(Book 2). By Rachel Beatty Kahl. Arranged by Rachel Beatty Kahl. For Piano Accom...(+)
(Book 2). By Rachel
Beatty Kahl. Arranged by
Rachel Beatty Kahl. For
Piano Accompaniment.
Music Sales America.
Sacred. 40 pages. Music
Sales #BMC12131.
Published by Music Sales
Composed
by Ludwig van Beethoven.
Edited by Sven Hiemke.
Violoncello. Secular
choral music. Single
Part, Cello. Op. 112. 4
pages. Duration 8
minutes. Carus Verlag #CV
10.395/14. Published by
Carus Verlag
(CA.1039514).
ISBN
9790007245368. Language:
German.
Beethoven's
Meeres Stille und
Gluckliche Fahrt (Calm
Sea and Prosperous
Voyage) op. 112 for
four-part mixed chorus
and symphony orchestra -
his setting of a pair of
poems by Johann Wolfgang
von Goethe - defies
straightforward
categorization, but can
best be described as a
choral ode. Beethoven in
fact never voyaged by
sea, but his composition,
premiered in 1815,
continues to surprise
even today. He depicted
in music the smooth
surface of the motionless
water and the oppressive
calm, which meant nothing
other than being
becalmed, a delayed
voyage, and short rations
in the era of sailing,
with the same intensity
as a freshening
increasing wind, with
which Aeolus, the God of
the winds, ultimately
enabled the longed-for
prosperous voyage to take
place. The composed
calmness of the
motionless sea is
conveyed in the low
register used throughout,
in which the chorus sings
the first poem
accompanied by washes of
pianissimo sounds on the
strings. There is a
surprising moment with
the musical portrayal of
the ungeheuere Weite
(immense breadth), at
which the
vocal-instrumental
writing suddenly
crescendos to forte and
unfolds into a texture of
over five octaves. By
contrast Gluckliche Fahrt
is written in
restlessly-compiled
meters, whose musical
setting in flowing
movement with diatonic
scale passages evokes
happy excitement and
confidence. The work was
dedicated to Johann
Wolfgang von Goethe, whom
Beethoven greatly admired
throughout his life. The
work has now been
published in a new
critical edition based on
the first printed edition
and the performance score
which Beethoven himself
checked and corrected.
Score and part available
separately - see item
CA.1039500.
Composed
by Ludwig van Beethoven.
Edited by Sven Hiemke. 1x
10.395/21 flute 1, 1x
10.395/22 flute 2, 1x
10.395/23 oboe 1, 1x
10.395/24 oboe 2, 1x
10.395/25 clarinet 1, 1x
10.395/26 clarinet 2, 1x
10.395/27 bassoon 1, 1x
10.395/28 bassoon 2, 1x
10.395/31 horn 1, 1x
10.395/32 horn 2, 1x
10.395/33 horn 3, 1x
10.39. Harmony parts.
Secular choral music. Set
of Orchestra Parts. Op.
112. Duration 8 minutes.
Carus Verlag #CV
10.395/09. Published by
Carus Verlag
(CA.1039509).
ISBN
9790007245320. Language:
German.
Beethoven's
Meeres Stille und
Gluckliche Fahrt (Calm
Sea and Prosperous
Voyage) op. 112 for
four-part mixed chorus
and symphony orchestra -
his setting of a pair of
poems by Johann Wolfgang
von Goethe - defies
straightforward
categorization, but can
best be described as a
choral ode. Beethoven in
fact never voyaged by
sea, but his composition,
premiered in 1815,
continues to surprise
even today. He depicted
in music the smooth
surface of the motionless
water and the oppressive
calm, which meant nothing
other than being
becalmed, a delayed
voyage, and short rations
in the era of sailing,
with the same intensity
as a freshening
increasing wind, with
which Aeolus, the God of
the winds, ultimately
enabled the longed-for
prosperous voyage to take
place. The composed
calmness of the
motionless sea is
conveyed in the low
register used throughout,
in which the chorus sings
the first poem
accompanied by washes of
pianissimo sounds on the
strings. There is a
surprising moment with
the musical portrayal of
the ungeheuere Weite
(immense breadth), at
which the
vocal-instrumental
writing suddenly
crescendos to forte and
unfolds into a texture of
over five octaves. By
contrast Gluckliche Fahrt
is written in
restlessly-compiled
meters, whose musical
setting in flowing
movement with diatonic
scale passages evokes
happy excitement and
confidence. The work was
dedicated to Johann
Wolfgang von Goethe, whom
Beethoven greatly admired
throughout his life. The
work has now been
published in a new
critical edition based on
the first printed edition
and the performance score
which Beethoven himself
checked and corrected.
Score and parts available
separately - see item
CA.1039500.
Composed
by Ludwig van Beethoven.
Edited by Sven Hiemke.
Secular choral music.
Choral Score. Op. 112. 8
pages. Duration 8
minutes. Carus Verlag #CV
10.395/05. Published by
Carus Verlag
(CA.1039505).
ISBN
9790007188139. Language:
German.
