Concert Band; Orchestra
Detailed Instrumentation:
2+Picc.2.2.2: 4.2.0.0:
Timp: Str (9-8-7-6-5 in
set): Solo Piano
SKU:
AP.36-A212602
Composed by Richard
Strauss. This edition:
Kalmus Orchestra Library.
Full Orchestra;
Performance Music
Ensemble; Single Titles.
Edwin F. Kalmus.
Masterwork. Score and
Part(s). LudwigMasters
Publications #36-A212602.
Published by
LudwigMasters
Publications
(AP.36-A212602).
UPC:
676737597597.
English.
Richard
Strauss (1864-1949)
originally wrote this
work for solo piano and
orchestra under the title
Scherzo in D minor in
1886 for conductor and
pianist Hans von
Bülow, a large
influence on Strauss'
career. Von Bülow,
however, consider the
work a complicated piece
of nonsense and wanted
nothing to do it.
Discouraged, Strauss set
the work aside until
1889, when he met
Scottish pianist Eugen
d'Albert, who liked it
while also suggesting
some changes. With a new
title, Burleske, and a
dedication to d'Albert,
the work was premiered on
June 21st, 1890 in
Eisenach at the
Tonkünstlerfest with
d'Albert at the piano and
Strauss conducting.
Despite this, Strauss
remained convinced that
the work lacked merit and
refused to have the work
published until 1894,
although it eventually
became one of his
favorite works. Strauss
never gave the work an
opus number, but many
consider it to be Op. 11,
which is actually
assigned to his Horn
Concerto No. 1 in E-flat.
Instrumentation:
2+Picc.2.2.2: 4.2.0.0:
Timp: Str (9-8-7-6-5 in
set): Solo Piano.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Piano SKU: C4.9790902257176 Composed by Johann Sebastian Bach. Edited by ...(+)
Piano
SKU:
C4.9790902257176
Composed by Johann
Sebastian Bach. Edited by
Daniel Mitterdorfer and
Harold Fabrikant.
Arranged by Eugen
d'Albert. Classical.
Score. Crescendo Music
Publications
#9790902257176. Published
by Crescendo Music
Publications
(C4.9790902257176).
ISBN 9790902257176.
8.27 x 11.7
inches.
Eugen
d'Albert (1864-1932)
enjoyed an illustrious
and colourful career as
both concert pianist and
composer. He wished to
include J.S. Bach's music
in his concerts and
sought the grandeur of
some of the large secular
organ works. The
transcriptions he made
for this purpose are
arguably better than the
numerous Bach
transcriptions made by
his contemporaries.
D'Albert's versions of
eight secular masterworks
present them remarkably
close to their original
form, yet perfectly
matched to the modern
piano. At times, they
make very considerable
technical demands, but
the effort to master them
is amply
rewarded.
This
116-page volume marks
their first appearance
since they were first
issued over a century
ago. Many errors and
inaccuracies have been
remedied and English
translations of his
musical terms have been
provided.
Orchestra Detailed
Instrumentation:
2+Picc.2.2.2: 4.2.0.0:
Timp: Str (9-8-7-6-5 in
set): Solo Piano
SKU:
AP.36-A212601
Composed by Richard
Strauss. This edition:
Kalmus Orchestra Library.
Full Orchestra;
Performance Music
Ensemble; Single Titles.
Edwin F. Kalmus. Score.
LudwigMasters
Publications #36-A212601.
Published by
LudwigMasters
Publications
(AP.36-A212601).
ISBN
9798888520987. UPC:
676737611651.
English.
Richard
Strauss (1864-1949)
originally wrote this
work for solo piano and
orchestra under the title
Scherzo in D minor in
1886 for conductor and
pianist Hans von
Bülow, a large
influence on Strauss'
career. Von Bülow,
however, consider the
work a complicated piece
of nonsense and wanted
nothing to do it.
