By Jeff Guillen. For Mixed Voices (SATB), Soloist ad lib, Piano (SATB). This edi...(+)
By Jeff Guillen. For
Mixed Voices (SATB),
Soloist ad lib, Piano
(SATB). This edition:
Full score. Gospel Music,
Sacred music, Vocal
music. The Ultimate
Gospel Choir Book. The
answer to the request of
many choirs for modern
Christmas gospel music A
compilation of old and
new songs, which were
composed and arranged in
an outstanding manner.
Gospel, Spiritual.
Intermediate. Book.
Standard. 72 pages.
Published by Zebe
Publishing
Messa
delle Benedicenza.
Composed by Michael
Haydn. Edited by Josef
Friedrich Doppelbauer.
This edition: Paperbound.
Sacred music of the
Vienna classic. Missa Sti
Dominici Mh 419 1000401.
Sacred vocal music. Vocal
score. Composed 1786. MH
419. 44 pages. Carus
Verlag #CV 91.008/03.
Published by Carus Verlag
(CA.9100803).
ISBN
9790007094706. Key: C
major. Language:
Latin.
The masses
of Johann Michael Haydn
are masterworks in the
church music repertoire
and they were widely
appreciated during his
lifetime, as is proved by
the many copies made of
them. The Missa Sancti
Dominici belongs, through
its mooring with trumpets
and drums, in the
category of the missa
solemnis. It also owes
its tonal splendour
partly to the richness of
its compositional
process, marked by
sometimes rapid
alternation between
choral and solo passages.
This is a richly
rewarding, fascinating
work for accomplished
choirs to perform, not
only at festive services.
Score available
separately - see item
CA.9100800.
Viennese version.
Composed by Giovanni
Battista Pergolesi.
Edited by Martin
Haselbock. Arranged by
Ignaz Xaver Ritter von
Seyfried, Joseph Leopold
Eybler, and Otto Nicolai.
Stabat Mater (Satb
Arr.Salieri) Spira.
Sacred vocal music, Lent
and Passiontide, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary. Single
Part, Viola. Composed
1736/1800/1843. 16 pages.
Duration 35 minutes.
Carus Verlag #CV
97.003/13. Published by
Carus Verlag
(CA.9700313).
ISBN
9790007238773. Language:
Latin.
Following
his death, Pergolesi's
last larger composition,
the Stabat Mater of 1736,
immediately became one of
the most popular sacred
works of the late
baroque-early classical
era. Numerous
publications made this
icon of Italian sacred
music known throughout
Europe. It was arranged
by, among others, J. S.
Bach (Tilge, Hochster,
meine Sunden, BWV 1083),
J. A. Hiller and Abbe
Vogler. The most popular
arrangement was the one
made around 1800 for the
Vienna Court Kapelle, in
which Antonio Salieri,
Franz Xaver Sussmayr and
I. X. Ritter von Seyfried
added woodwind
instruments and obbligato
trombones to the string
accompaniment. In
addition the 2-part
texture of the upper
voices in the original
was arranged for 4 parts
with obbligato soli. It
was only in this opulent,
sonorous version, which
Otto Nicolai and three
composer colleagues
offered to 19th century
Viennese music lovers.
The piece is of medium
difficulty. In the
Viennese version it is a
rarity that offers an
enrichment to the
repertoire for choirs
wishing to discover
something new. Score and
part available separately
- see item
CA.9700300.
Pfingstsequenz.
Composed by Antonio
Caldara. Edited by Guido
Erdmann. Arranged by
Guido Erdmann. Music from
Vienna. German title:
Veni Sancte Spiritus.
Sacred vocal music,
Motets, Whitsun. Single
Part, Cello. Composed
circa 1725. 4 pages.
Duration 5 minutes. Carus
Verlag #CV 27.702/13.
Published by Carus Verlag
(CA.2770213).
ISBN
9790007202651. Key: C
major. Language: Latin.
