3rd
string quartet.
Composed by Joerg
Widmann. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Score and parts. Composed
2003. 112 pages. Duration
12'. Schott Music
#ED9749. Published by
Schott Music
(HL.49033270).
ISBN
9790001136860.
9.25x12.0x0.3
inches.
The
Jagdquartett (Hunt
Quartet), which Jorg
Widmann wrote as his
third string quartet in
2003, following the
Choralquartett, also
begins with a visible
gesture. After a short
signal cry from the
performers, the piece
starts by quoting Robert
Schumann's Papillons op.
2, and for its full
duration retains this
gesture, these starting
sounds. The degrees of
recognizability do change
continuously, to be sure,
in the furious, racing
organism of the score.
The contours change into
forms on another level,
yet now and then the
begining material returns
clearly to the fore,
initiated anew by a cry
from the performers, and
is then digested or
mutated as a rhythmic
study into a field of
harmonic experimentation.
On rare occasions, there
are moments of pause - as
though the musicians were
testing the atmosphere,
as though they were
sensing the weather, so
as ultimately to continue
playing the quartet
across the fields an
forests of notes. A hunt
after joyful performance,
a chase, the whip
cracking, after the thing
to be shot, the sound,
its performer, perhaps
the composer himself? - A
last shout, morendo, dal
niente... - The victim is
not the audience, at any
rate.When comparing the
output of string quartets
from the 18th century to
thetime of Schumann, it
appears to have dropped
considerably. Schumann
composed only three
complete quartets, all of
them in the so-called
'chamber music year'
1842. Jorg Widmann, who
counts Robert Schumann
among his greatest
inspirations, finished a
series of five string
quartets in 2005, at the
same age as Schumann. The
quartets in the cycle
form in themselves the
characters of the
movements of the
classical quartet.
Jagdquartett represents
the fast middle movement,
the scherzo. Widmann's
work appears rough and
wild in the style of
Schumann's alter ego
Florestan. His hunt
begins in the tempo of
'allegro vivace assai'
with the final theme of
Schumann's Papillons
which often appears or is
cited in many of
Schumann's compositions.
Widmann eventually
dismantles the thematic
material of his fierce
quartet, thus
skeletonising his
prey.
SAB/opt. C Instrument C Instrument; Choral; Violin (SAB/C INSTRUMENT) SKU: HL...(+)
SAB/opt. C Instrument C
Instrument; Choral;
Violin (SAB/C INSTRUMENT)
SKU: HL.1191698
(Oh, How I Love
Jesus). Composed by
Dan Boone. Shawnee
Sacred. General Worship.
Octavo. Duration 220
seconds. Published by
Shawnee Press
(HL.1191698).
UPC:
196288132097.
6.75x10.5x0.029 inches.
John 1:14, John 3:16,
Matthew
1:18-23.
This
treasured hymn lyric is
beloved by many, and this
resetting gives it new
expressive potential.
Lyrical and lovely, the
theme has elegant
contours and the
harmonies are effective
and accessible. A
majestic final chorus
soars before the anthem
surrenders to devotion
and serenity.
The Big Apple (A New York Symphony)(Symphony No. 2) (Part II Gotham - Parts Only...(+)
The Big Apple (A New York
Symphony)(Symphony No. 2)
(Part II Gotham - Parts
Only). By Johan De Meij.
For Concert Band. Amstel
Music. Grade 5-6. Amstel
Music #AM17. Published by
Amstel Music
The Big Apple (A New York Symphony)(Symphony No. 2) (Complete Edition - Parts On...(+)
The Big Apple (A New York
Symphony)(Symphony No. 2)
(Complete Edition - Parts
Only). By Johan De Meij.
For Concert Band. Amstel
Music. Grade 5-6. Amstel
Music #AM19. Published by
Amstel Music
Fincastle Overture Fanfare [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Fanfare Band - Grade 2.5 SKU: BT.GOB-001034-020 Composed by Jan Bosveld. ...(+)
Fanfare Band - Grade 2.5
SKU:
BT.GOB-001034-020
Composed by Jan Bosveld.
Set (Score & Parts). 72
pages. Gobelin Music
Publications #GOB
001034-020. Published by
Gobelin Music
Publications
(BT.GOB-001034-020).
Fort Fincastle
was built in 1793 by
royal governor 'Lord
Dunmore at an unusual
location: Nassau, the
capital of the Bahamas.
