Consolations Piano seul EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ14505 Grand solo de concert (earl. vers.) and Other ...(+)
Piano
SKU:
BT.EMBZ14505
Grand
solo de concert (earl.
vers.) and Other Works
(Suppl. B 10). By
Adrienne
Kaczmarczyk_Ãgnes Sas.
By Franz Liszt. EMB Liszt
Works. Book Only.
Composed 2014. 208 pages.
Editio Musica Budapest
#EMBZ14505. Published by
Editio Musica Budapest
(BT.EMBZ14505).
English-German-Hungari
an.
Of the early
versions of works
included in this volume
the first versions of the
notably popular
Consolations cycle and
Grand solo de concert
(published in 1850) are
of particular interest.
In the first version of
Consolations the third
movement was a style
hongrois piece whose
thematic material was
later used by Liszt in
his Hungarian Rhapsody
No. 1 (published in
1851). The first version
of Grand solo de concert
shows that the work did
not originally include a
slow middle section to be
recapitulated towards the
end as seen in the final
version. This is a
characteristically
Lisztian feature that
would reappear a few
years later in his Sonata
in B minor. A detailed
preface inHungarian,
English, and German,
including new research
results, numerous
manuscript facsimiles,
and critical notes, makes
this volume of the New
Liszt Edition an
important publication of
immense scholarly value.
Along with the
cloth-bound Complete
Edition, a paperback
version for practical use
has also been published.
This edition's contents
are identical to those of
the hardcover edition
with the exception that
the critical notes are
not included.
Of
the early versions of
works included in
Supplementary Volume 10,
particular interest is
expected in the first
versions of the notably
popular Consolations
cycle and the monumental
Grand solo de concert of
1850. In the first
version of
Consolationsthe third
movement was a style
hongrois piece whose
thematic material Liszt
used again later in the
first piece of the
Hungarian Rhapsodies
published in 1851. The
first version of the
Grand solo de concert
shows that the original
concept did notinclude
the slow
“movementâ€
that would be placed in
the middle of the work
and recapitulated towards
the end in the final
version - a
characteristically
Lisztian feature that
would reappear a few
years later in the Sonata
in B flat minor.A
detailed preface in
Hungarian, English and
German, including new
research result and,
numerous manuscript
facsimiles make the
practical paperback
version of this volume of
the New Liszt Edition a
specially important
publication of scholarly
value.
Von den im
vorliegenden Band
veröffentlichten
Werkversionen dürften
der außerordentlich
populäre
Consolations-Zyklus sowie
die Erstfassung des 1850
entstandenen Grand solo
de concert (Großes
Konzertsolo) auf
besonderes Interesse
stoßen. In der ersten
Fassung der Consolations
stand an dritter Stelle
noch ein Stück im
ungarischen Stil, dessen
Thematik Liszt später
im 1851 herausgegebenen
1. Stück der
Ungarischen Rhapsodien
verwendete. Die erste
Version des Großen
Konzertsolos belegt, dass
der in der Mitte der
Komposition angelegte und
kurz vor Ende
rekapitulierte langsame
Teil, welcher zum typisch
Lisztschen Element der
endgültigen Fassung
des Konzertsolos - und
einige Jahre
späterauch der
H-Moll-Sonate - wird,
noch kein Bestandteil der
ursprünglichen
Konzeption war.
Piano SKU: BT.EMBZ14505A Suppl. 10. By Adrienne Kaczmarczyk_Ãgn...(+)
Piano
SKU:
BT.EMBZ14505A
Suppl. 10. By
Adrienne
Kaczmarczyk_Ãgnes Sas.
By Franz Liszt. EMB New
Listz Edition. Book
Hardcover. Composed 2014.
224 pages. Editio Musica
Budapest #EMBZ14505A.
Published by Editio
Musica Budapest
(BT.EMBZ14505A).
English-German-Hungari
an.
Of the early
versions of works
included in this volume
the first versions of the
notably popular
Consolations cycle and
Grand solo de concert
(published in 1850) are
of particular interest.
In the first version of
Consolations the third
movement was a style
hongrois piece whose
thematic material was
later used by Liszt in
his Hungarian Rhapsody
No. 1 (published in
1851). The first version
of Grand solo de concert
shows that the work did
not originally include a
slow middle section to be
recapitulated towards the
end as seen in the final
version. This is a
characteristically
Lisztian feature that
would reappear a few
years later in his Sonata
in B minor. A detailed
preface inHungarian,
English, and German,
including new research
results, numerous
manuscript facsimiles,
and critical notes, makes
this volume of the New
Liszt Edition an
important publication of
immense scholarly value.
Along with the
cloth-bound Complete
Edition, a paperback
version for practical use
has also been published.