Text: Langton, Stephen.
Text: Stephan
Langton.
Antonio
Caldara, with about 3,400
works to his credit,
ranks among the most
prolific composers of the
Baroque era and of music
history in general. From
1716 Caldara was employed
as the Vice-Music
Director at the Court of
Vienna, where he quickly
developed into the
primary and favorite
composer of the musically
knowledgeable Emperor
Karl VI. Caldara's
festive setting of the
sequence for Whitsun,
Veni Sancte Spiritus,
which may have been
composed around 1725, is
now made available for
the first time in print.
The catchy and compact
piece is suited for
concert performance and
is also excellently
suited for the liturgical
context of Whitsun:
during the Mass, for
example, as entrance or
exit music or as music
for the offertory.
Through similar scoring
requirements Caldara's
setting of the sequence
can also be used with
many compositions of the
Ordinary without any
additional effort. For
most church choirs the
tutti sections with
Caldara's favored
homophonic, yet effective
vocal writing represent a
grateful task. Score and
part available separately
- see item
CA.2770200.
Messa
delle Benedicenza.
Composed by Michael
Haydn. Edited by Josef
Friedrich Doppelbauer.
Sacred music of the
Vienna classic. Missa Sti
Dominici Mh 419 1000401.
Sacred vocal music.
Single Part, Violin 1.
Composed 1786. MH 419. 12
pages. Carus Verlag #CV
91.008/11. Published by
Carus Verlag
(CA.9100811).
ISBN
9790007230005. Key: C
major. Language:
Latin.
The masses
of Johann Michael Haydn
are masterworks in the
church music repertoire
and they were widely
appreciated during his
lifetime, as is proved by
the many copies made of
them. The Missa Sancti
Dominici belongs, through
its mooring with trumpets
and drums, in the
category of the missa
solemnis. It also owes
its tonal splendour
partly to the richness of
its compositional
process, marked by
sometimes rapid
alternation between
choral and solo passages.
This is a richly
rewarding, fascinating
work for accomplished
choirs to perform, not
only at festive services.
Score and part available
separately - see item
CA.9100800.
Viennese version.
Composed by Giovanni
Battista Pergolesi.
Edited by Martin
Haselbock. Arranged by
Ignaz Xaver Ritter von
Seyfried, Joseph Leopold
Eybler, and Otto Nicolai.
Stabat Mater (Satb
Arr.Salieri) Spira.
Sacred vocal music, Lent
and Passiontide, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary. Single
Part, Organ. Composed
1736/1800/1843. 28 pages.
Duration 35 minutes.
Carus Verlag #CV
97.003/49. Published by
Carus Verlag
(CA.9700349).
ISBN
9790007238797. Language:
Latin.
Following
his death, Pergolesi's
last larger composition,
the Stabat Mater of 1736,
immediately became one of
the most popular sacred
works of the late
baroque-early classical
era. Numerous
publications made this
icon of Italian sacred
music known throughout
Europe. It was arranged
by, among others, J. S.
Bach (Tilge, Hochster,
meine Sunden, BWV 1083),
J. A. Hiller and Abbe
Vogler. The most popular
arrangement was the one
made around 1800 for the
Vienna Court Kapelle, in
which Antonio Salieri,
Franz Xaver Sussmayr and
I. X. Ritter von Seyfried
added woodwind
instruments and obbligato
trombones to the string
accompaniment. In
addition the 2-part
texture of the upper
voices in the original
was arranged for 4 parts
with obbligato soli. It
was only in this opulent,
sonorous version, which
Otto Nicolai and three
composer colleagues
offered to 19th century
Viennese music lovers.
The piece is of medium
difficulty. In the
Viennese version it is a
rarity that offers an
enrichment to the
repertoire for choirs
wishing to discover
something new. Score and
part available separately
- see item
CA.9700300.
Viennese version.
