Composed by Johannes Brahms (1833-1897). Opus 101. Set of performance parts (inc...(+)
Composed by Johannes
Brahms (1833-1897). Opus
101. Set of performance
parts (includes separate
pull-out string parts)
for violin, cello and
piano. C Minor. Published
by International Music
Company.
(with marked and unmarked string parts). By Johannes Brahms (1833-1897). Edited ...(+)
(with marked and unmarked
string parts). By
Johannes Brahms
(1833-1897). Edited by
Egon Voss and Johannes
Behr. For Cello, Piano.
Henle Music Folios.
Softcover. 62 pages. G.
Henle #HN1135. Published
by G. Henle
Composed by Johann Sebastian Bach (1685-1750), edited by Hans Eppstein. For cell...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Hans Eppstein. For cello
and piano (or
harpsichord). Urtext of
the New Bach Edition.
Format: set of
performance parts
(includes separate
pull-out cello part).
With solo part, piano
accompaniment and
introductory text.
Baroque. 71 pages. 9x12
inches. Published by
Baerenreiter-Ausgaben.
Composed by Johannes Brahms (1833-1897), edited by Edmund Kurtz. Opus 99. Set of...(+)
Composed by Johannes
Brahms (1833-1897),
edited by Edmund Kurtz.
Opus 99. Set of
performance parts
(includes separate
pull-out cello part) for
cello and piano. With
solo part and piano
accompaniment. F Major.
Published by
International Music
Company.
Violoncelle, Piano [Conducteur et Parties séparées] Hal Leonard
By Johann Sebastian Bach (1685-1750), arranged by Sam Franko. Set of performance...(+)
By Johann Sebastian Bach
(1685-1750), arranged by
Sam Franko. Set of
performance parts for
violin solo (or cello)
and piano accompaniment.
For violin or cello and
piano. G Major. Published
by Hal Leonard.
Composed by Johannes Brahms (1833-1897), edited by Gerhard Schumann. Op. 114(a)....(+)
Composed by Johannes
Brahms (1833-1897),
edited by Gerhard
Schumann. Op. 114(a). Set
of performance parts for
clarinet in A (or violin
or viola), cello and
piano. With standard
notation. Published by
C.F. Peters.
Violoncelle, Piano [Set de Parties séparées] - Intermédiaire Schirmer
By Johann Sebastian Bach (1685-1750), arranged by Charles Krane. Set of performa...(+)
By Johann Sebastian Bach
(1685-1750), arranged by
Charles Krane. Set of
performance parts for
cello solo and piano
accompaniment. Includes
separate pull-out cello
part. 19 pages. Published
by G. Schirmer, Inc.
Sonata for Cello and Piano in A Major by Johann Christoph Friedrich Bach (1732-1...(+)
Sonata for Cello and
Piano in A Major by
Johann Christoph
Friedrich Bach
(1732-1795). For Cello,
Piano Accompaniment.
Cello-Bibliothek (Cello
Library). 42 pages.
Schott Music #CB184.
Published by Schott Music
F!nf Klavierkompositionen von Brahms, Chopin, Grieg und Schumann. Edited by Gell...(+)
F!nf Klavierkompositionen
von Brahms, Chopin, Grieg
und Schumann. Edited by
Geller, Doris;Schwarze,
Claudia. For Violoncello
(4). Violoncello. Score;
Set of Parts. Published
by Baerenreiter-Ausgaben
(German import).
Cello and piano SKU: VD.ED13961 Heft 1: Nr. 1-3. Composed by Johan...(+)
Cello and piano
SKU:
VD.ED13961
Heft 1:
Nr. 1-3. Composed by
Johann Martin Friedrich
Nisle. Edited by
Christian Vitalis.
Nisle-Gesamtausgabe.
Classical. Score, parts.
38 S. Part. + 8 S.
Stimmen pages. Verlag
Dohr #ED13961. Published
by Verlag Dohr
(VD.ED13961).
Cello and piano SKU: VD.ED13962 Heft 2: Nr. 4-6. Composed by Johan...(+)
Cello and piano
SKU:
VD.ED13962
Heft 2:
Nr. 4-6. Composed by
Johann Martin Friedrich
Nisle. Edited by
Christian Vitalis.
Nisle-Gesamtausgabe.
Classical. Score, parts.
30 S. Part. + 8 S.
Stimmen pages. Verlag
Dohr #ED13962. Published
by Verlag Dohr
(VD.ED13962).
Score and Parts Piano Quintet (Score & Parts) SKU: HL.49045797 For Two...(+)
Score and Parts Piano
Quintet (Score & Parts)
SKU: HL.49045797
For Two Violins,
Viola, Violoncello and
Piano Score and
Parts. Composed by
Olli Mustonen. Ensemble.
Classical. Softcover. 168
pages. Duration 1320
seconds. Schott Music
#ED22250. Published by
Schott Music
(HL.49045797).
