Orchestra string orchestra - Grade 2.5 SKU: KJ.SO357F Composed by Frank W...(+)
Orchestra string
orchestra - Grade 2.5
SKU: KJ.SO357F
Composed by Frank
Woodruff. Score only.
Neil A. Kjos Music
Company #SO357F.
Published by Neil A. Kjos
Music Company
(KJ.SO357F).
UPC:
084027044001.
A
perfect novelty selection
for concerts, recruitment
programs, fundraisers,
and more! Students will
have a blast with this
one and it will become an
instant favorite. No
shifting or position work
required.
Piano, Vocal and Guitar SKU: BT.MUSAM971531 Book Only. Wise Publications ...(+)
Piano, Vocal and Guitar
SKU:
BT.MUSAM971531
Book
Only. Wise Publications
#MUSAM971531. Published
by Wise Publications
(BT.MUSAM971531).
ISBN
9780711989900.
E
verybody's favourite
Christmas carols and
songs in one wonderfully
practical and convenient
edition
creates The
Best Christmas Songbook
Ever (A5
Format),
featuring 49 songs
arranged for Piano,
VoiceandGuitar.Â
Every member of the
family is catered for,
young and old, with a
selection of favourites
covering the traditional
classics that make the
season special
like Away In A
Manger, We Three Kings
OfOrientAre and O Come, All Ye
Faithful. Not only
this, but more recent pop
tunes are represented
such as I Wish It
Could Be Christmas Every
Day, Last
Christmas and
Santa ClausIsComing
To Town. The
generous selection of
songs from old carols to
new tunes makes this the
perfect book for you this
Christmas, so you can
begin Christmas Eve with
the classic carols and
bring in Christmas Day
with thefuncontemporary
pop.Â
The
accessible arrangements
of lyrics, melody, Piano
and Guitar chords mean
that you don't have to
spend too much time
practising before family
and friends can gather
around the Piano for
aChristmassing-along.
Because this songbook has
everything, you can keep
it as part of your music
collection and dig it out
every year for those
times when the family can
gather around and sing
the songs that get you
into thespirit of
theseason.Â
For
the best and most varied
collection of Christmas
songs ever compiled, from
old to new, classic to
contemporary, pick up
The Best
Christmas Songbook Ever,
and put a
Yuletidesmile on theface
of everyone with these
universally loved
tunes.
You can also
purchase this book in
its larger,
standardsize for abumper-sized
Yuletide.
String Quartet (2vl,va,vc) SKU: BR.KM-2280 Composed by Pietro Nardini. Ed...(+)
String Quartet
(2vl,va,vc)
SKU:
BR.KM-2280
Composed
by Pietro Nardini. Edited
by Clemens Risi. Chamber
music; Softcover.
Kammermusik-Bibliothek
(Chamber Music Library).
Classical; Early
classical. Score. 28
pages. Breitkopf and
Haertel #KM 2280.
Published by Breitkopf
and Haertel (BR.KM-2280).
ISBN 9790004502419. 9
x 12 inches.
One
could see icecold princes
and ladies of the court
weep when he played an
Adagio. Tears even fell
from his own eyes onto
his violin while he was
playing, reported an eye
witness about the
violinist Pietro Nardini,
whose works for string
instruments were hardly
less celebrated than his
emotional playing style.
Once popular examples of
light string quartets
from the early classical
period are available here
in a reliable and
fundamentally revised
reprint based on the
first edition (Florence,
after 1770) and on a
contemporary copy. The
additions willfully added
by Wilhelm Altmann in his
edition (1937) have been
eliminated and many
irregularities
corrected.
Elvis in Concert Fanfare [Conducteur et Parties séparées] - Intermédiaire Music Sales
Fanfare Band - Grade 4 SKU: BT.1106-04-020-MS Arranged by Peter Kleine Sc...(+)
Fanfare Band - Grade 4
SKU:
BT.1106-04-020-MS
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Pop & Rock.
Set (Score & Parts).
Composed 2004. Music
Sales #1106-04-020 MS.
Published by Music Sales
(BT.1106-04-020-MS).
In his capacity
as staff arranger of the
Royal Marine Band of the
Dutch Navy this
arrangement is one of the
best loved by Peter
Kleine Schaars' band.
Elvis in Concert features
the twelve greatest his
of 'The King, so
musicians won't have time
to get bored! In
addition, this compelling
Elvis medley contains
delightful moments of
recognition for your
audience too!
In
seiner Funktion als
Stabsarrangeur der
Marinekapelle der
Königlichen Marine der
Niederlande hat Peter
Kleine Schaars dem
Unterhaltungsmusikprogram
m dieser Weltformation
seinen Stempel
aufgedrückt. Zwölf
Jahre spielte die Kapelle
Bearbeitungen aus seiner
Feder. Zu den besten
Arrangements von Peter
Kleine Schaars zählt
sicherlich Elvis in
Concert, in welchem
er sieben Minuten lang
die größten Hits
des Kings Revue passieren
lässt. Dieses
mitreißende Medley ist
ein wahres
Elvis-Festival, das
Musiker und Publikum
begeistern wird!