Composed by Giovanni
Battista Pergolesi.
Edited by Martin
Haselbock. Arranged by
Ignaz Xaver Ritter von
Seyfried, Joseph Leopold
Eybler, and Otto Nicolai.
Stabat Mater (Satb
Arr.Salieri) Spira.
Sacred vocal music, Lent
and Passiontide, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary. Choral
Score. Composed
1736/1800/1843. 12 pages.
Duration 35 minutes.
Carus Verlag #CV
97.003/05. Published by
Carus Verlag
(CA.9700305).
ISBN
9790007131777. Language:
Latin.
Following
his death, Pergolesi's
last larger composition,
the Stabat Mater of 1736,
immediately became one of
the most popular sacred
works of the late
baroque-early classical
era. Numerous
publications made this
icon of Italian sacred
music known throughout
Europe. It was arranged
by, among others, J. S.
Bach (Tilge, Hochster,
meine Sunden, BWV 1083),
J. A. Hiller and Abbe
Vogler. The most popular
arrangement was the one
made around 1800 for the
Vienna Court Kapelle, in
which Antonio Salieri,
Franz Xaver Sussmayr and
I. X. Ritter von Seyfried
added woodwind
instruments and obbligato
trombones to the string
accompaniment. In
addition the 2-part
texture of the upper
voices in the original
was arranged for 4 parts
with obbligato soli. It
was only in this opulent,
sonorous version, which
Otto Nicolai and three
composer colleagues
offered to 19th century
Viennese music lovers.
The piece is of medium
difficulty. In the
Viennese version it is a
rarity that offers an
enrichment to the
repertoire for choirs
wishing to discover
something new. Score
available separately -
see item CA.9700300.
Pfingstsequenz.
Composed by Antonio
Caldara. Edited by Guido
Erdmann. Arranged by
Guido Erdmann. This
edition: Paperbound.
Music from Vienna. German
title: Veni Sancte
Spiritus. Sacred vocal
music, Motets, Whitsun.
Set of Orchestra Parts.
Composed circa 1725. 64
pages. Duration 5
minutes. Carus Verlag #CV
27.702/19. Published by
Carus Verlag
(CA.2770219).
ISBN
9790007133917. Key: C
major. Language: Latin.
Text: Langton, Stephen.
Text: Stephan
Langton.
Antonio
Caldara, with about 3,400
works to his credit,
ranks among the most
prolific composers of the
Baroque era and of music
history in general. From
1716 Caldara was employed
as the Vice-Music
Director at the Court of
Vienna, where he quickly
developed into the
primary and favorite
composer of the musically
knowledgeable Emperor
Karl VI. Caldara's
festive setting of the
sequence for Whitsun,
Veni Sancte Spiritus,
which may have been
composed around 1725, is
now made available for
the first time in print.
The catchy and compact
piece is suited for
concert performance and
is also excellently
suited for the liturgical
context of Whitsun:
during the Mass, for
example, as entrance or
exit music or as music
for the offertory.
Through similar scoring
requirements Caldara's
setting of the sequence
can also be used with
many compositions of the
Ordinary without any
additional effort. For
most church choirs the
tutti sections with
Caldara's favored
homophonic, yet effective
vocal writing represent a
grateful task. Score and
parts available
separately - see item
CA.2770200.
Pfingstsequenz.
Composed by Antonio
Caldara. Edited by Guido
Erdmann. Arranged by
Guido Erdmann. This
edition: Paperbound.
Music from Vienna. German
title: Veni Sancte
Spiritus. Sacred vocal
music, Motets, Whitsun.
Full score. Composed
circa 1725. 20 pages.
Duration 5 minutes. Carus
Verlag #CV 27.702/00.
Published by Carus Verlag
(CA.2770200).
ISBN
9790007097639. Key: C
major. Language: Latin.
Text: Langton, Stephen.
Text: Stephan
Langton.
