Composed by Gustav Mahler (1860-1911), arranged by Ian Flint. For piano. Format:...(+)
Composed by Gustav Mahler
(1860-1911), arranged by
Ian Flint. For piano.
Format: piano solo book.
With standard notation
and performance notes.
Romantic Period. Text
language English, French
and German. 7 pages. 9x12
inches. Published by C.F.
Peters.
Zirkus Renz Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Editions Marc Reift (Swiss import)
By Gustav Peter. Arranged by Peter King. Concert Band. For Accordion and Concert...(+)
By Gustav Peter. Arranged
by Peter King. Concert
Band. For Accordion and
Concert Band. Swiss
import. Classical
Arrangements. Level:
Grade 4 . Score and
parts. Published by
Editions Marc Reift. (EMR
10740)
Zirkus Renz Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire Editions Marc Reift (Swiss import)
By Gustav Peter. Arranged by Peter King. Brass Band. For Accordion and Brass Ban...(+)
By Gustav Peter. Arranged
by Peter King. Brass
Band. For Accordion and
Brass Band. Swiss import.
Classical Arrangements.
Level: Grade 4+. Score
and parts. Published by
Editions Marc Reift. (EMR
3133)
Es Sungen Drei Engel Chorale SSAATTBB SSAATTBB A Cappella [Vocal Score] Universal Edition
(Nach Texten Aus Des Knaben Wunderhorn). By Gustav Mahler (1860-1911). Edited by...(+)
(Nach Texten Aus Des
Knaben Wunderhorn). By
Gustav Mahler
(1860-1911). Edited by
Clytus Gottwald
(transcriber). For
Ssaattbb. Vocal Score. 14
pages. Published by
Universal Edition
By Gustav Mahler. Edited by Kubick. For 4 (2 piccolo) 3 (english horn) 3 (bass c...(+)
By Gustav Mahler. Edited
by Kubick. For 4 (2
piccolo) 3 (english horn)
3 (bass clarinet) 3
(contrabassoon) 6431
timpani, percussion,
harp, strings. (c#)
2002edition of the Gustav
Mahler Society in Vienna,
Austria. Includes
critical commentary
(Ger). Duration 65'.
Published by C.F. Peters.
By Gustav Mahler. Edited by Hansen. For solo voice, 3 (piccolo) 3 (english horn)...(+)
By Gustav Mahler. Edited
by Hansen. For solo
voice, 3 (piccolo) 3
(english horn) 3 (bass
clarinet) 2 4230 timpani,
percussion, harp,
strings. (Text Language:
German). Published by
C.F. Peters.
By Gustav Mahler (1860-1911). Edited by Reinhold Kubik. For [5.5.5.5-8.6.4.1], T...(+)
By Gustav Mahler
(1860-1911). Edited by
Reinhold Kubik. For
[5.5.5.5-8.6.4.1],
Timpani, Percussion,
Celeste, 2 Harps,
Strings. This edition:
Urtext. Composed First
Performance:1860:1860 May
27th, 1906 (Essen).
Published by Edition
Peters
33 Selective Piano Solos. By Anton Rubinstein; Christian Sinding; Claude Debussy...(+)
33 Selective Piano Solos.
By Anton Rubinstein;
Christian Sinding; Claude
Debussy; Domenico
Scarlatti; Edvard Grieg;
Enrique Granados; Felix
Mendelssohn; Franz Liszt;
Frederic Chopin; Ignace
Jan Paderewski; Isaac
Albeniz; Jean Sibelius;
Johann Sebastian Bach;
Ludwig Van Beethoven.
Edited by Maxwell
Eckstein. Arranged by
Gustave Saenger. Solo
piano. For Piano. Level:
Beginning/Late
Intermediate. Solo part.
160 pages. Published by
Carl Fischer.
Voice and piano (solo: T - 2(picc.A-fl).2(ob.d'am[ad lib.].cor ang.muha).2(B-cla...(+)
Voice and piano (solo: T
-
2(picc.A-fl).2(ob.d'am[ad
lib.].cor
ang.muha).2(B-clar.S-sax.
muha).2(kfg.muha) -
1.1(corn [ad lib.]).1.0 -
timp.perc(3) -
acc(windmachine
I).hp(rainmaker.windmachi
ne
II).guit(rainmaker.windma
chine III) - str:
1.1.2.1.1)
SKU:
BR.EB-9394
A
Composed
Interpretation.
Composed by Hans Zender.
Voice; Softbound. Edition
Breitkopf. World
premiere: Frankfurt am
Main, September 21, 1993.
Song; Music post-1945.
Piano/Vocal Score.
Composed 1993. 120 pages.
Duration 85'. Breitkopf
and Haertel #EB 9394.
