(10 Elegant Settings of Inspirational Solos). Arranged by Thomas Fettke. For Pia...(+)
(10 Elegant Settings of
Inspirational Solos).
Arranged by Thomas
Fettke. For Piano. Book;
Piano Collection; Piano
Supplemental. Sacred
Performer Collections.
Communion; Sacred;
Spiritual. Early
Advanced. 36 pages.
Published by Alfred Music
Composed by American Spiritual. Arranged by Michael Engelhardt. For Bass, Choral...(+)
Composed by American
Spiritual. Arranged by
Michael Engelhardt. For
Bass, Choral, Percussion
(SSAATTBB). Walton
Choral. 24 pages. Walton
Music #WW1530. Published
by Walton Music
Arranged by Beatrice A. Miller. African-American Spiritual. For Piano. Piano Tri...(+)
Arranged by Beatrice A.
Miller. African-American
Spiritual. For Piano.
Piano Trio (One Piano,
Six Hands). Spiritual.
Level: Early
Intermediate. Sheet.
Published by Alfred
Publishing.
2 Saxophones SKU: AP.1-ADV7012 For 2 Saxophones. Composed by Mike ...(+)
2 Saxophones
SKU:
AP.1-ADV7012
For 2
Saxophones. Composed
by Mike Curtis. Duet or
Duo; Solo Small
Ensembles; Woodwind -
Saxophone Duet. Advance
Music. Jazz; Standard.
Score. Advance Music
#01-ADV7012. Published by
Advance Music
(AP.1-ADV7012).
ISBN
9783892214298. UPC:
805095070125.
English.
These
well-loved tunes have
been around for a long
time. Perhaps the oldest
is Nobody Knows the
Trouble I've Seen, a
Negro spiritual that may
have been written by
slaves. Others come from
the latter half of the
19th century and from the
turn-of-the-century era
that produced the
precursors of jazz. The
unifying factor in
selecting these
particular tunes, apart
from the fact that every
American seems to know
them, is that they have
been constantly recreated
by jazz performers, from
the birth of jazz to the
present day. There is an
immediate link from the
improvisor to the mood,
structure, or chord
structure (sometimes all
three!) of these tunes
that allows for a
free-flowing personal
variation on these
timeless themes.
Titles: Down By
The Riverside * Little
Brown Jug * Bill Bailey *
Peg O' My Heart * A
Tisket, A Tasket * Take
Me Out To The Ballgame *
Nobody Knows The Trouble
I've Seen * Frankie &
Johnny.
By Various; African American Spirituals; Early American Hymns. Arranged by Ann B...(+)
By Various; African
American Spirituals;
Early American Hymns.
Arranged by Ann Buys. For
Piano. Inst; Piano
Sacred. Level:
easy/medium. 38 pages.
Published by GIA
Publications.
String Orchestra string orchestra with opt. 3rd Violin/Viola TC 1 and piano - Gr...(+)
String Orchestra string
orchestra with opt. 3rd
Violin/Viola TC 1 and
piano - Grade 1.5
SKU:
KN.08719S
Composed by
Traditional. Arranged by
Robert S. Frost. Solo or
Ensemble. Accent String
Orchestra. Kendor Music
Inc #08719S. Published by
Kendor Music Inc
(KN.08719S).
UPC:
822795087192.
As
one of the best-known
early American
spirituals, this song
embodies in word and
music the emotions and
convictions of the
African-American people
during the 19th century.
The music is well suited
to the ability of young
players, both
harmonically and
rhythmically, and offers
a wide range of dynamic
levels. Duration 2:10.
Available in
SmartMusic.
Choral 3-part choir mixed Voices, Piano SKU: CF.CM9643 Composed by Tradit...(+)
Choral 3-part choir mixed
Voices, Piano
SKU:
CF.CM9643
Composed by
Traditional Spiritual.
Arranged by Catherine
DeLanoy. Fold.