Beethoven's
Meeres Stille und
Gluckliche Fahrt (Calm
Sea and Prosperous
Voyage) op. 112 for
four-part mixed chorus
and symphony orchestra -
his setting of a pair of
poems by Johann Wolfgang
von Goethe - defies
straightforward
categorization, but can
best be described as a
choral ode. Beethoven in
fact never voyaged by
sea, but his composition,
premiered in 1815,
continues to surprise
even today. He depicted
in music the smooth
surface of the motionless
water and the oppressive
calm, which meant nothing
other than being
becalmed, a delayed
voyage, and short rations
in the era of sailing,
with the same intensity
as a freshening
increasing wind, with
which Aeolus, the God of
the winds, ultimately
enabled the longed-for
prosperous voyage to take
place. The composed
calmness of the
motionless sea is
conveyed in the low
register used throughout,
in which the chorus sings
the first poem
accompanied by washes of
pianissimo sounds on the
strings. There is a
surprising moment with
the musical portrayal of
the ungeheuere Weite
(immense breadth), at
which the
vocal-instrumental
writing suddenly
crescendos to forte and
unfolds into a texture of
over five octaves. By
contrast Gluckliche Fahrt
is written in
restlessly-compiled
meters, whose musical
setting in flowing
movement with diatonic
scale passages evokes
happy excitement and
confidence. The work was
dedicated to Johann
Wolfgang von Goethe, whom
Beethoven greatly admired
throughout his life. The
work has now been
published in a new
critical edition based on
the first printed edition
and the performance score
which Beethoven himself
checked and corrected.
Score available
separately - see item
CA.1039500.
Composed
by Ludwig van Beethoven.
Edited by Sven Hiemke.
Violin 2. Secular choral
music. Single Part,
Violin 2. Op. 112. 4
pages. Duration 8
minutes. Carus Verlag #CV
10.395/12. Published by
Carus Verlag
(CA.1039512).
ISBN
9790007245344. Language:
German.
Beethoven's
Meeres Stille und
Gluckliche Fahrt (Calm
Sea and Prosperous
Voyage) op. 112 for
four-part mixed chorus
and symphony orchestra -
his setting of a pair of
poems by Johann Wolfgang
von Goethe - defies
straightforward
categorization, but can
best be described as a
choral ode. Beethoven in
fact never voyaged by
sea, but his composition,
premiered in 1815,
continues to surprise
even today. He depicted
in music the smooth
surface of the motionless
water and the oppressive
calm, which meant nothing
other than being
becalmed, a delayed
voyage, and short rations
in the era of sailing,
with the same intensity
as a freshening
increasing wind, with
which Aeolus, the God of
the winds, ultimately
enabled the longed-for
prosperous voyage to take
place. The composed
calmness of the
motionless sea is
conveyed in the low
register used throughout,
in which the chorus sings
the first poem
accompanied by washes of
pianissimo sounds on the
strings. There is a
surprising moment with
the musical portrayal of
the ungeheuere Weite
(immense breadth), at
which the
vocal-instrumental
writing suddenly
crescendos to forte and
unfolds into a texture of
over five octaves. By
contrast Gluckliche Fahrt
is written in
restlessly-compiled
meters, whose musical
setting in flowing
movement with diatonic
scale passages evokes
happy excitement and
confidence. The work was
dedicated to Johann
Wolfgang von Goethe, whom
Beethoven greatly admired
throughout his life. The
work has now been
published in a new
critical edition based on
the first printed edition
and the performance score
which Beethoven himself
checked and corrected.
Score and part available
separately - see item
CA.1039500.
Composed
by Ludwig van Beethoven.
Edited by Sven Hiemke.
Violin 1. Secular choral
music. Single Part,
Violin 1. Op. 112. 4
pages. Duration 8
minutes. Carus Verlag #CV
10.395/11. Published by
Carus Verlag
(CA.1039511).
ISBN
9790007245337. Language:
German.
Beethoven's
Meeres Stille und
Gluckliche Fahrt (Calm
Sea and Prosperous
Voyage) op. 112 for
four-part mixed chorus
and symphony orchestra -
his setting of a pair of
poems by Johann Wolfgang
von Goethe - defies
straightforward
categorization, but can
best be described as a
choral ode. Beethoven in
fact never voyaged by
sea, but his composition,
premiered in 1815,
continues to surprise
even today. He depicted
in music the smooth
surface of the motionless
water and the oppressive
calm, which meant nothing
other than being
becalmed, a delayed
voyage, and short rations
in the era of sailing,
with the same intensity
as a freshening
increasing wind, with
which Aeolus, the God of
the winds, ultimately
enabled the longed-for
prosperous voyage to take
place. The composed
calmness of the
motionless sea is
conveyed in the low
register used throughout,
in which the chorus sings
the first poem
accompanied by washes of
pianissimo sounds on the
strings. There is a
surprising moment with
the musical portrayal of
the ungeheuere Weite
(immense breadth), at
which the
vocal-instrumental
writing suddenly
crescendos to forte and
unfolds into a texture of
over five octaves. By
contrast Gluckliche Fahrt
is written in
restlessly-compiled
meters, whose musical
setting in flowing
movement with diatonic
scale passages evokes
happy excitement and
confidence. The work was
dedicated to Johann
Wolfgang von Goethe, whom
Beethoven greatly admired
throughout his life. The
work has now been
published in a new
critical edition based on
the first printed edition
and the performance score
which Beethoven himself
checked and corrected.