Antonio
Caldara, with about 3,400
works to his credit,
ranks among the most
prolific composers of the
Baroque era and of music
history in general. From
1716 Caldara was employed
as the Vice-Music
Director at the Court of
Vienna, where he quickly
developed into the
primary and favorite
composer of the musically
knowledgeable Emperor
Karl VI. Caldara's
festive setting of the
sequence for Whitsun,
Veni Sancte Spiritus,
which may have been
composed around 1725, is
now made available for
the first time in print.
The catchy and compact
piece is suited for
concert performance and
is also excellently
suited for the liturgical
context of Whitsun:
during the Mass, for
example, as entrance or
exit music or as music
for the offertory.
Through similar scoring
requirements Caldara's
setting of the sequence
can also be used with
many compositions of the
Ordinary without any
additional effort. For
most church choirs the
tutti sections with
Caldara's favored
homophonic, yet effective
vocal writing represent a
grateful task.
Messa
delle Benedicenza.
Composed by Michael
Haydn. Edited by Josef
Friedrich Doppelbauer.
Sacred music of the
Vienna classic. Missa Sti
Dominici Mh 419 1000401.
Sacred vocal music.
Choral Score. Composed
1786. MH 419. 16 pages.
Carus Verlag #CV
91.008/05. Published by
Carus Verlag
(CA.9100805).
ISBN
9790007113759. Key: C
major. Language:
Latin.
The masses
of Johann Michael Haydn
are masterworks in the
church music repertoire
and they were widely
appreciated during his
lifetime, as is proved by
the many copies made of
them. The Missa Sancti
Dominici belongs, through
its mooring with trumpets
and drums, in the
category of the missa
solemnis. It also owes
its tonal splendour
partly to the richness of
its compositional
process, marked by
sometimes rapid
alternation between
choral and solo passages.
This is a richly
rewarding, fascinating
work for accomplished
choirs to perform, not
only at festive services.
Score available
separately - see item
CA.9100800.
Messa
delle Benedicenza.
Composed by Michael
Haydn. Edited by Josef
Friedrich Doppelbauer.
This edition: Paperbound.
Sacred music of the
Vienna classic. German
title: Missa Sti Dominici
Mh 419 1000401. Sacred
vocal music. Full score.
Composed 1786. MH 419. 60
pages. Carus Verlag #CV
91.008/00. Published by
Carus Verlag
(CA.9100800).
ISBN
9790007113735. Key: C
major. Language:
Latin.
The masses
of Johann Michael Haydn
are masterworks in the
church music repertoire
and they were widely
appreciated during his
lifetime, as is proved by
the many copies made of
them. The Missa Sancti
Dominici belongs, through
its mooring with trumpets
and drums, in the
category of the missa
solemnis. It also owes
its tonal splendour
partly to the richness of
its compositional
process, marked by
sometimes rapid
alternation between
choral and solo passages.
This is a richly
rewarding, fascinating
work for accomplished
choirs to perform, not
only at festive
services.
Messa
delle Benedicenza.
Composed by Michael
Haydn. Edited by Josef
Friedrich Doppelbauer.
Sacred music of the
Vienna classic. Missa Sti
Dominici Mh 419 1000401.
Sacred vocal music.
Single Part, basso
continuo. Composed 1786.
MH 419. 12 pages. Carus
Verlag #CV 91.008/13.
Published by Carus Verlag
(CA.9100813).
ISBN
9790007230029. Key: C
major. Language:
Latin.
The masses
of Johann Michael Haydn
are masterworks in the
church music repertoire
and they were widely
appreciated during his
lifetime, as is proved by
the many copies made of
them. The Missa Sancti
Dominici belongs, through
its mooring with trumpets
and drums, in the
category of the missa
solemnis. It also owes
its tonal splendour
partly to the richness of
its compositional
process, marked by
sometimes rapid
alternation between
choral and solo passages.
