F Instruments. Composed by Various. Fake Book. Jazz. Softcover. 464 pages. Published by Hal

Bb Edition. By Various. Fake Book (Includes melody line and chords). Size 8.5x11 inches. 464 pages. Published by Hal Leonard.

By James Southbridge. For organ. Level: 2-staff. Sacred organ. Published by Lorenz Publishing Company. (70/1655L)

Book/USB Flash Drive Pack. Composed by Various. Real Book Play-Along. Softcover with USB. 464 pages. Published by Hal Leonard

C Instruments. By Various. Fake Book (Includes melody line and chords). Size 9x11 inches. 464 pages. Published by Hal Leonard.

Eb Instruments - Difficulty: easy-medium to medium Sixth Edition. Composed by Various. Hal Leonard Instrumental Fake Books. Jazz. Fakebook (spiral bound). With melody, standard notation and chord names. 428 pages. Published by Hal Leonar

(Sixth Edition) For C instrument. Format: fakebook (spiral bound). With melody, standard notation and chord names. Jazz. Series: Hal Leonard Instrumental Fake Books. 512 pages. 8.5x11 inches. Published by Hal Leonard.

E Flat Edition. By Various. Fake Book (Includes melody line and chords). Softcover. Size 9x11 inches. 464 pages. Published by Hal Leonard.

(Sixth Edition) Fakebook (spiral bound) for bass clef instrument. With melody, standard notation and chord names. Series: Hal Leonard Instrumental Fake Books. 462 pages. Published by Hal Leonard.

C Instruments. By Various. Fake Book (Includes melody line and chords). Published by Hal Leonard.

Second Edition C Instruments. By Various. Fake Book (Includes melody line and chords). Softcover. 464 pages. Published by Hal Leonard.

(Bass Clef Instruments, Mini Edition). Composed by Various. For Bass Clef Instruments. Fake Book. Softcover. 464 pages. Published by Hal Leonard

(E-Flat Instruments, Mini Edition). Composed by Various. For E-flat Instruments. Fake Book. Softcover. 464 pages. Published by Hal Leonard

C Instruments Play-Along Edition. Composed by Various. Real Book Play- Along. Softcover Audio Online. 464 pages. Published by Hal Leonard

Arranged by Jack Grassel. Composed by Various. Arranged by Jack Grassel. Fake Book. Jazz. Softcover. 456 pages. Published by Hal Leonard

Soprano voice & piano

SKU: HH.HH583-FSC

Composed by Timothy Raymond. Full score. Edition HH Music Publishers #HH583-FSC. Published by Edition HH Music Publishers (HH.HH583-FSC).

ISBN 9790708185987.

â� �˜Shine Perishing Republic’ is perhaps the most anthologized of all the works by American poet Robinson Jeffers (1887–1962). Its Whitmanesque tone and rhetoric are here reflected in a sonata-like first movement form. Influenced by the paintings of Jackson Pollock, the composer wished to saturate his musical canvas with explosive, emotive events. ‘Evening Ebb’ is a nature scene. Musical metaphors – symmetrical chords, inversion structures and canons – are used to to suggest the qualities of sea and reflected sky described so beautifully in the poem. Paradoxically, in spite of these musical conceits, the music floats impressionistically, for the most part in stasis, only developing in a clear direction towards the end.

Handbells 3-5 octave handbell choir - Level 3

SKU: HP.2297

Arranged by Derek K. Hakes. General Worship, Sacred. Handbell score. 8 pages. Hope Publishing Company #2297. Published by Hope Publishing Company (HP.2297).

UPC: 763628122973.

Medle y of familiar hymns Evensong portrays the calmness of an approaching evening with this reflective setting utilizing three familiar hymn tunes. Through the use of LVs and suspended mallets, this arrangement begins and ends in quiet reflection. Special attention should be paid to the changing meters and the extensive use and placement of LVs.

By J. William Greene. For SAB choir, Organ or Piano. Parish. Choral, Evensong, General. Easy/Medium. Choral octavo. Published by Paraclete Press

Orchestra

SKU: PR.11641867L

Composed by William Kraft. Spiral. Large Score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867L. Published by Theodore Presser Company (PR.11641867L).

UPC: 680160683215.

Conte xtures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death.

Composed by Gabriel Jackson (1962-). For SATB choir and organ. New Horizons. Vocal score. 36 pages. Duration 11 minutes. Published by Oxford University Press