The first
movement of my Piano
Quintet is filled with
drama and passion. Its
atmosphere can be related
to my Second Symphony
Johannes Angelos. The
second movement is a set
of polyphonic variations
in a form reminiscent of
a passacaglia. The music
seems to be hypnotized by
a theme consisting of a
chromatic cluster of ten
notes. In the beginning
of the last movement,
materials from the
previous movements start
to reappear, but this
time in a mysterious,
incoherent way. The
strings find new music
resembling a fragmented
hymn. Fast-moving
triplets start to appear
and the music reaches a
joyful and ecstatic
conclusion. Olli
Mustonen.
Cello and piano SKU: BR.EB-32083 Urtext. Composed by Camillo Schum...(+)
Cello and piano
SKU:
BR.EB-32083
Urtext. Composed
by Camillo Schumann.
Edited by Maria Kliegel.
Solo instruments;
stapled. Edition
Breitkopf.
With
supplementary violoncello
part marked by Maria
Kliegel
Sonata;
Late-romantic. Score. 108
pages. Breitkopf and
Haertel #EB 32083.
Published by Breitkopf
and Haertel
(BR.EB-32083).
ISBN
9790004186299. 9 x 12
inches.
There are
many composers about whom
it is believed, today,
that they composed
conservatively, or
against the taste of
their time. The question
is also raised, today,
which extract of this
large amount of effective
and high-quality music,
unknown for the most
part, should receive our
attention; which of it is
worth rediscovering or
re-editing. Camillo
Schumann is one of the
most important
representatives of these
composers, but his works
are still largely unknown
today. He was born on 10
March 1872 in Konigstein,
Saxony. His musical
language combines the
sound world of Brahms
with the grand,
late-romantic Liszt
School. He wrote piano
parts of incredible power
and virtuosity,
approaching the sounds of
Rachmaninoff. His
wonderfully individual
melodic language makes
these works a valuable
testimony to a composer
who never had his due
recognition. The cello
sonatas Opp. 59 (EB
32082) and 99 (EB 32083)
are the first of three
works for this
combination. Op. 59 was
composed around 1905/06,
Op. 99 followed in 1932.
Nothing is known so far
of the circumstances of
the composition of this
work, including for whom
it was composed. However,
it is quite evident that
Schumann wrote it, like
most of his works,
primarily for his own
concerts and befriended
musicians. The extensive
entries in the piano part
bear witness to a
considerably practical
approach. Crossed-out
bars, notes added or
crossed out in chords as
well as a number of
revisions of other kinds
are more the rule than
the exception. The
composer's own fingerings
written in the piano part
also underline this
assumption. The present
edition contains two
solo-parts each. One
clean Urtext-part free of
any additions from the
editor and a second one
with bowing marks and
fingerings by Maria
Kliegel who recorded both
sonatas for the first
time with the label
Naxos. Both sonatas show
evident resemblance to
the works of this
combination by Johannes
Brahms and are therefore
a must have for ambitious
cellists.
With
supplementary violoncello
part marked by Maria
Kliegel.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Folder.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Set of parts.
100 pages. Duration 35'.
Breitkopf and Haertel #OB
16104-30. Published by
Breitkopf and Haertel
(BR.OB-16104-30).
ISBN
9790004339466. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
Andante from Op. 83 Violoncelle, Piano [Conducteur et Parties séparées] Sikorski
(Violoncello and Piano). By Johannes Brahms (1833-1897). Arranged by Cord Garben...(+)
(Violoncello and Piano).
By Johannes Brahms
(1833-1897). Arranged by
Cord Garben. Score and
Parts. String. Book only.
10 pages. Sikorski
#SIK1738. Published by
Sikorski
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Part. 12 pages.
Duration 35'. Breitkopf
and Haertel #OB 16104-19.
Published by Breitkopf
and Haertel
(BR.OB-16104-19).
ISBN
9790004339435. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Part. 12 pages.
Duration 35'. Breitkopf
and Haertel #OB 16104-27.
Published by Breitkopf
and Haertel
(BR.OB-16104-27).
ISBN
9790004339459. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Part. 12 pages.
Duration 35'. Breitkopf
and Haertel #OB 16104-16.
Published by Breitkopf
and Haertel
(BR.OB-16104-16).
ISBN
9790004339428. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
Score and Parts Cello SKU: HL.51481469 For Violoncello and Piano. ...(+)
Score and Parts Cello
SKU: HL.51481469
For Violoncello and
Piano. Composed by
Richard Strauss. Edited
by Peter Jost. Henle
Music Folios. Classical.
Softcover. 64 pages. G.
Henle #HN1469. Published
by G. Henle
(HL.51481469).
UPC:
840126989649.
9.0x12.0x0.258
inches.
Fingering
Michael Korstick;
fingering & bowing
for cello Johannes Moser
Aside from the Piano
Quartet op. 13 and the
Violin Sonata op. 18, the
Cello Sonata numbers
among the most mature
works of chamber music
from Strauss' early
oeuvre. The influences of
Mendelssohn, Schumann,
and Brahms are
noticeable, while leaving
sufficient space for a
very personal tonal
language, often with
surprising rhythmic and
harmonic turns of phrase.
