Violoncelle, Piano [Livre + CD] - Facile Warner Brothers
Composed by Howard Shore, edited by Bill Gallifor, Jeannette DeLisa. For cello s...(+)
Composed by Howard Shore,
edited by Bill Gallifor,
Jeannette DeLisa. For
cello solo and piano
accompaniment. Includes
cello/piano book and
accompaniment CD. With
solo part and piano
accompaniment. Movies. 80
pages. 9x12 inches.
Published by Warner
Brothers.
Orchestra flute, clarinet, violin, viola, cello and piano SKU: PE.EP67480A(+)
Orchestra flute,
clarinet, violin, viola,
cello and piano
SKU:
PE.EP67480A
Composed
by Ursula Mamlok. Mixed
Instruments -
Miscellaneous Ensemble.
Edition Peters. 20th
Century. Set of Parts. 60
pages. Duration 00:15:00.
Edition Peters
#98-EP67480A. Published
by Edition Peters
(PE.EP67480A).
ISBN
9790300740492.
Viol
in (s) & Other
Instruments. Flute (s) &
Other Instruments.
Contemporary Small
Ensemble. Viola (s) &
Other Instruments. Cello
(s) & Other Instruments.
Clarinet (s) / Bassett
Horn (s) & Other Inst.
Piano (s) & Other
Instruments (In
Ensemble).
Composed by Jean-Baptiste Breval. Edited by Christoph Sassmannshaus. Stapled...(+)
Composed by Jean-Baptiste
Breval. Edited by
Christoph
Sassmannshaus. Stapled.
Barenreiter's
Concert
Pieces. Piano reduction,
part(s). 7/12 pages.
Duration 8:00.
Baerenreiter
Verlag #BA 10698.
Published
by Baerenreiter Verlag
Cello, Piano SKU: HU.HN621 Composed by Antonin Dvorak. Edited by Milan Pospisil...(+)
Cello, Piano
SKU: HU.HN621
Composed by Antonin
Dvorak. Edited by Milan
Pospisil. Strings,
Repertoire, Solos. Silent
Woods Op. 68 No.5.
Softcover Book. 20 pages.
G. Henle #HN621.
Published by G. Henle
(HU.HN621).
12.2 x 9.2 x 0.1 inches.
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.48025295 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.48025295
Cello
and Piano. Composed
by Elena Kats-Chernin.
Boosey & Hawkes Chamber
Music. Classical, Tango.
Softcover. Duration 120
seconds. Bote & Bock
#M202532942. Published by
Bote & Bock
(HL.48025295).
UPC:
196288174271.
Tango
s, like ragtimes and
waltzes, are an integral
part of Elena
Kats-Chernin's music,
always in a new and
varied form. In it, the
composer allusively
combines her present time
with the classical
tradition and high art
with light music. Slicked
Back Tango was originally
composed in 1995 for
piano four hands and has
since been written for
numerous other
instrumentations. The
music “harks back
to the time of silent
movies. I was thinking of
the 1920s and film star
Rudolph Valentino. The
title refers to his
hairstyleâ€, says
Kats-Chernin.
Cello and Piano or 3 Cellos, Level 3 Schott Student Edition Repertoire. C...(+)
Cello and Piano or 3
Cellos, Level 3 Schott
Student Edition
Repertoire. Composed
by Bernhard Romberg.
Edited by Beverley Ellis.
Arranged by Friedrich
Janssen. This edition:
Saddle stitching. Sheet
music. Schott Student
Edition. Repertoire.
Softcover. Op. 38/1. 32
pages. Schott Music
#SE1007. Published by
Schott Music
(HL.49045501).
Violin, cello and piano SKU: HL.49044398 For violin, violoncello and p...(+)
Violin, cello and piano
SKU: HL.49044398
For violin,
violoncello and
piano. Composed by
Toshio Hosokawa. Sheet
music. Ensemble.
Softcover. Composed 2013.
Duration 11'. Schott
Music #SJ10048. Published
by Schott Music
(HL.49044398).