The name of the
fort: Fort Fincastle'
comes from Dunmore's
second title of Viscount
Fincastle '( Earl of
Fincastle). He gave
the fort a particular
shape, a circular
building with a sharp
expansion in the form of
a bow or bow of ship. In
order to deceive enemy
ships. The sounds of
the first bars show the
contours of a looming
majestic stronghold,
after a heroic theme
follows. Soon we hear the
threat of hostile
elements. Work on
the fort means much
waiting and lonely, but
you should always alert
and vigilant for the ever
lurking attack. After
the turn of yet another
attack there is a feeling
of satisfaction and
pride, we see the fort
are on the hill towering
above Nassau.
In
1793 werd Fort Fincastle
gebouwd door ‘royal
governor’ Lord Dunmore
op een bijzondere plek:
Nassau, de hoofdstad van
de Bahamas. De naam
van het fort: ‘Fort
Fincastle’ is afkomstig
van Dunmore’s tweede
titel ‘Viscount
Fincastle’(Graafvan
Fincastle). Hij gaf
het fort een bijzonder
vorm, een cirkelvormig
gebouw met een puntige
uitbouw, in de vorm van
een boeg of voorsteven
van schip. Dit om
vijandige schepen te
misleiden. De klanken
van de eerstematen laten
de contouren van een
majestueus
verdedigingsbolwerk
opdoemen, waarna een
heldhaftig thema volgt.
Al snel horen we de
dreiging van vijandige
elementen . Werken op
het fort betekent veel
wachten en is best
eenzaam,toch moet je
altijd alert en waakzaam
zijn voor de immer op de
loer liggende aanval.
Na het afslaan van de
zoveelste aanval heerst
er een gevoel van
tevredenheid en zien we
het fort trots liggen op
de heuvel die bovenNassau
uit torent.
Fincastle Overture Ensemble de cuivres [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Brass Band - Grade 2.5 SKU: BT.GOB-001035-030 Composed by Jan Bosveld. Se...(+)
Brass Band - Grade 2.5
SKU:
BT.GOB-001035-030
Composed by Jan Bosveld.
Set (Score & Parts). 27
pages. Gobelin Music
Publications #GOB
001035-030. Published by
Gobelin Music
Publications
(BT.GOB-001035-030).
Fort Fincastle
was built in 1793 by
royal governor 'Lord
Dunmore at an unusual
location: Nassau, the
capital of the Bahamas.
The name of the
fort: Fort Fincastle'
comes from Dunmore's
second title of Viscount
Fincastle '( Earl of
Fincastle). He gave
the fort a particular
shape, a circular
building with a sharp
expansion in the form of
a bow or bow of ship. In
order to deceive enemy
ships. The sounds of
the first bars show the
contours of a looming
majestic stronghold,
after a heroic theme
follows. Soon we hear the
threat of hostile
elements. Work on
the fort means much
waiting and lonely, but
you should always alert
and vigilant for the ever
lurking attack. After
the turn of yet another
attack there is a feeling
of satisfaction and
pride, we see the fort
are on the hill towering
above Nassau.
In
1793 werd Fort Fincastle
gebouwd door ‘royal
governor’ Lord Dunmore
op een bijzondere plek:
Nassau, de hoofdstad van
de Bahamas. De naam
van het fort: ‘Fort
Fincastle’ is afkomstig
van Dunmore’s tweede
titel ‘Viscount
Fincastle’(Graafvan
Fincastle). Hij gaf
het fort een bijzonder
vorm, een cirkelvormig
gebouw met een puntige
uitbouw, in de vorm van
een boeg of voorsteven
van schip. Dit om
vijandige schepen te
misleiden. De klanken
van de eerstematen laten
de contouren van een
majestueus
verdedigingsbolwerk
opdoemen, waarna een
heldhaftig thema volgt.
Al snel horen we de
dreiging van vijandige
elementen . Werken op
het fort betekent veel
wachten en is best
eenzaam,toch moet je
altijd alert en waakzaam
zijn voor de immer op de
loer liggende aanval.
Na het afslaan van de
zoveelste aanval heerst
er een gevoel van
tevredenheid en zien we
het fort trots liggen op
de heuvel die bovenNassau
uit torent.
Fincastle Overture Fanfare [Conducteur] - Facile Gobelin Music Publications
Fanfare Band - Grade 2.5 SKU: BT.GOB-001034-120 Composed by Jan Bosveld. ...(+)
Fanfare Band - Grade 2.5
SKU:
BT.GOB-001034-120
Composed by Jan Bosveld.
Score Only. 16 pages.
Gobelin Music
Publications #GOB
001034-120. Published by
Gobelin Music
Publications
(BT.GOB-001034-120).