Performance Score. 12
pages. Duration 2:30.
Carl Fischer Music
#CM9643. Published by
Carl Fischer Music
(CF.CM9643).
ISBN
9781491157152. UPC:
680160915712. 6.875 x
10.5 inches. Key: F
major. English, English.
Traditional
Spiritual.
For the
emerging mixed choir,
Delanoy's arrangement of
this timeless spiritual
favorite offers energy,
variety and is sure to
inspire through its
uplifting melody of hope
and determination for a
better life -no matter
the obstacle. Concert and
festival
approved!. Let Me Fly
is an American spiritual
which, on the surface,
tells of a yearning for
the promised land of
heaven. On a deeper
level, its early singers
envisioned an escape from
slavery, with the
Underground Railroad
serving as the chariot.
In either case, the song
is an uplifting melody of
hope and determination
for a better life, no
matter the obstacle.
Please take note of the
layered section in mm.
55-62, which starts with
Part II, adds Part I in
m. 57, and completes the
layering with Part III at
m. 59. The repeated
measures of 59-60 allow
for an accompanist or
soloist to improvise
while the choir sings and
claps along for as many
repeats as desired. The
number of repeats is up
to the discretion of the
conductor. If there is no
improvisation, it is
recommended that mm.
59-60 be sung three times
before moving on. Let
Me Fly is an American
spiritual which, on the
surface, tells of a
yearning for the promised
land of heaven. On a
deeper level, its early
singers envisioned an
escape from slavery, with
the Underground Railroad
serving as the chariot.
In either case, the song
is an uplifting melody of
hope and determination
for a better life, no
matter the
obstacle.Please take note
of the layered section in
mm. 55-62, which starts
with Part II, adds Part I
in m. 57, and completes
the layering with Part
III at m. 59. The
repeated measures of
59-60 allow for an
accompanist or soloist to
improvise while the choir
sings and claps along for
as many repeats as
desired. The number of
repeats is up to the
discretion of the
conductor. If there is no
improvisation, it is
recommended that mm.
59-60 be sung three times
before moving on.
Composed by Traditional
African-American
Spiritual. Arranged by
Kevin Phillip Johnson.
Set of Score and Parts.
44+32+2 pages. Duration 4
minutes, 5 seconds. Carl
Fischer Music #CM9743IN.
Published by Carl Fischer
Music (CF.CM9743IN).
ISBN 9781491162231.
UPC: 680160920990. Key: E
minor. English. Iyana
Davis. Negro Spiritual
with Rap crafter by Ayana
Davis.
This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this version.
The composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences. The text of
this spiritual has been
interpreted in many
different ways over the
years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem: This
refers to the infant
Jesus. Two for Paul and
Silas: This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door: Many people
interpret the four to be
the four writers of the
Gospel books - Matthew,
Mark, Luke and John,
though this does not
explain the part about
standing at the door.
Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be the seven
stars in Ursa Major or
the sevenfold spirit of
God or the seven early
Christian churches or the
seven stars in the right
hand of Christ mentioned
in the Revelation. Eight
for the eight that stood
at the gate: This could
refer to the eight people
who entered Noah's ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to Moses.
Performance notes: Swing
the 8th notes Djembe
drums should be played
freely with flexible
precision The rap can be
optional The ending solo
can be sung down an
octave and can be changed
to match the ability of
the soloist. Do not clap
louder than you sing If
doing choral movement on
the piece, pay attention
to detail synchronizing
movements as much as
possible. While the rap
is words in rhythm, if
adding one is not
possible for your
performance, consider a
spoken word of your own
choosing Have
fun!. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this
version. The
composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences.The text of
this spiritual has been
interpreted in many
different ways over the
 years. Here's a
popular interpretation of
the text. One for the
little bitty baby born,
born, born in
Bethlehem:Â This refers
to the infant Jesus. Two
for Paul and
Silas:Â This verse
honors Paul and Silas who
went on many missionary
journeys to spread the
teachings of Christ.Â
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for
the four that stood at
the door:Â Many people
interpret the four
to be the four writers
of the Gospel books
– Matthew, Mark,
Luke and John, though
this does not explain the
part about standing at
the door. Five for the
gospel preachers: The
five are Matthew, Mark,
Luke, John and Peter.