Fanfare Band - Grade 2.5 SKU: BT.AMP-127-120 Composed by Stephen Foster. ...(+)
Fanfare Band - Grade 2.5
SKU:
BT.AMP-127-120
Composed by Stephen
Foster. Arranged by
Philip Sparke. Debut
Series. Festive and
Solemn Music. Score Only.
Composed 2005. 12 pages.
Anglo Music Press #AMP
127-120. Published by
Anglo Music Press
(BT.AMP-127-120).
9x12
inches.
English-German-French-Dut
ch.
One of the most
beautiful songs ever
written. Philip
Sparke’s sumptuous
arrangement of this
Stephen Foster classic
will make a perfect item
to bring a few minutes of
peace and calm
tranquillity to any
concert. The lush
harmonies, so
characteristic of Philip
Sparke’s
arranging. Once you have
played this once you will
want it on every concert
programme.
Veel
van de songs van Stephen
Collins Foster
(1826-1864), die onder
meer Oh! Susannah,
My Old Kentucky
Home en Beautiful
Dreamer schreef,
waren erop gericht de
zwarte Amerikaanse slaven
een menselijker gezichtte
geven. Jeanie with the
Light Brown Hair
schreef hij echter naar
aanleiding van de
afwezigheid van zijn
vrouw toen hij in New
York en zij in Pittsburgh
woonde. De melancholie
van de song komt in dit
arrangement van
PhilipSparke prachtig
naar voren.
Viele
Lieder des amerikanischen
Komponisten Stephen
Foster handelten von den
schwarzamerikanischen
Sklaven zur Zeit der
Abschaffung der
Sklaverei. Foster war ein
gewissenhafter Arbeiter
und verbrachte manchmal
Monate damit, den Text
eines Liedes zu
perfektionieren.
Jeanie with the Light
Brown Hair schrieb
Foster nach einer langen
Trennung von seiner
geliebten Frau. Dieses
strahlende Werk ist ein
ideales langsames
Zwischenspiel für Ihr
Konzertprogramm.
S
tephen Foster
(1826-1864), fu un
compositore molto
meticoloso. Dedicò a
volte mesi al
perfezionamento della
scrittura di un testo.
Conobbe il successo nel
1848 con Oh!
Susanna e la
crescente notoriet gli
consentì di lasciare
la provincia americana
alla volta di New York.
Ma il trasferimento non
ebbe l’effetto
desiderato, tanto che nel
1854 sua moglie Jane e
sua figlia Marion
ritornarono a Pittsburgh.
L’assenza
prolungata di sua moglie
gli ispirò la canzone
Jeanie with the Light
Brown Hair.
Composed by Benny
Andersson, Bjorn Ulvaeus,
and Stig Anderson.
Arranged by Stefan
Schwalgin. Ovation
Series. Pop & Rock. Score
Only. Composed 2007. 40
pages. Music Sales
#1511-08-140 MS.
Published by Music Sales
(BT.1511-08-140-MS).
9x12 inches.
English-German-French-Dut
ch.
In this
fantastic medley, Stefan
Schwalgin has used nine
of Abba’s timeless
hits to produce a piece,
which demonstrates the
wide-ranging repertoire
of this timeless Swedish
group. The alternating
instrumentations and
atmospheres guarantee a
varied, sparking piece,
which is certain to have
your audience singing
along.
Sinds de
Zweedse popgroep Abba het
in 1982 voor gezien
hield, zijn er geregeld
revivals van de muziek
van het viertal geweest.
Een voorbeeld hiervan is
de in Duitsland populaire
show Abba Magic! -
een uitstekende imitatie
vanAbba, inclusief
originele kostuums. Maar
eigenlijk kun je van een
revival bijna niet
spreken, want de
legendarische hits van
Abba zijn nooit
weggeweest. Stefan
Schwalgin heeft in zijn
medley maar liefst negen
hits verwerkt, waarmeehij
een breed spectrum uit
het rijke repertoire van
Abba presenteert. De
wisselende
instrumentaties en
stemmingen garanderen een
gevarieerd, sprankelend
geheel.
Dieses
großartige Medley von
Stefan Schwalgin lässt
die 70er wieder aufleben!
ABBA Magic! bringt
die Magie des
schwedischen
Erfolgsquartetts auf die
Bühne zurück mit
neun unvergessenen
Ohrwürmern aus dem
reichhaltigen
ABBA-Fundus. ABBA
Magic! hält genau
das, was der Name ABBA
verspricht:
Mitreißende Musik, die
auch heute an
Aktualität nichts
verloren hat. Ein
magisches
ABBAâ€-Erlebnis!