This edition's contents
are identical to those of
the hardcover edition
with the exception that
the critical notes are
not included.
Of
the early versions of
works included in
Supplementary Volume 10,
particular interest is
expected in the first
versions of the notably
popular Consolations
cycle and the monumental
Grand solo de concert of
1850. In the first
version of
Consolationsthe third
movement was a style
hongrois piece whose
thematic material Liszt
used again later in the
first piece of the
Hungarian Rhapsodies
published in 1851. The
first version of the
Grand solo de concert
shows that the original
concept did notinclude
the slow
“movementâ€
that would be placed in
the middle of the work
and recapitulated towards
the end in the final
version - a
characteristically
Lisztian feature that
would reappear a few
years later in the Sonata
in B flat minor.A
detailed preface in
Hungarian, English and
German, including new
research results,
numerous manuscript
facsimiles and critical
notes make this volume of
the New Liszt Edition a
specially important
publication of scholarly
value. Simultaneously
withthe Complete Edition
volume in colth-bound,
its paperback for
practical purposes is
also published, the
contents of which, except
for the critical notes,
is identical with the
Complete Edition
volume.
Von den im
vorliegenden Band
veröffentlichten
Werkversionen dürften
der außerordentlich
populäre
Consolations-Zyklus sowie
die Erstfassung des 1850
entstandenen Grand solo
de concert (Großes
Konzertsolo) auf
besonderes Interesse
stoßen. In der ersten
Fassung der Consolations
stand an dritter Stelle
noch ein Stück im
ungarischen Stil, dessen
Thematik Liszt später
im 1851 herausgegebenen
1. Stück der
Ungarischen Rhapsodien
verwendete. Die erste
Version des Großen
Konzertsolos belegt, dass
der in der Mitte der
Komposition angelegte und
kurz vor Ende
rekapitulierte langsame
Teil, welcher zum typisch
Lisztschen Element der
endgültigen Fassung
des Konzertsolos - und
einige Jahre
späterauch der
H-Moll-Sonate - wird,
noch kein Bestandteil der
ursprünglichen
Konzeption war.
For
female choir.
Composed by Miklos
Kocsar. EMB. Choral Works
(Contemporary Hungarian).
Vocal/choral score.
Editio Musica Budapest
#Z14461. Published by
Editio Musica Budapest
(HL.50511768).
ISBN
9790080144619. A/4
inches. Latin. Miklos
Kocsar.
Hungary has
a thousand-year-old
tradition of reverence
for the Virgin Mary. In
the course of the
centuries the Church has
found more and more
occasions for the
celebration of Mary. The
greatest is the
celebration of Mary?s
assumption into heaven,
which coincides with the
anniversary of the death
of Saint Stephen, on
August 15. The texts of
these choral works
originate from various
supplicatory prayers from
the office, vocal texts
and hymns. The six choral
works don?t form a cycle,
since the texts are
associated with different
liturgies. The choruses:
Regina caeli ? antiphon
for Easter, Sub tuum
praesidium ? antiphon,
Maria Mater gratiae ?
short hymn, Ave Regina
caelorum ? antiphon for
Lent, Ave maris stella ?
Hymn to Mary, Virgo
parens Christi benedicta
? responsorium, can be
sung singly or in any
combination.
Chamber Music English Horn, Oboe SKU: CF.WF229 15 Pieces for Oboe and ...(+)
Chamber Music English
Horn, Oboe
SKU:
CF.WF229
15 Pieces
for Oboe and English
Horn. Composed by
Gustave Vogt. Edited by
Kristin Jean Leitterman.
Collection - Performance.
32+8 pages. Carl Fischer
Music #WF229. Published
by Carl Fischer Music
(CF.WF229).
Ave Maria (for Two Soprano Voices and Organ). By Camille Saint-Saens (1835-1921)...(+)
Ave Maria (for Two
Soprano Voices and
Organ). By Camille
Saint-Saens (1835-1921).
Edited by Wolfgang
Birtel. Einzelausgaben
(Single Sheets). Book
only. 12 pages. Schott
Music #ED09808. Published
by Schott Music
Opus 52 No. 6.
Composed by Franz
Schubert. Arranged by
Robert van Beringen.
Great Classics. Festive
and Solemn Music. Score
Only. Composed 2010. 12
pages. De Haske
Publications #DHP
1104923-140. Published by
De Haske Publications
(BT.DHP-1104923-140).
9x12 inches.
English-German-French-Dut
ch.
Schubertâ€
s famous Ave Maria was
originally titled Ellens
dritter Gesang and was
the sixth song in the
Fräulein vom See song
cycle (after The Lady of
the Lake by Walter
Scott). Later the Latin
prayer Ave Maria was set
to the melody, creating
one of his most
well-known sacred songs
ever. In this arrangement
the melody line can be
played by either a solo
trumpet or by the entire
trumpet section. Either
option creates a
wonderful atmosphere that
will entertain and
enlighten your
audience.