Paul is already mentioned
above, in line two. Six
for the six that never
got fixed: Could this
mean the sinners who
never change their
ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be
the seven stars in
Ursa
Major or the sev
enfold
spirit of God or
 the seven early
 Christian churches
 or the sevenÂ
stars in the
right hand of Ch
rist mentioned inÂ
the Revelation.
Eight for the eight that
stood at the gate: This
could refer to the eight
people who entered
Noah’s ark (Noah,
his wife, their three
sons and their wives).
Nine for the nine that
dressed so fine: This
could refer to the nine
orders of Angels in
heaven. Ten for the
ten commandments: This
refers to the ten
commandments given to
Moses.Performance notes:
Swing the 8th notes
Djembe drums should be
played freely with
flexible precision The
rap can be optional The
ending solo can be sung
down an octave and can be
changed to match the
ability of the soloist.
Do not clap louder than
you sing If doing choral
movement on the piece,
pay attention to detail
synchronizing movements
as much as possible.
While the rap is words in
rhythm, if adding one is
not possible for your
performance, consider a
spoken word of your own
choosing Have fun!
Choral SATB Choir, Bass Guitar, Percussion, Piano SKU: CF.CM9743 Composed...(+)
Choral SATB Choir, Bass
Guitar, Percussion, Piano
SKU: CF.CM9743
Composed by Traditional
African-American
Spiritual. Arranged by
Kevin Phillip Johnson. 20
pages. Duration 4
minutes, 5 seconds. Carl
Fischer Music #CM9743.
Published by Carl Fischer
Music (CF.CM9743).
ISBN 9781491161562.
UPC: 680160920211. Key: E
minor. English. Iyana
Davis. Negro Spiritual
with Rap crafter by Ayana
Davis.
This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this version.
The composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences. The text of
this spiritual has been
interpreted in many
different ways over the
years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem: This
refers to the infant
Jesus. Two for Paul and
Silas: This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door: Many people
interpret the four to be
the four writers of the
Gospel books - Matthew,
Mark, Luke and John,
though this does not
explain the part about
standing at the door.
Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be the seven
stars in Ursa Major or
the sevenfold spirit of
God or the seven early
Christian churches or the
seven stars in the right
hand of Christ mentioned
in the Revelation. Eight
for the eight that stood
at the gate: This could
refer to the eight people
who entered Noah's ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to Moses.
Performance notes: Swing
the 8th notes Djembe
drums should be played
freely with flexible
precision The rap can be
optional The ending solo
can be sung down an
octave and can be changed
to match the ability of
the soloist. Do not clap
louder than you sing If
doing choral movement on
the piece, pay attention
to detail synchronizing
movements as much as
possible. While the rap
is words in rhythm, if
adding one is not
possible for your
performance, consider a
spoken word of your own
choosing Have
fun!. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this
version. The
composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences.The text of
this spiritual has been
interpreted in many
different ways over the
 years. Here's a
popular interpretation of
the text. One for the
little bitty baby born,
born, born in
Bethlehem:Â This refers
to the infant Jesus. Two
for Paul and
Silas:Â This verse
honors Paul and Silas who
went on many missionary
journeys to spread the
teachings of Christ.Â
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for
the four that stood at
the door:Â Many people
interpret the four
to be the four writers
of the Gospel books
– Matthew, Mark,
Luke and John, though
this does not explain the
part about standing at
the door. Five for the
gospel preachers: The
five are Matthew, Mark,
Luke, John and Peter.