Un
splendido medley di
Stefan Schwalgin che ci
riporta gli anni
’70. ABBA Magic!
fa rivivere la magia del
quartetto svedese che ha
accompagnato i meno
giovani di oggi durante
gli anni della
gioventù con Waterloo,
S.O.S., Happy New Year,
So Long, Money, Money,
Money, Hasta Manana,
Mamma Mia, I Do I Do I Do
e Thank You for the
Music.
SKU: PE.0989253017 An Autobiography & Chronicle of Weather Report....(+)
SKU: PE.0989253017
An Autobiography &
Chronicle of Weather
Report. Composed by
Weather Report, Peter
Erskine.
Artist/Personality;
Reference Textbooks;
Textbook - General. Jazz.
Book. 334 pages. Edition
Peters #98-0989253017.
Published by Edition
Peters (PE.0989253017).
ISBN 9780989253017.
UPC: 038081470153.
English.
No
Beethoven chronicles the
life and times of drummer
Peter Erskine, with the
legendary band Weather
Report being the nexus to
this first-hand account.
Erskine was in the midst
of the modern American
jazz music scene as it
underwent its most
dynamic change. Peter
Erskine is a musician of
his times with incredibly
rich stories to tell in
this autobiography.
Including never-before
published photographs.
No Beethoven
includes chapters
dedicated to Weather
Report and the musicians
Joe Zawinul, Jaco
Pastorius, and Wayne
Shorter, plus the bands
Steps Ahead, Steely Dan,
and artists such as Elvin
Jones, Joni Mitchell,
Freddie Hubbard, Diana
Krall, Steve Gadd,
producer Manfred Eicher,
composers John Williams,
and Mark-Anthony Turnage,
et al. The book provides
a revealing look at the
creative process involved
in performing music
on-stage and in the
recording studio, as well
as a behind-the-scenes
look at how the musical
instrument industry
operates.
This is
a book for all musicians
and fans of music. As
famed drummer and Rush
founder Neil Peart
writes: No Beethoven is
among the best musical
autobiographies I have
read. Peter's story is
absorbing and compelling,
full of well-drawn
characters and incidents
both humorous and
serious. It flows with
the same ease and
naturalness as his
drumming, and under that
good-humored gloss, it
conveys the same
profundity of experience
and ideas. This book
should be read not only
by every drummer, but by
every musician. Even
amateurs of music
performance will find it
entertaining and
worthwhile.
String Quartet (Study Score) SKU: HL.51487272 Study Score. Compose...(+)
String Quartet (Study
Score)
SKU:
HL.51487272
Study
Score. Composed by
Alexander Zemlinsky.
Edited by Dominik Rahmer.
Henle Music Folios.
Classical. Softcover. G.
Henle #HN7272. Published
by G. Henle
(HL.51487272).
UPC:
840126989366.
6.75x9.5x0.245
inches.
Alexander
Zemlinsky's music was
long unjustly
overshadowed by what was
regarded as the
“more
progressive†Second
Viennese School. Although
Zemlinsky was close
friends with its
protagonist Arnold
Schönberg, he never
did take the latter's
radical step into
dodecaphony. At the same
time, he composed works
that were no less
original or fully
fledged. Composed between
1913 and 1915, his Second
String Quartet in
particular pushed the
contemporaneous
understanding of form and
tonality to its limits.
With just one movement
but spanning over 1,200
measures, this
multi-faceted work
numbers among the most
significant contributions
to the genre of the time
and has long merited a
critical new edition. The
Urtext edition by G.
Henle Publishers corrects
many errors and
inaccuracies in the first
edition that came to
light after careful
comparison with the
autograph sources in
Vienna and Washington.
For the first time, too,
the metronome markings
that survive only in one
of Zemlinsky's letters
have been incorporated.
Editorial work was kindly
supported by the
Alexander Zemlinsky
Endowment Fund in
Vienna.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
SMA Choir SKU: BT.EMBZ15091 Gyermekkarra, Jász Attila verseire....(+)
SMA Choir
SKU:
BT.EMBZ15091
Gyermekkarra, Jász
Attila verseire.
Composed by Ãkos
Zarándy. Hymns &
Chorals. Choral Score.
Composed 2018. 12 pages.
Editio Musica Budapest
#EMBZ15091. Published by
Editio Musica Budapest
(BT.EMBZ15091).