Fort Fincastle
was built in 1793 by
royal governor 'Lord
Dunmore at an unusual
location: Nassau, the
capital of the Bahamas.
The name of the
fort: Fort Fincastle'
comes from Dunmore's
second title of Viscount
Fincastle '( Earl of
Fincastle). He gave
the fort a particular
shape, a circular
building with a sharp
expansion in the form of
a bow or bow of ship. In
order to deceive enemy
ships. The sounds of
the first bars show the
contours of a looming
majestic stronghold,
after a heroic theme
follows. Soon we hear the
threat of hostile
elements. Work on
the fort means much
waiting and lonely, but
you should always alert
and vigilant for the ever
lurking attack. After
the turn of yet another
attack there is a feeling
of satisfaction and
pride, we see the fort
are on the hill towering
above Nassau.
In
1793 werd Fort Fincastle
gebouwd door ‘royal
governor’ Lord Dunmore
op een bijzondere plek:
Nassau, de hoofdstad van
de Bahamas. De naam
van het fort: ‘Fort
Fincastle’ is afkomstig
van Dunmore’s tweede
titel ‘Viscount
Fincastle’(Graafvan
Fincastle). Hij gaf
het fort een bijzonder
vorm, een cirkelvormig
gebouw met een puntige
uitbouw, in de vorm van
een boeg of voorsteven
van schip. Dit om
vijandige schepen te
misleiden. De klanken
van de eerstematen laten
de contouren van een
majestueus
verdedigingsbolwerk
opdoemen, waarna een
heldhaftig thema volgt.
Al snel horen we de
dreiging van vijandige
elementen . Werken op
het fort betekent veel
wachten en is best
eenzaam,toch moet je
altijd alert en waakzaam
zijn voor de immer op de
loer liggende aanval.
Na het afslaan van de
zoveelste aanval heerst
er een gevoel van
tevredenheid en zien we
het fort trots liggen op
de heuvel die bovenNassau
uit torent.
Fincastle Overture Ensemble de cuivres [Conducteur] - Facile Gobelin Music Publications
Brass Band - Grade 2.5 SKU: BT.GOB-001035-130 Composed by Jan Bosveld. Sc...(+)
Brass Band - Grade 2.5
SKU:
BT.GOB-001035-130
Composed by Jan Bosveld.
Score Only. 32 pages.
Gobelin Music
Publications #GOB
001035-130. Published by
Gobelin Music
Publications
(BT.GOB-001035-130).
Fort Fincastle
was built in 1793 by
royal governor 'Lord
Dunmore at an unusual
location: Nassau, the
capital of the Bahamas.
The name of the
fort: Fort Fincastle'
comes from Dunmore's
second title of Viscount
Fincastle '( Earl of
Fincastle). He gave
the fort a particular
shape, a circular
building with a sharp
expansion in the form of
a bow or bow of ship. In
order to deceive enemy
ships. The sounds of
the first bars show the
contours of a looming
majestic stronghold,
after a heroic theme
follows. Soon we hear the
threat of hostile
elements. Work on
the fort means much
waiting and lonely, but
you should always alert
and vigilant for the ever
lurking attack. After
the turn of yet another
attack there is a feeling
of satisfaction and
pride, we see the fort
are on the hill towering
above Nassau.
In
1793 werd Fort Fincastle
gebouwd door ‘royal
governor’ Lord Dunmore
op een bijzondere plek:
Nassau, de hoofdstad van
de Bahamas. De naam
van het fort: ‘Fort
Fincastle’ is afkomstig
van Dunmore’s tweede
titel ‘Viscount
Fincastle’(Graafvan
Fincastle). Hij gaf
het fort een bijzonder
vorm, een cirkelvormig
gebouw met een puntige
uitbouw, in de vorm van
een boeg of voorsteven
van schip. Dit om
vijandige schepen te
misleiden. De klanken
van de eerstematen laten
de contouren van een
majestueus
verdedigingsbolwerk
opdoemen, waarna een
heldhaftig thema volgt.
Al snel horen we de
dreiging van vijandige
elementen . Werken op
het fort betekent veel
wachten en is best
eenzaam,toch moet je
altijd alert en waakzaam
zijn voor de immer op de
loer liggende aanval.
Na het afslaan van de
zoveelste aanval heerst
er een gevoel van
tevredenheid en zien we
het fort trots liggen op
de heuvel die bovenNassau
uit torent.
Choral (ChoirTrax CD) SKU: HL.334900 Composed by Heather Sorenson. Daybre...(+)
Choral (ChoirTrax CD)
SKU: HL.334900
Composed by Heather
Sorenson. Daybreak
Christmas Choral.