Score and part available
separately - see item
CA.1039500.
Composed
by Ludwig van Beethoven.
Edited by Sven Hiemke.
Secular choral music.
Full score. Op. 112. 44
pages. Duration 8
minutes. Carus Verlag #CV
10.395/00. Published by
Carus Verlag
(CA.1039500).
ISBN
9790007188115. Language:
German.
Beethoven's
Meeres Stille und
Gluckliche Fahrt (Calm
Sea and Prosperous
Voyage) op. 112 for
four-part mixed chorus
and symphony orchestra -
his setting of a pair of
poems by Johann Wolfgang
von Goethe - defies
straightforward
categorization, but can
best be described as a
choral ode. Beethoven in
fact never voyaged by
sea, but his composition,
premiered in 1815,
continues to surprise
even today. He depicted
in music the smooth
surface of the motionless
water and the oppressive
calm, which meant nothing
other than being
becalmed, a delayed
voyage, and short rations
in the era of sailing,
with the same intensity
as a freshening
increasing wind, with
which Aeolus, the God of
the winds, ultimately
enabled the longed-for
prosperous voyage to take
place. The composed
calmness of the
motionless sea is
conveyed in the low
register used throughout,
in which the chorus sings
the first poem
accompanied by washes of
pianissimo sounds on the
strings. There is a
surprising moment with
the musical portrayal of
the ungeheuere Weite
(immense breadth), at
which the
vocal-instrumental
writing suddenly
crescendos to forte and
unfolds into a texture of
over five octaves. By
contrast Gluckliche Fahrt
is written in
restlessly-compiled
meters, whose musical
setting in flowing
movement with diatonic
scale passages evokes
happy excitement and
confidence. The work was
dedicated to Johann
Wolfgang von Goethe, whom
Beethoven greatly admired
throughout his life. The
work has now been
published in a new
critical edition based on
the first printed edition
and the performance score
which Beethoven himself
checked and
corrected.
Composed
by Ludwig van Beethoven.
Edited by Sven Hiemke.
Double bass. Secular
choral music. Single
Part, Double Bass. Op.
112. 4 pages. Duration 8
minutes. Carus Verlag #CV
10.395/15. Published by
Carus Verlag
(CA.1039515).
ISBN
9790007245375. Language:
German.
Beethoven's
Meeres Stille und
Gluckliche Fahrt (Calm
Sea and Prosperous
Voyage) op. 112 for
four-part mixed chorus
and symphony orchestra -
his setting of a pair of
poems by Johann Wolfgang
von Goethe - defies
straightforward
categorization, but can
best be described as a
choral ode. Beethoven in
fact never voyaged by
sea, but his composition,
premiered in 1815,
continues to surprise
even today. He depicted
in music the smooth
surface of the motionless
water and the oppressive
calm, which meant nothing
other than being
becalmed, a delayed
voyage, and short rations
in the era of sailing,
with the same intensity
as a freshening
increasing wind, with
which Aeolus, the God of
the winds, ultimately
enabled the longed-for
prosperous voyage to take
place. The composed
calmness of the
motionless sea is
conveyed in the low
register used throughout,
in which the chorus sings
the first poem
accompanied by washes of
pianissimo sounds on the
strings. There is a
surprising moment with
the musical portrayal of
the ungeheuere Weite
(immense breadth), at
which the
vocal-instrumental
writing suddenly
crescendos to forte and
unfolds into a texture of
over five octaves. By
contrast Gluckliche Fahrt
is written in
restlessly-compiled
meters, whose musical
setting in flowing
movement with diatonic
scale passages evokes
happy excitement and
confidence. The work was
dedicated to Johann
Wolfgang von Goethe, whom
Beethoven greatly admired
throughout his life. The
work has now been
published in a new
critical edition based on
the first printed edition
and the performance score
which Beethoven himself
checked and corrected.
Score and part available
separately - see item
CA.1039500.
Composed
by Ludwig van Beethoven.
Edited by Sven Hiemke.
Secular choral music.
Vocal score. Op. 112. 20
pages. Duration 8
minutes. Carus Verlag #CV
10.395/03. Published by
Carus Verlag
(CA.1039503).
ISBN
9790007188122. Language:
German.
Beethoven's
Meeres Stille und
Gluckliche Fahrt (Calm
Sea and Prosperous
Voyage) op. 112 for
four-part mixed chorus
and symphony orchestra -
his setting of a pair of
poems by Johann Wolfgang
von Goethe - defies
straightforward
categorization, but can
best be described as a
choral ode. Beethoven in
fact never voyaged by
sea, but his composition,
premiered in 1815,
continues to surprise
even today. He depicted
in music the smooth
surface of the motionless
water and the oppressive
calm, which meant nothing
other than being
becalmed, a delayed
voyage, and short rations
in the era of sailing,
with the same intensity
as a freshening
increasing wind, with
which Aeolus, the God of
the winds, ultimately
enabled the longed-for
prosperous voyage to take
place. The composed
calmness of the
motionless sea is
conveyed in the low
register used throughout,
in which the chorus sings
the first poem
accompanied by washes of
pianissimo sounds on the
strings. There is a
surprising moment with
the musical portrayal of
the ungeheuere Weite
(immense breadth), at
which the
vocal-instrumental
writing suddenly
crescendos to forte and
unfolds into a texture of
over five octaves. By
contrast Gluckliche Fahrt
is written in
restlessly-compiled
meters, whose musical
setting in flowing
movement with diatonic
scale passages evokes
happy excitement and
confidence. The work was
dedicated to Johann
Wolfgang von Goethe, whom
Beethoven greatly admired
throughout his life. The
work has now been
published in a new
critical edition based on
the first printed edition
and the performance score
which Beethoven himself
checked and corrected.