Following
the successful
publication of
Homenaje a Rodrigo
(2015), containing four
pieces by Alessandro
Spazzoli – one of
which was performed in
the presence of the
composer’s
daughter, Cecilia
Rodrigo, during her visit
to the International
Convention in Alessandria
–, here is the
second volume. It
contains more tributes to
Rodrigo written on my
input by five well-known
Italian and Spanish
composers, two of whom
are also guitarists and
have therefore written
the fingering for their
own pieces. Giovanni
Podera plunges us into a
typically Rodrigo-like
atmosphere with his
evocative
Fantasia, while
the following three
compositions are full of
direct quotations from
pieces also for guitar by
the great composer from
Valencia. Thus, Marco
Simoni, in his expressive
Junto a Rodrigo
– which also
provides the title to the
volume – plays
with themes taken from
Junto al
Generalife and from
Dos piezas
caballerescas for a
cello ensemble as well as
hinting at reminiscences
of Tiento antiguo.
As for Marco Smaili, in
his impressionistic
Fronda de la
tarde, he evokes
quite evidently
Zarabanda lejana
and Invocación y
Danza, but there are
more hidden references to
Caminos de
Santiago and even to
the very famous
Concierto de
Aranjuez. Marco
Reghezza builds his
heart-breaking Nana
estrellada on a
sequence of chords used
by Rodrigo in the
fantasia ¡Que buen
caminito!. On the
other hand, there are no
direct quotations and
echoes of
Rodrigo’s way of
writing in the Fuga a
quattro voci by Paolo
Ugoletti. However it was
Rodrigo himself who
constructed four-part
imitative passages for
guitar in
Pasacalle and in
the Ricercare of the
Fantasia para un
Gentilhombre. The
close polyphony of the
piece by Ugoletti may be
considered as a tribute
to this kind of craft
shown by Rodrigo who,
like Ugoletti, was able
to write such dense and
idiomatic counterpoint
without being a
guitar-player. I am
pleased that this volume
comes out in the
imminence of the 20th
anniversary of the
disappearance of the
illustrious Spanish
composer who gave so much
to the musicians –
and not only to
them. (Piero
Bonaguri)
Elvis in Concert Orchestre d'harmonie [Conducteur] - Intermédiaire Music Sales
Concert Band/Harmonie - Grade 4 SKU: BT.1106-04-140-MS Arranged by Peter ...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.1106-04-140-MS
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Pop & Rock.
Score Only. Composed
2004. Music Sales
#1106-04-140 MS.
Published by Music Sales
(BT.1106-04-140-MS).
In his capacity
as staff arranger of the
Royal Marine Band of the
Dutch Navy this
arrangement is one of the
best loved by Peter
Kleine Schaars' band.
Elvis in Concert features
the twelve greatest his
of 'The King, so
musicians won't have time
to get bored! In
addition, this compelling
Elvis medley contains
delightful moments of
recognition for your
audience too!
In
seiner Funktion als
Stabsarrangeur der
Marinekapelle der
Königlichen Marine der
Niederlande hat Peter
Kleine Schaars dem
Unterhaltungsmusikprogram
m dieser Weltformation
seinen Stempel
aufgedrückt. Zwölf
Jahre spielte die Kapelle
Bearbeitungen aus seiner
Feder. Zu den besten
Arrangements von Peter
Kleine Schaars zählt
sicherlich Elvis in
Concert, in welchem
er sieben Minuten lang
die größten Hits
des Kings Revue passieren
lässt. Dieses
mitreißende Medley ist
ein wahres
Elvis-Festival, das
Musiker und Publikum
begeistern wird!
Choral; Piano Accompaniment (SATB with Piano) SKU: HL.49045965 SATB an...(+)
Choral; Piano
Accompaniment (SATB with
Piano)
SKU:
HL.49045965
SATB
and Piano. Composed
by Georg Kreisler.
Choral. Classical.
Octavo. 12 pages. Schott
Music #C57915. Published
by Schott Music
(HL.49045965).
Georg Kreisler
equals scathing, dark
black humour on the
piano! The Singphoniker
have arranged Georg
Kreisler's best known
songs for all-male
ensemble and recorded
them on CD. Schott now
publishesthe
corresponding music
edition for mixed choir
SATB with piano
accompaniment (Georg
Kreisler - Lieder und
Chansons, ED 22737). In
addition, all songs from
the sheet music album are
available in separate
editions: Tauben
vergiften im Park puts
the relationship between
dove and man in a
nutshell and suggests a
funnily described, yet
ethically not correct
method of taking action
against the pigeon
terror. This pleasant
arrangement with
Kreisler's humorous text
most certainly creates an
exuberant atmosphere in
the concert.
SKU: SU.00220181 Composed by Maurice Ravel. Harp, Harp with other Instrum...(+)
SKU: SU.00220181
Composed by Maurice
Ravel. Harp, Harp with
other Instruments,
Keyboard,
Piano/Harpsichord,
Keyboard, Organ. CD (PDF
Scores). CD Sheet Music
#00220181. Published by
CD Sheet Music
(SU.00220181).