Christmas, General
Worship, Sacred. CD.
Duration 220 seconds.
Published by Daybreak
Music (HL.334900).
UPC: 840126910582.
5.0x5.0x0.15 inches.
Edmund H. Sears/Heather
Sorenson. John 14:27,
Luke 2:9-14.
From
the cantata Little Lion,
Little Lamb, the contours
of this reimagined carol
are fashioned with
beautiful arching leaps,
instantly endearing it to
the listener. A good
balance of unison and
four-part writing
expresses the miracle of
the incarnation with
sensitivity and sincere
devotion. The B section
offers some theater with
distinctive layers of
Gloria that crescendo
with impressive impact.
The final angelic
proclamation fades into
the Christmas sky with
delicate and artful
sonority. Heavenly! Score
and Parts (fl 1-2, ob, cl
1-2, bn, tpt 1-3, hn 1-2,
tbn 1-2, tbn3/tba, perc
1-2, timp, hp, vn 1-2,
va, vc, db) available as
a digital download.
Featuring: Symphony No. 4 / The Nutcracker Suite / 1812 Overture. Composed by ...(+)
Featuring: Symphony No. 4
/
The Nutcracker Suite /
1812
Overture. Composed by
Pyotr
Ilyich Tchaikovsky [Peter
Ilyich Tchaikovsky].
Arranged by Douglas E.
Wagner. Masterworks;
Part(s); Score; String
Orchestra. Belwin
Beginning
String Orchestra.
Masterwork
Arrangement; Romantic. 72
pages. Published by
Belwin
Music
Composed by Basque Carol.
Arranged by Christopher
Thomas. 12 pages.
Duration 2 minutes, 37
seconds. Carl Fischer
Music #CM9734. Published
by Carl Fischer Music
(CF.CM9734).
ISBN
9781491161142. UPC:
680160919734. Key: A
minor. English. Basque
Carol.
A Basque
Carol (also known as
Gabriel's Message) holds
a special place in
Western music. The carol
originates from Basque
country around the 13th
century, based on the
Latin hymn, Angelus ad
Virginem (likely of
Franciscan origin). The
tune quickly spread
throughout Europe,
finding popularity in
Britain where it was even
referenced in Chaucer's
Canterbury Tales: Playing
so sweetly that the
chamber rang; / and
Angelus ad virginem he
sang. . .. Interestingly,
the melody we know and
love today is derived
from the original Basque
version. In my view, this
tune is a perfect example
of melody-crafting. It is
at once hauntingly
beautiful, yet warm and
joyous. Its contours are
complex, dramatic, yet
singable. I believe this
melodic accessibility is
the key to the song's
lasting popularity. I
would also attribute A
Basque Carol's continued
popularity to its elegant
translation into English
(by Sabine Baring-Gould,
who rediscovered the
original Basque tune).
Translations often risk
sounding unimaginative,
coarse, and blunt. This
translation is strikingly
different. It was graced
with an especially poetic
translation including
lines such as his wings
as drifted snow, his eyes
as flame. I am very
excited to offer a new
perspective on this
classic carol, joining
the tradition of
composers preserving and
reimagining a priceless
medieval melody. My first
goal was to create a
flowing, richly-textured,
even cinematic string
accompaniment for the
choir. This approach was
very much inspired by the
dense, string-writing
style of English composer
Ralph Vaughan Williams.
My second goal was to
make the arrangement
flexible enough to be
performed with only
choir, only strings, or
(best of all) both
ensembles combined. To
further complement this
approach, I've added an
obligato line for a solo
recorder (solo flute or
violin work just as
well). If you listen
carefully, you will hear
a quote from my other
favorite holiday carol,
Jesu Bambino. I hope you
enjoy performing A Basque
Carol. I especially hope
that you sense the
ancient magic cast into
this tune, hearing the
ineffable qualities that
have compelled us to
sustain it for nearly a
millennium. Whether
you're a choir, a string
orchestra, or a combined
ensemble, this
arrangement of A Basque
Carol will surely be a
haunting and lovely
addition to your next
holiday program!. A
Basque Carol (also known
as Gabriel’s
Message) holds a special
place in Western music.
The carol originates from
Basque country around the
13th century, based on
the Latin hymn, Angelus
ad Virginem (likely of
Franciscan origin). The
tune quickly spread
throughout Europe,
finding popularity in
Britain where it was even
referenced in
Chaucer’s
Canterbury Tales:Â
“Playing so sweetly
that the chamber rang; /
and Angelus ad virginem
he sang. .