Discouraged, Strauss set
the work aside until
1889, when he met
Scottish pianist Eugen
d'Albert, who liked it
while also suggesting
some changes. With a new
title, Burleske, and a
dedication to d'Albert,
the work was premiered on
June 21st, 1890 in
Eisenach at the
Tonkünstlerfest with
d'Albert at the piano and
Strauss conducting.
Despite this, Strauss
remained convinced that
the work lacked merit and
refused to have the work
published until 1894,
although it eventually
became one of his
favorite works. Strauss
never gave the work an
opus number, but many
consider it to be Op. 11,
which is actually
assigned to his Horn
Concerto No. 1 in E-flat.
Instrumentation:
2+Picc.2.2.2: 4.2.0.0:
Timp: Str (9-8-7-6-5 in
set): Solo Piano.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Detailed Instrumentation: 2+Picc.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): S...(+)
Detailed Instrumentation:
2+Picc.2.2.2: 4.2.0.0:
Timp: Str (9-8-7-6-5 in
set): Solo Piano
SKU:
AP.36-A212648
Composed by Richard
Strauss. This edition:
Kalmus Orchestra Library.
Performance Music
Ensemble; Piano, Solo
with Piano; Single
Titles. Kalmus Edition.
Form: Sonata. 20th
Century; Masterwork.
Book. LudwigMasters
Publications #36-A212648.
Published by
LudwigMasters
Publications
(AP.36-A212648).
ISBN
9798888520994. UPC:
676737744748.
English.
Richard
Strauss (1864-1949)
originally wrote this
work for solo piano and
orchestra under the title
Scherzo in D minor in
1886 for conductor and
pianist Hans von
Bülow, a large
influence on Strauss'
career. Von Bülow,
however, consider the
work a complicated piece
of nonsense and wanted
nothing to do it.
Discouraged, Strauss set
the work aside until
1889, when he met
Scottish pianist Eugen
d'Albert, who liked it
while also suggesting
some changes. With a new
title, Burleske, and a
dedication to d'Albert,
the work was premiered on
June 21st, 1890 in
Eisenach at the
Tonkünstlerfest with
d'Albert at the piano and
Strauss conducting.
Despite this, Strauss
remained convinced that
the work lacked merit and
refused to have the work
published until 1894,
although it eventually
became one of his
favorite works. Strauss
never gave the work an
opus number, but many
consider it to be Op. 11,
which is actually
assigned to his Horn
Concerto No. 1 in E-flat.
Instrumentation:
2+Picc.2.2.2: 4.2.0.0:
Timp: Str (9-8-7-6-5 in
set): Solo Piano. This is
the solo piano and
orchestra piano
reduction.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Chorus (with soloists) and piano (solos: SMezMez(A)ATTBarBBB - choir: SSAATTBB -...(+)
Chorus (with soloists)
and piano (solos:
SMezMez(A)ATTBarBBB -
choir: SSAATTBB -
picc.2.2.2.2. - 4.2.3.0.
- timp - hp - str)
SKU: BR.DV-6081
Lyrical Opera in 3
Acts. Composed by
Pjotr Iljitsch
Tschaikowsky. Edited by
Manfred Koerth / Wo
Ebermann. Arranged by M.
Koerth and W. Ebermann.
Choir; Softbound.
Deutscher Verlag. Opera;
Music theatre; Romantic.
Piano/Vocal Score. 300
pages. Deutscher Verlag
fur Musik #DV 6081.
Published by Deutscher
Verlag fur Musik
(BR.DV-6081).
ISBN
9790200460032. 9.5 x 12
inches.
Duration:
full evening Translation
: German (W. Ebermann/M.
Koerth), Engl. (D.
Llyod-Jones), French (M.