Ple
ase note, customers using
Macintosh computers
running macOS Catalina
(version 10.5) have
reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac.
Composed by Wolfgang
Amadeus Mozart.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Classical.
Part. 12 pages. Duration
31'. Breitkopf and
Haertel #OB 4447-19.
Published by Breitkopf
and Haertel
(BR.OB-4447-19).
ISBN
9790004309728. 10 x 12.5
inches.
Thanks
to a detailed sketch, we
know that Mozart
originally wrote his
famous Clarinet Concerto
K. 622 for basset horn in
G or A. It was only in
the early editions dating
from the 19th century
that this work -
considered as the
Clarinet Concerto par
excellence - became
unproblematic to play an
the A clarinet. However,
source studies have
revealed that this was
made possible only at the
price of considerable
un-Mozartian alterations
of the solo Part. Sabine
Meyer, Wolfgang Meyer and
Reiner Wehle, the members
of the Trio di Clarone,
haue eliminated some of
these modifications in
their new edition,
restoring Mozart's
original intentions.
However, their critical
revision in no way
impedes the
performability of the
A-major
Concerto.
Die
Neuausgabe eines
Klavierauszuges verdient
besonderes Interesse, da
als Herausgeber mit
Sabine Meyer, Wolfgang
Meyer und Reiner Wehle
uberaus kompetente
Musiker fungieren. Die
Sorgfalt, mit der
gearbeitet wurde, merkt
man sowohl dem
Schriftbild als auch dem
informativen Vorwort
an.(Das
Liebhaberochester)
Composed by Wolfgang
Amadeus Mozart.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Classical.
Part. 8 pages. Duration
31'. Breitkopf and
Haertel #OB 4447-23.
Published by Breitkopf
and Haertel
(BR.OB-4447-23).
ISBN
9790004309735. 10 x 12.5
inches.
Thanks
to a detailed sketch, we
know that Mozart
originally wrote his
famous Clarinet Concerto
K. 622 for basset horn in
G or A. It was only in
the early editions dating
from the 19th century
that this work -
considered as the
Clarinet Concerto par
excellence - became
unproblematic to play an
the A clarinet. However,
source studies have
revealed that this was
made possible only at the
price of considerable
un-Mozartian alterations
of the solo Part. Sabine
Meyer, Wolfgang Meyer and
Reiner Wehle, the members
of the Trio di Clarone,
haue eliminated some of
these modifications in
their new edition,
restoring Mozart's
original intentions.
However, their critical
revision in no way
impedes the
performability of the
A-major
Concerto.
Die
Neuausgabe eines
Klavierauszuges verdient
besonderes Interesse, da
als Herausgeber mit
Sabine Meyer, Wolfgang
Meyer und Reiner Wehle
uberaus kompetente
Musiker fungieren. Die
Sorgfalt, mit der
gearbeitet wurde, merkt
man sowohl dem
Schriftbild als auch dem
informativen Vorwort
an.(Das
Liebhaberochester)
Urtext -
Completion. Composed
by Wolfgang Amadeus
Mozart. Edited by Clemens
Kemme. Arranged by
Clemens Kemme. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The Missa in c was so
dear to Mozart that he
cited it as evidence of
the reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso.
Have. Mass;
Classical. Part. 24
pages. Duration 52'.
Breitkopf and Haertel #OB
5562-12. Published by
Breitkopf and Haertel
(BR.OB-5562-12).
ISBN
9790004344460. 10 x 12.5
inches.
The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music).
Guitar - intermediate SKU: M7.VOGG-85 Composed by Peter Bursch. Sheet mus...(+)
Guitar - intermediate
SKU: M7.VOGG-85
Composed by Peter Bursch.
Sheet music. Incl. TAB.
Voggenreiter #VOGG 85.
Published by Voggenreiter
(M7.VOGG-85).
ISBN
9783802400858.
FÃ
r alte und junge Hippies
Mit über 100 Songs,
die sich mit Spaß
singen und spielen
lassen. Von den Beach
Boys, Joan Baez, Bob
Dylan, Simon & Garfunkel,
John Denver, Reinhard
Mey, Fugees u. v. a. Dazu
die richtigen Griffe,
gute
Gitarrenbegleitungen,
Tabulaturen und alle
Texte. Mit
Hintergrundwissen und
Entstehungsgeschichte zu
den Liedern und ihren
Interpreten. Alles
Wichtige über die
Gitarre und andere
Folk-Instrumente.