Paul is already mentioned
above, in line two. Six
for the six that never
got fixed: Could this
mean the sinners who
never change their
ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be
the seven stars in
Ursa
Major or the sev
enfold
spirit of God or
 the seven early
 Christian churches
 or the sevenÂ
stars in the
right hand of Ch
rist mentioned inÂ
the Revelation.
Eight for the eight that
stood at the gate: This
could refer to the eight
people who entered
Noah’s ark (Noah,
his wife, their three
sons and their wives).
Nine for the nine that
dressed so fine: This
could refer to the nine
orders of Angels in
heaven. Ten for the
ten commandments: This
refers to the ten
commandments given to
Moses.Performance notes:
Swing the 8th notes
Djembe drums should be
played freely with
flexible precision The
rap can be optional The
ending solo can be sung
down an octave and can be
changed to match the
ability of the soloist.
Do not clap louder than
you sing If doing choral
movement on the piece,
pay attention to detail
synchronizing movements
as much as possible.
While the rap is words in
rhythm, if adding one is
not possible for your
performance, consider a
spoken word of your own
choosing Have fun!
Composed by Traditional
African American
Spiritual. Arranged by
Kevin Phillip Johnson. 16
pages. Duration 4
minutes, 5 seconds. Carl
Fischer Music #CM9742.
Published by Carl Fischer
Music (CF.CM9742).
ISBN 9781491161555.
UPC: 680160920204. Key: E
minor. English. Iyana
Davis.
This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this version.
The composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences. The text of
this spiritual has been
interpreted in many
different ways over the
years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem: This
refers to the infant
Jesus. Two for Paul and
Silas: This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door: Many people
interpret the four to be
the four writers of the
Gospel books - Matthew,
Mark, Luke and John,
though this does not
explain the part about
standing at the door.
Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be the seven
stars in Ursa Major or
the sevenfold spirit of
God or the seven early
Christian churches or the
seven stars in the right
hand of Christ mentioned
in the Revelation. Eight
for the eight that stood
at the gate: This could
refer to the eight people
who entered Noah's ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to Moses.
Performance notes: Swing
the 8th notes Djembe
drums should be played
freely with flexible
precision The rap can be
optional The ending solo
can be sung down an
octave and can be changed
to match the ability of
the soloist. Do not clap
louder than you sing If
doing choral movement on
the piece, pay attention
to detail synchronizing
movements as much as
possible. While the rap
is words in rhythm, if
adding one is not
possible for your
performance, consider a
spoken word of your own
choosing Have
fun!. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this
version. The
composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences.The text of
this spiritual has been
interpreted in many
different ways over the
 years. Here's a
popular interpretation of
the text. One for the
little bitty baby born,
born, born in
Bethlehem:Â This refers
to the infant Jesus. Two
for Paul and
Silas:Â This verse
honors Paul and Silas who
went on many missionary
journeys to spread the
teachings of Christ.Â
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for
the four that stood at
the door:Â Many people
interpret the four
to be the four writers
of the Gospel books
– Matthew, Mark,
Luke and John, though
this does not explain the
part about standing at
the door. Five for the
gospel preachers: The
five are Matthew, Mark,
Luke, John and Peter.
Paul is already mentioned
above, in line two. Six
for the six that never
got fixed: Could this
mean the sinners who
never change their
ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be
the seven stars in
Ursa
Major or the sev
enfold
spirit of God or
 the seven early
 Christian churches
 or the sevenÂ
stars in the
right hand of Ch
rist mentioned inÂ
the Revelation.
Eight for the eight that
stood at the gate: This
could refer to the eight
people who entered
Noah’s ark (Noah,
his wife, their three
sons and their wives).
Nine for the nine that
dressed so fine: This
could refer to the nine
orders of Angels in
heaven. Ten for the
ten commandments: This
refers to the ten
commandments given to
Moses.Performance notes:
Swing the 8th notes
Djembe drums should be
played freely with
flexible precision The
rap can be optional The
ending solo can be sung
down an octave and can be
changed to match the
ability of the soloist.