This is a richly
rewarding, fascinating
work for accomplished
choirs to perform, not
only at festive services.
Score and part available
separately - see item
CA.9100800.
Pfingstsequenz.
Composed by Antonio
Caldara. Edited by Guido
Erdmann. Arranged by
Guido Erdmann. C-Dur (C
major). Music from
Vienna. German title:
Veni Sancte Spiritus.
Sacred vocal music,
Motets, Whitsun. Single
Part, Violin 1. Composed
circa 1725. 2 pages.
Duration 5 minutes. Carus
Verlag #CV 27.702/11.
Published by Carus Verlag
(CA.2770211).
ISBN
9790007202637. Key: C
major. Language: Latin.
Text: Langton,
Stephen.
Antonio
Caldara, with about 3,400
works to his credit,
ranks among the most
prolific composers of the
Baroque era and of music
history in general. From
1716 Caldara was employed
as the Vice-Music
Director at the Court of
Vienna, where he quickly
developed into the
primary and favorite
composer of the musically
knowledgeable Emperor
Karl VI. Caldara's
festive setting of the
sequence for Whitsun,
Veni Sancte Spiritus,
which may have been
composed around 1725, is
now made available for
the first time in print.
The catchy and compact
piece is suited for
concert performance and
is also excellently
suited for the liturgical
context of Whitsun:
during the Mass, for
example, as entrance or
exit music or as music
for the offertory.
Through similar scoring
requirements Caldara's
setting of the sequence
can also be used with
many compositions of the
Ordinary without any
additional effort. For
most church choirs the
tutti sections with
Caldara's favored
homophonic, yet effective
vocal writing represent a
grateful task. Score and
part available separately
- see item
CA.2770200.
Messa
delle Benedicenza.
Composed by Michael
Haydn. Edited by Josef
Friedrich Doppelbauer.
Sacred music of the
Vienna classic. Missa Sti
Dominici Mh 419 1000401.
Sacred vocal music.
Single Part, Violin 2.
Composed 1786. MH 419. 12
pages. Carus Verlag #CV
91.008/12. Published by
Carus Verlag
(CA.9100812).
ISBN
9790007230012. Key: C
major. Language:
Latin.
The masses
of Johann Michael Haydn
are masterworks in the
church music repertoire
and they were widely
appreciated during his
lifetime, as is proved by
the many copies made of
them. The Missa Sancti
Dominici belongs, through
its mooring with trumpets
and drums, in the
category of the missa
solemnis. It also owes
its tonal splendour
partly to the richness of
its compositional
process, marked by
sometimes rapid
alternation between
choral and solo passages.
This is a richly
rewarding, fascinating
work for accomplished
choirs to perform, not
only at festive services.
Score and part available
separately - see item
CA.9100800.
Pfingstsequenz.
Composed by Antonio
Caldara. Edited by Guido
Erdmann. Arranged by
Guido Erdmann. 1x
27.702/21 bassoon, 1x
27.702/31 clarino 1, 1x
27.702/32 clarino 2, 1x
27.702/33 trombone 1, 1x
27.702/34 trombone 2, 1x
27.702/41 timpani. Music
from Vienna. German
title: Veni Sancte
Spiritus Set (6). Sacred
vocal music, Motets,
Whitsun. Set of Orchestra
Parts. Composed circa
1725. 12 pages. Duration
5 minutes. Carus Verlag
#CV 27.702/09. Published
by Carus Verlag
(CA.2770209).
ISBN
9790007202620. Key: C
major. Language: Latin.
Text: Langton, Stephen.
Text: Stephan
Langton.
Antonio
Caldara, with about 3,400
works to his credit,
ranks among the most
prolific composers of the
Baroque era and of music
history in general. From
1716 Caldara was employed
as the Vice-Music
Director at the Court of
Vienna, where he quickly
developed into the
primary and favorite
composer of the musically
knowledgeable Emperor
Karl VI. Caldara's
festive setting of the
sequence for Whitsun,
Veni Sancte Spiritus,
which may have been
composed around 1725, is
now made available for
the first time in print.
