17 Klezmer Tunes. Composed by Joachim Johow. This edition: Saddle stitching....(+)
17 Klezmer Tunes.
Composed by
Joachim Johow. This
edition:
Saddle stitching. Sheet
music
with CD. String Solo.
Classical, Klezmer.
Edition
with CD, Partitur (2
Violinen
+ Klavier) plus eine
Spielpartitur (2
Violinen).
104 pages. Schott Music
#ED
22866. Published by
Schott
Music
Violin, piano SKU: BR.EB-8327 Urtext. Composed by Tommaso Giordani...(+)
Violin, piano
SKU:
BR.EB-8327
Urtext. Composed
by Tommaso Giordani.
Edited by Martin Lutz.
Solo instruments;
Softcover. Edition
Breitkopf. Tommaso
Giordani wrote sonatas -
here for violin or flute
- that are typical
examples of early
Classical chamber music:
their scoring is
flexible, they are fun to
play, and their technical
demands are moderate.
Sonata; Classical. Score.
48 pages. Breitkopf and
Haertel #EB 8327.
Published by Breitkopf
and Haertel (BR.EB-8327).
ISBN 9790004176351. 9
x 12
inches.
Tommaso
Giordani wrote sonatas -
here for violin or flute
- that are typical
examples of early
Classical chamber music:
their scoring is
flexible, they are fun to
play, and their technical
demands are moderate. The
Sonatas Op. IVa show that
Giordani is a Haydn
contemporary who can
really hold his own.
Giordani's chamber-music
works with obbligato
piano were actually very
important for the
development of chamber
music. Too bad Giordani
did not contend himself
with writing more of
these enchanting ensemble
sonatas rather than
investing in dubious
opera projects and going
bankrupt. That was no way
to become a serious
Classical
composer!
Tommaso
Giordani wrote sonatas -
here for violin or flute
- that are typical
examples of early
Classical chamber music:
their scoring is
flexible, they are fun to
play, and their technical
demands are moderate.
Violin (2 Violins), Piano, Guitar ad lib Guitar; Piano Accompaniment; Violin (VI...(+)
Violin (2 Violins),
Piano, Guitar ad lib
Guitar; Piano
Accompaniment; Violin
(VIOLIN/PIANO)
SKU:
HL.48024317
Violin
and Piano with opt.
Violin accomp, Easy
Violin, and Guitar.
Composed by Edward Huws
Jones. Boosey & Hawkes
Chamber Music. Classical,
Irish. Softcover with CD.
104 pages. Boosey &
Hawkes #M060124242.
Published by Boosey &
Hawkes (HL.48024317).
ISBN 9780851626932.
UPC: 888680748180.
9.0x12.0x0.35 inches. Ed.
Edward Huws Jones Book/CD
Pack.
Edward Huws
Jones' popular series of
traditional fiddle
repertoire, now available
with expertly-recorded
audio CD. Containing
colorful instrumental
backing tracks and full
demonstrations, the new
audio resource will aid
and inspire your private
practice and public
performance alike. These
generous collections of
authentic music, some
familiar, some more
exotic, but all of it
faithfully arranged,
enable you to create your
own ceilidh, bluegrass
club or charanga band.
The violin edition
includes optional easy
violin part and guitar
chords, while the
complete edition also
includes both keyboard
and violin
accompaniments. Either
format is highly
flexible, which means the
music can be played as
solos, duets or trios as
well as with larger
ensembles. Edwards Huws
Jones has travelled
extensively researching
fiddle-playing
traditions. In each book
he explains the
background of the
particular musical style,
giving his own
suggestions for a lively
performance.
Violin, piano SKU: BR.EB-9407 Urtext. Composed by Joachim Raff. Ed...(+)
Violin, piano
SKU:
BR.EB-9407
Urtext. Composed
by Joachim Raff. Edited
by Severin Kolb and
Stefan Kagi. Solo
instruments; stapled.
Edition Breitkopf.
Sonata; Romantic. Score.
68 pages. Breitkopf and
Haertel #EB 9407.
Published by Breitkopf
and Haertel (BR.EB-9407).