Do not clap louder than
you sing If doing choral
movement on the piece,
pay attention to detail
synchronizing movements
as much as possible.
While the rap is words in
rhythm, if adding one is
not possible for your
performance, consider a
spoken word of your own
choosing Have fun!
8-part trombone ensemble - advanced SKU: CY.CC2603 Composed by Traditiona...(+)
8-part trombone ensemble
- advanced
SKU:
CY.CC2603
Composed by
Traditional. Arranged by
James Markey.
African-American
Spiritual. Score and
parts. Published by
Cherry Classics
(CY.CC2603).
Joshua F'it de
Battle of Jericho is a
well-known
African-American
spiritual, most likely
composed by slaves in the
early 19th century. Early
versions used the word
f'it for fought. The
words harken to the
biblical story of the
Battle of Jericho, where
Joshua led the Israelites
to victory against
Canaanite
armies.
Put into
perspective, Joshua's
battle is really against
slavery and the desire
for freedom, like the
themes of so many other
spirituals from that
era.
This
rousing arrangement in
swing-style for 8-part
Trombone ensemble by
James Markey is about two
minutes in length,
featuring the 1st and 8th
parts and is for advanced
performers.
The
mp3 sound clip is taken
from Mr. Markey's solo
Bass Trombone album, on
base, and includes star
performers including
Joseph Alessi, David
Finlayson and Lisa
Albrecht.
Violin Solo and piano - intermediate advanced SKU: JK.01761 Composed by A...(+)
Violin Solo and piano -
intermediate advanced
SKU: JK.01761
Composed by
African-American
Spiritual. Arranged by
Kelly D. Anderson.
Difficulty Medium Hard,
Instrumental Violin,
Piano Choir, Seasonal
Music Christmas,
Christmas, Jesus Christ -
Birth, Jesus Christ -
Shepherd. Christian,
Inspirational. Duration
2:29. Jackman Music
Corporation #01761.
Published by Jackman
Music Corporation
(JK.01761).
Luke
2:8-14.
African
-American Christmas
spiritual arranged for
early-advanced violin
solo and
piano. Composer:
African-American
Spiritual Arranger:
Kelly D. Anderson
Difficulty: intermediate
advanced Performance
time: 2:29 Reference:
Luke 2:8-14.
SATB choir, piano reduction - Early intermediate SKU: GI.WW1718 Composed ...(+)
SATB choir, piano
reduction - Early
intermediate
SKU:
GI.WW1718
Composed by
Alice Parker. Arranged by
Alice Parker. Church,
School. Cameron LaBarr.
Classical. Octavo. 8
pages. Walton Music
#WW1718. Published by
Walton Music (GI.WW1718).
UPC: 785147014263.
English. Text Source:
19th c. American
Spiritual. 19th c.
American
Spiritual.
Alice
Parker has created a
setting of this beautiful
American song that is
simple, authentic, and
warm. A good chance to
feature a soloist, with
accompanimental choral
parts beneath.
SATB choir, voice solo,
assembly, keyboard
accompaniment, C
instrument, oboe, cello,
guitar - Early
intermediate
SKU:
GI.G-7832
Arranged by
Lori True. Lent, Christ
the King A. Celebration
Series. Sacred. Octavo.
With guitar chord names.
16 pages. GIA
Publications #7832.
Published by GIA
Publications (GI.G-7832).
UPC: 785147783206.
English. Text Source:
African American
spiritual.
This
contemporary adaptation
of an African American
spiritual will have many
uses in your
church—during
Lent, when themes of
conversion are
emphasized, services of
reconciliation, ordinary
time. It is also
extremely versatile in
its presentation,
adjusting to your
available forces and the
willingness of the
congregation to
participate. C instrument
or Oboe .