Score available
separately - see item
CA.1039500.
Composed
by Ludwig van Beethoven.
Edited by Sven Hiemke.
Complete orchestral
parts. Secular choral
music. Set of Orchestra
Parts. Op. 112. Duration
8 minutes. Carus Verlag
#CV 10.395/19. Published
by Carus Verlag
(CA.1039519).
ISBN
9790007245382. Language:
German.
Beethoven's
Meeres Stille und
Gluckliche Fahrt (Calm
Sea and Prosperous
Voyage) op. 112 for
four-part mixed chorus
and symphony orchestra -
his setting of a pair of
poems by Johann Wolfgang
von Goethe - defies
straightforward
categorization, but can
best be described as a
choral ode. Beethoven in
fact never voyaged by
sea, but his composition,
premiered in 1815,
continues to surprise
even today. He depicted
in music the smooth
surface of the motionless
water and the oppressive
calm, which meant nothing
other than being
becalmed, a delayed
voyage, and short rations
in the era of sailing,
with the same intensity
as a freshening
increasing wind, with
which Aeolus, the God of
the winds, ultimately
enabled the longed-for
prosperous voyage to take
place. The composed
calmness of the
motionless sea is
conveyed in the low
register used throughout,
in which the chorus sings
the first poem
accompanied by washes of
pianissimo sounds on the
strings. There is a
surprising moment with
the musical portrayal of
the ungeheuere Weite
(immense breadth), at
which the
vocal-instrumental
writing suddenly
crescendos to forte and
unfolds into a texture of
over five octaves. By
contrast Gluckliche Fahrt
is written in
restlessly-compiled
meters, whose musical
setting in flowing
movement with diatonic
scale passages evokes
happy excitement and
confidence. The work was
dedicated to Johann
Wolfgang von Goethe, whom
Beethoven greatly admired
throughout his life. The
work has now been
published in a new
critical edition based on
the first printed edition
and the performance score
which Beethoven himself
checked and corrected.
Score and parts available
separately - see item
CA.1039500.
Composed
by Ludwig van Beethoven.
Edited by Sven Hiemke.
Viola. Secular choral
music. Single Part,
Viola. Op. 112. 4 pages.
Duration 8 minutes. Carus
Verlag #CV 10.395/13.
Published by Carus Verlag
(CA.1039513).
ISBN
9790007245351. Language:
German.
Beethoven's
Meeres Stille und
Gluckliche Fahrt (Calm
Sea and Prosperous
Voyage) op. 112 for
four-part mixed chorus
and symphony orchestra -
his setting of a pair of
poems by Johann Wolfgang
von Goethe - defies
straightforward
categorization, but can
best be described as a
choral ode. Beethoven in
fact never voyaged by
sea, but his composition,
premiered in 1815,
continues to surprise
even today. He depicted
in music the smooth
surface of the motionless
water and the oppressive
calm, which meant nothing
other than being
becalmed, a delayed
voyage, and short rations
in the era of sailing,
with the same intensity
as a freshening
increasing wind, with
which Aeolus, the God of
the winds, ultimately
enabled the longed-for
prosperous voyage to take
place. The composed
calmness of the
motionless sea is
conveyed in the low
register used throughout,
in which the chorus sings
the first poem
accompanied by washes of
pianissimo sounds on the
strings. There is a
surprising moment with
the musical portrayal of
the ungeheuere Weite
(immense breadth), at
which the
vocal-instrumental
writing suddenly
crescendos to forte and
unfolds into a texture of
over five octaves. By
contrast Gluckliche Fahrt
is written in
restlessly-compiled
meters, whose musical
setting in flowing
movement with diatonic
scale passages evokes
happy excitement and
confidence. The work was
dedicated to Johann
Wolfgang von Goethe, whom
Beethoven greatly admired
throughout his life. The
work has now been
published in a new
critical edition based on
the first printed edition
and the performance score
which Beethoven himself
checked and corrected.
Score and part available
separately - see item
CA.1039500.
25 Favorite Hymns for Elementary Pianists. By Various. Arranged by Katherine Bea...(+)
25 Favorite Hymns for
Elementary Pianists. By
Various. Arranged by
Katherine Beard. Solo
piano. For Piano Solo.
Classical. Student Book.
24 pages. Published by
Theodore Presser Company.
Praise
Gathering Choral. Easter.
Softcover. Duration 3300
seconds. PraiseGathering
#A08438. Published by
PraiseGathering
(HL.2050288).
UPC:
797242287190.
6.75x10.5x0.311
inches.