ISBN 9790004188811. 9
x 12 inches.
With
his Six Morceaux , Raff
created a collection of
six short pieces with the
aim of pleasantly
entertaining many a
listener and
demonstrating that he was
also capable of writing
something easy. After
all, he had made a name
for himself in the years
before with extremely
demanding chamber music
for renowned dedicatees.
The Six Morceaux ,
dedicated to the
violinist Ludwig Straus,
on the other hand, are
probably related to
Raff's teaching
activities at a private
piano school in Wiesbaden
at that time. Therefore,
with the individual
pieces varying in
difficulty they are well
suited for violin lessons
without losing any of
their musical ambition.
The most famous piece is
probably the Cavatina.
Arranged for various
scorings during Raff's
lifetime, it continues to
be one of the most
popular Encore pieces
altogether - Fritz
Kreisler, Yehudi Menuhin
and Itzhak Perlman have
made recordings of the
piece. They say that a
piano quintet version was
even heard on the Titanic
. This modern Urtext
edition is based on the
first printing,
supervised and initiated
by Raff himself. In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH).
Violin, piano SKU: BR.EB-6794 Composed by Jurg Baur. Solo instruments; So...(+)
Violin, piano
SKU:
BR.EB-6794
Composed
by Jurg Baur. Solo
instruments; Softcover.
Edition Breitkopf.
World premiere
Dusseldorf, December 6,
1976CDIgor Ozim
(Violine), Gunter Ludwig
(Klavier)CD Koch 3-1198-2
BibliographyGudelhofer,
Matthias: Jurg Baur. Die
spate Kammermusik, Koln:
Dohr 2002
Music
post-1945. Score.
Composed 1976. 28 pages.
Duration 18'. Breitkopf
and Haertel #EB 6794.
Published by Breitkopf
and Haertel (BR.EB-6794).
ISBN 9790004169919. 9
x 12 inches.
1.
Satz Ritornell -
Perpetuum mobile 2. Satz
Ritornell - Fantasia 3.
Satz Mesto 4. Satz
Ritornell - Burletta -
Ritornell Ein Ritornell
(kurz, melodios)
umschliesst das ganze
Stuck wie eine
Rahmenerzahlung, leitet
zum 1. , 2. und 4. Satz,
steht wie eine
besinnliche Frage am Ende
(Es war einmal). Die
Musik des ganzen Werks
ist von allen Zwangen
befreit; eine quasi
improvisierte Reihung von
Formteilen in jedem Satz.
Dodekaphonik, Aleatorik,
Klangspiele, Cluster
wechseln, als Farbe, -als
Felder eingesetzt. Das
Klavier ubernimmt
verschiedene Aufgaben,
Begleitung,
Gegenrhythmen,
Klangfelder, Dialoge mit
der Violine; diese
wiederum dominiert meist
technisch und musikalisch
- aber unaufdringlich,
fuhrt wie
selbstverstandlich den
Reigen an. Jeder einzelne
Satz ist
charakteristisch-typisch
gepragt wie ein ,,moment
musical. Satz 1 Perpetuum
mobile. Technisch sehr
anspruchsvoll fur die
Violine, - will immer im
Spiel bleiben - endet in
insistierenden dreifachen
Kanon ff - bricht ab -
Satz 2 Klangspiele flag.
pizz, gliss. ,
alternierend in Geige und
Klavier (Saiteneffekte),
Satz 3
Trauermarschahnliches
Mesto Klopfgerausche fur
Violine und Klavier als
Metron, Ausdrucksstarke
Kantilenen Satz 4
Mehrteilige humorvolle
Burletta endet auf
kreisender Violinfigur,
fuhrt unmerklich ins
Ritornell zuruck. CD Igor
Ozim (Violine), Gunter
Ludwig (Klavier) CD Koch
3-1198-2 Bibliography
Gudelhofer, Matthias:
Jurg Baur. Die spate
Kammermusik, Koln: Dohr
2002
World
premiere Dusseldorf,
December 6, 1976CD Igor
Ozim (Violine), Gunter
Ludwig (Klavier)CD Koch
3-1198-2
BibliographyGudelhofer,
Matthias: Jurg Baur. Die
spate Kammermusik, Koln:
Dohr 2002.
