Cello and orchestra SKU: BR.PB-5509 Urtext. Composed by Carl Phili...(+)
Cello and orchestra
SKU: BR.PB-5509
Urtext. Composed
by Carl Philipp Emanuel
Bach. Edited by Ulrich
Leisinger. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
The
concertos in A
minor and B flat major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in
Germany.
Solo
concerto; Early
classical. Full score. 52
pages. Duration 27'.
Breitkopf and Haertel #PB
5509. Published by
Breitkopf and Haertel
(BR.PB-5509).
ISBN
9790004211694. 9 x 12
inches.
The
concertos in A minor, B
flat major and A major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in Germany.
The A minor Concerto,
composed in 1750, is
performed quite
frequently today. C. P.
E. Bach most likely wrote
the Concerto in B flat
major Wq. 171 as the last
of the little work group
in 1753 in Potsdam, at
the court of King
Frederick the Great. He
reworked the composition
for flute and harpsichord
shortly thereafter.
Various sources prove
that copies of the work
had made it known quite
extensively in the second
half of the 18th century.
In his new Urtext
edition, Ulrich Leisinger
bases himself on two
reliable manuscripts.
Cello and Orchestra SKU: BT.EMBZ14893 Composed by László Dubrovay. ...(+)
Cello and Orchestra
SKU: BT.EMBZ14893
Composed by László
Dubrovay. EMB
Contemporary Music.
Contemporary Music. Book
Only. Composed 2016. 68
pages. Editio Musica
Budapest #EMBZ14893.
Published by Editio
Musica Budapest
(BT.EMBZ14893).
The concerto
was inspired by István
Várdai's play and is
dedicated to him. The
triple movement structure
and the character of the
movements follow the
patterns of classical
concertos, while the
thematic connections
spanning the movements
rather reflect the
structural principles of
Romantic symphonies. In
the first movement, which
resembles the form of a
sonata, the characters of
the themes are
spectacularly separated.
The motif of the main
theme, constructed with
glissandos, is
supplemented by a theme
the composer refers to as
a motif of fate, and the
two together form a
significant contrast with
the minor theme with its
lyrical tone and the
playful, ending
themeresembling a
children's song. The
contrasts between depth
and height, as well as
darkness and light, have
a significant role in all
three movements. The
music of the first
movement gradually rises
to increasingly bright
and higher regions, the
gloomy atmosphere of the
marginal parts in the
second movement is offset
by the tune's
transcendental light in
its central part, while
the rondo theme of the
third movement with its
6/8 metre dance-like
character is supplemented
with motifs of a
contrasting nature from
the earlier
movements.
Cello and Orchestra SKU: HL.14028003 Cello Concerto No. 1. Compose...(+)
Cello and Orchestra
SKU: HL.14028003
Cello Concerto No.
1. Composed by Poul
Ruders. Music Sales
America. Classical.
Score. Composed 2002.
Edition Wilhelm Hansen
#WH30292. Published by
Edition Wilhelm Hansen
(HL.14028003).
ISBN
9788759862896.
Poul
Ruders Polydrama
(Manyfold Event) for
cello and orchestra, is
the last part of a drama
trilogy otherwise
consisting of Dramaphonia
for piano and 11
instruments and Monodrama
for percussion and 32
instruments. In this
abstract drama, the
individual listener is
left entirely to his own
associations. The
composer has compared
polydrama with the
gradual defoliation of a
big tree: the vigorously
growing organism is
attacked by a swarm of
locusts until, finally,
nothing remains but bare
branches in a landscape
of long shadows; a
solitary, singing bird
remains, however, like a
streak of hope in an
increasingly dark and
pessimistic universe.
Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
4.2.0.0 - timp - str)
SKU: BR.PB-15132
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Romantic; Late-romantic.
Full score. 84 pages.
Duration 25'. Breitkopf
and Haertel #PB 15132.
Published by Breitkopf
and Haertel
(BR.PB-15132).
ISBN
9790004214688. 10 x 12.5
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
4.2.0.0 - timp - str)
SKU:
BR.PB-15133-07
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with
G. Henle Verlag
Solo concerto; Romantic;
Late-romantic. Study
Score. 84 pages. Duration
25'. Breitkopf and
Haertel #PB 15133-07.
Published by Breitkopf
and Haertel
(BR.PB-15133-07).
ISBN
9790004214695. 6.5 x 9
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
Cello and orchestra (3
(3. auch Picc.) * 0 * 2 *
Bassklar. * 2 - 3 * 0 * 0
* 0 - P. S. (Crot. *
Marimba * kl. Trgl. * m.
u. gr. Hangebeck. * Tamt.
* Tomt. * gr. Tr. *
Chimes * Clav. * Woodbl.)
(2 Spieler) - Str. (gross
besetzt)) - advanced
SKU: HL.49019901
For Violoncello and
Orchestra. Composed
by Enjott Schneider. This
edition: Saddle
stitching. Sheet music.
String. Softcover.
Composed 2011. 68 pages.
Duration 25'. Schott
Music #ED21667. Published
by Schott Music
(HL.49019901).
ISBN
9790001196611.
9.25x12.0x0.186
inches.
Enjott
Schneider's Concerto for
violoncello takes up the
Sumerian legend of the
bird deity 'Dugud' in
archaic scenes. Legend
has it that Princess
Emeshe was impregnated by
the hermaphrodite - half
eagle, half falcon - in a
dream and founded with
her son Almos, who had
thus been conceived, the
royal Hungarian
dynasty.In expressive
musical pictures,
Schneider describes the
dark-erotic struggle of
impregnation as well as
the chant of the unborn.
Hovering above everything
is the vision of life in
complete freedom like a
bird.The work was
premiered by the
Hungarian cellist Laszlo
Fenyo in 2011. Thanks to
the piano score written
by the composer, the work
can now also be studied
and performed by a
duo.