By George Frideric Handel (1685-1759). For solo keyboard. Piano Collection. Dover Edition. Baroque. Collection. Introductory text (does not include words to the songs). 169 pages. Published by Dover Publications collection Baroque

(Accompaniment: Organ). Sacred. Level: Medium Adult. Published by Hinshaw Music Inc.

Composed by Jack Hatfield. Squareback saddle stitch. Book. Published by Mel Bay Publications, Inc (MB.99783).

A Cycle of 16 Songs (G. and E.). By Robert Schumann. Voice and piano. Published by International Music Co.

Composed by Heinrich Ignaz Franz von Biber (1644-1704). Masterworks; String - Violin and Piano. Kalmus Edition. Baroque; Masterwork. Book. 160 pages. Kalmus Classic Edition #00-K09194. Published by Kalmus Classic Edition

Composed by Domenico Scarlatti (1685-1757). Masterworks; Piano Collection. Kalmus Edition. Baroque; Masterwork. Book. 228 pages. Kalmus Classic Edition #00-K09470. Published by Kalmus Classic Edition

Sonatas for Harpsichord. By Domenico Scarlatti. Arranged by Emilia Fadini. Piano Collection. Size 9x12 inches. 284 pages. Published by Ricordi.

Composed by Johann Sebastian Bach (1685-1750). Collection for solo piano. 166 pages. Published by Alfred Publishing.

Organ - advanced

SKU: HL.49045437

For Organ. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Large Works. Classical. Softcover. Composed 2016. 48 pages. Duration 24'. Schott Music #ED 22668. Published by Schott Music (HL.49045437).

ISBN 9790001162715. UPC: 841886029088. 9.0x12.0x0.168 inches.

On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.The composer describes the five movements of the symphony as follows:'1st movement:Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.2nd movement:In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.3rd movement:The omnipresence of death and dying - from the plague and war to the never-ending dangers of daily life - was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air.4th movement:The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air.5th movement:The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.

Composed by Domenico Scarlatti (1685-1757). Masterworks; Piano Collection. Kalmus Edition. Baroque; Masterwork. Book. 204 pages. Kalmus Classic Edition #00-K09464. Published by Kalmus Classic Edition

By Dave Black and Sandy Feldstein. For Snare Drum. Artist/Personality; Book; Method/Instruction; Percussion - Snare Drum Method; Poster; SmartMusic. Alfred's Drum Method. Beginner. 160 pages. Published by Alfred Music Publishing

Composed by Johann Sebastian Bach (1685-1750). Edited by Christoph Wolff and Martina Rebmann. This edition: facsimile. Half-leather- binding. Documenta musicologica II/54 / Barenreiter Facsimile. Facsimile. BWV 248. 148/33 pages. Baerenreiter Verlag #BVK02448. Published by Baerenreiter Verlag

Composed by William Byrd (1540-1623). Arranged by Kelly Via. Alry Publications #FC750NW. Published by Alry Publications

By Ignaz Josef Pleyel. (Violin). G. Schirmer String Ensemble. Size 9x12 inches. 16 pages. Published by G. Schirmer, Inc.

SKU: CA.2090100

Composed by Heinrich Schutz. Edited by Siegfried Schmalzriedt. This edition: urtext. Cycles: Schutz: Italienische Madrigale SWV 1-19. Complete editions / Selected works: Heinrich Schutz Complete Edition. German title: Italienische Madrigale. Madrigals, Secular choral music. Full score (complete edition / selected edition). Composed 1623. 152 pages. Carus Verlag #CV 20.901/00. Published by Carus Verlag (CA.2090100).

ISBN 9790007037284.

Than ks to a stipend from his patron, the Landgrave Moritz von Hessen-Kassel, Schutz was able to pursue a three-year period of study under Giovanni Gabrieli in Venice from 1609 to 1612, which he concluded with the publication in 1611 of the madrigal collection Il Primo Libro de Madrigali. Already in this, his Opus primus, Schutz emerged as an outstanding composer: In their musical quality, the 18 five-part madrigals exceed much that was still being composed in the traditional madrigal style at the beginnning of the 17th century.

(mit einem Anhang zur Ausfuhrung der Ornamente). By Johann Sebastian Bach (1685-1750). For piano. This edition: Revised Edition. 29 Stucke aus dem Notenbuchern fur Anna Magdalena und Wilhelm Friedemann Bach sowie anderen Quellen. Moderate. 48 pages

By Anton Diabelli. For Piano solo keyboard. Level: 3, 4, 5. 48 pages. Published by ABRSM (Associated Board of the Royal Schools of Music).

Trumpet

SKU: BT.EMM116-048

Samen Leren Samenspelen 1. Method. Book with Online Audio. Composed 2016. Educatieve Muziek en Media #EMM116-048. Published by Educatieve Muziek en Media (BT.EMM116-048).

Dutch.

Na het grote succes van de methode Horen, lezen & spelen hebben Michiel Oldenkamp en Jaap Kastelein hun aandacht gericht op lesmateriaal dat gebruikt kan worden in zowel de trompetles als in de orkestklas (blazersklas). Zij bedachten een compleet nieuwe methode voor jonge blazers en slagwerkers vanaf ongeveer 8 jaar oud. De methode is ontwikkeld in nauwe samenwerking met professionals uit de wereld van blazersklassen, muziekscholen en conservatoria in Nederland en Duitsland.

Samen leren samenspelen is een methode voor trompetles en orkestklas in één. In de leerlijn voor trompet ligt de nadruk op trompet-technische zaken zoals nieuwenoten en technische oefeningen. Deze lijn ondersteunt de leerlijn voor de orkestklas, waar meer algemene zaken, zoals ritme, melodie, vorm en samenspel aan bod komen.

De methode bestaat uit twee delen. In het eerste deel wordt er vanaf de eerste noten toegewerkt naar het spelen van duetten. In het tweede deel ligt de nadruk op het driestemmig samenspelen. Naast het lesboek biedt de uitgebreide website allerlei aanvullend materiaal zoals demo- en begeleidingstracks van alle stukken, aanvullend speelmateriaal en instructie-video’s . De logische opbouw en kindvriendelijke layout met mooie illustraties zorgen ervoor dat deze methode voor kinderen heel motiverend is.

SKU: HL.48181512

Composed by Henri Busser. Leduc. Classical. Softcover. 8 pages. Alphonse Leduc #AL21146. Published by Alphonse Leduc (HL.48181512).

UPC: 888680841492. 10.25x13.5x0.048 inches.

Henri Busser: Au Pays de Leon et de Salamanque Op.116 (Saxophone-Alto & Piano).

(Violin Play-Along Volume 48). By Kristen Anderson-Lopez and Robert Lopez. For Violin. Violin Play-Along. Softcover Audio Online. 16 pages. Published by Hal Leonard

Composed by Henry Purcell (1659-1695). Choral Extended Work; Larger Works; Masterworks; Performance Music Ensemble. Faber Edition. Baroque; Masterwork; Secular. Score. Faber Music #12-0571515541. Published by Faber Music

Drum Play-Along Volume 48. By Metallica. Drum Play-Along. Rock. Softcover Audio Online. 64 pages. Published by Hal Leonard