkopf
and Haertel (BR.EB-4476).
ISBN 9790004162989. 9
x 12 inches.
Die
unter dem Sammeltitel
,,Romantische Sonaten von
Mozart bekannten 6
Sonaten fur Violine und
Klavier gehoren zu den
Werken, fur die die
Autorschaft Mozarts nicht
vollig beglaubigt ist.
Die Autographe fehlen,
und zudem ist die
Herkunft der Vorlagen zum
ersten Druck bei
Breitkopf & Hartel sehr
verdachtig: Konstanze
bietet sie Anfang 1799
dem Verlag an, dieser
aussert sich jedoch
sofort enttauscht und
erbittet das
,,Original-Manuscript, um
alle Zweifel an der
Echtheit der Sonaten zu
zerstreuen. Dieses ist
jedoch nicht aufzufinden,
und in der Folge
verdichten sich auch
Konstanzes Zweifel an der
Echtheit der Sonaten, -
vielleicht hatte sie
inzwischen sogar den
Komponistennamen erfahren
oder gefunden? Jedenfalls
schreibt sie am
16.11.1800 an andre:
,,... Breitkopf & Hartel
habe ich indessen
uberlassen, sie nochmals
zu beurtheilen und nach
ihren Criterien zu
schazen. Ich habe mich
ganz von aller
Burgschaft, dass sie von
Mozart sind, losgesagt -
das ist die Hauptsache,
um die es mir zu thun
ist.
Violin, piano SKU: BR.EB-8647 14 Duos. Composed by Antoinette van ...(+)
Violin, piano
SKU:
BR.EB-8647
14
Duos. Composed by
Antoinette van Zabner and
Elisabeth Aigner-Monarth.
Edited by Aigner-Monarth
/ Van Zabner. Solo
instruments; Softbound.
Edition Breitkopf. Music
pedagogy. Score. 90
pages. Breitkopf and
Haertel #EB 8647.
Published by Breitkopf
and Haertel (BR.EB-8647).
ISBN 9790004183403. 9
x 12 inches.
Gone
are the days when chamber
music was relegated to
the sidelines of piano
instruction. TWOgether
contains two pieces each,
mostly original, for
piano and the most
popular classical melody
instruments. It is clear
that the pieces make
equal musical demands on
both the piano and the
melody instrument. Thanks
to this stylistically
varied book, young
pianists or their
teachers can go out
recruiting all kinds of
different musical
partners. Facilitating
their access to the
pieces are the
informative comments of
the editors, which
include thoughts on
chamber music, and the
intonations provided by
Oskar Aichinger.
Violin, piano SKU: BR.EB-9168 Composed by Steffen Schleiermacher. Solo in...(+)
Violin, piano
SKU:
BR.EB-9168
Composed
by Steffen
Schleiermacher. Solo
instruments; Softcover.
Edition Breitkopf.
World premiere: Halle,
February 16, 2002
Music post-1945; New
music (post-2000). Score.
Composed 2002. 20 pages.
Duration 4'30. Breitkopf
and Haertel #EB 9168.
Published by Breitkopf
and Haertel (BR.EB-9168).
ISBN 9790004184806. 9
x 12
inches.
Waldschrats
Nachtlied is a concert
piece that is practically
guaranteed to make a
major impact. In the dark
of night, a hobgoblin and
his companion are
whisking about the
forest. The tempo is
brisk, and the permanent
change of meter ensures
productive turbulence. At
the beginning, the roles
of the two instruments
are distributed rather
traditionally; then the
violins and the pianos
upper part are briefly
led in genuine parallel
motion in the monolithic
section. Afterwards, the
virtuoso chase through
the woods continues as
before.
Chamber Music violin, piano SKU: PR.114419280 Composed by Chen Yi. Arrang...(+)
Chamber Music violin,
piano
SKU:
PR.114419280
Composed
by Chen Yi. Arranged by
Wong Tak Chiu.
Performance Score. 32+12
pages. Duration 20
minutes. Theodore Presser
Company #114-41928.
Published by Theodore
Presser Company
(PR.114419280).
ISBN
9781491132357. UPC:
680160676125.
Inspi
red by Chinese tradition,
this concerto-like dance
suite includes: 1. Lion
Dance, 2. YangKo, and 3.
Muqam. Each movement
draws from melodies and
rhythms characteristic of
various regions of China
many centuries ago.
CHINESE FOLK DANCE SUITE
is available for violin
with full orchestra, or
as a recital work with
piano. Supported by a
major commissioning award
from the Serge
Koussevitzky Music
Foundation in the Library
of Congress, Chinese Folk
Dance Suite is written
for solo violin and
orchestra; it was
premiered by The
Women’s
Philharmonic with violin
soloist Terrie Baune,
conducted by Apo Hsu, on
March 10, 2001, at Yerba
Buena Center For the Arts
Theater in San
Francisco.Inspired by
various Chinese
traditional folk dances,
the suite has three
movements:I. Lion Dance.
Traditionally, people
dance with richly
decorated hand-made
lions, accompanied by
percussion ensemble, to
celebrate happy occasions
and major festivals
throughout the country.
In this composition, I
use Chinese drum and
other percussion
instruments in the
background, to form a
dynamic and rhythmic
texture responding to the
solo part, which imitates
the tunes played on the
suona (traditional
Chinese trumpet). The
pitch materials came from
the traditional Guangdong
tune “Dragon Boat
Racing,†and the
Chaozhou tune “Lion
Playing Ball.â€II.