This piece is
concerned with the world
of shaman, which I have
been very interested in
lately. A shaman is a
person who creates a path
connecting this world and
the underworld. In this
trio, the violin
represents female, and
the cello male. The
instruments sing a duo as
an extension of the
voices of two shamans.
The piano is the cosmos
and the nature. Violin
and piano have a 'Yin and
Yang' relationship, the
creation principal of the
Taoism cosmos: polar
opposites which
compliment one another
without cancelling each
other out, creating
perfect harmony. Toshio
Hosokawa.
Schott Student Edition Repertoire. Composed by Jean Baptiste Breval. Edit...(+)
Schott Student Edition
Repertoire. Composed
by Jean Baptiste Breval.
Edited by Beverley Ellis.
This edition: Saddle
stitching. Sheet music.
Schott Student Edition.
Repertoire. Softcover.
Op. 40/1. 36 pages.
Schott Music #SE1006.
Published by Schott Music
(HL.49045503).
Cello and Piano SKU: HL.14006097 Composed by Per Norgard. Music Sales Ame...(+)
Cello and Piano
SKU:
HL.14006097
Composed
by Per Norgard. Music
Sales America. Classical.
Book and Part(s). Music
Sales #KP00873. Published
by Music Sales
(HL.14006097).
ISBN
9788759872222.
Danish.
Programme
Note CANTICA for cello
and piano (1977)When in
1975 I had finished
composing my Symphony no.
3 (begun in 1973), I
wrote three simple
melodies for two psalm
texts by Ole Sarvig: The
Year and Choral Hymn.
These three tunes were
derived from the same
material as the second
movement of the symphony
and could be harmonized
together in several
different tempo
relationships, like
proportional canons. For
this reason they inspired
me to write several
choral and instrumental
works in the following
decade: Frost Psalm,
Winter Cantata, the tuba
octet Now all the earth
is white with snow,
Canticles (and
others).Cantica, meaning
song or singing, was
composed (forthe Danish
musicians Hans Erik
Dechert og Kjeld Hansen)
as a instrumental little
brother the long,
polyphonic choral pieces.
As in these the canonical
melodies in Cantica drift
from foreground to
background, from cello to
piano. The melodies are
simple, diatonic and in
traditional rhythms and
the surface of the music
in a way traditional. The
intention of the composer
with this easily
understood expression is
to lead the listeners
ears to the many
internal, proportional
developments. The story
is in a way hidden
between the lines. In the
myriads of rhythmic and
tempo relations the
Golden Mean (near to
2:3:5:8: et cetera) plays
an important role, like
in nature. Among the
experiences giving by
this natural phenomenon
are - perhaps - the
musical points to be
found (?).Per
Norgard(1997).
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.284546 (+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.284546
Cello
and Piano Version.
Composed by Kevin Volans.
Music Sales America.
Classical. Softcover.
Chester Music #CH86372 .
Published by Chester
Music (HL.284546).
For Bob is
arranged for Cello and
Piano. First performed by
Elisabeth Smalt and Kevin
Volans, London 2016.
Composers Note: I have no
idea where this piece
came from and how it is
structured. But before
and after I wrote it I
was nagged by the
question: what does the
viola have to do with the
piano? Did this
combination evolve by
unfortunate accident? The
viola was perfected in
the 18th century. Its
natural metier is
(private) chamber music.
The piano on the other
hand kept growing and
blossomed in the 19th
century as the ultimate
public instrument. If the
piano is to play with the
viola, it has to rein
back its power and pose
as an accompanist. Maybe
a third instrument,
perhaps from the 20th
century, is needed to
mediate between these two
very different sound
worlds. So whenwe play
this 'trio' with 2
instruments I invite the
listener to mentally add
the silent part(ner). -
Kevin Volans.
Cello and piano SKU: BR.EB-9406 Urtext. Composed by Joachim Raff. ...(+)
Cello and piano
SKU:
BR.EB-9406
Urtext. Composed
by Joachim Raff. Edited
by Claus Kanngiesser.
Solo instruments;
stapled. Edition
Breitkopf. Sonata;
Romantic. Score. 80
pages. Duration 27'.