Published by Breitkopf
and Haertel (BR.EB-9394).
ISBN 9790004188682. 9
x 12 inches.
My
lecture of the
Winterreise does not
demand a new expressive
interpretation, but
instead systematically
exercises the freedom
which all interpreters
allow themselves
intuitively, such as:
instrumental dilation i.
e. acceleration of the
pace, transposition into
other keys and
elaboration of
characteristic color
timbres. In addition,
there are further ways of
reading; the music;
jumping around in the
text, repeating certain
lines, interrupting the
continuity, comparing
different expressions of
the same phrase ... All
these new possibilities
are subjected to my
compositional discipline
and form autonomous
formal processes which
are imposed on Schuberts
original. The
transformation of the
piano tones into a
multifaceted orchestra
full of resonance is only
one of many aspects.(Hans
Zender)CDs:Hans Peter
Blochwitz (Tenor),
Ensemble Modern,
Conductor: Hans Zender CD
BMG 9026-68067-2
Christoph Pregardien
(Tenor), Klangforum Wien,
Conductor: Sylvain
Cambreling CD Kairos
0012002KAIJulien
Pregardien (Tenor),
Deutsche Radio
Philharmonie
Kaiserslautern,
Conductor: Robert Reimer2
CD's P.RHEI
(2016)Bibliography:Adam-S
chmidmeier, Eva-Maria
von: Schubert
interpretieren. Hans
Zender: Schuberts
Winterreise. Eine
komponierte
Interpretation im
Unterricht, in: Musik und
Unterricht Heft 96
(2009), pp. 50-56.Gruhn,
Wilfried: Wider die
asthetische Routine. Hans
Zenders Version von
Schuberts Winterreise,
in: Neue Zeitschrift fur
Musik 1/1997.Hebling,
Harald: Kompositorische
Schubertrezeption im 20.
Jahrhundert,
Magisterarbeit
Universitat Wien 2003,
especially pp.
148-157.Nonnenmann,
Rainer: Vom Nutzen und
Nachteil der
Musikhistorie fur das
Musikleben. Zur Kritik
aktualisierender
Interpretation am
Beispiel von Hans Zenders
Schuberts ,Winterreise,
in: Musik und Asthetik 7,
Heft 26 (April 2003), pp.
65-90.ders.: Schuberts
,Winterreise .
Komponierte
Interpretation von Hans
Zender / Ballett von John
Neumeier, in:
Osterreichische
Musikzeitung 60 (2005),
Heft 3, p. 42f.ders.:
Fremd bin ich eingezogen,
fremd zieh ich wieder
aus. Versuch zur Rettung
der Vergangenheit
Schuberts Winterreise.
Eine komponierte
Interpretation fur Tenor
und kleines Orchester
(1993) von Hans Zender,
in ders.: Winterreisen.
Komponierte Wege von und
zu Franz Schuberts
Liederzyklus aus zwei
Jahrhunderten, 2 Bande (=
Taschenbucher zur
Musikwissenschaft, Band
150/151), Wilhelmshaven:
Florian Noetzel 2006, pp.
143-205.Petersen, Birger:
Neue Musik. Analysen,
Berlin: Simon Verlag fur
Bibliothekswissen 2013,
pp. 11-24.Revers, Peter:
... Schnee, du weisst von
meinem Sehnen. Aspekte
der Schubert-Rezeption in
Hans Zenders Winterreise
(1993), in: Dialekt ohne
Erde. Franz Schubert und
das 20. Jahrhundert,
hrsg. von Otto
Kolleritsch, Wien-Graz
1998 (Studien zur
Wertungsforschung, Band
34), pp.
98-120.Schafer-Lembeck,
Hans-Ulrich:
Gegenstrebige Fugungen.
Hans Zenders Musik und
seine komponierte
Interpretation von
Schuberts Winterreise,
in: Neue Musik
vermitteln. Analysen
Interpretationen -
Unterricht, hrsg. von
Hans Bassler, Ortwin
Nimczik und Peter W.
Schatt, Mainz: Schott,
2004, pp.
295-307.Stahmer, Klaus
Hinrich: Bearbeitung als
Interpretation - Zur
Schubertrezeption Gustav
Mahlers, Hans Zenders und
Friedhelm Dohls, in:
Franz Schubert und Gustav
Mahler in der Musik der
Gegenwart, Mainz
1998.Zender, Hans: warum
wieder die Winterreise?
Hartmut Regitz im
Gesprach mit dem
Komponisten, in:
ballet.tanz -
international.aktuell,
Heft 12 (2001), p.
18.
World
premiere: Frankfurt am
Main, September 21,
1993.
20 iconic pieces of British classical music specially arranged for intermediat...(+)
20 iconic pieces of
British
classical music specially
arranged for intermediate
piano solo, plus a
pull-out
print of the striking
cover
artwork. Graded Standard
Repertoire; Piano
Collection.
