By Robert W. Smith. By Robert W. Smith. For Concert Band. Concert Band. Belwin S...(+)
By Robert W. Smith. By
Robert W. Smith. For
Concert Band. Concert
Band. Belwin Symphonic
Band. Level: Medium
(grade IV). Conductor
Score and Parts. 384
pages. Duration 7:44.
Published by Alfred
Publishing.
By Robert W. Smith. By Robert W. Smith. For Concert Band. Concert Band. Belwin S...(+)
By Robert W. Smith. By
Robert W. Smith. For
Concert Band. Concert
Band. Belwin Symphonic
Band. Level: grade IV.
Conductor Score. 36
pages. Published by
Alfred Publishing.
Transcribed by Steve Garner. For Banjo 5 String. Transcribed Solos. Smithsonian/...(+)
Transcribed by Steve
Garner. For Banjo 5
String. Transcribed
Solos.
Smithsonian/Folkways.
Bluegrass. Level:
Beginning-Intermediate.
Book. 80 pages. Published
by Mel Bay Publications,
Inc.
SKU: GI.G-9082 Edited by Jody Kerchner. Music Education. Choir part. 350 ...(+)
SKU: GI.G-9082
Edited by Jody Kerchner.
Music Education. Choir
part. 350 pages. GIA
Publications #9082.
Published by GIA
Publications (GI.G-9082).
ISBN 9781622771752.
English.
Contributo
rs:Â Sandra Babb,
Bronwen Fox, Talia
Greenberg, Stuart Chapman
Hill, Tara Sievers-Hunt,
Michele Kaschub, Mary
Copland, Kennedy Chi-hin
Leung, Tom Lopez, Wendy
Northrup, Stephen A.
Paparo, Sarah Price,
Carlos
Xavier Rodriguez,
Julia Shaw, Philip
Silvey, Janice Smith,
Brent C. Talbot, Raymond
Wise, Paulina Wai-Ying
Wong. Â By seeking to
open the act of composing
to students of all ages,
colors, classes, and
backgrounds, Strand and
Kerchner seek to
demystify the act of
composition itself. . .
. The chorus is the
ideal place to affect
this kind of change.
—Dominick DiOrio
  From the
Foreword Musicianship:
Composing in Choir is a
pioneering and practical
answer to one of the
great music education
mysteries: how to
effectively bring music
composition to the choir
room at all levels, in
alignment with the
National Core Arts
Standards. Written and
edited by Jody Kerchner
and Katherine Strand
together with a team of
18 nationally recognized
teachers, researchers,
and musicians, this book
is truly a landmark
publication. Central to
this book are engaging
project-based activities
for individuals, small
groups, and full
ensembles. The
authors’ goal is
to provide singers with
exciting new tools for
exploring music. By
promoting comprehensive
choral musicianship,
teachers will celebrate
their students’
creativity, and their
own. Section 1,
Principles and
Foundations, provides a
rationale for the
critical importance of
including composition in
the choral classroom,
pedagogical principles
upon which to base
composition activities,
and practical examples
that can be taken
directly from the page
into the classroom.
Section 2, Looking in on
Composing in Choir,
shares the latest the
latest in practices and
research related to
teaching arranging and
composing at a variety of
levels and choral styles,
with practical ideas
suitable for a wide range
of choral programs,
student ages, ability
levels, and interests.
Section 3, Composition
Projects for Choir,
includes lesson plans
with goals, outcomes, and
procedures for
page-to-classroom
activities. Examples
include composing
ostinatos, rounds,
partner songs, and songs
over a bass line, lessons
on arranging, leveraging
technology, and using
composition to teach
sight singing. These
lessons are a gold mine
of ideas for choral
educators and students
alike. Every lesson has
been
“test-drivenâ€
with diverse student
populations. Ultimately,
Kerchner, Strand, and
their team show that
composing and arranging
are not superhuman gifts,
activities, or
experiences that need to
occur in solitude:
Creativity and
composition should be for
everyone. With
Musicianship: Composing
in Choir, teachers and
their students have
access to tools and ideas
that have the potential
to transform their music
making. Jody L. Kerchner
is Professor & Director
of Music Education at the
Oberlin Conservatory of
Music, where she is the
secondary-school music
and choral music
education specialist. She
is also founder and
conductor of the Oberlin
College Women’s
Chorale and the Oberlin
Music at Grafton Prison
Choir. Her research
interests include music
listening, choral
pedagogy, reflective
praxis, empathetic
leadership, and music
teacher preparation.