.â€.Interestingly,
the melody we know and
love today is derived
from the original Basque
version. In my view, this
tune is a perfect example
of melody-crafting. It is
at once hauntingly
beautiful, yet warm and
joyous. Its contours are
complex, dramatic, yet
singable. I believe this
melodic accessibility is
the key to the
song’s lasting
popularity. I would also
attribute A Basque
Carol’s continued
popularity to its elegant
translation into English
(by Sabine Baring-Gould,
who rediscovered the
original Basque tune).
Translations often risk
sounding unimaginative,
coarse, and blunt. This
translation is strikingly
different. It was graced
with an especially poetic
translation including
lines such as “his
wings as drifted snow,
his eyes as
flame.â€I am very
excited to offer a new
perspective on this
classic carol, joining
the tradition of
composers preserving and
reimagining a priceless
medieval melody. My first
goal was to create a
flowing, richly-textured,
even cinematic string
accompaniment for the
choir. This approach was
very much inspired by the
dense, string-writing
style of English composer
Ralph Vaughan Williams.
My second goal was to
make the arrangement
flexible enough to be
performed with only
choir, only strings, or
(best of all) both
ensembles combined. To
further complement this
approach, I’ve
added an obligato line
for a solo recorder (solo
flute or violin work just
as well). If you listen
carefully, you will hear
a quote from my other
favorite holiday carol,
Jesu Bambino.I hope you
enjoy performing A Basque
Carol. I especially hope
that you sense the
ancient magic cast into
this tune, hearing the
ineffable qualities that
have compelled us to
sustain it for nearly a
millennium. Whether
you’re a choir, a
string orchestra, or a
combined ensemble, this
arrangement of A Basque
Carol will surely be a
haunting and lovely
addition to your next
holiday program!
SSA choir, piano SKU: LO.15-3581H Composed by Jean Berger. Arranged by Do...(+)
SSA choir, piano
SKU:
LO.15-3581H
Composed
by Jean Berger. Arranged
by Douglas E. Wagner.
Choral. Octavo. Heritage
Music Press #15/3581H.
Published by Heritage
Music Press
(LO.15-3581H).
ISBN
9780787761967.
See
the mountains kiss high
heaven and the waves
clasp one another ... and
the sunlight clasps the
earth, and the moonbeams
kiss the sea ... From
Berger’s Five
Shelley Poems, this
arrangement uses tempo
changes and dynamic
nuances to honor the
contour of the text.
Included are two short
optional a cappella
sections which make this
a solid piece of concert
repertoire for
upper-voice
ensembles.
(Mastering the Language of Jazz (E-Flat Instruments)). By Caleb Chapman and Jeff...(+)
(Mastering the Language
of Jazz (E-Flat
Instruments)). By Caleb
Chapman and Jeff Coffin.
Jazz Ensemble. For
E-Flat. Book; CD; Jazz
Ensemble Method;
Method/Instruction;
Play-Along; Technique
Musicianship. The
Articulate Jazz Musician.
Jazz. Grade 2; Grade 3.
44 pages. Published by
Alfred Music Publishing
(Mastering the Language of Jazz (Bass Clef Instruments)). By Caleb Chapman and J...(+)
(Mastering the Language
of Jazz (Bass Clef
Instruments)). By Caleb
Chapman and Jeff Coffin.
Jazz Ensemble. For Bass
Clef. Book; CD; Jazz
Ensemble Method;
Method/Instruction;
Play-Along; Technique
Musicianship. The
Articulate Jazz Musician.
Jazz. Grade 2; Grade 3.
44 pages. Published by
Alfred Music Publishing
(Mastering the Language of Jazz (Teacher Edition)). By Caleb Chapman and Jeff Co...(+)
(Mastering the Language
of Jazz (Teacher
Edition)). By Caleb
Chapman and Jeff Coffin.
Jazz Ensemble. For
Teacher Edition. Book;
CD; Jazz Ensemble Method;
Method/Instruction;
Play-Along; Technique
Musicianship. The
Articulate Jazz Musician.
Jazz. Grade 2; Grade 3.
52 pages. Published by
Alfred Music Publishing
(Mastering the Language of Jazz (Bass)). By Caleb Chapman and Jeff Coffin. Jazz ...(+)
(Mastering the Language
of Jazz (Bass)). By Caleb
Chapman and Jeff Coffin.
Jazz Ensemble. For Bass.
Book; CD; Jazz Ensemble
Method;
Method/Instruction;
Play-Along; Technique
Musicianship. The
Articulate Jazz Musician.
Jazz. Grade 2; Grade 3.
64 pages. Published by
Alfred Music Publishing