Breitkopf and Haertel #EB
9406. Published by
Breitkopf and Haertel
(BR.EB-9406).
ISBN
9790004188804. 9 x 12
inches.
Raff's
Cello Sonata op. 183
appeared in print in late
1873; at a time when
Raff's success was at its
zenith with Symphonies
Nos. 3 and 5 as well as
many chamber works.
Little is known about the
circumstances of its
genesis and possible
performances. Since Raff
did not dedicate this
sonata to any
distinguished artist,
unlike most of his other
chamber works, it
apparently lacked a
drawing card for
distribution. While Raff
composed several
well-known works for
violin and piano, the
present cello sonata is
one of his few
outstanding works for
cello and piano.
Incidentally, in the
first edition, the score
is headed for piano and
cello, as was quite often
the case in the 19th
century, for instance
also with Brahms's
sonatas. This is also
evident in the music:
Cello and piano are equal
partners that develop the
musical material and are
challenged both
technically and
artistically. This
current edition contains
an Urtext cello part as
well as a part with
markings by Claus
Kanngiesser. In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
With a
preface by Severin Kolb.
Contains 2 cello
parts.
Cello and piano SKU: BR.EB-32083 Urtext. Composed by Camillo Schum...(+)
Cello and piano
SKU:
BR.EB-32083
Urtext. Composed
by Camillo Schumann.
Edited by Maria Kliegel.
Solo instruments;
stapled. Edition
Breitkopf.
With
supplementary violoncello
part marked by Maria
Kliegel
Sonata;
Late-romantic. Score. 108
pages. Breitkopf and
Haertel #EB 32083.
Published by Breitkopf
and Haertel
(BR.EB-32083).
ISBN
9790004186299. 9 x 12
inches.
There are
many composers about whom
it is believed, today,
that they composed
conservatively, or
against the taste of
their time. The question
is also raised, today,
which extract of this
large amount of effective
and high-quality music,
unknown for the most
part, should receive our
attention; which of it is
worth rediscovering or
re-editing. Camillo
Schumann is one of the
most important
representatives of these
composers, but his works
are still largely unknown
today. He was born on 10
March 1872 in Konigstein,
Saxony. His musical
language combines the
sound world of Brahms
with the grand,
late-romantic Liszt
School. He wrote piano
parts of incredible power
and virtuosity,
approaching the sounds of
Rachmaninoff. His
wonderfully individual
melodic language makes
these works a valuable
testimony to a composer
who never had his due
recognition. The cello
sonatas Opp. 59 (EB
32082) and 99 (EB 32083)
are the first of three
works for this
combination. Op. 59 was
composed around 1905/06,
Op. 99 followed in 1932.
Nothing is known so far
of the circumstances of
the composition of this
work, including for whom
it was composed. However,
it is quite evident that
Schumann wrote it, like
most of his works,
primarily for his own
concerts and befriended
musicians. The extensive
entries in the piano part
bear witness to a
considerably practical
approach. Crossed-out
bars, notes added or
crossed out in chords as
well as a number of
revisions of other kinds
are more the rule than
the exception. The
composer's own fingerings
written in the piano part
also underline this
assumption. The present
edition contains two
solo-parts each. One
clean Urtext-part free of
any additions from the
editor and a second one
with bowing marks and
fingerings by Maria
Kliegel who recorded both
sonatas for the first
time with the label
Naxos. Both sonatas show
evident resemblance to
the works of this
combination by Johannes
Brahms and are therefore
a must have for ambitious
cellists.
With
supplementary violoncello
part marked by Maria
Kliegel.
A
special piece - a special
story: In 2020, a
renowned architect
approached a composer to
create a new piece of
music for his daughter's
wedding, which the happy
father could give to the
young couple as a wedding
present. In earlier eras
of private patronage,
such a story would have
been natural, but in the
21st century it is an odd
story. The composition
subtly alludes to the
occasion: against the
background of the piano,
a duet of two instruments
tells the story of a
serene love (the piece
can either be performed
with a bassoon and a
violoncello, or with two
violoncellos). Mate
Bella, who moves at home
among different musical
styles, shapes the song
of lovers longing for
each other in a way
reminiscent of barcarolas
sung by Venetian
gondoliers.