Katherine Strand is
Associate Professor of
Music and Chair of the
Music Education
Department in the Jacobs
School of Music at
Indiana University, where
she teaches classes in
participatory music
practices, curriculum,
and qualitative research
methods. She taught
K–12 choral and
general music in rural
and urban settings and
served as choral director
for the Virginia
Governor’s School
for the Visual and
Performing Arts and
Humanities. Her research
interests include
teaching for creativity,
multicultural music
pedagogy, and curriculum.
Clint Randles, Series
Editor, is Assistant
Professor and Coordinator
of Music Education at the
University of South
Florida School of Music
in Tampa, Florida.
Brazil: Ceremony, Song and Samba by Robert W. Smith. Concert band. Symphony Band...(+)
Brazil: Ceremony, Song
and Samba by Robert W.
Smith. Concert band.
Symphony Band Series.
Audio recording available
separately (item
CL.WFR365). Grade 4.5.
Score and set of parts.
Composed 2009. Duration 6
minutes, 39 seconds.
Published by C.L.
Barnhouse
Double Bass and Piano SKU: BT.YE0085 Composed by Benstaed. Exam Material....(+)
Double Bass and Piano
SKU: BT.YE0085
Composed by Benstaed.
Exam Material. Book Only.
Yorke Edition #YE0085.
Published by Yorke
Edition (BT.YE0085).
Commissioned
by Cheshire Libraries and
Museums Services for Gary
Karr. Benstead is an
English composer who has
written much music for
Janet Smith and Dancers.
The four movements,
Prelude, Conversation
Piece, Lament and
Finaleare rhythmic and
melodic. Duration c. 15'.
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For
fiddle. All styles,
fiddle tunes. Level:
Multiple Levels. Book.
Solos. Size 8.75x11.75.
268 pages. Published by
Mel Bay Pub., Inc.
compiled by Dr. Ed Whitcomb. For Fiddle. songbook. Canadian. Level: Beginning-In...(+)
compiled by Dr. Ed
Whitcomb. For Fiddle.
songbook. Canadian.
Level:
Beginning-Intermediate.
Book. Size 8.75x11.75.
224 pages. Published by
Mel Bay Publications,
Inc.
Edited by David Brody. For violin. Format: fake book. With lead melody, chord na...(+)
Edited by David Brody.
For violin. Format: fake
book. With lead melody,
chord names,
instructional text and
performance notes. Folk,
americana and british.
302 pages. 9x12 inches.
Published by Oak
Publications.
Chorus (with soloists) and piano (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0...(+)
Chorus (with soloists)
and piano (solos: SATB -
choir: SATB - 0.2.0.1. -
0.0.0.0. - str - bc)
SKU: BR.EB-8051
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Reinhold Kubik.
Arranged by Andreas (KlA)
(KA) Kohs. Choir;
Softbound. Edition
Breitkopf.
The Missa
Dei Patris is the first
of three transmitted
Missae ultimae. The piano
vocal score is based on
the score published by
Reinhold Kubik in volume
93 of the series Das Erbe
deutscher Musik, now
available as PB 5556.
Mass; Baroque.
Piano/Vocal Score. 128
pages. Duration 70'.
Breitkopf and Haertel #EB
8051. Published by
Breitkopf and Haertel
(BR.EB-8051).
ISBN
9790004185070. 7.5 x 10.5
inches.
The Missa
Dei Patris ZWV 19 was
composed in 1740 and
ranks among the later
works of the Bohemian
composer Jan Dismas
Zelenka. It opens an
incompletely transmitted
cycle of six masses which
the composer himself
designated as Missae
ultimae. The musical text
of the present
conductor's score is
based on that of Volume
93 of the Denkmaler
edition Das Erbe
deutscher Musik . The new
piano vocal score has
been edited by the
reputable expert Andreas
Kohs. Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung) Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt)
The
Missa Dei Patris is the
first of three
transmitted Missae
ultimae.
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Choir; Softbound.
Partitur-Bibliothek
(Score Library). The
Missa Dei Patris is the
first of three
transmitted Missae
ultimae. The piano vocal
score is based on the
score published by
Reinhold Kubik in volume
93 of the series Das Erbe
deutscher Musik, now
available as PB 5556.
Mass; Baroque. Full
score. 228 pages.
Duration 70'. Breitkopf
and Haertel #PB 5556.
Published by Breitkopf
and Haertel (BR.PB-5556).
ISBN 9790004213667. 10
x 12.5 inches.