The catchy and compact
piece is suited for
concert performance and
is also excellently
suited for the liturgical
context of Whitsun:
during the Mass, for
example, as entrance or
exit music or as music
for the offertory.
Through similar scoring
requirements Caldara's
setting of the sequence
can also be used with
many compositions of the
Ordinary without any
additional effort. For
most church choirs the
tutti sections with
Caldara's favored
homophonic, yet effective
vocal writing represent a
grateful task. Score and
parts available
separately - see item
CA.2770200.
Pfingstsequenz.
Composed by Antonio
Caldara. Edited by Guido
Erdmann. Arranged by
Guido Erdmann. Music from
Vienna. German title:
Veni Sancte Spiritus.
Sacred vocal music,
Motets, Whitsun. Choral
Score. Composed circa
1725. 4 pages. Duration 5
minutes. Carus Verlag #CV
27.702/05. Published by
Carus Verlag
(CA.2770205).
ISBN
9790007161668. Key: C
major. Language: Latin.
Text: Langton, Stephen.
Text: Stephan
Langton.
Antonio
Caldara, with about 3,400
works to his credit,
ranks among the most
prolific composers of the
Baroque era and of music
history in general. From
1716 Caldara was employed
as the Vice-Music
Director at the Court of
Vienna, where he quickly
developed into the
primary and favorite
composer of the musically
knowledgeable Emperor
Karl VI. Caldara's
festive setting of the
sequence for Whitsun,
Veni Sancte Spiritus,
which may have been
composed around 1725, is
now made available for
the first time in print.
The catchy and compact
piece is suited for
concert performance and
is also excellently
suited for the liturgical
context of Whitsun:
during the Mass, for
example, as entrance or
exit music or as music
for the offertory.
Through similar scoring
requirements Caldara's
setting of the sequence
can also be used with
many compositions of the
Ordinary without any
additional effort. For
most church choirs the
tutti sections with
Caldara's favored
homophonic, yet effective
vocal writing represent a
grateful task. Score
available separately -
see item CA.2770200.
Messa
delle Benedicenza.
Composed by Michael
Haydn. Edited by Josef
Friedrich Doppelbauer.
Missa Sti Dominici Mh 419
1000401. Sacred vocal
music. Set of Orchestra
Parts. Composed 1786. MH
419. Carus Verlag #CV
91.008/19. Published by
Carus Verlag
(CA.9100819).
ISBN
9790007145637. Key: C
major. Language:
Latin.
The masses
of Johann Michael Haydn
are masterworks in the
church music repertoire
and they were widely
appreciated during his
lifetime, as is proved by
the many copies made of
them. The Missa Sancti
Dominici belongs, through
its mooring with trumpets
and drums, in the
category of the missa
solemnis. It also owes
its tonal splendour
partly to the richness of
its compositional
process, marked by
sometimes rapid
alternation between
choral and solo passages.
This is a richly
rewarding, fascinating
work for accomplished
choirs to perform, not
only at festive services.
Score and parts available
separately - see item
CA.9100800.
Viennese version.
Composed by Giovanni
Battista Pergolesi.
Edited by Martin
Haselbock. Arranged by
Ignaz Xaver Ritter von
Seyfried, Joseph Leopold
Eybler, and Otto Nicolai.
Stabat Mater (Satb
Arr.Salieri) Spira.
Sacred vocal music, Lent
and Passiontide, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary. Single
Part, Cello/Double Bass.
Composed 1736/1800/1843.
12 pages. Duration 35
minutes. Carus Verlag #CV
97.003/14. Published by
Carus Verlag
(CA.9700314).
ISBN
9790007238780. Language:
Latin.