Strauss subjected the
first version completed
in early 1881 to a
radical revision over the
winter of 1882/83; the
opening movement was
thoroughly reworked, the
two subsequent movements
rewritten completely. It
was worth it, because
after the premiere in
Dresden, the composer
wrote to his mother,
“My sonata garnered
extraordinary acclaim,
the applause was
enormous, congratulations
came to me from all
sides.â€.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Siciliano (Largo) Violoncelle, Piano [Set de Parties séparées] IMC (International Music Co.)
From Sonata for Violin and Harpsichord No. 4 in C minor, BWV1017. By Johann Seba...(+)
From Sonata for Violin
and Harpsichord No. 4 in
C minor, BWV1017. By
Johann Sebastian Bach.
Arranged by Jeffrey
Solow. For Cello and
Piano. Transcribed for
cello and piano. Set of
parts. Published by
International Music Co.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Part. 12 pages.
Duration 35'. Breitkopf
and Haertel #OB 16104-23.
Published by Breitkopf
and Haertel
(BR.OB-16104-23).
ISBN
9790004339442. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
Sonata No. 3 Violoncelle, Piano [Conducteur et Parties séparées] - Intermédiaire Editions Marc Reift (Swiss import)
Violoncello & Piano (Organ) or CD Play Back / Play Along - Grade 4 SKU: MA.EM...(+)
Violoncello & Piano
(Organ) or CD Play Back /
Play Along - Grade 4
SKU: MA.EMR-57397
Composed by Johann Ernst
Galliard. Arranged by
John G. Mortimer. Score
and parts. Duration 5'39.
Editions Marc Reift #EMR
57397. Published by
Editions Marc Reift
(MA.EMR-57397).
Sonata No. 2 Violoncelle, Piano [Conducteur et Parties séparées] - Intermédiaire Editions Marc Reift (Swiss import)
Violoncello & Piano (Organ) or CD Play Back / Play Along - Grade 4 SKU: MA.EM...(+)
Violoncello & Piano
(Organ) or CD Play Back /
Play Along - Grade 4
SKU: MA.EMR-57379
Composed by Johann Ernst
Galliard. Arranged by
John G. Mortimer. Score
and parts. Duration 6'51.
Editions Marc Reift #EMR
57379. Published by
Editions Marc Reift
(MA.EMR-57379).
Sonata No. 1 Violoncelle, Piano [Conducteur et Parties séparées] - Intermédiaire Editions Marc Reift (Swiss import)
Violoncello & Piano (Organ) or CD Play Back / Play Along - Grade 4 SKU: MA.EM...(+)
Violoncello & Piano
(Organ) or CD Play Back /
Play Along - Grade 4
SKU: MA.EMR-57361
Composed by Johann Ernst
Galliard. Arranged by
John G. Mortimer. Score
and parts. Duration 7'12.
Editions Marc Reift #EMR
57361. Published by
Editions Marc Reift
(MA.EMR-57361).
Sonata No. 5 Violoncelle, Piano [Conducteur et Parties séparées] - Intermédiaire Editions Marc Reift (Swiss import)
Violoncello & Piano (Organ) or CD Play Back / Play Along - Grade 4 SKU: MA.EM...(+)
Violoncello & Piano
(Organ) or CD Play Back /
Play Along - Grade 4
SKU: MA.EMR-57433
Composed by Johann Ernst
Galliard. Arranged by
John G. Mortimer. Score
and parts. Duration 7'08.
Editions Marc Reift #EMR
57433. Published by
Editions Marc Reift
(MA.EMR-57433).
Sonata No. 4 Violoncelle, Piano [Conducteur et Parties séparées] - Intermédiaire Editions Marc Reift (Swiss import)
Violoncello & Piano (Organ) or CD Play Back / Play Along - Grade 4 SKU: MA.EM...(+)
Violoncello & Piano
(Organ) or CD Play Back /
Play Along - Grade 4
SKU: MA.EMR-57415
Composed by Johann Ernst
Galliard. Arranged by
John G. Mortimer. Score
and parts. Duration 8'23.
Editions Marc Reift #EMR
57415. Published by
Editions Marc Reift
(MA.EMR-57415).
Sonata No. 6 Violoncelle, Piano [Conducteur et Parties séparées] - Intermédiaire Editions Marc Reift (Swiss import)
Violoncello & Piano (Organ) or CD Play Back / Play Along - Grade 4 SKU: MA.EM...(+)
Violoncello & Piano
(Organ) or CD Play Back /
Play Along - Grade 4
SKU: MA.EMR-57451
Composed by Johann Ernst
Galliard. Arranged by
John G. Mortimer. Score
and parts. Duration 7'40.
Editions Marc Reift #EMR
57451. Published by
Editions Marc Reift
(MA.EMR-57451).