Violin, piano SKU: BR.EB-9250 Composed by Nicolaus A. Huber. Solo instrum...(+)
Violin, piano
SKU:
BR.EB-9250
Composed
by Nicolaus A. Huber.
Solo instruments;
stapled. Edition
Breitkopf.
World
premiere: Toronto,
November 17, 2016Written
for the Duo Wapiti
(Genevieve Liboiron,
Daniel Anez)
New
music (post-2000); Music
post-1945. Performance
score. Composed 2016. 12
pages. Duration 12'.
Breitkopf and Haertel #EB
9250. Published by
Breitkopf and Haertel
(BR.EB-9250).
ISBN
9790004185506. 10 x 12.5
inches.
Whereas
Nono considered the world
to be only fragmentarily
analyzable, so-called
consumer capitalism
increasingly intrudes
upon ego structures, by
fragmenting them to the
point of: assumed
insufficiency, i.e., was
consumption a form of
infiltration?, or: in
television you can see
models licking face cream
because it's so rich etc.
(retranslated), as
Meredith Haaf cited in
her book review (SZ /
23.05.2016 Alexandra
Kleeman: You Too Can Have
A Body Like Mine) , and
to the point of similar
perfection-senselessness.
Music doesn't do things
by halves. Even when
events or notes are
puffed up, they can
retain elegance and
significance. Other ego
amplitudes are of
violinistic nature or are
favourite memories -
Paganini's Capricci,
Stockhausen's Studie I,
Steve Reich, the tone C
and similar things. The
craziest egos are
quantums, because at no
time are they identical
with themselves. They can
entangle and superpose,
are nonlocal, etc.
Although the sound
character in this Duo is
fairly open, I believe I
succeeded in making
probability waves of
harmonic stopovers
perceptible. This means
hearing without analyzing
and without constantly
measuring. Nonlocality -
without messenger
particles - means no
harmonic steps, but with
the capacity to interact.
(Nicolaus A. Huber, May
2016)
World
premiere: Toronto,
November 17, 2016 Written
for the Duo Wapiti
(Genevieve Liboiron,
Daniel Anez).
Violin, piano (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.EB-10708(+)
Violin, piano (solo: vl -
2.2.2.2 - 4.2.0.0 - timp
- str)
SKU:
BR.EB-10708
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Arranged by
Johannes Umbreit. Solo
instruments; stapled.
Edition Breitkopf.
In
Cooperation with
G. Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Piano
reduction. 76 pages.
Duration 25'. Breitkopf
and Haertel #EB 10708.
Published by Breitkopf
and Haertel
(BR.EB-10708).
ISBN
9790201807089. 9.5 x 12
inches.
Bruch's
evergreen for the first
time in Urtext Thanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto? The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
(Violin and Piano). By Various. Edited by Edward Huws Jones. For Fiddle, Piano, ...(+)
(Violin and Piano). By
Various. Edited by Edward
Huws Jones. For Fiddle,
Piano, Violin. Boosey &
Hawkes Chamber Music.
Softcover with CD. Boosey
& Hawkes #M060124112.
Published by Boosey &
Hawkes
Clarinet, violin and piano (P/ST) - advanced SKU: HL.49033366 In der E...(+)
Clarinet, violin and
piano (P/ST) - advanced
SKU: HL.49033366
In der Erinnerung.
Composed by Ekkehard
Jost. Sheet music.
Edition Schott. Score and
Parts. Composed 2005. 36
pages. Duration 10'.
Schott Music #ED 9877.
Published by Schott Music
(HL.49033366).
ISBN
9790001139168.
Orig
inally, Christian Jost
wanted to be an
astronaut, but it did not
work out. Instead, he
became one of the most
successful composers of
the younger generation.
His latest chamber music
work, eingefroren, is
paving a musical way into
the human memory.
Distributed evenly among
all three instruments,
fragments of flashing
motifs and short
film-like phrases of
memories stored in the
subconscious are
flickering.