Following
his death, Pergolesi's
last larger composition,
the Stabat Mater of 1736,
immediately became one of
the most popular sacred
works of the late
baroque-early classical
era. Numerous
publications made this
icon of Italian sacred
music known throughout
Europe. It was arranged
by, among others, J. S.
Bach (Tilge, Hochster,
meine Sunden, BWV 1083),
J. A. Hiller and Abbe
Vogler. The most popular
arrangement was the one
made around 1800 for the
Vienna Court Kapelle, in
which Antonio Salieri,
Franz Xaver Sussmayr and
I. X. Ritter von Seyfried
added woodwind
instruments and obbligato
trombones to the string
accompaniment. In
addition the 2-part
texture of the upper
voices in the original
was arranged for 4 parts
with obbligato soli. It
was only in this opulent,
sonorous version, which
Otto Nicolai and three
composer colleagues
offered to 19th century
Viennese music lovers.
The piece is of medium
difficulty. In the
Viennese version it is a
rarity that offers an
enrichment to the
repertoire for choirs
wishing to discover
something new. Score and
part available separately
- see item
CA.9700300.
Viennese version.
Composed by Giovanni
Battista Pergolesi.
Edited by Martin
Haselbock. Arranged by
Ignaz Xaver Ritter von
Seyfried, Joseph Leopold
Eybler, and Otto Nicolai.
This edition: Paperbound.
German title: Stabat
Mater (Satb Arr.Salieri)
Spira. Sacred vocal
music, Lent and
Passiontide, Feasts of
the Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Full score.
Composed 1736/1800/1843.
128 pages. Duration 35
minutes. Carus Verlag #CV
97.003/00. Published by
Carus Verlag
(CA.9700300).
ISBN
9790007113124. Language:
Latin.
Following
his death, Pergolesi's
last larger composition,
the Stabat Mater of 1736,
immediately became one of
the most popular sacred
works of the late
baroque-early classical
era. Numerous
publications made this
icon of Italian sacred
music known throughout
Europe. It was arranged
by, among others, J. S.
Bach (Tilge, Hochster,
meine Sunden, BWV 1083),
J. A. Hiller and Abbe
Vogler. The most popular
arrangement was the one
made around 1800 for the
Vienna Court Kapelle, in
which Antonio Salieri,
Franz Xaver Sussmayr and
I. X. Ritter von Seyfried
added woodwind
instruments and obbligato
trombones to the string
accompaniment. In
addition the 2-part
texture of the upper
voices in the original
was arranged for 4 parts
with obbligato soli. It
was only in this opulent,
sonorous version, which
Otto Nicolai and three
composer colleagues
offered to 19th century
Viennese music lovers.
The piece is of medium
difficulty. In the
Viennese version it is a
rarity that offers an
enrichment to the
repertoire for choirs
wishing to discover
something new.
Viennese version.
Composed by Giovanni
Battista Pergolesi.
Edited by Martin
Haselbock. Arranged by
Ignaz Xaver Ritter von
Seyfried, Joseph Leopold
Eybler, and Otto Nicolai.
Stabat Mater (Satb
Arr.Salieri) Spira.
Sacred vocal music, Lent
and Passiontide, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary. Single
Part, Violin 1. Composed
1736/1800/1843. 16 pages.
Duration 35 minutes.
Carus Verlag #CV
97.003/11. Published by
Carus Verlag
(CA.9700311).
ISBN
9790007238759. Language:
Latin.
Following
his death, Pergolesi's
last larger composition,
the Stabat Mater of 1736,
immediately became one of
the most popular sacred
works of the late
baroque-early classical
era. Numerous
publications made this
icon of Italian sacred
music known throughout
Europe. It was arranged
by, among others, J. S.