Jesus, the
King. Jesus, King of the
Ages. Jesus, King of
kings and Lord of
lords.The Royalty of
Jesus - the only Son of
God - the Firstborn over
all creation - is woven
into the very fabric of
the Scriptures. He is a
Lamb with the lineage of
a Lion. He is a pauper
with the unsearchable
riches of an
inexhaustible Kingdom. He
is a Man with no home
whose Eternal Throne
rests in the Courts of
Praise. He is a teacher
with no formal
credentials who is the
Creator of all
Knowledge.No one can ever
lay claim to His unique
station as Savior of the
World.And yet, Christ
Jesus . . .Who, being in
very nature God, did not
consider equality with
God something to be
grasped, but made Himself
nothing, taking the very
nature of a servant,
being made in human
likeness. And being found
in appearance as a man,
He humbled Himself and
became obedient to
death-- even death on a
cross! Therefore God
exalted Him to the
highest place and gave
Him the name that is
above every name, that at
the name of Jesus every
knee should bow, in
Heaven and on earth and
under the earth, and
every tongue confess that
Jesus Christ is Lord, to
the glory of God the
Father. (Philippians
2:6-11)This is the story
of our redemption. This
is the story of the
miracle of our moving
from the bloodline of
Adam to the bloodline
ofChrist. Only one figure
in all of history could
have accomplished
this.This is His
story...Jesus, No Other
King!
Eldorado Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3.5 SKU: BT.DHP-1206260-140 Composed by Thi...(+)
Concert Band/Harmonie -
Grade 3.5
SKU:
BT.DHP-1206260-140
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2020. 39
pages. De Haske
Publications #DHP
1206260-140. Published by
De Haske Publications
(BT.DHP-1206260-140).
English-German-French-
Dutch.
The myth of
El Dorado (“the
golden oneâ€) stems
from the story of a
powerful chief who used
to cover himself with
gold dust before bathing
in a sacred lake where he
threw precious objects as
offerings to the gods.
The myth was soon relayed
to the Spanish
conquistadors and
inspired many
expeditions, although the
invaders didn’t
bring back nearly as much
gold as they expected, if
any at all.
Eldorado is a
mysterious and dynamic
work that illustrates the
myth of the golden man
and the European
expeditions that
followed. With a touch of
exotic influences, the
music is varied and rich.
This piece was
commissioned by the
French Cultural
Association Lille 3000 as
part of
theirEldorado-themed
festival in 2019.
De mythe van El
Dorado (de man van goud)
is het verhaal van een
machtig opperhoofd die
zichzelf met goudpoeder
bedekte voordat hij ging
baden in een heilig meer
waar hij ook kostbare
voorwerpen aan de goden
offerde. Deze mythe werd
al snel bekend bij de
Spaanse conquistadores en
vormde de aanzet tot vele
expedities, hoewel de
veroveraars niet met
grote hoeveelheden goud
terugkwamen, zoals ze
hadden gehoopt.
Eldorado is een
mysterieus, dynamisch
werk dat het verhaal van
de gouden man verklankt,
alsmede de Europese
expedities die op touw
werden gezet. Met een
vleugje exotische
invloeden is de muziek
gevarieerd en rijk aan
schakeringen. Het werk
werd geschreven in
opdrachtvan de Franse
culturele organisatie
Lille 3000 als onderdeel
van het thematische
programma Eldorado in
2019.
Der Mythos
von El Dorado (der
Goldene“) handelt
von einem mächtigen
Herrscher, der sich vor
dem Baden in einem
heiligen See mit
Goldstaub bedeckte und
als Opfergaben an die
Götter kostbare
Gegenstände in den See
warf. Der Mythos sprach
sich bald bei den
spanischen Eroberern
herum und war der Grund
für zahlreiche
Expeditionen doch sie
fanden nicht annähernd
so viel Gold, wie sie
erhofft hatten.
Eldorado ist ein
geheimnisvolles und
dynamisches Werk, das den
Mythos des goldenen
Mannes“ und die
daraus resultierenden
Expeditionen der
Europäer darstellt.
Durch ethnische
Anklänge ist die Musik
sehr abwechslungsreich.
Dieses Stück wurde vom
französischen
Kulturverein Lille3000
für den
Themenschwerpunkt
Eldorado“ im Jahr
2019 in Auftrag gegeben.
Eldorado Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3.5 SKU: BT.DHP-1206260-010 Composed by Thi...(+)
Concert Band/Harmonie -
Grade 3.5
SKU:
BT.DHP-1206260-010
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2020.
De Haske Publications
#DHP 1206260-010.
Published by De Haske
Publications
(BT.DHP-1206260-010).
English-German-French-
Dutch.
The myth of
El Dorado (“the
golden oneâ€) stems
from the story of a
powerful chief who used
to cover himself with
gold dust before bathing
in a sacred lake where he
threw precious objects as
offerings to the gods.
The myth was soon relayed
to the Spanish
conquistadors and
inspired many
expeditions, although the
invaders didn’t
bring back nearly as much
gold as they expected, if
any at all.
Eldorado is a
mysterious and dynamic
work that illustrates the
myth of the golden man
and the European
expeditions that
followed. With a touch of
exotic influences, the
music is varied and rich.
This piece was
commissioned by the
French Cultural
Association Lille 3000 as
part of
theirEldorado-themed
festival in 2019.