Oorspron
kelijk heette Ave
Maria van Schubert
Ellens dritter
Gesang en was het het
zesde lied uit de
liederencyclus
Fräulein vom
See. Pas later werd
het met de tekst van het
Latijnse gedicht Ave
Maria gezongen.En
juist in die versie werd
het vele malen bekender
dan het origineel. In dit
fraaie arrangement van
Robert van Beringen kan
de trompetsectie of een
trompetsolist de melodie
op zich nemen. Welke
optie u ook kiest, dit
arrangementis een lust
voor het oor voor
muzikant en
publiek!
Urspru
76;nglich hieß
Schuberts Ave Maria
Ellens dritter
Gesang“ und war das
sechste Lied im
Liederzyklus Fräulein
vom See. Erst später
wurde es zum Text des
lateinischen Gedichtes
Ave Maria“ gesungen
und in dieser Version
weitaus berühmter
als das Original. In
diesem gelungenen
Arrangement von Robert
von Beringen kann das
Trompetenregister oder
eine einzelne Trompete
die Melodie spielen.
Beide Optionen ergeben
einen reizvollen
musikalischen Genuss
für Musiker und
Publikum.
Pubbli
cata originariamente con
il titolo Ellens dritter
Gesang, l’Ave
Maria di Schubert
costituisce il sesto lied
del ciclo Das Fräulein
vom See, basato sul poema
di Sir Walter Scott, The
Lady of the Lake. In
questo arrangiamento
firmato Robert Van
Beringen, la sezione
delle trombe (o la tromba
solista), eseguono la
linea melodica che
aleggia sopra un
accompagnamento
celeste.
Opus 52 No. 6.
Composed by Franz
Schubert. Arranged by
Robert van Beringen.
Great Classics. Festive
and Solemn Music. Set
(Score and Parts).
Composed 2010. De Haske
Publications #DHP
1104923-010. Published by
De Haske Publications
(BT.DHP-1104923-010).
9x12 inches.
English-German-French-Dut
ch.
Schubertâ??s
famous Ave Maria was
originally titled Ellens
dritter Gesang and was
the sixth song in the
Fräulein vom See song
cycle (after The Lady of
the Lake by Walter
Scott). Later the Latin
prayer Ave Maria was set
to the melody, creating
one of his most
well-known sacred songs
ever. In this arrangement
the melody line can be
played by either a solo
trumpet or by the entire
trumpet section. Either
option creates a
wonderful atmosphere that
will entertain and
enlighten your
audience.
Oorspron
kelijk heette Ave
Maria van Schubert
Ellens dritter
Gesang en was het het
zesde lied uit de
liederencyclus
Fräulein vom
See. Pas later werd
het met de tekst van het
Latijnse gedicht Ave
Maria gezongen.En
juist in die versie werd
het vele malen bekender
dan het origineel. In dit
fraaie arrangement van
Robert van Beringen kan
de trompetsectie of een
trompetsolist de melodie
op zich nemen. Welke
optie u ook kiest, dit
arrangementis een lust
voor het oor voor
muzikant en
publiek!
Urspru?ng
lich hieÃ? Schuberts Ave
Maria Ellens dritter
Gesangâ?? und war das
sechste Lied im
Liederzyklus Fräulein
vom See. Erst später
wurde es zum Text des
lateinischen Gedichtes
Ave Mariaâ?? gesungen
und in dieser Version
weitaus beru?hmter als
das Original. In diesem
gelungenen Arrangement
von Robert von Beringen
kann das
Trompetenregister oder
eine einzelne Trompete
die Melodie spielen.
Beide Optionen ergeben
einen reizvollen
musikalischen Genuss fu?r
Musiker und
Publikum.
Pubbli
cata originariamente con
il titolo Ellens dritter
Gesang, lâ??Ave Maria di
Schubert costituisce il
sesto lied del ciclo Das
Fräulein vom See,
basato sul poema di Sir
Walter Scott, The Lady of
the Lake. In questo
arrangiamento firmato
Robert Van Beringen, la
sezione delle trombe (o
la tromba solista),
eseguono la linea
melodica che aleggia
sopra un accompagnamento
celeste.
Ave Maria Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
From Vespers (All-Night Vigil). Composed by Sergei Rachmaninoff (1873-194...(+)
From Vespers
(All-Night Vigil).
Composed by Sergei
Rachmaninoff (1873-1943).
Arranged by Brian Beck.
Concert Band;
Masterworks; Part(s);
Score. Young Symphonic.
Form: Transcription. 20th
Century; Masterwork
Arrangement; Romantic.