YangKo. Originating in
northern China, this is a
major folk dance form in
mass performance
popularized in the
country. In YangKo
performance, people play
rhythmic patterns on the
drums hung around their
waists while singing and
dancing. In the second
movement, I imagined a
warm scene of YangKo
dancing in distance. The
solo violin plays a sweet
and gracious melodic line
while all members of the
orchestra sing
non-pitched syllables in
different layers as the
soft background, to
imitate the percussion
sound which produces the
ever-going pulse.III.
Muqam. This large-scale
music and dance form,
from the Uygur
nationality in Xinjiang
province, originated in
the 15th century. My
third movement use a 7/8
meter and the melodic
style of Muqam music. The
fiery dancing gesture
culminates in the
sustained climax section
at the end of the work,
after a colorful violin
cadenza in both
improvisational singing
style and polyphonic
writing with woven
lines.
Chamber Music Cello, Piano, Violin SKU: PR.414411630 Composed by Shulamit...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.414411630
Composed
by Shulamit Ran. Set of
Score and Parts. With
Standard notation.
28+28+20+24+20+24 pages.
Duration 20 minutes.
Theodore Presser Company
#414-41163. Published by
Theodore Presser Company
(PR.414411630).
ISBN
9781491114551. UPC:
680160089956. 9.5 x 13
inches.
EXCURSIONS
is a one-movement work
exploring two
“characters.â€
A rhapsodic, descending
passage is introduced by
the cello, followed by
a static,
chorale-like phrase for
the violin and cello.
Their individual
developments are
separated by a slow,
contrasting middle
section. The composer has
written: “This is
analogous to situations
in life: we stand by a
crossroad, choosing one
option and forfeiting the
other. But in art, the
realm of the imagination,
we can perhaps afford to
pursue more than one
route to its ultimate
destination… or can
we? It is symbolic that
in this work both roads
eventually lead to the
same
place.â€. Excursi
ons for violin, cello and
piano, is a one-movement
work of tripartite
structure in which
materials explored in the
first of three large
sections are brought back
in the last section.Â
The traditional
statement-contrast-restat
ement form, which is
readily suggested by such
a description, is,
however, not at all in
the mold in which the
work is cast. Rather,
my aim was to subject the
essential materials of
the piece (two
“charactersâ€
–the rhapsodic,
descending passage played
by the cello in the very
opening and, later, a
static, slow moving,
chorale-like phrase for
the violin and cello) to
two entirely different
developments separated by
a slow, contrasting
middle section. This
is analogous to an
exploration of the
ramifications that two
divergent choices made by
the same person might
lead to. In life, as
we stand by a crossroad,
choosing one option
usually means having to
forfeit the other.Â
But in art, the realm of
the imagination, we can
perhaps afford to pursue
more than one route to
its ultimate
destination…or can
we? It is, I believe,
symbolic that in this
work both roads
eventually lead to the
same place: in composing
Excursions, it seemed
absolutely inescapable
that at the end the slow,
contrasting middle
sections – both
more resigned and
peaceful than the
battling spirits of the
outer parts –
should return briefly to
end the work. The
piano trio combination
(once highly favored, but
to this composer still as
challenging today) is
approached here as a
collaborative effort of
three equal soloists
– partners. Of
the available pairings,
the two strings find
themselves occasionally
approached as a team
pitted against the
piano. The
cello-piano combination
is also not uncommon
here, and there is an
extended violin cadenza
toward the end of the
piece. The writing
for the three instruments
is closely and at times
interlinked, but the
players are all
instructed to play from
scores. Excursions was
first performed at
Brandeis University in
1982.
Urtext based on the Complete Edition Jean Sibelius Works (JSW). Composed by Je...(+)
Urtext based on the
Complete
Edition Jean Sibelius
Works
(JSW). Composed by Jean
Sibelius (1865-1957).
Edited
by Anna Pulkkis.
Breitkopf
and Haertel #EB-9340.
Published by Breitkopf
and
Haertel
Piano; Violin - easy to intermediate SKU: HL.49019369 Violin and Piano...(+)
Piano; Violin - easy to
intermediate
SKU:
HL.49019369
Violin
and Piano. Composed
by Felix Bartholdy
Mendelssohn. Arranged by
Wolfgang Birtel. This
edition: Saddle
stitching. Sheet music.
String. Classical.
Softcover. Op. 30/3. 6
pages. Schott Music
#ED21475. Published by
Schott Music
(HL.49019369).
ISBN
9790001189705. UPC:
888680930141.
'Song
s Without Words' - that's
what Felix Mendelssohn
Bartholdy (1809-1847)
called his lyrical piano
pieces, romantic
miniatures in which the
composer wanted to 'sing'
on the keyboard
instrument. With them, he
invented an entirely new
form of chamber music
playing in the 19th
century. These 'Songs'
are also perfectly
suitable for duet
playing: for a melodic
instrument with piano
accompaniment. The 'Song
Without Words' Op 30/3 is
a rewarding lyrical solo
piece.
Resignation Violon et Piano - Intermédiaire MorningStar Music Publishers
Composed by David Nowakowsky. Arranged by Gregory Cherninsky. For violin solo wi...(+)
Composed by David
Nowakowsky. Arranged by
Gregory Cherninsky. For
violin solo with piano
accompaniment. David
Nowakowsky Foundation
Series. Medium. Published
by MorningStar Music
Publishers