De mythe van El
Dorado (de man van goud)
is het verhaal van een
machtig opperhoofd die
zichzelf met goudpoeder
bedekte voordat hij ging
baden in een heilig meer
waar hij ook kostbare
voorwerpen aan de goden
offerde. Deze mythe werd
al snel bekend bij de
Spaanse conquistadores en
vormde de aanzet tot vele
expedities, hoewel de
veroveraars niet met
grote hoeveelheden goud
terugkwamen, zoals ze
hadden gehoopt.
Eldorado is een
mysterieus, dynamisch
werk dat het verhaal van
de gouden man verklankt,
alsmede de Europese
expedities die op touw
werden gezet. Met een
vleugje exotische
invloeden is de muziek
gevarieerd en rijk aan
schakeringen. Het werk
werd geschreven in
opdrachtvan de Franse
culturele organisatie
Lille 3000 als onderdeel
van het thematische
programma Eldorado in
2019.
Der Mythos
von El Dorado (der
Goldene“) handelt
von einem mächtigen
Herrscher, der sich vor
dem Baden in einem
heiligen See mit
Goldstaub bedeckte und
als Opfergaben an die
Götter kostbare
Gegenstände in den See
warf. Der Mythos sprach
sich bald bei den
spanischen Eroberern
herum und war der Grund
für zahlreiche
Expeditionen doch sie
fanden nicht annähernd
so viel Gold, wie sie
erhofft hatten.
Eldorado ist ein
geheimnisvolles und
dynamisches Werk, das den
Mythos des goldenen
Mannes“ und die
daraus resultierenden
Expeditionen der
Europäer darstellt.
Durch ethnische
Anklänge ist die Musik
sehr abwechslungsreich.
Dieses Stück wurde vom
französischen
Kulturverein Lille3000
für den
Themenschwerpunkt
Eldorado“ im Jahr
2019 in Auftrag gegeben.
Cantata
for the 3rd Sanday after
Trinity/all
occasions. Composed
by Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Ich hatte viel
Bekummernis. Sacred vocal
music, Cantatas. Study
score. Composed 1713. BWV
21. 92 pages. Duration 45
minutes. Carus Verlag #CV
31.021/07. Published by
Carus Verlag
(CA.3102107).
ISBN
9790007058258. Key: C
dorian / c major.
Language:
German/English.
The
edition allows for the
performance of this
cantate in the various
forms which Bach himself
used. The solo parts for
high voice are always
allotted primarily to the
voice specified by Bach
in Leipzig, with the
alternative authorized by
the Weimar and Cothen
parts placed afterwards
in brackets. Score
available separately -
see item CA.3102100.
Cantata
for the 3rd Sanday after
Trinity/all
occasions. Composed
by Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Ich hatte viel
Bekummernis. Sacred vocal
music, Cantatas. Choral
Score. Composed 1713. BWV
21. 24 pages. Duration 45
minutes. Carus Verlag #CV
31.021/05. Published by
Carus Verlag
(CA.3102105).
ISBN
9790007103002. Key: C
dorian / c major.
Language:
German/English.
The
edition allows for the
performance of this
cantate in the various
forms which Bach himself
used. The solo parts for
high voice are always
allotted primarily to the
voice specified by Bach
in Leipzig, with the
alternative authorized by
the Weimar and Cothen
parts placed afterwards
in brackets. Score
available separately -
see item CA.3102100.
Cantata
for the 3rd Sanday after
Trinity/all
occasions. Composed
by Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Ich hatte viel
Bekummernis. Sacred vocal
music, Cantatas. Set of
Orchestra Parts. Composed
1713. BWV 21. Duration 45
minutes. Carus Verlag #CV
31.021/19. Published by
Carus Verlag
(CA.3102119).
ISBN
9790007136000. Key: C
dorian / c major.
Language:
German/English.
The
edition allows for the
performance of this
cantate in the various
forms which Bach himself
used. The solo parts for
high voice are always
allotted primarily to the
voice specified by Bach
in Leipzig, with the
alternative authorized by
the Weimar and Cothen
parts placed afterwards
in brackets. Score and
parts available
separately - see item
CA.3102100.
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for the
most advanced high school
bands, community,
college, university, and
professional bands.
Level: Grade 6. Conductor
Full Score. Duration
21:00. Published by
Manhattan Beach Music.
SKU: LO.99-2446L The followers of Jesus reflect on His final days....(+)
SKU: LO.99-2446L
The followers of Jesus
reflect on His final
days. Composed by
Lloyd Larson. Choral,
cantatas. Eastertide,
Lent, Sacred. SA/B
part-dominant rehearsal
CD (reproducible). Lorenz
Publishing Company
#99/2446L. Published by
Lorenz Publishing Company
(LO.99-2446L).
UPC:
000308120943.
This
compelling reflection
upon Jesus’ final
days is viewed through
His eyes and the eyes of
those surrounding Him:
Mary, sister of Martha;
an officer to Caiaphas;
Judas; Peter; Jesus
Himself; Pilate; Mary,
the mother of Jesus; Mary
Magdalene; and Thomas. A
sequence of dramatic,
scripture-based
monologues tells the
story, alternating with
Lloyd Larson’s
masterfully inspired
music as the “voice
of the believerâ€
responds. Flexibly
conceived, this work may
be presented as simply or
as elaborately as you
wish, depending upon your
resources and
preferences. Performance
options range from use as
a source of single
anthems for your seasonal
service needs to a short
worship program with
monologues and choruses
or a special, fully
staged production. It is
our hope that this work
will prompt your own
reflections upon the
great wonder and mystery
of the Incarnate God Who,
for the love of His
people, humbled Himself,
dying for our salvation
and triumphing over
death.