Songliste: Alberta, All
around my hat, All my
trials, Amazing grace,
Banana-Boat (Day-O),
Banks of the Ohio,
Barbara Allen, Bella
ciao, Can the circle be
unbroken, Catch the wind,
Cocaine, Colours, Come
all ye fair and tender
ladies, Days of '49, Der
Deserteur, Der Winter ist
vergangen, Die freie
Republik, Die Gedanken
sind frei, Die
Moorsoldaten, Donna,
Donna, Drill ye tarriers,
drill, East Virginia, El
condor pasa, Es dunkelt
schon in der Heide, Es
geht ein' dunkle Wolk'
herein, Es saß ein
klein wild Vögelein,
Es zogen einst fünf
wilde Schwäne, Go
down, Moses,
Greensleeves, Grizzly
bear, Guantanamera, Gypsy
Rover, Havah nagila,
Heute hier, morgen dort,
House of the rising sun,
Ich komme schon durch
manche Land, (La
Marmotte), If I had a
hammer, I'll fly away, In
1841 (Paddy works on the
railway), Jackaroe, John
Barleycorn, Joshua fit
the battle of Jericho,
Kalinka, Killing me
softly, Kinder, Kisses
sweeter than wine,
Kumbaya, Lady in black,
La-le-lu, La Marmotte,
(Ich komme schon durch
manche Land), Lady in
black, Little beggarman,
Lord Franklin, Matty
Groves, Mein Vater wird
gesucht, Mr. Bo Jangles,
Nehmt Abschied,
Brüder, Oh, freedom,
Oh Susanna, Pick a bale
of cotton, Plaisir
d'amour, Pretty Peggy-O,
Puff, the magic dragon,
Sag mir, wo die Blumen
sind?, St. James
Infirmary, Santy Anno,
Scarborough Fair, Should
auld acquaintance (Auld
lang syne), Sloop John
B., Sometimes I feel like
a motherless child,
Stewball, Streets of
London, Take me home,
country roads, The bonny
lass of FYVIE-O, The
circle game, The cuckoo,
The Foggy Dew, The last
thing on my mind, The
marvelous toy, There but
for fortune, Three
drunken maidens, The
trees they grow high,
This land is your land,
Three drunken maidens,
Trotz alledem, Turn,
turn, turn, Ãœber den
Wolken, Un as der Rebbe
singt, Waxie's Dargle,
Wayfaring stranger, We
shall overcome, What
shall we do with the
drunken sailor?, Where
have all the flowers
gone?, Whiskey in the jar
(Gilgary Mountain), Will
ye go, lassie, go (Wild
Mountain Thyme).
Cantata. Composed
by Wolfgang Amadeus
Mozart. Edited by
Wolfgang Gersthofer.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Mozart. Davide Penitente
Rev. 2006. Sacred vocal
music, Oratorios, Lent
and Passiontide. Single
Part, Viola. Composed
1785. KV 469. 20 pages.
Duration 45 minutes.
Carus Verlag #CV
51.469/13. Published by
Carus Verlag
(CA.5146913).
ISBN
9790007225124. Key: C
minor / c major.
Language:
Italian.
The Vienna
Musicians' Society, a
pension fund for the
widows and orphans of
professional musicians,
asked Mozart, among
others, to compose a
choral work for
performance at their
benefit concert series.
Presumably it was due not
just to the pressure of a
deadline, but also for
the chance to have the
music of the torso of the
great C minor Mass, K.
427, performed in Vienna
that he chose to arrange
this composition for the
Society as the cantata
Davide penitente (The
Mass was originally
written for a performance
in Salzburg in 1783).
Thus, Mozart set the
Kyrie and Gloria with a
sacred text in Italian in
the style of penitential
prayers. The text was
suited for Lent, which
occurred at the time of
the benefit concert. He
also added one
newly-composed aria for
tenor and one aria for
soprano. Score and part
available separately -
see item CA.5146900.
Piano and orchestra SKU: FG.55011-372-5 Composed by Matthew Whittall. Stu...(+)
Piano and orchestra
SKU:
FG.55011-372-5
Composed by Matthew
Whittall. Study score.
Fennica Gehrman
#55011-372-5. Published
by Fennica Gehrman
(FG.55011-372-5).
ISBN
9790550113725.
Imag
es of the sea figure
prominently throughout my
life and memories: from
holidays on the Atlantic
coast during my Canadian
childhood to my current
Baltic home, and the
imagined, only later
experienced Mediterranean
of my ancestral heritage.