Delines) Place and
time: Partly on the
estate, partly in
Petersburg, in 20ies of
the 19th
Century
Characters
: Larina, Owner of the
Estate (mezzo-soprano) -
Tatiana (soprano) and
Olga (alto), her
Daughters - Filipjewna,
Wet Nurse
(mezzo-soprano/alto) -
Eugen Onegin (baritone) -
Lenskij (tenor) - Prince
Gremin (bass) - A
Commander (bass) -
Saretzkij (bass) -
Triquet, a French Man
(tenor) - Guillot, a
Valet (silent part) -
Country Folk, Ball
Guests, Squire, Officers
(chorus) - Waltz,
mazurka, polonaise and
Russian dance (Ballet
)
There is an
interesting parallel
between the subject of
the opera and
Tchaikovsky's life during
the year he wrote the
work (1877): in each
case, a letter provokes
fateful developments in
the lives of the
protagonists. In the
opera, Tatyana's love
letter to Eugene sets off
the tragedy, whereas in
real life, the love
letter of a pupil led the
composer into a marriage,
which lasted all of ...
three months. Tchaikovsky
took this doomed decision
without love, solely
because the circumstances
want it and because I
cannot act differently.
Certain allusions made,
for example, in a letter
of January 1878 to
Taneyev suggest that the
composer's personal
situation also flowed
into the work: I did not
want anything to do with
the so-called 'grand
opera.' I am looking for
an intimate but powerful
drama which is built on
the conflict of
circumstances which I
myself have seen and
experienced, a conflict
which truly moves me.
Partly for this reason
the composer decided to
call the work not an
opera but lyrical
scenes.Eugene Onegin,
conceived by Tchaikovsky
for limited resources and
a small stage, is the
most frequently performed
Russian opera today along
with Mussorgsky's Boris
Godunov, which represents
a completely contrary
aesthetic stance.
Tschaikowskys
letzte Oper - auf ein
Libretto seines Bruders
Modest nach der
Dramenvorlage des
danischen Schriftstellers
Henrik Hertz - lebt von
den poetischen Momenten
und den symbolbeladenen
Charakterportrats der
Hauptfiguren: Die junge
blinde Jolanthe wird von
ihrem Vater aus Sorge um
ihren Makel und zum
Schutz ihrer
Jungfraulichkeit und vor
den Widrigkeiten der Welt
in einen paradiesischen
Garten gesperrt. Er
befielt zu ihrem Schutz
sie um ihre Blindheit
unwissend zu lassen. Ein
Arzt warnt sehen werde
sie nur konnen wenn sie
es selbst wolle gleich
welche Angste aus der
vollstandigen Erkenntnis
der Welt erwachsen. Als
der junge Vaudemont in
ihre Abgeschiedenheit
einbricht und sich beide
ineinander verlieben
befreit er sie von ihrer
Unwissenheit erklart was
Farbe und Licht bedeuten.
Erst die Liebe zu ihm
macht sie sehend.
Die dunkle Welt
der Jolanthe zeichnet
Tschaikowsky zu Beginn
musikalisch durch eine
Introduktion
ausschliesslich fur
Blaser. Erst mit dem
Eintritt in die
unbekannte Welt der Liebe
und des Sehens verwendet
Tschaikowsky einen warmen
Streicherklang. Gerade
dadurch stiess die Oper
wohl bei Zeitgenossen auf
Verstorung. Tschaikowskys
,,Jolanthe nimmt in
seinem Opernschaffen eine
Sonderstellung ein: neben
dem glucklichen Ende
einer Apotheose des
Lichts und der Liebe mit
einem religios gepragten
Schlusschoral ist es
eines der wenigen
Buhnenwerke Tschaikowskys
ohne Bezug zur russischen
Geschichte. Der
ausgepragte Lyrismus des
Werks verweist
stattdessen auf
Tschaikowskys Nahe zur
franzosischen Kultur die
im 19. Jahrhundert einen
starken Einfluss auf
Russland hatte. Die Oper
wurde 1892 am
Mariinsky-Theater in
Sankt Petersburg als
Auftragswerk zusammen mit
seinem Ballett ,,Der
Nussknacker
uraufgefuhrt.