Orchestra SKU: LO.30-2423L The followers of Jesus reflect on His final...(+)
Orchestra
SKU:
LO.30-2423L
The
followers of Jesus
reflect on His final
days. Composed by
Lloyd Larson. Choral,
cantatas. Eastertide,
Lent, Sacred. Orchestral
score and parts. Lorenz
Publishing Company
#30/2423L. Published by
Lorenz Publishing Company
(LO.30-2423L).
UPC:
000308120899.
This
compelling reflection
upon Jesus’ final
days is viewed through
His eyes and the eyes of
those surrounding Him:
Mary, sister of Martha;
an officer to Caiaphas;
Judas; Peter; Jesus
Himself; Pilate; Mary,
the mother of Jesus; Mary
Magdalene; and Thomas. A
sequence of dramatic,
scripture-based
monologues tells the
story, alternating with
Lloyd Larson’s
masterfully inspired
music as the “voice
of the believerâ€
responds. Flexibly
conceived, this work may
be presented as simply or
as elaborately as you
wish, depending upon your
resources and
preferences. Performance
options range from use as
a source of single
anthems for your seasonal
service needs to a short
worship program with
monologues and choruses
or a special, fully
staged production. It is
our hope that this work
will prompt your own
reflections upon the
great wonder and mystery
of the Incarnate God Who,
for the love of His
people, humbled Himself,
dying for our salvation
and triumphing over
death.
SKU: LO.99-2443L The followers of Jesus reflect on His final days....(+)
SKU: LO.99-2443L
The followers of Jesus
reflect on His final
days. Composed by
Lloyd Larson. Choral
cantata. Eastertide,
Lent, Sacred. Bulk SATB
performance CDs (10 pak).
Lorenz Publishing Company
#99/2443L. Published by
Lorenz Publishing Company
(LO.99-2443L).
UPC:
000308120912.
This
compelling reflection
upon Jesus’ final
days is viewed through
His eyes and the eyes of
those surrounding Him:
Mary, sister of Martha;
an officer to Caiaphas;
Judas; Peter; Jesus
Himself; Pilate; Mary,
the mother of Jesus; Mary
Magdalene; and Thomas. A
sequence of dramatic,
scripture-based
monologues tells the
story, alternating with
Lloyd Larson’s
masterfully inspired
music as the “voice
of the believerâ€
responds. Flexibly
conceived, this work may
be presented as simply or
as elaborately as you
wish, depending upon your
resources and
preferences. Performance
options range from use as
a source of single
anthems for your seasonal
service needs to a short
worship program with
monologues and choruses
or a special, fully
staged production. It is
our hope that this work
will prompt your own
reflections upon the
great wonder and mystery
of the Incarnate God Who,
for the love of His
people, humbled Himself,
dying for our salvation
and triumphing over
death.
SKU: LO.99-2442L The followers of Jesus reflect on His final days....(+)
SKU: LO.99-2442L
The followers of Jesus
reflect on His final
days. Composed by
Lloyd Larson. Choral
cantata. Eastertide,
Lent, Sacred. SATB
performance CD. Lorenz
Publishing Company
#99/2442L. Published by
Lorenz Publishing Company
(LO.99-2442L).
UPC:
000308120905.
This
compelling reflection
upon Jesus’ final
days is viewed through
His eyes and the eyes of
those surrounding Him:
Mary, sister of Martha;
an officer to Caiaphas;
Judas; Peter; Jesus
Himself; Pilate; Mary,
the mother of Jesus; Mary
Magdalene; and Thomas. A
sequence of dramatic,
scripture-based
monologues tells the
story, alternating with
Lloyd Larson’s
masterfully inspired
music as the “voice
of the believerâ€
responds. Flexibly
conceived, this work may
be presented as simply or
as elaborately as you
wish, depending upon your
resources and
preferences. Performance
options range from use as
a source of single
anthems for your seasonal
service needs to a short
worship program with
monologues and choruses
or a special, fully
staged production. It is
our hope that this work
will prompt your own
reflections upon the
great wonder and mystery
of the Incarnate God Who,
for the love of His
people, humbled Himself,
dying for our salvation
and triumphing over
death.
SKU: LO.55-1129L The followers of Jesus reflect on His final days....(+)
SKU: LO.55-1129L
The followers of Jesus
reflect on His final
days. Composed by
Lloyd Larson. Choral
cantata. Holy Week,
Eastertide, Lent, Sacred.
Performance CD/sab score
combination. Lorenz
Publishing Company
#55/1129L. Published by
Lorenz Publishing Company
(LO.55-1129L).
UPC:
000308121506.