The Piano Player Series.
Classical; Masterwork
Arrangement; Traditional.
Book. Faber Music #12-
0571541690. Published by
Faber
Music
SATB choir with some divisi, organ - Medium SKU: PL.0122 Composed by Pete...(+)
SATB choir with some
divisi, organ - Medium
SKU: PL.0122
Composed by Peter Pindar
Stearns. Parish. Choral,
General. Octavo.
Paraclete Press #0122.
Published by Paraclete
Press (PL.0122).
This
imaginative setting of
words by John White
Chadwick creates a
feeling of eternal
strength from its
constant musical flow.
Peter Pindar Stearns is
well known for his
sensitivity to text and
choir alike and this
anthem reflects his keen
imagination as well. The
first verse is set in
unison with a lovely
soaring melody while the
second verse supports the
melody in four-part
writing. A brief organ
interlude ensues before
the final verse which is
for two part women and
men's voices concluding
in a spirit of
unity.
Peter Pindar
Stearns has surpassed
even my highest
expectations for him with
his Eternal Ruler, a
tribute to Edwardian and
post-Edwardian hymn
anthems. Where to begin?
Imagine the finest,
broadest melody Gustav
Holst could write, add
the impassioned fervor of
Balfour Gardiner's
Evening Hymn or Stanford
in B-flat, and hold all
that together with
Stearns's ultimate
integrity and infallible
taste. Every time I play
and sing through this, it
leaves me in tears, and I
haven't even mentioned
the amazing subtlety of
Stearns's harmony, the
genius of his part
writing, and the
overwhleming sweep of his
lines. This is gorgeous,
glorious music. - Dr.
John Hooker AAM Journal
November 2001.
Composed by
Antonio Vivaldi, Emile
Waldteufel, Gustav Holst,
and Peter Ilyich
Tchaikovsky. Arranged by
Kathryn Griesinger. Yas.
Set of Score and Parts.
Duration 2 minutes, 12
seconds. Carl Fischer
Music #YAS240. Published
by Carl Fischer Music
(CF.YAS240).
ISBN
9781491164921. UPC:
680160923830. Key: D
major.
This
graceful arrangement
elegantly weaves together
four classic winter
melodies: Waltz of the
Snowflakes from
Tchaikovsky's Nutcracker
Suite, Skater's Waltz by
Émile Waldteufel, In
the Bleak Midwinter by
Gustav Holst, and Winter
from The Four Seasons by
Antonio Vivaldi. Scored
in 3/4 time with a
consistent tempo
throughout, the piece
allows every section of
the orchestra to shine
with melodic material.
The softly joyful key of
D major with optional
harp (playable by piano)
and glockenspiel will add
a moment of classical
lightness to any winter
or holiday concert.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Full Orchestra SKU: ST.MB92 Composed by George Butterworth. Edited by Pet...(+)
Full Orchestra
SKU:
ST.MB92
Composed by
George Butterworth.
Edited by Peter Ward
Jones. Library Volumes.
Edited by Peter Ward
Jones. First published in
2012.. Pages: 200.
Format: Hardback.
Dimensions (mm): 330 x
254 x 24. Full score.
Stainer & Bell Ltd.
#MB92. Published by
Stainer & Bell Ltd.
(ST.MB92).
ISBN
9790220223259.
In
his brief career George
Butterworth (1885-1916)
composed only a small
quantity of orchestral
works, but what he wrote
has never subsequently
been absent from the
repertoire. The two
English Idylls, the
Rhapsody 'A
Shropshire Lad' and
the idyll The Banks
of Green Willow are,
with the music of his
friend Ralph Vaughan
Williams and of Gustav
Holst, among the most
exquisite statements of
the English folk-song
idiom. This complete and
authoritative collection
includes an earlier
version of The Banks
of Green Willow, and
a fragment of an
Orchestral
Fantasia. Work in
progress in 1914 when
Butterworth enlisted to
serve in the Great War,
it suggests the composer
setting out in a bolder
direction, perhaps
inspired by the example
of Vaughan Williams's
A London
Symphony.
Classics for Solo Instruments and Play-Along CD with Concerto Band (Flute Book)....(+)
Classics for Solo
Instruments and
Play-Along CD with
Concerto Band (Flute
Book). By Camille
Saint-Saens; Gabriel
Faure; Georges Bizet;
Gustav T. Von Holst;
Johannes Brahms; Nikolai
Rimsky-Korsakov; Peter
Ilyich Tchaikovsky.
Arranged by Andrew
Balent; Larry Clark. For
Flute. Score and Audio
CD. 16 pages. Published
by Carl Fischer.