Bach (Tilge, Hochster,
meine Sunden, BWV 1083),
J. A. Hiller and Abbe
Vogler. The most popular
arrangement was the one
made around 1800 for the
Vienna Court Kapelle, in
which Antonio Salieri,
Franz Xaver Sussmayr and
I. X. Ritter von Seyfried
added woodwind
instruments and obbligato
trombones to the string
accompaniment. In
addition the 2-part
texture of the upper
voices in the original
was arranged for 4 parts
with obbligato soli. It
was only in this opulent,
sonorous version, which
Otto Nicolai and three
composer colleagues
offered to 19th century
Viennese music lovers.
The piece is of medium
difficulty. In the
Viennese version it is a
rarity that offers an
enrichment to the
repertoire for choirs
wishing to discover
something new. Score and
part available separately
- see item
CA.9700300.
Pfingstsequenz.
Composed by Antonio
Caldara. Edited by Guido
Erdmann. Arranged by
Guido Erdmann. Music from
Vienna. German title:
Veni Sancte Spiritus.
Sacred vocal music,
Motets, Whitsun. Single
Part, Violin 2. Composed
circa 1725. 2 pages.
Duration 5 minutes. Carus
Verlag #CV 27.702/12.
Published by Carus Verlag
(CA.2770212).
ISBN
9790007202644. Key: C
major. Language: Latin.
Text: Langton, Stephen.
Text: Stephan
Langton.
Antonio
Caldara, with about 3,400
works to his credit,
ranks among the most
prolific composers of the
Baroque era and of music
history in general. From
1716 Caldara was employed
as the Vice-Music
Director at the Court of
Vienna, where he quickly
developed into the
primary and favorite
composer of the musically
knowledgeable Emperor
Karl VI. Caldara's
festive setting of the
sequence for Whitsun,
Veni Sancte Spiritus,
which may have been
composed around 1725, is
now made available for
the first time in print.
The catchy and compact
piece is suited for
concert performance and
is also excellently
suited for the liturgical
context of Whitsun:
during the Mass, for
example, as entrance or
exit music or as music
for the offertory.
Through similar scoring
requirements Caldara's
setting of the sequence
can also be used with
many compositions of the
Ordinary without any
additional effort. For
most church choirs the
tutti sections with
Caldara's favored
homophonic, yet effective
vocal writing represent a
grateful task. Score and
part available separately
- see item
CA.2770200.
Viennese version.
Composed by Giovanni
Battista Pergolesi.
Edited by Martin
Haselbock. Arranged by
Ignaz Xaver Ritter von
Seyfried, Joseph Leopold
Eybler, and Otto Nicolai.
Stabat Mater (Satb
Arr.Salieri) Spira.
Sacred vocal music, Lent
and Passiontide, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary. Set of
Orchestra Parts. Composed
1736/1800/1843. Duration
35 minutes. Carus Verlag
#CV 97.003/19. Published
by Carus Verlag
(CA.9700319).
ISBN
9790007133757. Language:
Latin.
Following
his death, Pergolesi's
last larger composition,
the Stabat Mater of 1736,
immediately became one of
the most popular sacred
works of the late
baroque-early classical
era. Numerous
publications made this
icon of Italian sacred
music known throughout
Europe. It was arranged
by, among others, J. S.
Bach (Tilge, Hochster,
meine Sunden, BWV 1083),
J. A. Hiller and Abbe
Vogler. The most popular
arrangement was the one
made around 1800 for the
Vienna Court Kapelle, in
which Antonio Salieri,
Franz Xaver Sussmayr and
I. X. Ritter von Seyfried
added woodwind
instruments and obbligato
trombones to the string
accompaniment. In
addition the 2-part
texture of the upper
voices in the original
was arranged for 4 parts
with obbligato soli. It
was only in this opulent,
sonorous version, which
Otto Nicolai and three
composer colleagues
offered to 19th century
Viennese music lovers.
The piece is of medium
difficulty. In the
Viennese version it is a
rarity that offers an
enrichment to the
repertoire for choirs
wishing to discover
something new. Score and
parts available
separately - see item
CA.9700300.