Organ SKU: SU.80101473 For Organ. Composed by Christian Carey. Key...(+)
Organ
SKU:
SU.80101473
For
Organ. Composed by
Christian Carey.
Keyboard, Organ. Score.
Zimbel Press #80101473.
Published by Zimbel Press
(SU.80101473).
This anthology
contains 12 varied works
for organ useful for
service or concert.
Includes: Spirituals
Variations I (on three
early American hymns),
Spiritual Variations II
(Where I May Wander),
Spiritual Variations III
(I'm Gonna Live So God
Can Use Me), Chanson
Variations, Prelude on
Add One More Seat to the
Table, Chorale Prelude
and Fugue on a Lullaby,
Offertorium, Postludium,
Golgotha, Fantasy on
Rondeau Carol, and Three
and a Half Little Carol
Settings. Two of the
works are based on
original hymn tunes by
the composer, and the
hymns are included for
congregational use.
Instrumentation: Organ
Composed: 2008-2020
Published by: Zimbel
Press.
SATB choir, keyboard accompaniment - Early intermediate SKU: GI.G-8191 Co...(+)
SATB choir, keyboard
accompaniment - Early
intermediate
SKU:
GI.G-8191
Composed by
Sondra K. Tucker.
Arranged by Sondra K.
Tucker. Lent. Choral.
Sacred. Octavo. 12 pages.
GIA Publications #8191.
Published by GIA
Publications (GI.G-8191).
UPC: 785147819103.
English. Text Source:
African American
spiritual. Text by Sondra
K. Tucker.
Whether
you use this text and
melody for Lent or for
other times that
emphasize our cry for the
mercy of God and the
ongoing invitation to
discipleship, this
arrangement of the
familiar spiritual will
prove to be a fine choice
for your choir! Its
driving piano
accompaniment coupled
with an accessible and
satisfying 4-part choral
arrangement will make it
a favorite of your
accompanist and your
singers.
SATB choir, voice solo,
keyboard accompaniment -
Early intermediate
SKU: GI.G-10733
Arranged by Norah Duncan,
IV. Lent. Choral. Tune
Name: Sojourner. Sacred.
Octavo. 8 pages. GIA
Publications #10733.
Published by GIA
Publications
(GI.G-10733).
English.
Text Source: African
American
spiritual.
Right
from the unsettling
opening notes in the
keyboard, it's clear that
this arrangement of the
traditional spiritual is
something special. The
yearning for comfort in
times of trouble
(breaking heart, sorrow)
on the journey through
life is underlined by
delicate, sensitive
scoring that is
nonetheless easy to
learn. A stunning work, a
powerful musical
message.
SATB choir, assembly,
keyboard accompaniment,
flute, B-flat clarinet,
trumpet 1 in B-flat:
trumpet 1 in C, trumpet 2
in B-flat, trumpet 2 in
C, horn in f, trombone 1,
trombone 2, double bass,
bass guitar, guitar, 3 or
5 octaves handbells -
Early intermediate
SKU: GI.G-8700
Arranged by Rob Glover.
Choral. Choral. Sacred.
Octavo. With guitar chord
names. 16 pages. GIA
Publications #8700.
Published by GIA
Publications (GI.G-8700).
UPC: 785147870005.
English. Text Source:
African American
spiritual, Vv. Rob
Glover. Text by Rob
Glover.
Bring new
life to your
congregation’s
sung prayer with this
bluesy arrangement of the
cherished spiritual.
“Wade in the
Water†will provide
a new, energetic option
for the sprinkling rite
at Sunday Mass. Flexibly
written for cantor and
assembly or full choir
(accompanied or a
cappella). The Double
Bass/Bass Guitar parts
are optional.
SATB choir, soprano voice solo - Early intermediate SKU: GI.G-10618 Compo...(+)
SATB choir, soprano voice
solo - Early intermediate
SKU: GI.G-10618
Composed by Rowland Hugh
Prichard. Arranged by
Brandon Waddles. Advent.