126 pages. Published by
Alfred Music (AP.44998).
By Franz Schubert. Voice and piano. Selected by SERGIUS KAGEN. German with liter...(+)
By Franz Schubert. Voice
and piano. Selected by
SERGIUS KAGEN. German
with literal English
translations and notes by
G. Contains all the
cycles plus 42 selected
songs. Published by
International Music Co.
By Franz Schubert. Voice and piano. Selected by SERGIUS KAGEN. German with liter...(+)
By Franz Schubert. Voice
and piano. Selected by
SERGIUS KAGEN. German
with literal English
translations and notes by
G. Contains all the
cycles plus 42 selected
songs. Published by
International Music Co.
Choir SKU: CA.1907500 Composed by Mathias Kohlmann and Michael Meuser. Ch...(+)
Choir
SKU:
CA.1907500
Composed
by Mathias Kohlmann and
Michael Meuser. Choral
collections. Freiburger
Kantorenbuch. Sacred
vocal music, Whole church
year / Omni tempore.
Choir Book. Carus Verlag
#CV 19.075/00. Published
by Carus Verlag
(CA.1907500).
By Anton Bruckner. Edited by Kreuels, Matthias. Hymn settings, Masses, Latin, Ma...(+)
By Anton Bruckner. Edited
by Kreuels, Matthias.
Hymn settings, Masses,
Latin, Mass Sections,
Motets, Psalms, Latin;
Choral Collections, Mixed
Choir, Choral
Collections, Men's Choir,
Music for Casuals;
Occasions: Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Tantum ergo,
Mourning, Death; Use
during church year:
Advent, Special Days,
Lent and Passiontide, Ho
Ave Maria Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
Concert Band - Grade 2 SKU: AP.44998S From Vespers (All-Night Vigil)(+)
Concert Band - Grade 2
SKU: AP.44998S
From Vespers
(All-Night Vigil).
Composed by Sergei
Rachmaninoff. Arranged by
Brian Beck. Concert Band;
Masterworks; Performance
Music Ensemble; Single
Titles. Young Symphonic.
Form: Transcription. 20th
Century; Masterwork
Arrangement; Romantic.
Score. 8 pages. Duration
2:40. Alfred Music
#00-44998S. Published by
Alfred Music (AP.44998S).
UPC: 038081518992.
English.
This
moving piece embodies all
the simplicity of Russian
Orthodox music, yet
displays the sweeping
beauty of Rachmaninov's
lyricism. Conductors will
appreciate the
opportunity to teach
extended phrases and
legato style. Vespers is
the sunset evening prayer
of the Orthodox Church,
and during the canonical
hours of an all-night
vigil, the Ave Maria
would be sung at
midnight, hence the 12
chime notes at the apex
of the piece. For a
special effect, the
mallet parts can be
doubled off-stage to
simulate church bells.
(2:40).
Upper Voices a Cappella - Grade 3 SKU: BT.EMBZ14461 Composed by Miklos Ko...(+)
Upper Voices a Cappella -
Grade 3
SKU:
BT.EMBZ14461
Composed
by Miklos Kocsar. Hymns &
Chorals. Book Only.
Composed 2006. 36 pages.
Editio Musica Budapest
#EMBZ14461. Published by
Editio Musica Budapest
(BT.EMBZ14461).
Latin.
Hungary
has a thousand-year-old
tradition of reverence
for the Virgin Mary. In
the course of the
centuries the Church has
found more and more
occasions for the
celebration of Mary. The
greatest is the
celebration of Mary?s
assumption into heaven,
which coincides with the
anniversary of the death
of Saint Stephen, on
August 15. The texts of
these choral works
originate from various
supplicatory prayers from
the office, vocal texts
and hymns. The six choral
works don?t form a cycle,
since the texts are
associated with different
liturgies. The choruses:
Regina caeli ? antiphon
for Easter, Sub tuum
praesidium ? antiphon,
Maria Mater gratiae ?
short hymn, Ave Regina
caelorum ?antiphon for
Lent, Ave maris stella ?
Hymn to Mary, Virgo
parens Christi benedicta
? responsorium, can be
sung singly or in any
combination.
Various options for instrumentation (1 ST B(MEL) SKU: HL.49006928 Inst...(+)
Various options for
instrumentation (1 ST
B(MEL)
SKU:
HL.49006928
Instrumentalsatze.
Composed by Schallen.
Edited by Ingeborg
Weber-Kellermann.
Arranged by Hilger
Schallehn and Klaus
Frech. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Individual
part. 54 pages. Schott
Music #ED 7061-17.
Published by Schott Music
(HL.49006928).
ISBN
9790001074186. UPC:
842819109679.
9.0x12.0x0.165
inches.
151
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