Violin, piano SKU: BR.EB-9413 Composed by Nicola Campogrande. Solo instru...(+)
Violin, piano
SKU:
BR.EB-9413
Composed
by Nicola Campogrande.
Solo instruments;
stapled. Edition
Breitkopf. New music
(post-2000). Score.
Composed 2020. 28 pages.
Duration 9'. Breitkopf
and Haertel #EB 9413.
Published by Breitkopf
and Haertel (BR.EB-9413).
ISBN 9790004188873. 9
x 12 inches.
For a
long time after
Romanticism had come to
the fore, it was
generally agreed that
Brahms somehow did not
get it: History and
Progress - it was thought
- were proceeding along
one clear path and Brahms
- who was composing
sonatas and symphonies
instead of nocturnes and
symphonic poems - had
taken the wrong way.
Almost one century later,
Schonberg wrote an essay,
Brahms, der
Fortschrittliche (Brahms,
the progressive), in
which he explained that
it wasn't like that at
all.Fully assuming the
risk to appear somehow
irreverent, I have to
confess: Over the years,
I came to the conclusion
that the present - and
the future - can be
created only by loving
the past. As Brahms had
shown us, it is only by
accepting the challenge
of taking our heritage
into our own hands, that
we can create something
new. We cannot avoid
engaging with the past.
Therefore, starting with
my Sinfonia n. 1, I began
to flirt with such a
strong and effective
musical structure like
the sonata form. I
re-read and freely
transformed it, because
it is a sturdy and
resilient structure, but
also a theatrical and
colorful one. For me, it
is a happy structure. And
I think that today more
than ever we need
something like this: We
need to find places -
even imaginary ones -
where we can give
happiness a form of its
own.Nicola Campogrande,
December
2020
World
premiere: Bologna/Italy,
Streaming, April 11,
2021Commissioned by the
Fondazione Musica
Insieme.
Solo Pieces Vol. 6 Violon et Piano [Partition + CD] - Intermédiaire/avancé Editions Marc Reift (Swiss import)
Violin & Piano (Organ) + CD Play Back / Play Along - Grade 4 SKU: MA.EMR-3383...(+)
Violin & Piano (Organ) +
CD Play Back / Play Along
- Grade 4
SKU:
MA.EMR-33831
Albanian Wedding Song
/ Allegro con grazia /
Impromptu / Cuius animam
/ The Speakeasy / Samba
Tramba / Caprice Nr
24. Composed by John
G. Mortimer. Violin & CD
Playback (Play Along). 7
Titles. Score and parts.
Duration 17'17. Editions
Marc Reift #EMR 33831.
Published by Editions
Marc Reift
(MA.EMR-33831).
Possible
instrumentations: Violin & CD Play Back /
Play Along Violin &
Organ (+ Play Back / Play
Along CD
optional) Violin &
Piano (+ Play Back / Play
Along CD optional).
Violon et Piano [Conducteur et Parties séparées] - Débutant Latham Music Enterprises
By Hunter. Instrumental Hymns, Violin Solo. Jesus Loves Me; I Sing the Mighty Po...(+)
By Hunter. Instrumental
Hymns, Violin Solo. Jesus
Loves Me; I Sing the
Mighty Power of God; Take
My Life, and Let it Be;
Come Thou Long-Expected
Jesus; Joyful, Joyful, We
Adore Thee; Amazing
Grace; For the Beauty of
the Earth; Holy, Holy,
Holy; Be Thou My Vision;
Fairest Lord Jesus. All
1st position, compatible
with Suzuki Book #1;
violin plays melody with
simple accompaniments.
Now includes descant.
Published by Latham Music
Enterprises.
Violin, Piano SKU: FG.042-08229-4 Composed by Joonas Kokkonen. Published ...(+)
Violin, Piano
SKU:
FG.042-08229-4
Composed by Joonas
Kokkonen. Published by
Fennica Gehrman
(FG.042-08229-4).
ISBN
979-0-042-08229-4.
This work in three
movements dates from
1955, from Kokkonen's
neo-classical period,
dominated as it was by
chamber music, before
Kokkonen's eventual move
through chromaticism to
dodecaphony. The two
instruments are treated
very much as equal
partners, and the work is
motivically and formally
of tight
construction.