Nebe
n der Produktion des
Munchner
Rundfunkorchesters wurde
,,Jolanthe szenisch
erfolgreich bei den
Festspielen Baden-Baden
mit Anna Netrebko und
Piotr Beczala als
Liebespaar rehabilitiert.
Ausserhalb Deutschlands
lief die Opernraritat in
Toulouse Tokyo San
Sebastian und Monte
Carlo. Zuletzt erneut die
,,Suddeutsche Zeitung:
,,Jolanthe ist eine
Opernausgrabung die
,,wirklich zu Unrecht
vergessen ist.
Tchaikovsky's last opera
- on a libretto by the
composer's brother Modest
based on the drama by the
Danish author Henrik
Hertz - derives its
life-blood from its
poetic moments and the
symbol-laden portraits of
the leading characters:
the blind young Yolanta
is kept prisoner in a
paradisiacal garden by
her father who fears for
her purity and her
virginity and seeks to
protect her from the
adversities of the world.
To do so he orders
everyone to keep her
ignorant of the fact that
she is blind. A doctor
warns that she will only
be able to see when she
is ready to do so herself
no matter what fears
might result from a
complete experience of
the world. When the young
Vaudemont breaks into her
secluded world and the
two fall in love he frees
her from her ignorance
and explains the
significance of color and
light. It is through her
love for him that she is
finally able to see. At
the beginning of the work
Tchaikovsky depicts
Yolanta's dark world with
an introduction scored
exclusively for winds. It
is not until her
discovery of the unknown
world of love and sight
that Tchaikovsky uses a
warm string sound. This
is what many of the
composer's contemporaries
found disturbing about
the
opera.
Tchaikovsky
's Yolanta occupies a
special place in the
composer's operatic
oeuvre: for one it has a
happy ending an
apotheosis of light and
love with a religiously
stamped closing chorale;
for another it is one of
Tchaikovsky's few stage
works without any
reference to Russian
history. Instead the
work's pronounced
lyricism points to the
composer's closeness to
French culture. which
exerted a strong
influence on Russia in
the 19th
century.
The opera
was given its world
premiere at the Mariinsky
Theater in St. Petersburg
in 1892. It had been
commissioned along with
the ballet The
Nutcracker. Next to the
production by the
Munchner
Rundfunkorchester Yolanta
was also successfully
rehabilitated in a recent
staged production at the
Baden-Baden Festival with
Anna Netrebko and Piotr
Beczala as the lovers.
Outside of Germany the
operatic rarity was
performed in Toulouse
Tokyo San Sebastian and
Monte Carlo.
In
closing another quote
from the Suddeutsche
Zeitung: 'Yolanta' is an
operatic rediscovery of a
work that was truly
'wrongly forgotten'.
Piano duets SKU: BR.EB-4332 Piano Reductions by Eugen d'Albert and Fri...(+)
Piano duets
SKU:
BR.EB-4332
Piano
Reductions by Eugen
d'Albert and Friedrich
Hermann. Composed by
Ludwig van Beethoven.
Edited by Eugen d'Albert.
Arranged by Eugen d'
Albert. Solo instruments;
Softcover. Edition
Breitkopf.
Printed in
score form; two copies
are needed for
performance.
Classical period. Piano
reduction. 52 pages.
Duration 30'. Breitkopf
and Haertel #EB 4332.
Published by Breitkopf
and Haertel (BR.EB-4332).
ISBN 9790004162811. 9
x 12
inches.
Printed in
score form; two copies
are needed for
performance.
Three Onegin Dances Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1012918-010 Composed by Peter...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1012918-010
Composed by Peter Ilyich
Tchaikovsky. Arranged by
Wil van der Beek. The
Great Classics. Set
(Score & Parts). Composed
2001. De Haske
Publications #DHP
1012918-010. Published by
De Haske Publications
(BT.DHP-1012918-010).