As an immigrant (son of
an immigrant) bound to
two northern countries,
the sea is emblematic of
my twin homelands, from
the expanses of water
surrounding them to those
separating them. A Mari
usque ad Mare. The sea is
also an enduring image of
the unknown, of expanses
unexplored, of the raw
power of nature and, for
too many currently, of
terror holding a hope of
refuge - or the pain of
loss. Such disparate
ideas were captured for
me in the seascapes of
the New York painter
MaryBeth Thielhelm, whom
I met in 2008 during a
residency on the Gulf of
Mexico. Her vast,
abstract, nearly
monochromatic depictions
of imaginary seas in
wildly varying moods were
the catalyst for a
concerto where the piano
is frequently far from a
hero battling a
collective, but rather
acts as a channel for
elemental forces surging
up from the orchestra,
floating - sometimes
barely so - on its
constantly shifting
surface. There are few
themes to speak of,
beyond a handful of
iconic ideas that
periodically cycle
upward. Rather, the
piano's material is
largely an ornamentation
of the more primal
rhythmic and harmonic
impulses from the
orchestra below - a
poetic interpretation, if
you will, of the more
immediate experience of
facing the vastness of
some unknown body of
water. The title
Nameless Seas is borrowed
from one of Thielhelm's
exhibitions, as are those
of the four movements,
which are bridged
together into two halves
of roughly equal weight -
one rhapsodic and free,
the other more
single-minded and direct,
separated only by a short
breath. The opening
movement, Nocturne, is
predominantly calm, if
brooding, darkness and
light alternating
throughout. Lyrical
arabesques sparkle over
gently lapping
cross-currents in the
strings and mirrored
timpani, the piano's full
power only rarely
deployed. The waves
gradually build, drawing
in the full orchestra for
a meeting of forces in
Land and Sea, a brighter,
more warmly lyrical scene
that unfolds in series of
dreamlike, sometimes even
nostalgic visions, which
for me carry strong
memories of sitting on
rocks above surging
Atlantic waves. The third
movement, Wake, is a
fast, perpetual-motion
texture of glinting,
darting rhythms and
sudden shafts of light,
with a prominent part for
the steel drums, limning
the piano's quicksilver
figurations. An ecstatic
climax crashes into a
solo cadenza that grows
progressively calmer and
more introspective rather
than virtuosic. Much of
the tension finally
releases into Unclaimed
Waters, a drifting,
meditative seascape in
which the piano is
progressively engulfed by
a series of ever-taller
waves, ultimately
dissolving into a
tolling, rippling
continuum of sound.
It has been a great
privilege to realize such
a long-held dream as this
piece, and to write it
for not one, but two
great pianists.
Risto-Matti Marin and
Angela Hewitt, both of
whose friendship and
support have been
unfailing and humbling,
share the dedication.
Nameless Seas was
commissioned by the
PianoEspoo festival and
Canada's National Arts
Centre, with the
premieres in Ottawa and
Helsinki led by Hannu
Lintu and Olari Elts.
Thanks are due also to
the Jenny and Antti
Wihuri fund, whose
generous grant provided
me with much-needed time,
and Escape to Create in
Seaside, Florida, the
source to which I
returned to do a large
part of the work.
String quartet SKU: FG.55011-510-1 Composed by Matthew Whittall. Score an...(+)
String quartet
SKU:
FG.55011-510-1
Composed by Matthew
Whittall. Score and
parts. Fennica Gehrman
#55011-510-1. Published
by Fennica Gehrman
(FG.55011-510-1).
ISBN
9790550115101.
Matt
hew Whittall's preface to
Bright Ferment (2019): I
have a complicated
history with the string
quartet. Actually, it's
not that complicated. I
spent months writing a
huge one in my early
twenties and hastily
withdrew it after a long
delayed premiere, vowing
never to write another.
In a typical case of
karmic retribution, my
fear of the form would
eventually be overcome by
the unrefusable offer to
write the compulsory
piece for the Banff
International String
Quartet Competition in my
native Canada. The short
duration requested, about
nine minutes, also felt
like a good way to wade
gingerly back into the
medium. The title was
originally just a
nice-sounding pair of
words that surfaced in a
brainstorming session
with fellow composer Alex
Freeman over an
injudicious amount of
fermented barley. When I
looked it up later, I
found that it was a
phrase of older coinage,
seemingly used more for
poetic resonance than any
fixed meaning. Ferment by
itself denotes a state of
confusion, change or lack
of order. With bright, it
takes on a more positive
connotation with regard
to society and
creativity: a wild
profusion of ideas barely
checked by reason. (It
may not actually mean
that, but it describes
this piece nicely, so
let's go with it.)
Fermentation in its
trendy culinary usage is
also hinted at via a
recurrent percolating
device of scattered
pizzicati. As one may
guess from the tone of
this introduction, there
is little attempt at
gravity in Bright
Ferment, the only means
by which I felt I could
sidestep the historical
and expressive weight of
the string quartet genre.
Styles, gestures and
moods are tossed around,
cross-cut and abandoned
in
stream-of-consciousness
fashion, connected by
little except an
intuitive sense of
rightness in their
juxtaposition. If the
piece acquires depth in
spite of me, it will only
be because its disparate
parts amplify and
strengthen each other
simply by being together
- much like the ensemble
itself. Bright Ferment
was commissioned by the
Banff Centre for the Arts
and Creativity and the
Canadian Broadcasting
Corporation, with
additional funding from
the Americas Society (New
York), for the 2019 Banff
International String
Quartet Competition.