The
Missa Dei Patris ZWV 19
was composed in 1740 and
ranks among the later
works of the Bohemian
composer Jan Dismas
Zelenka. It opens an
incompletely transmitted
cycle of six masses which
the composer himself
designated as Missae
ultimae.The musical text
of the present
conductor's score is
based on that of Volume
93 of the Denkmaler
edition Das Erbe
deutscher Musik. The new
piano vocal score has
been edited by the
reputable expert Andreas
Kohs. Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Paul und
Wolfgang Horn. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 48
pages. Duration 50'.
Breitkopf and Haertel #OB
5565-11. Published by
Breitkopf and Haertel
(BR.OB-5565-11).
ISBN
9790004342695. 12.5 x 10
inches.
Jan Dismas
Zelenka's Missa Dei Filii
is the second of three
transmitted Missae
ultimae, but consists,
like other short masses
of the 18th century,
solely of a Kyrie and
Gloria. Nevertheless, it
is an extensive work, and
the lengthy, multipartite
Gloria is considered as
the most impressive
Gloria setting that
Zelenka created in his
over 20 masses. What
remains to be answered is
whether Zelenka had
originally planned a
complete mass
composition.The full
score and the piano vocal
score are based on volume
100 of the Denkmaler
edition Das Erbe
deutscher Musik, in which
the gaps in the musical
text found in the
autograph towards the end
of the Gloria were
cautiously supplemented.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Reinhold Kubik.
Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 32
pages. Duration 70'.
Breitkopf and Haertel #OB
5556-27. Published by
Breitkopf and Haertel
(BR.OB-5556-27).
ISBN
9790004342893. 10 x 12.5
inches.
The Missa
Dei Patris ZWV 19 was
composed in 1740 and
ranks among the later
works of the Bohemian
composer Jan Dismas
Zelenka. It opens an
incompletely transmitted
cycle of six masses which
the composer himself
designated as Missae
ultimae.The musical text
of the present
conductor's score is
based on that of Volume
93 of the Denkmaler
edition Das Erbe
deutscher Musik. The new
piano vocal score has
been edited by the
reputable expert Andreas
Kohs. Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Paul und
Wolfgang Horn. Folder.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Set of
parts. 52 pages. Duration
50'. Breitkopf and
Haertel #OB 5565-30.
Published by Breitkopf
and Haertel
(BR.OB-5565-30).
ISBN
9790004342763. 10 x 12.5
inches.
Jan Dismas
Zelenka's Missa Dei Filii
is the second of three
transmitted Missae
ultimae, but consists,
like other short masses
of the 18th century,
solely of a Kyrie and
Gloria. Nevertheless, it
is an extensive work, and
the lengthy, multipartite
Gloria is considered as
the most impressive
Gloria setting that
Zelenka created in his
over 20 masses. What
remains to be answered is
whether Zelenka had
originally planned a
complete mass
composition.The full
score and the piano vocal
score are based on volume
100 of the Denkmaler
edition Das Erbe
deutscher Musik, in which
the gaps in the musical
text found in the
autograph towards the end
of the Gloria were
cautiously supplemented.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Reinhold Kubik.
Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 32
pages. Duration 70'.
Breitkopf and Haertel #OB
5556-23. Published by
Breitkopf and Haertel
(BR.OB-5556-23).
ISBN
9790004342886. 10 x 12.5
inches.
The Missa
Dei Patris ZWV 19 was
composed in 1740 and
ranks among the later
works of the Bohemian
composer Jan Dismas
Zelenka. It opens an
incompletely transmitted
cycle of six masses which
the composer himself
designated as Missae
ultimae.The musical text
of the present
conductor's score is
based on that of Volume
93 of the Denkmaler
edition Das Erbe
deutscher Musik. The new
piano vocal score has
been edited by the
reputable expert Andreas
Kohs. Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Paul und
Wolfgang Horn. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 28
pages. Duration 50'.
Breitkopf and Haertel #OB
5565-15. Published by
Breitkopf and Haertel
(BR.OB-5565-15).
ISBN
9790004342718. 10 x 12.5
inches.
Jan Dismas
Zelenka's Missa Dei Filii
is the second of three
transmitted Missae
ultimae, but consists,
like other short masses
of the 18th century,
solely of a Kyrie and
Gloria. Nevertheless, it
is an extensive work, and
the lengthy, multipartite
Gloria is considered as
the most impressive
Gloria setting that
Zelenka created in his
over 20 masses. What
remains to be answered is
whether Zelenka had
originally planned a
complete mass
composition.The full
score and the piano vocal
score are based on volume
100 of the Denkmaler
edition Das Erbe
deutscher Musik, in which
the gaps in the musical
text found in the
autograph towards the end
of the Gloria were
cautiously supplemented.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Reinhold Kubik.