Violin, piano SKU: FG.55011-635-1 Composed by Jean Sibelius. Fennica Gehr...(+)
Violin, piano
SKU:
FG.55011-635-1
Composed by Jean
Sibelius. Fennica Gehrman
#55011-635-1. Published
by Fennica Gehrman
(FG.55011-635-1).
ISBN
9790550116351.
In
1929 Sibelius sent some
small pieces to the New
York publisher Carl
Fischer for
consideration. Included
among these was the Suite
for Violin and String
Orchestra, to which
he had assigned the opus
number 117. The Suite
for Violin and String
Orchestra represents the
culmination point in a
series of works
written for violin and
orchestra which started
with the serenades op. 69
and continued with
the Six Humoresques opp.
87 & 89. Together these
works bear witness to
the composer's deep
insight into the
instrumental
possibilities of the
violin. In these works,
more limited in
formal scope than the
Violin Concerto though
they be, the voice of the
solo violin -
Sibelius' second
mother-tongue - unites
with the orchestral
writing of a mature
and experienced
symphonist. The reduction
and solo part are
published together for
the first time.
---.
Chamber Music Clarinet, Flute, Piano, Violin SKU: PR.11440561S Composed b...(+)
Chamber Music Clarinet,
Flute, Piano, Violin
SKU: PR.11440561S
Composed by Ralph Shapey.
Score. With Standard
notation. 36 pages.
Duration 12:30. Theodore
Presser Company
#114-40561S. Published by
Theodore Presser Company
(PR.11440561S).
UPC:
680160009039.
The
three movements examine
the same materials from
different points of view;
in the first, the ideas
are chronologically
separated, but they
alternate and develop
through the instruments
in an intensifying way
that generates a rather
imposing and grandiose
rhetoric. The second,
with its hypnoti,
incessant reiterations at
maximum volume of a
simultaneous combination
of motives of different l
lengths and shapes, ends
just short of becoming
unbearable... In the last
movement the flute,
clarinet and violin
slowly unfold a
continuous texture that
combines several of the
earlier elements, while
the piano softly
interjects the echo of
its first movement
triplets.
Violin, piano SKU: BR.EB-32065 Urtext. Composed by Richard Franck....(+)
Violin, piano
SKU:
BR.EB-32065
Urtext. Composed
by Richard Franck. Edited
by Nick Pfefferkorn. Solo
instruments; stapled.
Edition Breitkopf.
Late-romantic. Score. 20
pages. Duration 10'.
Breitkopf and Haertel #EB
32065. Published by
Breitkopf and Haertel
(BR.EB-32065).
ISBN
9790004186558. 9 x 12
inches.
Die
Entstehung von op. 52
fallt in ein zeitlich und
inhaltlich schwer
abzugrenzendes
Spannungsfeld. Die Stucke
erschienen 1910 im Verlag
von Albert Stahl in
Berlin, als Richard
Franck sich bereits nach
Heidelberg zuruckgezogen
hatte. Sie zahlen somit
zu seinen letzten
veroffentlichten Werken.
Inhalt: I. Elegie wirkt
ausgesprochen resigniert,
fast wie ein Abschied.
Die Flote steht ganz im
Vordergrund dieses
melancholischen, mit
Chromatik angereicherten
und klar strukturierten
Adagio-Satzes. II. Der
Reiter von Sankt Karli
kommt als humorvolles
Scherzo daher, wohl eine
Anspielung auf die
Schweiz, in der Franck
einige Jahre verbrachte.
Fast wirkt es wie eine
Hommage an Schumann. Der
Mittelteil dieses
Scherzos, ein Andante,
nimmt Bezug auf die
elegische Stimmung des
ersten Satzes. Es ist
eine ruhigere Station,
bevor der Reiter
weiterzieht. III.
Perpetuum mobile, so
schnell als moglich kann
man als Vorlaufer
moderner
Klangflachenkompositionen
auffassen, aber naturlich
auch als schlichtes,
scherzhaftes Bravourstuck
im Stile des
Hummelflugs.