African American Church
Music Series. Tune Name:
Hyfrydol. Sacred. Octavo.
20 pages. GIA
Publications #10618.
Published by GIA
Publications
(GI.G-10618).
UPC:
785147061816. English.
Text Source: African
American spiritual. Text
by Charles
Wesley.
Move Along Chorale SATB SATB, Clavier - Facile MorningStar Music Publishers
SATB choir and keyboard - Early Intermediate SKU: MN.50-1222 Composed by ...(+)
SATB choir and keyboard -
Early Intermediate
SKU: MN.50-1222
Composed by Wayne L Wold.
African American
Heritage. MorningStar
Music Publishers
#50-1222. Published by
MorningStar Music
Publishers (MN.50-1222).
UPC: 688670512223.
English.
An
uplifting and traditional
African-American
spiritual about meeting
in the heavenly home.
Rhythmically challenging.
Equally effective in
concert or worship
settings.
A River Trilogy Orchestre à Cordes [Conducteur] - Facile Alfred Publishing
Arranged by John O'reilly. Orchestra. Score; String Orchestra. Sound Innovations...(+)
Arranged by John
O'reilly. Orchestra.
Score; String Orchestra.
Sound Innovations for
Strings. Folk. Grade 2. 8
pages. Published by
Alfred Music Publishing
Take Me to the Water Chorale 3 parties SAB, Piano - Facile MorningStar Music Publishers
SAB choir and piano - Early Intermediate SKU: MN.50-5333 Composed by Davi...(+)
SAB choir and piano -
Early Intermediate
SKU: MN.50-5333
Composed by David M.
Cherwien. Spirituals.
Baptism of Our Lord, 21st
Century, Baptism.
Instrumental part.
MorningStar Music
Publishers #50-5333.
Published by MorningStar
Music Publishers
(MN.50-5333).
UPC:
688670553332.
English.
This SAB
setting of the African
American spiritual is
varied and creative, with
vocal percussion and a
chill but supportive
piano part. Not
difficult, although the
three vocal lines are
sometimes quite
independent. Duration:
2:00.
Lord, Have Mercy Chorale SATB SATB A Cappella - Facile Augsburg Fortress
SATB, a cappella choir - Early Intermediate SKU: AU.9781506495293 Compose...(+)
SATB, a cappella choir -
Early Intermediate
SKU:
AU.9781506495293
Composed by Undine Smith
Moore. Advent, Lent. St.
Olaf Choral Library.
Christian. Octavo.
Augsburg Fortress
#9781506495293. Published
by Augsburg Fortress
(AU.9781506495293).
ISBN 9781506495293. 7
x 10.25
inches.
Originally
published in 1978, this
expressive and dynamic
anthem from Undine Smith
Moore is ideal for Lent
or anytime a choral
setting of the Kyrie is
needed, and it has now
been re-released in the
St. Olaf Choral Series.
Editor Anton Armstrong
notes that Undine Smith
Moore was often referred
to as the “Dean of
Black Women Composers,
and while many of her
compositions are concert
arrangements of African
American spirituals, this
piece is an original work
written in the harmonic
and melodic style of a
spiritual. Suggestions by
the editors provide tips
for smaller choirs who
wish to sing this
anthem.
SATB choir - early intermediate SKU: AU.9781506492506 Composed by Undine ...(+)
SATB choir - early
intermediate
SKU:
AU.9781506492506
Composed by Undine Smith
Moore. Augsburg Choral
Library. Christian.
Octavo. Augsburg Fortress
#9781506492506. Published
by Augsburg Fortress
(AU.9781506492506).
ISBN 9781506492506.
7x10.25
inches.
Undine
Smith Moore's arrangement
of this African American
spiritual is both
accessible and gorgeous.
Perfect for the First
Sunday in Lent or as a
companion anthem whenever
Psalm 23 is scheduled.
Originally published in
the collection I Will
Trust in the Lord..