Arranged by Paul (B.c.)
Horn. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 72
pages. Duration 70'.
Breitkopf and Haertel #OB
5556-11. Published by
Breitkopf and Haertel
(BR.OB-5556-11).
ISBN
9790004342831. 12.5 x 10
inches.
The Missa
Dei Patris ZWV 19 was
composed in 1740 and
ranks among the later
works of the Bohemian
composer Jan Dismas
Zelenka. It opens an
incompletely transmitted
cycle of six masses which
the composer himself
designated as Missae
ultimae.The musical text
of the present
conductor's score is
based on that of Volume
93 of the Denkmaler
edition Das Erbe
deutscher Musik. The new
piano vocal score has
been edited by the
reputable expert Andreas
Kohs. Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Paul und
Wolfgang Horn. Choir;
Softbound.
Partitur-Bibliothek
(Score Library). Mass;
Baroque. Full score. 136
pages. Duration 50'.
Breitkopf and Haertel #PB
5565. Published by
Breitkopf and Haertel
(BR.PB-5565).
ISBN
9790004213759. 10 x 12.5
inches.
Jan Dismas
Zelenka's Missa Dei Filii
is the second of three
transmitted Missae
ultimae, but consists,
like other short masses
of the 18th century,
solely of a Kyrie and
Gloria. Nevertheless, it
is an extensive work, and
the lengthy, multipartite
Gloria is considered as
the most impressive
Gloria setting that
Zelenka created in his
over 20 masses. What
remains to be answered is
whether Zelenka had
originally planned a
complete mass
composition.The full
score and the piano vocal
score are based on volume
100 of the Denkmaler
edition Das Erbe
deutscher Musik, in which
the gaps in the musical
text found in the
autograph towards the end
of the Gloria were
cautiously supplemented.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Paul und
Wolfgang Horn. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 20
pages. Duration 50'.
Breitkopf and Haertel #OB
5565-27. Published by
Breitkopf and Haertel
(BR.OB-5565-27).
ISBN
9790004342756. 10 x 12.5
inches.
Jan Dismas
Zelenka's Missa Dei Filii
is the second of three
transmitted Missae
ultimae, but consists,
like other short masses
of the 18th century,
solely of a Kyrie and
Gloria. Nevertheless, it
is an extensive work, and
the lengthy, multipartite
Gloria is considered as
the most impressive
Gloria setting that
Zelenka created in his
over 20 masses. What
remains to be answered is
whether Zelenka had
originally planned a
complete mass
composition.The full
score and the piano vocal
score are based on volume
100 of the Denkmaler
edition Das Erbe
deutscher Musik, in which
the gaps in the musical
text found in the
autograph towards the end
of the Gloria were
cautiously supplemented.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Reinhold Kubik.
Choir; Folder.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Set of
parts. 84 pages. Duration
70'. Breitkopf and
Haertel #OB 5556-30.
Published by Breitkopf
and Haertel
(BR.OB-5556-30).
ISBN
9790004342909. 10 x 12.5
inches.
The Missa
Dei Patris ZWV 19 was
composed in 1740 and
ranks among the later
works of the Bohemian
composer Jan Dismas
Zelenka. It opens an
incompletely transmitted
cycle of six masses which
the composer himself
designated as Missae
ultimae.The musical text
of the present
conductor's score is
based on that of Volume
93 of the Denkmaler
edition Das Erbe
deutscher Musik. The new
piano vocal score has
been edited by the
reputable expert Andreas
Kohs. Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
SATB choir divisi SKU: GH.CG-6977 Chorus of the Bacchae. Composed ...(+)
SATB choir divisi
SKU:
GH.CG-6977
Chorus
of the Bacchae.
Composed by Daniel Bortz.
Arranged by Daniel Bortz.
Choral score. With
Language: English,
Swedish. 8 pages.
Gehrmans Musikforlag #CG
6977. Published by
Gehrmans Musikforlag
(GH.CG-6977).
ISBN
9790070040525. A4 inches.
Text: Goran O. Eriksson /
Jan Stolpe.
From
the opera The Bacchae Act
1 for mixed
chorus.
Libretto
by Goran O Eriksson and
Jan Stolpe after
Euripides'
play. English
translation: William
Arrowsmith.