Tchaikovsky is
best known for his purely
instrumental
compositions. However, we
must not underestimate
him as a composer of
operas. Many of his
operas such as ¬Pique
Dame and Eugene Onegin
are still performed
regularly throughout the
world. Eugene Onegin
(also called Jevgeny
Onegin), composed in
1877-1878, was not called
an opera by Tchaikovsky
himself, but “lyric
scenesâ€. The work
is entirely dominated by
lyricism. However, there
are two moments that
contrast sharply with
this lyricism: two ball
scenes, for which
Tchaikovsky wrote a waltz
and a polonaise.After
opening with a less
well-known allegro
dansant, this arrangement
features the
aforementioned waltz,
which can beconsidered a
beautiful Russian
equivalent of the Faust
Waltz by Charles Gounod.
In the opera, this waltz
is actually played by a
military band. The
arrangement concludes
with the pompous
polonaise (also mentioned
above) which opens the
last act: the ideal music
to characterize high
aristocracy in the salon
of a palace in St.
Petersburg.
Tchaikowsky ist
berühmt für seine
rein instrumentalen
Kompositionen. Er ist
jedoch auch als
Opernkomponist nicht zu
unterschätzen.Viele
seiner OPern werden
immoernoch
regelmäßig auf der
ganzen Welt
aufgeführt, wie zum
Beispiel Pique
Dame und Eugen
OneginEugen
Onegin wurde in den
Jahren 1877 bis 1878
komponiert und von
Tschaikowsky selbst
zunächst nicht als
Oper, sondern als
lyrische Szenen betitelt.
Der lyrische Charakter
ist im ganzen Werk
vorherrschend. Zwei
Stellen kontrastieren
jedoch deutlich mit
dieser Lyrik: zwei
Ballszenen ,für die
Tschaikowsky einen Walzer
uns eine Polonaise
schrieb.Nach einem
weniger bekannten Allegro
Dansant als
Eröffung,stellt dieses
Arrangement vor allem den
oben genannten Walzer in
den Vordergrund, welcher
guten Herzens als ein
schönes russisches
Gegenstück zu Charles
Gounods
Faustwalzer
bezeichnet werden kann.
In der Oper wird dieser
Walzer von einer
Militärkapelle
gespielt. Das Arrangement
schließt mit der
erwähnten pompösen
Polonaise, die den
letztzen Akt eröffnet:
die ideale Musik, um ein
Bild des Hochadels im
Salon eines Petersburger
Palastes zu zeichnen.
(For Piano - Volume 2a (Sonatas 17-25)). By Ludwig van Beethoven (1770-1827). Ed...(+)
(For Piano - Volume 2a
(Sonatas 17-25)). By
Ludwig van Beethoven
(1770-1827). Edited by
Eugen d'Albert. Arranged
by Eugen d'Albert. Piano.
For Piano Solo.
Softcover. Standard
notation. 171 pages.
Published by Carl Fischer
No. 2 C sharp Minor. Composed by Franz Liszt (1811-1886). Edited by Eugen d'Albe...(+)
No. 2 C sharp Minor.
Composed by Franz Liszt
(1811-1886). Edited by
Eugen d'Albert. Arranged
by Eugen d'Albert. This
edition: Saddle
stitching. Sheet music.
Einzelausgaben (Single
Sheets). Classical.
Composed 1851. 18 pages.
Schott Music #ED06414.
Published by Schott Music
Flute SKU: HL.48181600 Composed by Eugene Bozza. Leduc. Classical. Softco...(+)
Flute
SKU:
HL.48181600
Composed
by Eugene Bozza. Leduc.
Classical. Softcover. 48
pages. Alphonse Leduc
#AL21317. Published by
Alphonse Leduc
(HL.48181600).
UPC:
888680844547.
9.0x12.0x0.161
inches.
â??Summer
days in the mountain by
Eugène Bozza
(1905-1991) is a famous
Flute Quartet, published
in 1955. Technically and
musically challenging,
this piece was written
for advanced flautists.