Cello and piano (solo: vc - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.EB-9426(+)
Cello and piano (solo: vc
- 2.2.2.2 - 2.2.0.0 -
timp - str)
SKU:
BR.EB-9426
Urtext. Composed
by Joachim Raff. Edited
by Andrea Wiesli and
Jonas Kreienbuhl. Solo
instruments; stapled.
Edition Breitkopf. Solo
concerto; Romantic. Piano
reduction. 88 pages.
Duration 25'. Breitkopf
and Haertel #EB 9426.
Published by Breitkopf
and Haertel (BR.EB-9426).
ISBN 9790004189030. 9
x 12
inches.
Joachim
Raff's celebrated first
cello concerto is only
gradually being
rediscovered today. This
is astounding, taking
into account both the
quality of the
composition as well as
its enthusiastic
reception in the past.
All renowned cellists of
the time performed the
work, but the history of
op. 193 is still more
closely linked to
Friedrich Grutzmacher,
its commissioner,
co-editor, and soloist in
its world premiere, than
to any other musician.
Grutzmachers wish for a
concerto to free us poor
cellists from our
situation that is
becoming truly unbearable
and driving us to the
utmost discontent was
certainly fulfilled by
Raff.The extensive
preface of this first
Urtext-Edition documents
the close collaboration
between composer and
interpreter, as well as
performance practice of
the time. The
corresponding piano
reduction includes not
only an Urtext-solo part,
but also a part with the
markings by the Zurich
cellist Jonas Kreienbuhl.
In collaboration with the
Joachim-Raff-Archiv
Lachen (CH).
Plus Ultra Violoncelle, Piano Editorial de Musica Boileau
Cello and piano SKU: BO.B.3724 Composed by J. Cassado/M. Mestre. Publishe...(+)
Cello and piano
SKU:
BO.B.3724
Composed by
J. Cassado/M. Mestre.
Published by Editorial de
Musica Boileau
(BO.B.3724).
Cassado could
be considered are the
first great Catalan
symphonist of the 19th
Century and one of the
first pre-coursers of
Nationalism in our
country. His is a
Nationalism that is
solidly based on central
European traditions,
mainly Germanic in
its.
Plus Ultra
is a special case in
which the desire to
exhibit his deepest
Nationalist sentiments
took a second place to a
more global style into
which he incorporated
harmonies and melodic
turns that recall
Rachmaninoff more than
Albeniz. Plus Ultra can
be considered as a
musical thought which, in
spite of references or
paraphrases of some
typical aspects of
Spanish music of the era,
is an authentic lied in
which the cello sings
out, using maximum of its
expressive possibilities,
with a piano
accompaniment of the
first order.
In
this work Cassado makes
more extensive use of
pianissimo, which is more
typical of the French
school, than in any other
of his works. Through the
use of gestures which are
almost Impressionist, as
well as refined and
tasteful harmonies, the
composer divides the
musical discourse between
the two instruments
creating a fantastic work
which his son Gaspar
performed in
concerts.
Souvenirs Violoncelle, Piano - Intermédiaire Salabert
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musi...(+)
Cello and Piano -
intermediate
SKU:
BT.SLB-00595900
Extrait de la musique
de scène pour « Le
Voyageur sans bagages
». Composed by
Francis Poulenc.
Classical. Book and
Part(s). Composed 2016. 5
pages. Editions Salabert
#SLB 00595900. Published
by Editions Salabert
(BT.SLB-00595900).
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.48025324 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.48025324
Cello
and Piano. Composed
by Elena Kats-Chernin.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. Duration 180
seconds. Bote & Bock
#M202536346. Published by
Bote & Bock
(HL.48025324).
UPC:
196288175445.
The
piece is part of the
ballet Wild Swans,
choreographed by Meryl
Tankard at the Sydney
Opera House in 2002,
based on the fairy tale
The Wild Swans by Hans
Christian Andersen.