Duration: ca. 9
minutes.
A Sevenoaks Suite Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-472-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-472-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2019. 50 pages.
Anglo Music Press #AMP
472-140. Published by
Anglo Music Press
(BT.AMP-472-140).
English-German-French-
Dutch.
A
Sevenoaks Suite was
commissioned by the
Sevenoaks and Tonbridge
Concert Band from Kent in
the south-east of
England. The suite
describes 3 famous
landmarks in the
Sevenoaks and Tonbridge
area: ‘Knole
Park’, situated to
the south-east of
Sevenoaks. ‘The
Chapel - Tonbridge
School’: This
movement centres around a
hymn-like chorale,
depicting the years of
worship that have taken
place within the chapel,
and ‘The Vine
Bandstand’
suggesting the type of
music often played in
bandstands. It is in
march form, but is not
actually a march
throughout, veering off
into other styles before
ending
emphatically.
A
Sevenoaks Suite werd
geschreven in opdracht
van de Sevenoaks and
Tonbridge Concert Band
uit Kent, in het
zuidoosten van Engeland.
De suite beschrijft drie
beroemde
landschapselementen en
bouwwerken in de buurt
van Sevenoaks en
Tonbridge: als eerste
‘Knole
Park’, dat ten
zuidoosten van Sevenoaks
ligt. Dan volgt
‘The Chapel
Tonbridge School’,
een deel dat is opgebouwd
rond een hymne-achtig
koraal. ‘The Vine
Bandstand’ doet
denken aan het type
muziek dat vaak in
muziekpaviljoens wordt
gespeeld. Dit laatste
deel is gecomponeerd in
marsvorm, maar het is
geen complete mars, in
die zin dat er ook wordt
afgedwaald naar andere
stijlen voordat het werk
eindigt in eenkrachtig
slot.
A
Sevenoaks Suite wurde
von der Sevenoaks and
Tonbridge Concert Band
aus Kent im Südosten
Englands in Auftrag
gegeben. Die Suite
beschreibt drei
berühmte
Sehenswürdigkeiten in
der Gegend von Sevenoaks
und Tonbridge: Knole
Park“ liegt
südöstlich von
Sevenoaks, The Chapel
Tonbridge School“
dreht sich um einen
hymnenartigen Choral, der
die vielen Gottesdienste
beschreibt, die in der
Kapelle stattgefunden
haben, und The Vine
Bandstand“ deutet
die Art von Musik an, die
oftmals in Musikpavillons
gespielt wird. Der Satz
ist daher in Form eines
Marsches geschrieben,
auch wenn er nicht die
ganze Zeit wie ein Marsch
klingt, und geht in
andere Stilarten über,
bevor er energischendet.
Requiem Soli, choeur mixte et accompagnement [Vocal Score] Oxford University Press
Composed by John Rutter (1945-). This edition: paperback. Mixed Voices. Contempo...(+)
Composed by John Rutter
(1945-). This edition:
paperback. Mixed Voices.
Contemporary. Vocal
score. 64 pages. Duration
40'. Published by Oxford
University Press
(OU.9780193380707).
String Quartet (Parts) SKU: HL.51481272 Set of Parts. Composed by ...(+)
String Quartet (Parts)
SKU: HL.51481272
Set of Parts.
Composed by Alexander
Zemlinsky. Edited by
Dominik Rahmer. Henle
Music Folios. Classical.
Softcover. G. Henle
#HN1272. Published by G.
Henle (HL.51481272).
UPC: 840126989250.
9.0x12.0x0.348
inches.
Alexander
Zemlinsky's music was
long unjustly
overshadowed by what was
regarded as the
“more
progressive†Second
Viennese School. Although
Zemlinsky was close
friends with its
protagonist Arnold
Schönberg, he never
did take the latter's
radical step into
dodecaphony. At the same
time, he composed works
that were no less
original or fully
fledged. Composed between
1913 and 1915, his Second
String Quartet in
particular pushed the
contemporaneous
understanding of form and
tonality to its limits.
With just one movement
but spanning over 1,200
measures, this
multi-faceted work
numbers among the most
significant contributions
to the genre of the time
and has long merited a
critical new edition. The
Urtext edition by G.
Henle Publishers corrects
many errors and
inaccuracies in the first
edition that came to
light after careful
comparison with the
autograph sources in
Vienna and Washington.
For the first time, too,
the metronome markings
that survive only in one
of Zemlinsky's letters
have been incorporated.
Editorial work was kindly
supported by the
Alexander Zemlinsky
Endowment Fund in
Vienna.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
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research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
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need them
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experience (founded 1948
exclusively for Urtext
editions)