Summer days in the
mountain was composed in
four movements: 1.
Pastorale, 2. Au bord du
torrent, 3. Le Chant des
fôrets, 4. Ronde.
These four movements are
all well-crafted to
captivate the attention
of the flautists (with
their technicality, tempo
and musicality) but also
those of the audience.
Eugène Bozza won
different prizes at the
Conservatoire de Paris
such as the First Prizes
for the Violin,
conducting and
composition, as well as
the Grand Prix de Rome.
He composed several
operas, chamber works and
ballets, among
others.â?.
Vincent d'Indy : Trio, Op. 29 Clarinette, Violoncelle, Piano (trio) [Conducteur et Parties séparées] Rosewood Publications
By Vincent d'Indy (1851-1931). For clarinet (violin), cello and piano. This edit...(+)
By Vincent d'Indy
(1851-1931). For clarinet
(violin), cello and
piano. This edition:
Facsimile Editions.
Winds, Strings and Piano.
Challenging, rewarding
work. Seldom performed..
20th Century. Score and
Parts. Published by
Rosewood Publications
Concert Band; Orchestra
2+Picc.2.2.2: 4.2.3.0:
Timp: Str (9-8-7-6-5 in
set)
SKU:
AP.36-A001401
Arranged by Peter Ilyich
Tchaikovsky and ed./arr.
by William Ryden. Full
Orchestra, Conductor
Score. Kalmus Orchestra
Library. Score.
LudwigMasters
Publications #36-A001401.
Published by
LudwigMasters
Publications
(AP.36-A001401).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
2+Picc.2.2.2: 4.2.3.0:
Timp: Str (9-8-7-6-5 in
set)
SKU:
AP.36-A001490
Arranged by Peter Ilyich
Tchaikovsky and ed./arr.
by William Ryden. Full
Orchestra, Conductor
Score & Parts. Kalmus
Orchestra Library. Score
and Part(s).
LudwigMasters
Publications #36-A001490.
Published by
LudwigMasters
Publications
(AP.36-A001490).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Three Onegin Dances Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1012918-140 Composed by Peter...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1012918-140
Composed by Peter Ilyich
Tchaikovsky. Arranged by
Wil van der Beek. The
Great Classics. Score
Only. Composed 2001. De
Haske Publications #DHP
1012918-140. Published by
De Haske Publications
(BT.DHP-1012918-140).
Tchaikowsky ist
berühmt für seine
rein instrumentalen
Kompositionen. Er ist
jedoch auch als
Opernkomponist nicht zu
unterschätzen.Viele
seiner OPern werden
immoernoch
regelmäßig auf der
ganzen Welt
aufgeführt, wie zum
Beispiel Pique
Dame und Eugen
OneginEugen
Onegin wurde in den
Jahren 1877 bis 1878
komponiert und von
Tschaikowsky selbst
zunächst nicht als
Oper, sondern als
lyrische Szenen betitelt.
Der lyrische Charakter
ist im ganzen Werk
vorherrschend. Zwei
Stellen kontrastieren
jedoch deutlich mit
dieser Lyrik: zwei
Ballszenen ,für die
Tschaikowsky einen Walzer
uns eine Polonaise
schrieb.Nach einem
weniger bekannten Allegro
Dansant als
Eröffung,stellt dieses
Arrangement vor allem den
oben genannten Walzer in
den Vordergrund, welcher
guten Herzens als ein
schönes russisches
Gegenstück zu Charles
Gounods
Faustwalzer
bezeichnet werden kann.
In der Oper wird dieser
Walzer von einer
Militärkapelle
gespielt. Das Arrangement
schließt mit der
erwähnten pompösen
Polonaise, die den
letztzen Akt eröffnet:
die ideale Musik, um ein
Bild des Hochadels im
Salon eines Petersburger
Palastes zu zeichnen.