Originally scored for
soprano and orchestra,
Eliza Aria introduces
Princess Elisa and
expresses her pure soul,
innocence and belief in
the goodness of the
world: Without saying a
word, she must weave
stinging nettles into
cloth to save her
enchanted brothers. The
short, enchanting
vocalise is perhaps Elena
Kats-Chernin's best-known
creation and went around
the world as music in a
promotional video on
YouTube. It is now
available in numerous
versions for `ifferent
instruments and
instrumentations.
Cello and piano (solo: vc - 2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.EB-10802<...(+)
Cello and piano (solo: vc
- 2.2.2.2 - 4.2.3.0 -
timp - str)
SKU:
BR.EB-10802
Urtext. Composed
by Edouard Lalo. Edited
by Peter Jost. Arranged
by J. Schiff and J.
Umbreit. Solo
instruments; Softbound.
Edition Breitkopf.
The first
definitive author's
version - In
Cooperation with G. Henle
Verlag
Solo concerto;
Romantic. Piano
reduction. 92 pages.
Breitkopf and Haertel #EB
10802. Published by
Breitkopf and Haertel
(BR.EB-10802).
ISBN
9790201808024. 9.5 x 12
inches.
In the past
years, French music has
become a focal point of
Breitkopf's orchestral
library. With Edouard
Lalo's popular
violoncello concerto,
these new editions of
French music now bring
publishers Breitkopf and
G. Henle together once
again in another example
of their proven
cooperation. Peter Jost,
an expert on French music
who established his claim
to expertise through his
Debussy, Franck and
Saint-Saens editions,
ensures a flawless Urtext
edition which is based
for the first time on the
autograph piano
reduction. This
piano-cello score shows
traces of several layers
of arrangements, the last
two of which were
obviously not taken into
account in the first
edition. The new edition
thus offers a wealth of
new, authentic readings.A
carefully researched text
with clear and spacious
printing highlights this
sympathetic collaboration
of two esteemed
publishing houses,
Breitkopf & Hartel and
Henle. (Mary Nemet,
Strings).
Cello and piano - Intermediate SKU: MN.20-617 Composed by Duane Funderbur...(+)
Cello and piano -
Intermediate
SKU:
MN.20-617
Composed by
Duane Funderburk.
Instrumental Solo. Lent,
21st Century. MorningStar
Music Publishers #20-617.
Published by MorningStar
Music Publishers
(MN.20-617).
UPC:
688670206177.
This
is the first solo cello
collection in the Duane
Funderburk Chamber Music
Series. Like the other
pieces Funderburk writes,
the writing is impactful
and idiomatic, requiring
excellent players.
Includes Alas, and Did My
Savior Bleed
(MARTYRDOM/AVON) and On
Jordan's Stormy Banks
(PROMISED LAND).
Cello and Piano SKU: BT.EMBZ12943 Popular Concert Pieces 1. Compos...(+)
Cello and Piano
SKU:
BT.EMBZ12943
Popular Concert Pieces
1. Composed by David
Popper. Educational Tool.
Book Only. Composed 1986.
40 pages. Editio Musica
Budapest #EMBZ12943.
Published by Editio
Musica Budapest
(BT.EMBZ12943).
English-German-Hungari
an.
The score
contains the original
directions of
instrumental technique of
the composer, on the
other hand, the cello
part includes the
editorial suggestions.
Die Partitur
enthält die
Originalanmerkungen des
Komponisten zur
Spieltechnik sowie im
Celloteil einige
abweichende Vorschläge
des Herausgebers.
Cello and Piano SKU: BT.EMBZ12944 Composed by David Popper. Educational T...(+)
Cello and Piano
SKU:
BT.EMBZ12944
Composed
by David Popper.
Educational Tool. Book
Only. Composed 1986. 48
pages. Editio Musica
Budapest #EMBZ12944.
Published by Editio
Musica Budapest
(BT.EMBZ12944).
The score
contains the original
directions of
instrumental technique of
the composer, on the
other hand, the cello
part includes the
editorial
suggestions.