This
compelling reflection
upon Jesus’ final
days is viewed through
His eyes and the eyes of
those surrounding Him:
Mary, sister of Martha;
an officer to Caiaphas;
Judas; Peter; Jesus
Himself; Pilate; Mary,
the mother of Jesus; Mary
Magdalene; and Thomas. A
sequence of dramatic,
scripture-based
monologues tells the
story, alternating with
Lloyd Larson’s
masterfully inspired
music as the “voice
of the believerâ€
responds. Flexibly
conceived, this work may
be presented as simply or
as elaborately as you
wish, depending upon your
resources and
preferences. Performance
options range from use as
a source of single
anthems for your seasonal
service needs to a short
worship program with
monologues and choruses
or a special, fully
staged production. It is
our hope that this work
will prompt your own
reflections upon the
great wonder and mystery
of the Incarnate God Who,
for the love of His
people, humbled Himself,
dying for our salvation
and triumphing over
death.
Composed by Dimitri
Stepanowitsch
Bortniansky. Edited by
Marika Kuzma. Carus
digital: Extra digital
products. Full Score. 8
pages. Duration 5
minutes. Published by
Carus Verlag (CA.411136).
ISBN 9790007253608.
Key: G major. Church
Slavonic/German.
Di
mitri Stepanowitsch
Bortniansky (1751-1825)
seems to have composed
the majority of his
liturgical works and most
of his Sacred Concertos
in the 1780s and 1790s,
before he was appointed
Kapellmeister to the
court ensemble in St.
Petersburg. Heidi Kirmsse
has added a German
singing text to the five
most popular pieces from
the complete volume (CV
4.111). The festive
Concerto no. 6 Ehre sei
Gott in der Hohe is for
Christmas, and no. 9 Heut
ist der Tag, den Gott,
der Herr, gemacht for
Easter. No. 15 Lasst uns
singen, kommt herbei is
in the major key and is a
very effective piece.
Tchaikovsky edited
Bortniansky's sacred
works and is said to have
particularly admired no.
32 O lass mich, Herr,
mein Gott, erkennen mein
Ziel. Bortniansky himself
probably best liked no.
33 Sag, meine Seele,
warum verzagest du? The
work was sung at his
funeral.
*addition
to the choral repertoire
with works from the
Orthodox liturgy/ Eastern
Europe *includes the
original Church Slavonic
text underlaid (in
transliteration). *eff
ective solo/tutti
alternations
Choir, Organ Accompaniment (SATB Choir) SKU: HL.48021285 From Saint Ni...(+)
Choir, Organ
Accompaniment (SATB
Choir)
SKU:
HL.48021285
From
Saint Nicolas SATB and
Organ. Composed by
Benjamin Britten. Boosey
& Hawkes Sacred Choral.
Classical. Octavo. 8
pages. Boosey & Hawkes
#M051482504. Published by
Boosey & Hawkes
(HL.48021285).
ISBN
9781458471598. UPC:
884088658458. 6.75x10.5
inches.
Text: Eric
Crozier
Publisher:
Boosey &
Hawkes
Difficulty
level: 3
Saint
Nicolas (note the name
has no 'H' in it!) was
written for the centenary
of Lancing College in
Sussex, the independent
secondary boarding school
on the south coast of
England which Peter Pears
had attended in his
teens. It has a vast
chapel intended by its
founder, Revd Nathaniel
Woodard, as the cathedral
for all the schools of
his extensive foundation
known collectively as
'Woodard' schools. St.
Nicolas is famous for
many legendary miracles
and for being the
original 'Santa Claus'.
Crozier's libretto is
designed to tell the
story of his life, to
recount some of his most
celebrated acts and to
give the
audience/congregation the
opportunity of joining in
two beautiful hymns at
key moments: 'All people
that on earth do dwell'
and 'God moves in a
mysterious way his
wonders to perform'. The
narration is all done by
the choir, though the
tenor sings first-person
narratives as well in his
role as the mature
Nicolas. The young
Nicolas is sung by a boy
in movement II. There is
a dramatic moment at the
end of this movement when
the boy's voice does a
tumble and the tenor
proclaims in the voice of
Nicolas as a young man:
'God be
glorified'.
The
third movement is an
accompanied recitative in
which the soloist sings
of Nicolas devoting
himself to God through
the agonies and torment
of the many distractions
and temptations of life.
His faith wins through
and he sings a final
touching phrase: 'and
Love was satisfied'. The
sea whips up a storm in
the next movement: 'He
journeys to Palestine'.
It threatens to overturn
the ship and drown
everyone on board. There
is wailing from the
sopranos and altos of the
semi-chorus and agonised
calls from the tenors and
basses to 'man the
pumps'. Finally, Nicolas
begs God to let the storm
cease and offers thanks
for their safe delivery.
Britten creates a
palpable sense of relief
in the final
pages.
In the
fifth movement, 'Nicolas
comes to Myra and is
chosen Bishop', the choir
sings chorale-like
phrases welcoming him as
their new Bishop. They go
through his ceremonial
dressing with all the
accoutrements of his
office, the mitre,
crozier (nice pun on the
librettist's name), robe
and ring. An energetic
chorus 'Serve the faith
and spurn his enemies'
leads to the first great
hymn - a wonderfully
climactic moment.
Britten's arrangement is
suitably
uplifting.
The
final movement tells of
Nicolas' death and the
work ends with the other
great hymn: 'God moves in
a mysterious way'.
This work
demonstrates to me
Britten's generosity of
spirit and his natural
feeling for enriching the
repertoire at all levels
of attainment. What a
gift!