(The Best Blend of Contemporary and Classic Songs 9x12 Edition). Composed by Var...(+)
(The Best Blend of
Contemporary and Classic
Songs 9x12 Edition).
Composed by Various. For
C Instruments. Fake Book.
Softcover. 432 pages.
Published by Hal Leonard
Performed by The Beatles. For Bb trumpet. Format: Solo Songbook. With Transposed...(+)
Performed by The Beatles.
For Bb trumpet. Format:
Solo Songbook. With
Transposed Melody.
Classic rock, britpop and
psychedelic rock. 96
pages. 9x12 inches.
Clarinette [Partition] - Intermédiaire Hal Leonard
Performed by The Beatles. For Bb clarinet. Format: clarinet solo songbook (no ac...(+)
Performed by The Beatles.
For Bb clarinet. Format:
clarinet solo songbook
(no accompaniment). With
solo part. Classic rock,
britpop and psychedelic
rock. 96 pages. 9x12
inches.
Saxophone Alto [Partition] - Intermédiaire Hal Leonard
Performed by The Beatles. For Eb alto saxophone. Format: Solo Songbook. With tra...(+)
Performed by The Beatles.
For Eb alto saxophone.
Format: Solo Songbook.
With transposed melody.
Classic rock, britpop and
psychedelic rock. 96
pages. 9x12 inches.
Published by Hal Leonard.
(
E-Z Play Today #6 Electronic Keyboard; Organ; Piano/Keyboard SKU: HL.282553(+)
E-Z Play Today #6
Electronic Keyboard;
Organ; Piano/Keyboard
SKU: HL.282553
E-Z Play Today Volume
6. By The Beatles.
E-Z Play Today. Pop.
Softcover. 106 pages.
Published by Hal Leonard
(HL.282553).
ISBN
9781540034496. UPC:
888680789404.
9.0x12.0x0.327
inches.
20 Fab Four
favorites in our patented
E-Z Play(r) today
notation are presented in
this updated 3rd edition.
Includes: And I Love Her
* Back in the U.S.S.R. *
Can't Buy Me Love * Day
Tripper * Eleanor Rigby *
The Fool on the Hill *
Hey Jude * I Want to Hold
Your Hand * Let It Be *
Ob-La-Di, Ob-La-Da *
Penny Lane * Strawberry
Fields Forever * Ticket
to Ride * We Can Work It
Out * Yesterday * and
more.
About Hal
Leonard E-Z Play
Today
For
organs, pianos, and
electronic keyboards. E-Z
Play Today is the
shortest distance between
beginning music and
playing fun. Now there
are more than 300 reasons
why you should play E-Z
Play Today. * World's
largest series of music
folios * Full-size books
- large 9 x 12 format
features easy-to-read,
easy-to-play music *
Accurate arrangements...
simple enough for the
beginner, but accurate
chords and melody lines
are maintained *
Eye-catching, full-color
covers * Lyrics... most
arrangements include
words and music * Most
up-to-date registrations
- books in the series
contain a general
registration guide, as
well as individual song
rhythm suggestions *
Guitar Chord Chart - all
songs in the series can
also be played on
guitar.
(Score) - Grade 3 SKU: HL.4002390 Composed by Samuel R. Hazo. MusicWorks ...(+)
(Score) - Grade 3
SKU:
HL.4002390
Composed
by Samuel R. Hazo.
MusicWorks Grade 3.
Concert Band. 20 pages.
Published by Hal Leonard
(HL.4002390).
UPC:
073999979886.
9.0x12.0x0.08
inches.
Our sky is
never the same –
from day to day or even
hour to hour. It holds
the brightest and darkest
things we will ever see,
and in addition is
capable of displaying
every imaginable color
and mood. Through this
expressive work, Samuel
Hazo has translated the
many qualities of the sky
into musical moods. The
opening section features
flowing melodies
beautifully developed
between soloistic and
full ensemble playing.
The
“sinisterâ€
fast section features
driving rhythms, mixed
meters and a crescendo
that evolves into a
powerful setting of the
original melody. Sam's
sense of timing and
emotional pacing is
strongly evident in this
effective work.
(5:45).
Performed by The Beatles. Piano/Vocal/Chords Songbook (Arrangements for piano an...(+)
Performed by The Beatles.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords).
Softcover. Size 9x12
inches. 400 pages.
Published by Hal Leonard.
Orchestra String Orchestra - Grade 1 SKU: AP.36-52250499 Composed by R. A...(+)
Orchestra String
Orchestra - Grade 1
SKU:
AP.36-52250499
Composed by R. Anne
Svendsen. Performance
Music Ensemble; String
Orchestra. Ludwig
Masters. Programmatic.
Score and Part(s). Latham
Music Enterprises
#36-52250499. Published
by Latham Music
Enterprises
(AP.36-52250499).
ISBN
9781628764963. UPC:
746241271525.
English.
This piece
depicts the magic of
butterfly migration with
only open strings and
first finger (using all
strings). The
butterflies disappear
into the sky with a soft,
delicate pizzicato
ending. Bowing
skills include two-note
slurs, staccato on the
string, and hooked
bowings. While
rhythmically simple, this
piece incorporates a
great mix of note values,
making counting accuracy
important. UIL String
Orchestra Sight Reading
Level 5 - 2012.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.416415760
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760).
UPC:
680160636532. 9 x 12
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.